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#murata layout
vilunae · 1 year
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STAR CHASER | HIMEKO ✶
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kis-e · 1 year
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. ☆ ͡ ݂ 🐚 ⋆。° ݂ 🪽 !!
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joj0su · 1 year
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dilfiesz · 1 year
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wherever i go there's a shadow of you. 🎀
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bang-chan-my-man · 2 months
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&TEAM 青嵐 (Aoarashi) Fuma Concept Photos
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animecoreboy · 1 year
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b-ubbleberry · 1 year
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ℛ𝒆𝒅 ℬ𝒍𝒐𝒐𝒅🍷.
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o0kawaii0o · 2 months
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Had issues with layout in the ask post so here's the rest!
However 1 artist comes to mind for now and that's Murata Yusuke; I'm rereading Eyeshield21 (again lol) and each time his art makes me go "wah so damn good".
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From colours, to how dynamic and alive pieces can feel, to lighting/shading, to textures, etc. Lot of the pieces also have this feel of mundanity in it which I really like, and I also how at time I feel like I'm there as well. I love the mixture of realism in lighting/shading (and at times anatomy) with the manga/comic style!
The last image also was a bit of an inspo for my latest Luffy art!
As for tutorial, I might elaborate in another post at some point (cus it's quite a broad thing to go about). Like I've mentioned before, I'm soaking up things along the way! Which includes things like colour theory, lighting/shading, composition, etc. But I personally don't recommend forced research/practice; art needs to be fun after all, take things at a time but it might be nice to try something new with each piece, however how subtle.
I can recommend Saito Naoki's YT channel! I watch his 'whimsical correction' videos during lunch at times haha - Each 'correction' (more like professional advice) has a certain goal/theme which can be improved upon, which can be story wise, appeal, anatomy, etc.
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Anyway, some advice I have for now are kinda my 'cheats' will follow now! [Disclaimer: these are things that work for me and are by no means the 'correct' way of doing things. So if I say things like "avoid this", it's something I personally do.]
My strength lies I think mostly in my lighting/shading at this moment!
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My flats aren't bad or anything, but I feel like it really comes alive after shading. And the first thing to do is to establish where the light source is. Try to avoid 'pillow shading', work in bigger shapes and don't be afraid to do so. Working digitally, I can recommend to take a big brush and just put it very roughly on your character. You have the means with digital art to easily erase parts that are too much and to refine shapes afterwards.
One cheat is bouncing light.
(This was a Multiply mode layer set back to Normal mode for sake of visibility.)
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You gotta have a bit of understanding of volume of where to apply it, but it's light that's been reflected by e.g. the ground back up again. This little variation in shading can add a lot. Note that it's better to go from the OG shading colour and sliding it on the colour wheel (hue) to be either warmer or cooler and then sliding in the square/triangle (saturation and value).
More examples of bouncing lights:
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It depends how intense the light is reflected; the more, the harsher the contrast is compared to the OG shading colour.
Second cheat is 'light terminator' and 'substance scatter', not sure if it's really the correct terms but oh well.
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This reddish tone (again on the Multiply shading layer) is kinda the border line from light to shade. It's reddish on skin (if you have red blood haha) but you apply it on other things with other colours too!
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Make sure you don't overdo it and put it everywhere, also note if you use harsh or blended brush strokes, maybe even both for variation! Try it out and see what works best for you!
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That's it for now; this took more time out of me than planned 💀 you better appreciate this anon! /jk
My main motto regarding art is "fck around and find out". This mindset also helps with keeping art fun!
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arkus-rhapsode · 11 months
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Wanna give some love to a mangaka that I don't think gets enough credit. Kyoutarou Azuma artist for series like Tenkaichi and Versus as well as the adaptation of King of Fighters. He can make some heart pumping action and cool visuals.
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For me, seeing all of these different manga series from Monthly Shonen Sirius all together in this dynamic layout with their personality shining through in a unifying art style makes me confident in saying Kyoutarou Azuma is up there with guys like Murata and Horikoshi in their artistic skill when they do stuff like this.
