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#my very first critique
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I’ll be writing a critique of the way Blitzø and Stolas’ relationship was handled more at length, but I wanted to stop and take a moment to look at this scene from the new episode, “Full Moon”:
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This is the sort of power and control that Stolas has always had over Blitzø.
It does not matter that Stolas has never threatened to take away the Grimoire before, or that they were “friends” as kids, or that he offered Blitzø a few months off, or that he’s been nice to Blitzø in the past, or that Blitzø actually does have feelings for Stolas.
When you are in a situation where you cannot say no at the risk of losing your livelihood, you cannot give true consent.
This is the very BASIS of their relationship. It has always been the basis of their relationship—a quid pro quo relationship where Stolas holds all of the power.
I have seen countless people go over and explain in great detail why the full moon deal was not truly coercive, or a quid pro quo situation, or how it was completely consensual.
And it’s just not. It is sexual coercion where Blitzø cannot give meaningful consent. Because if he refuses Stolas, he’s at risk of losing everything.
I want to clarify that my criticism here isn’t with this writing decision. I’m not trying to say anything along those the lines of “because this fictional character did a bad thing the story is bad and people who like the character support sexual coercion!!” That’s not what I’m saying at all.
I am bringing all of this up because my criticism is not of this writing decision, but because of the framing of the Full Moon deal and of Stolas and Blitzø’s relationship.
The narrative often frames Blitzo as if he is the one who has wronged Stolas by not prioritizing Stolas’ feelings and needs above all else. Or, it frames both Stolas and Blitzo as being equally in the wrong for the conflicts in their “relationship”.
This framing, and the extent to which fans try to justify it as being ANYTHING other than what it actually is—Stolas coercing Blitzø into a relationship where he has no power and is at the risk of losing his livelihood—is baffling to me.
This framing, coupled with the writer’s absolute refusal to ever have Stolas held accountable for his actions (including Stolas still not actually apologizing for the situation he put Blitzø into—he acknowledges that the relationship being transactional is wrong, but does not acknowledge that he was wrong to coerce Blitzø into that relationship. He says “…it isn’t right…it never was”, not “What I did wasn’t right, and never was”) is why I can’t consider St0litz to be just a “complex” or “messy” relationship.
It don’t think it can be, because it’s not a relationship. Not a real one. It’s a transaction, where Stolas treats Blitzø like a sex object. And whether that was the intent or not, Blitzø’s reaction above and saying that he would do anything to keep the grimoire makes it really hard for me to see St0litz in any other light.
As a final note, I’m not saying that you can’t write dark relationships, or have complex and unsympathetic protagonists. You can ship whatever you want! You can have characters that sexually coerce and abuse others, you can write every dark and twisted thing your mind can come up with.
But it’s very clear that Helluva Boss’s writers want to frame Stolas as being the wronged party, and the one who we are supposed to sympathize with—and you just can’t have it both ways.
You can’t act like you’re writing a complex love story between two very complicated and real people, when the relationship that you’re describing is so utterly one-sided and unbalanced.
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dukeofthomas · 12 hours
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"Jason just needs to see things from his family's perspective and understand how much they love him (despite them never actually communicating or showing him through their actions)" is out. "The batfamily putting a single bit of effort into understanding Jason and reconciling with him on his own terms" is in.
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prismolette · 2 years
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Gimme my emotional support tall lady
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skitskatdacat63 · 9 months
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Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)
- explanation & w/o text:
Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!
First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.
Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.
Basically: He's both a Bond girl and Bond villain.
Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.
About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.
I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")
I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.
