#mohre

[nashwauae]

How to Check Labor Card Status

This article will be your one-stop guide, unpacking everything you need to know about this essential document. #UAELaborCard #UAEWorkPermit #MOHREapp #ExpatLifeUAE #WorkSmartUAE

The United Arab Emirates (UAE) boasts a thriving job market, attracting professionals from across the globe. But before you can take advantage of exciting opportunities in Dubai, Abu Dhabi, or any other Emirate, there’s a crucial step: obtaining a UAE labor card. This article will be your one-stop guide, unpacking everything you need to know about this essential document. We’ll delve into the…

[pennywises]

Bill Skarsgård as Boy in BOY KILLS WORLD (2023) dir. Moritz Mohr

[harpidiem]

some traditional ink doodles from The Crow 🌧️

[genderoutlaws]

A hanky code parody featured in Vol. 5 Issue 2 of Mainely Gay — the official newsletter of the Maine Gay Task Force that ran from 1974 through 1980 — by Kevin Mohr | 1978

[lilalbatross]

SHORESY 2x04 | Players Only

[outofeverythingthisnamewasleft]

Cell occupied by a woman, St, Antonine prison, Geneva, by Jean Mohr, 1980s

[ornithorynquerouge]

Lea Mohr by Jonny Seelenmeyer

[henk-heijmans]

Genève, Switzerland, ca. 1956 - by Jean Mohr (1925 - 2018), Swiss

[ramonaflow]

Just want to let you in so bad (×)

[retroscifiart]

Art by Rolf Mohr for Of Men And Monsters by William Tenn (Gollancz, 1989)

[oldshowbiz]

Buddy Hackett told Joe Rogan to shut the fuck up on one of the very first episodes of Last Comic Standing.

[misstwisted]

I’m so proud of myself for making this. Might be some controversial opinions but we’ll cross that bridge when we come to it. 😅

[pennywises]

Bill Skarsgård as Boy in BOY KILLS WORLD (2023) dir. Moritz Mohr

[b-skarsgard]

Boy Kills World Featurette Exclusive

[garadinervi]

Edward W. Said, (1986), After the Last Sky. Palestinian Lives, Photographs by Jean Mohr, Columbia University Press, New York, NY, 1999

Cover Design: Benjamin Shin Farber Cover Photograph: from the interior

«The further we get from the Palestine of our past, the more precarious our status, the more disrupted our being, the more intermittent our presence.» – (p. 34)

«A second incontrovertible fact is that the alliance between Zionism and the United States ultimately caused our dispossession, and prolongs it to this day. […] It is as if Palestine had been a nondescript locale in the process of being evacuated by faceless natives, until Americans thought better of it and filled it with deserving Zionists. Any Palestinian who wishes to understand the peculiar miseries of his or her situation today must reckon with an almost total official American opposition to us as a people, as a society, as a cause.» – (p. 133)

«I would like to think, though, that such a book not only tells the reader about us, but in some way also reads the reader. I would like to think that we are not just the people seen or looked at in these photographs: We are also looking at our observers. We Palestinians sometimes forget that – as in country after country, the surveillance, confinement, and study of Palestinians is part of the political process of reducing our status and preventing our national fulfillment except as the Other who is opposite and unequal, always on the defensive – we too are looking, we too are scrutinizing, assessing, judging. We are more than someone's object. We do more than stand passively in front of whoever, for whatever reason, has wanted to look at us. lf you cannot finally see this about us, we will not allow ourselves to believe that the failure has been entirely ours. Not any more.» – (p. 166)

[lilalbatross]

SHORESY 2x05 | The Man Advantage