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theomnicode · 2 years
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Thoughts and theories about chapter 176
You know shit is about to go down as really funky when characters casually start mentioning divine power, when the only people who "know" about divine power specifically is Blast's group and OPM God.
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I mean, at this point I'm just going to say that this is not even actually real thing that is happening anymore and more like a dream or some collective consciousness thing. ONE is just pulling our leg and is gonna pull the rug/plug at some point. But we can enjoy the shock and drama till that happens and pretend we followed some webcomic layout hah.
I had that feeling since 170 and this pretty blatantly breaks the rules ONE sets in opm about who knows what information. Information frameworks.
There is no conceivable way for Fubuki to magically know this. It's like some unknown entity is speaking through her or something.
What she is saying is really abstract information too. And then once she finishes saying it, Fubuki is horrified to see Saitama fall into the darkness of the pit.
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You know like, if you fall for someone that hard, you might fall prey to dark emotions or something and taken advantage of. Loveen langennut. Not the first or last time ONE has depicted a person going through hell and back to save a loved one (I think it was Mogami from Mob psycho)
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So do expect Saitama's emotions to also be taken advantage of, now that he's felt for quite a fair amount for Genos. It is very much hinted at that something more lurks below the surface.
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It's honestly like some other entity is pleased that Saitama well, came along and managed to ascend high enough to defeat Garou, because this entity has given up on ascending on their own and can see Saitama's inner strenght because he has broken his limitations and acquired access to divine power. Has seen that Saitama is capable enough of going that far and did not die while handling that kind of emotion, so he would eventually have the mental strenght to properly ascend as well without having a mental breakdown first.
*rubs chin* Unknown entity speaking through her is a thought too. Like what happened to Psykos.
Who are the people who actually fought awakened Garou anyway?
Blast, Saitama, Blast crew...is divine power itself self-aware?
Did Genos core become self-aware?
Or does she mean that in order to "ascend", one has to feel love/emotions so thoroughly in their inner world that they'd get exponentially stronger from that. Since that's a source of power, it would make sense.
I'd imagine it makes a person vulnerable to god's machinations however. So that is probably a big no-no in the Blast crew circle. Be emotionally detatched at all costs.
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Another hint is these elf-ears these characters seem to be sporting, because Murata-sensei is amazing at visual cues. The other character who had elf-ears was Garou after he awakened.
But what really sells this is that Tatsumaki on the right has the same flowing hair as Mob does when he goes 100% and Tsukuyomi guy on the left looks like Genos when he tried to stop the meteorite. Genos on the other hand, has those same hairs forming the same kind of pattern as Tatsumaki's loose hair.
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So when you think about it, that's possibly a pretty huge hint.
It might refer to that Genos was probably given divine power via Saitama originally when Saitama accepted him as disciple (Genos and his yellow glowing eyes in anime) and it could mean that for Genos, there's two paths to take.
One would lean towards using the artificial emotions and power stored in the core, to gain more power and lean into his darker, more machiavellian emotions to accomplish what he has set out for, no matter the consequences or the collateral...his quest for revenge being something Saitama made him momentarily forget. And in doing so, forget himself. And become manmade "esper" like Psykos after she came in contact with God. Or should we say, godly being.
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The second route, what he himself actually feels and how he feels through his potential empathic link to Saitama and gaining power via that and how much he cares for Saitama.
That is, in order for Genos too, to ascend and awaken. But path is never linear so might be a while yet unless we get a glimpse early, but I'd definitely love to see Genos the Retribution Paladin popping some wings (Avenging Wrath) and become Avatar of Retribution itself. Then proceed to Divine storm aoe all the evil things standing in his way. If he becomes a Protection paladin, he can Divine shield and Divine Protection/Blessing of protection all the people. It would be cool af.
Once you see paladin pop wings, you should run away and fast lol. If there's something Genos has, it's firepower and a ton of it.
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lanshengic · 9 months
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STMicroelectronics’ new 200W and 500W devices enhance performance and value of MasterGaN series
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【Lansheng Technology News】STMicroelectronics’ MasterGaN1L and MasterGaN4L gallium nitride series products have launched the next generation of integrated gallium nitride (GaN) bridge chips, which use wide bandgap semiconductor technology to simplify power supply design and achieve the latest ecological design goals.