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#ah well this was certainly a project....#rn i feel like im devolving into illness so im glad i could finish this up before it possibly gets worse#this is my magnum opus as of rn. just bcs ive not really drawn such a longform thing for them!! happy w it :)#i think i def like the first one the best#it made me suffer so bad but i think i soften on my own art after a few days#like i finish it and know its 'good' but cant help but critique every little thing#but ive had that one done for almost a week so now i look at it and really love it#i was originally just going to draw that one only but then realized i really like the full dialog so. might as well.#generally i liked this though bcs even if it ws difficult. it was nice to have really direct and clear reference#like ah ik where im going w this rather than it being an image in my head that i cant represent the way that I want#ah anyways all my vettonso aus tend to be just wanting to explore specific dynamics of theirs#and this one is basically how i feel about their mutual relationship to the institution of ferrari and how it affects their dynamic#basically: THEY'RE MIRRORS!!!#there's always something to be said abt nando being resentful abt seb bcs of 2010/2012/etc and then seb taking his seat at ferrari#but then witnessing seb basically go thru the same trials and tribulations and failures at ferrari#and realizing huh wait maybe he's not who i was villianizing him as. maybe hes at my level too. maybe he's not infallible. maybe hes like m#a very bitter nando who has to fight btwn his impulse to ruin seb further or to relate to him and start to like him#so yeah that's ^ basically what i want to portray in this au(just like all AUs tbh)#f1#formula 1#sebastian vettel#fernando alonso#catie.rambling.txt#catie.art.#vettonso#bond au
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does anyone remember this part of the stream? every time i show someone this picture they look at me like i’m crazy
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crownedwille · 6 months
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I've come to the conclusion that loving young royals doesn't mean I can't be critical about it, maybe especially bc I love the show so much I have such strong feelings about it, good and bad and I can love parts of canon and agree with it and appreciate it but I don't have to love it all. I have accepted that it's okay if I don't accept the ending and I don't have to force myself to support it. It's okay to not agree with all of canon and it's okay to not side with all of the creators' intentions/views. Loving a show doesn't mean you have to take everything the writers say on face value and that's the only version that is allowed to exist. Canon isn't everything and fandom is about curating your own experience that makes you happy and not miserable. You don't have to dismiss canon in every aspect and ignore it entirely, that's certainly not what I want but there is a fine line between being canon respectful, allowing some parts to exist and sometimes, yes, you just have to say "fuck canon" and move on for your own sanity and wellbeing
#especically in the first two weeks of a new release everyone is feelings lots of intense emotions ranging from ecstatic to angry#everything in between is a part of it and i know i'm also feeling very strongly about it right now#i always try to stay levelheaded and rational and see things from an objective pov and be diplomatic about discourse#i don't want any of what i say drift off too much into meaningless hate instead of the constructive criticism it's supposed to be#but when you feel so strongly about something and sometimes you really just wanna say yeah i fucking hate it lol#but i always try to explain why and give understandable arguments and not just blindly hate on something#for example - I'm aware there are fans who have some problems with s2 and don't love the season whereas i do and it's my fave#and there is a difference between expressing some criticism and justified concerns which you can understand where it comes from#and those who are just like 'oh it's a horrible season. it was so shitty and we should get rid of it' which is dumb hate and just not true#and i can't support people like that and take them seriously#i can have my own issues with s3 from a subjective pov which can also include some justified criticism as well#but also still acknowledge it as a truly good piece of tv media and the quality is top notch#and that's why you have such high expectations and have critique because it is so good and sets such a high standard#yrtalk#with that being said i understand ppl not wanting to see any critic about it if they are riding the high of happy wilmon endgame#but that doesn't mean that i can't express my own opinions on my own blog and i will continue to do so#and maybe one day i will feel differently and accept or even like the ending who knows#but it doesn't have to happen. it's fine if it does but it's also fine if it doesn't
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fideidefenswhore · 3 months
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"In Wolf Hall, Henry VIII’s perfume is defiant and brash: “He moves in a perfumed cloud made of the essences of roses; as if he owns all the roses, owns all the summer nights” (81). This is Henry as deus ex machina, a perfumed deity descending from the heavens in a cloud, owning and desiring all that is beautiful, fresh, and vibrant. His new mistress Anne Boleyn’s skin is described as “faintly perfumed: amber, rose” (273) and when she stretches her arms “she smells of green leaves and lavender” (293); her aromas already complement Henry’s own rose perfumes, and she is as fresh as all the summer nights."
