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#miravet
allthingseurope · 8 months
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Miravet Castle, Spain
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useless-catalanfacts · 2 months
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The Ebro river through the town Miravet. Terres de l'Ebre, Catalonia.
Photo by rogerden on Instagram.
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tinovalduvieco · 17 days
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Castell de Miravet . Terres de l'Ebre .Tarragona.Catalunya
Miravet ,Març 2024
©Tino Valduvieco
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isagjuidias · 1 year
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Síguenos en Instagram @revistadehistoria.es - Lee cada día nuevos Artículos Históricos GRATIS: https://revistadehistoria.es/registro-gratuito/ El Castillo de Miravet, símbolo de la épica templaria
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l-ours · 2 years
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Argile rouge de l’alfareria Jornet a Miracet (Tarragone, Catalogne)
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kingpiltrafilla · 2 years
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docpiplup · 1 year
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New upcoming film: L'home dels nassos
@asongofstarkandtargaryen
Director Abigail Schaaff's first fiction film, "L'home dels nassos", a combination of mythology and historical memory, began shooting at the beginning of February and will continue through the first days of March. Before "L'home dels nassos", Abigail Schaaff has directed various series, such as "Ventdelplà", "La última", "El ministerio del tiempo" and "Madres. Amor y vida".
The film is a period drama that combines adventure and fantasy, and through this mythological being, a man visible only on December 31 and who has as many noses as days of the year.
Set in 1968, the film tells the story of three children, in a mountain village, who try to escape from the "home dels nassos" (the man of the noses), a mythological being, visible only on the last day of the year, who captures lying children, has informed the distributor Trafalgar.
The feature film connects the 1930s and the 1960s and reflects the lies and silence imposed for decades, starring Pablo Derqui (Isabel, Los ojos de Julia, Si no t'hagués conegut, La Catedral del mar, La dona del segle) and Ivan Benet (Cerca de tu casa, Nit i dia, Teatre Lliure: l'ànec saltvage, Moebius).
The cast also includes Mercè Llorens (Mesrine: Parte 1. Instinto de muerte, El Comisario, Hospital Central, La niña de la comunión), Pep Munné (Caza al asesino, Visions d'un estrany, Lifting de corazón, Periodistas, Smiley), Maria Molins (El bosque, A la deriva, Hijo de Caín, Entrevías), Jeannine Mestre (Goya, Tornarem, Savannah Bay, Vértigo en Manhattan), Jorge Motos (Lucas, La Caza. Monteperdido, Tú no eres yo, Con mis ojos, Feria: la luz más oscura), Berner Maynes (Después también, Svetlana: Moderna del Raval), Malcolm McCarthy (Nieva en Benidorm, Cuba libre, Amar es para siempre, Foodie love), Salli Diallo, Miranda Munné and Lluc Miravete.
Filming is taking place in different locations in Catalonia, such as Mura, the hermitage of Sant Julià d'Uixols in Castellterçol, the Collsuspina cave, the forest and the Romanesque bridge of Gualba and Can Plantada, in La Ametlla del Valles.
The film is a co-production of Aguacate & Calabaza Films, L'home dels nassos AIE, Inaudita and the French production company Halley Production, and in turn, has the support of Televisió de Catalunya, ICEC, ICAA and CREA SGR.
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prunel · 6 months
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Irène Miravete
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eze77nqnsur · 1 year
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Castillo de Miravet, España.
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allthingseurope · 2 years
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Miravet, Spain (by Josep M Ferrer)
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useless-catalanfacts · 9 months
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2022. Ceramists from Miravet (Terres de l’Ebre, Catalonia). Photos by Jordi Borràs Abelló published in La Mira.
Miravet is a small town located on the shore of the Ebre river. Thanks to the river, it has an abundance of clay that has been used since Prehistory to make pottery.
Raval dels Canterers (in Catalan, “the ceramists’ suburb”) is a historical area of the town where pottery workshops have been located. Some of these buildings used are original 18th-century pottery shops, in use since then. It’s located next to the river, where they take the clay they use to make the pottery.
The woman in the first photos is Montserrat Pedrola. She’s the 7th generation of ceramists, historical documents show that her family has been working as pottery makers since the 1700s. Before plastic became the most used material, a lot of everyday objects were ceramic, especially everything used to eat, drink, and store. Now, Montserrat and her sister continue their family’s job, but they make more decorative objects and smaller versions of the traditional recipients that some tourists buy. But they don’t have any younger relative who wants to learn the job.
Besides Montserrat’s, there are 6 more active pitch-makers in the town, all of them located in the ceramists’ suburb.
More information in the article “El mirall de Miravet” by Oriol Lleonart Padrell, La Mira.
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returntoregalia · 5 months
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As requested! Unfortunately I wasn't able to get Miravet to show up on the same page as everyone else, so I had to leave her and Solovet's parents off the tree. Please let me know if I forgot anyone else!