STMicroelectronics' MasterGaN product family combines two 650V high electron mobility GaN transistors (HEMTs) with optimized gate drivers, system protection features, and an integrated bootstrap diode to power the device at startup. Integrating these features eliminates the need for designers to deal with GaN transistor gate drive development challenges. Both products feature compact power packages that improve reliability, reduce bill of materials costs, and simplify circuit layout.
The two new devices contain two GaN HEMT transistors connected as a half-bridge, a configuration suitable for developing switches using active-clamped flyback converters, active-clamped forward converters, or resonant converter topologies. power supplies, adapters and chargers. MasterGaN1L and MasterGaN4L are pin-compatible with MasterGaN1 and MasterGaN3 respectively. Compared with earlier products, the new product has re-optimized the conduction time, supports higher switching frequency, and achieves higher energy efficiency under low load conditions. The improvement in energy efficiency is especially obvious in the resonant topology.
The input pins accept signal voltages from 3.3V to 15V, and input hysteresis and pull-down resistors facilitate direct connection of the inputs to a controller, such as a microcontroller, DSP signal processor, or Hall-effect sensor. A dedicated shutdown pin helps designers save system power. The timing of the two GaN HEMT transistors is accurately matched, and an interlock protection circuit is integrated to prevent the switch tubes on the bridge arm from being cross-conducted.
The MasterGaN1L HEMT has an on-resistance RDS(on) of 150mΩ and a rated current of 10A, making it suitable for applications with a maximum power of 500W. No-load power consumption is only 20mW, supporting high conversion efficiency, allowing designers to meet the industry's strict standby power consumption and average energy efficiency goals. MasterGaN4L HEMT is positioned for applications with a maximum power of 200W, with an on-resistance RDS(on) of 225mΩ and a rated current of 6.5A.
The EVLMG1LPBRDR1 and EVLMG4LPWRBR1 demonstration boards are now available to help developers evaluate the capabilities of each product. These two boards integrate a GaN half-bridge power module optimized for LLC applications, allowing developers to quickly create new topologies using MasterGaN1L and MasterGaN4L devices without using a complete PCB design.
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factmrblog · 1 year
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Automated Storage and Retrieval Systems Market Growth and Demand Analysis by 2032
The global automated storage and retrieval system (ASRS) market is projected to reach $24 billion by 2032, from  $10.2 billion  in 2022  .
Demand for ASRS is projected to grow at over 9.1%  on an annual basis , primarily driven by usage across retail warehouses over the forecast period 2022-32.
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market player
Daifuku Co., Ltd.
Murata machine
Dematic GmbH & Co. KG
Vanderlande Industries
TGW Logistics Group
system logistics spa
westphalia Technologies,
honeywell integration
Swisslog Holding AG
Invatar Intralogistics
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Micro-economics factors that may hamper the prospects of some of the key segments
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Regional markets that will be future engine of growth and the industry trends that will support these markets
Challenges overcoming which may offer industry players competitive edge
Automated Storage and Retrieval Systems Market Key Segments
·         By Type
Unit-load AS/RS
Mini-load AS/RS
Vertical Lift Modules (VLMs)
Horizontal Carousels
Vertical Carousels
Shuttle- and Bot-based AS/RS
Micro-Load (Stocker)
·         By Category
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Integrated
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Automotive
Food and Beverage
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Healthcare
Retail and e-commerce
Others
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The study takes a closer look at the major economic turmoil, with a focus on the recent COVID-19 pandemic disruptions
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yu-uji · 2 years
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↳ fubuki icons
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iorgutes · 3 years
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𓂃 ☕ ,, tudo o que você deixou para trás se tornou o meu tudo
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aaslynx · 3 years
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i've delayed this post for months just cause i was too lazy to crop the photos
-like or reblog if you save or use these please
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dilfiesz · 3 years
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( ◞.◟)  I'm holding on, barely.
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