I feel like the transition from "superhero movies which assume the audience is too dumb to understand the concept of superheroes and spend the first 80% of the film slowly, laboriously explaining what a superhero is" to "superhero movies which assume the audience is incapable of sufficient suspension of disbelief to entertain the concept of superheroes and are constantly waving at the camera to reassure viewers that don't worry, we understand how silly this is, too, seriously, can you believe this shit?" doesn't represent an evolution of the genre so much as it represents an evolution of the writers' willingness to hang a lampshade on their naked contempt for the viewing audience.
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GUYS WE GOTTA GET THIS MORE LIKES THAN THE OFFICIAL TRAILER GOGOGO
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Castillo Almodovar del Rio, Spain 🇪🇸
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Something that definitely made it harder for me to realize I'm aroace was my love for movies with a good romance. The longing I felt while watching them, I assumed was longing for romance, but really, it's a longing for movie magic!
I want to be in a world with spells and mythical creatures! I want to go to balls! I want to travel to distant planets! I want to break out in song and dance with a full ensemble!
I'm not longing for love but adventure and creativity.
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“2 tickets for Beetlejuice Beetlejuice pls”
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Do you ship it?
reason:
"However, this sceptic had one fanaticism. This fanaticism was neither a dogma, nor an idea, nor an art, nor a science; it was a man: Enjolras. Grantaire loved, admired and venerated Enjolras."
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