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thedaysofdisorder · 8 months
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Graindelavoix performs Musae Jovis, epitaph for Josquin des Prez, by Nicolas Gombert Björn Schmelzer with Andrew Hallock, Albert Riera, Andrés Miravete, Marius Peterson, Adrian Sîrbu, Tomàs Maxé, Arnout Malfliet, Lukas Henning (lute) and Philippe Malfeyt (cittern)
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lotrscenery · 2 years
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Miravet, Spain
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rin-solo · 17 days
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Cartoon Series Pt. 5 | Gregor and the Code of Claw Pt. 1
Here is part 5 in my cartoon/Phineas and Ferb style wallpapers of every TUC quest series ... except hold up, since when is there a quest in CoC? And why is it called CoC Pt. 1?
... Since A Henry Story, actually.
Yes, this is another original quest, exclusive to AHS. In the AHS universe, CoC has like 800% more plot than Collins' CoC. It takes up Part 2 and 3 of AHS 3 (while MoS takes up only Part 1), and so I have decided to do two wallpapers for it, as it's now warranted by the length of this story (for details, see below.)
Because it is original and most of you will have never read it, let me tell you a few core details about this quest and some changes that I've made to CoC in general (spoiling as little as possible):
The first change that I've made to this part of TUC is quite simple: For reasons that I shan't spoil, Luxa and Howard go back to Regalia with Gregor after MoS (not for long though.) And so, the purpose of this quest becomes clear—not long after this return, they all depart yet again to rally potential allies for the war.
Okay, but why do they all look like they suddenly hate each other when the last (MoS) wallpaper was so wholesome? Because war and prophesied deaths aren't enough. We're adding some interpersonal drama on top of that, along with a "mending and repairing relationships and old wounds" storyline. That's all I shall say for now :)
This quest is not particularly long, actually. Although the time passed during the events of CoC has been extended and some of the events rearranged to fit a slightly altered timeline, it only takes up about 2/3 of Part 2.
To give you a rough overview: This quest begins around when Gregor sneaks away to battle in the Firelands in the original CoC (which does not happen in that way), and their return coincides with that first challenge battle (now spanning around a week.) After that, we're following a dual POV (half of the questers remain outside of Regalia with Henry and half inside with Gregor.)
Now you're curious for some more info about the changes to CoC and how this is supposed to work, timeline-wise? I can give you some pointers:
Gregor reads the Prophecy of Time and fetches Sandwich's sword in between the MoS quest and this quest (as you can see, he already has the sword here.)
Gregor isn't in Regalia when the challenge battle starts so Lizzie arrives in Regalia shortly after he returns. Only for the battle after that does he meet Miravet and receive his armor.
The entire diggers plotline has been cut. It made no sense why they would suddenly join this war and overall didn't really fit in general, so they do not appear. The reveal about Sandwich and his war crime against them still happens, but differently.
There is a second main villain—a human—whose identity I won't give away :) Let's just say "When a secret plot is hatching" actually has a meaning now. And there is also much more emphasis on the in-species resistance against the Bane among the gnawers.
After the genocide, only around 30 nibblers are remaining alive. I have no idea why or how Collins thought it was believable that there still were hundreds of them.
Some more key phrases to pique your curiosity:
The truth of Prophecies is not related to the Prophet's moral alignment, and even that may not be as it seemed
It is easier to cling to hope and not despair if you have a working support system and a found family
The marks of secret make an unexpected reappearance
Belonging and family may be found in the darkest hour, not lost
Secret meetings and conspiracies
Recalling that you have choices and agency and that nothing can truly take those away from you is crucial
A knight embodying numbness may be haunting instead of comforting when you wish to cling to your kindness and hope
War is never just, but what follows afterward may be
***
Now, with that in mind, let's look at the art again ... I should probably introduce the characters you won't know yet:
(r.t.l) Hera (a flier they meet during TUC 3.5—more in that wallpaper), (ground) Luxa & Aurora, Ripred, (hanging) Ares, Howard, Gregor (ft. Sandwich's sword), [redacted gnawer name], (hanging) Thanatos & Nike, Henry.
Anyway, if that sounds interesting to you, go read "A Henry Story" 👉 I promise it is very cool, even if you somehow liked CoC, I am confident that you'll enjoy my version (I say this like AHS 3 is done ... I actually do not recommend reading AHS 3 rn, it is currently being massively overhauled and the ending is not done.) I have a post up on my tumblr where I link the first two books though, but you can also find them on Wattpad, Ao3, and Quotev (my favorite<3) as well by simply browsing.
And check out the rest of this art series (on my tumblr feed)! I plan on doing all the quests.
Disclaimer: the bg is a stock image; the rest is drawn by me!
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