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was just rewatching Jack Saint and Patricia Taxxon's video on Mauler (it's called "Long Critique Is Not Deep Critique" and it's like actually so fucking good) and was so taken aback by hearing Twin Peaks music in there now that i've actually seen Twin Peaks lmao, that Laura Palmer theme is so fucking good, Angelo Badlamenti is just truly on another level, i already wanna rewatch the show now (S02 is good, y'all are just cowards).
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idletrait · 1 year
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Also for anyone who likes raising sims PLAY VOLCANO PRINCESS. I got it for less than £8 since it's on sale and it's got so much content.
*spoiler under cut*
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and its got furries 😏 
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danothan · 5 months
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i had a dream that i drew a chardee fanart where they looked kinda sweet and cheerful and adorned w flowers, i think they were even in a meadow? and charlie had cut down a tree so they could use the stump as a picnic table, and he was leaning on his axe as dee was setting the food, but there were tiny inklings of wrong throughout the piece, like how charlie’s axe had blood dripping from it, and the picnic food looked a little suspiciously human. i think i just miss their cannibalism days tbh
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ranger-crisis · 4 months
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Heartbreaking: person you like doesn’t like Gale Dekarios because he’s “annoying” and “doesn’t have as ‘traumatic’ or interesting of a story” and “doesn’t have that much bearing on the story” (cough cough that damn vampire too, but sure Gale has “nothing” going on.) oh you don’t like Lae’zel? Who could’ve guessed that…?
Also I don’t think 90% of people know what infodumping actually is. And besides anytime I hear it y’all just sound like dicks. “He’s infodumping” go make actual friends that don’t shop on shien and call literally anything tmi. I’m putting “infodumping” on the shelf until you learn how to enjoy a game that isn’t all killing things or action 24/7.
#leave my husband alone#he’s the most normal ass person there#Gale Mr Dekarios I will defend you with uh 1/19th of my life. obviously I have more important things to do but I do have a duty to you.#the fallout fandom lets me have more peace from this behavior#which is probably because tumblr fallout is ‘find your corner. stay in your corner. most people outside the corner misinterpret literally#everything about the story’#while in bg3 it’s like oh god 15 people you follow just started playing bg3 and you do not want to see their takes#it still bothers me that people think y’know who was being practical about not helping the tieflings#despite the fact he was very obviously being racist#but whatever go ignore all of your favorite character’s flaws since that’s the only way they’re your favorite#gale dekarios#not like most of the bg3 character’s aren’t alreayd extremely defanged#larian and Bethesda have a few things in common. for instance I am not buying anything else from them outside of the one specific series#they’ve contributed to#is there a way to get steam to not update fo4…#I know this person is in act 1 but also. like. come on man.#‘he’s obsesssing over magic while we’re all possibly dying’ girl Larian put very little effort into making the tadpole feel like an actual#threat#the only thing holding the game’s story together is being able to punch things.#but I’ll save my lengthy critique for bg3 for later#and I need to finish the Kane playthrough. don’t really care about Ciaran. really really want to go play bg1 but I want to finish bg3 first#sigh#thank you for reading this I suppose#:)
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sailoreuterpe · 13 days
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I may not be very comfortable with explicit fic, but I still wish that I had the skill to write BLT Burgers' first time. T_T
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bookwyrminspiration · 29 days
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So I’m related to a professor who always told me not to pirate textbooks because the reason they’re so expensive is that fewer of them print than a lot of other books and she, as a person who publishes, would barely make any money off of work she spent years doing if they weren’t unfortunately relatively high in price. She is on board with using libraries and such but she’s super anti-piracy for that reason
I obviously don't have the experience of being a published professor, or of working in writing/publishing, so take everything I say with that in mind.
But, based on my limited knowledge, I don't think it's piracy's fault if she'd barely make anything. Publishing companies decide percentages of profits in contracts--and you can negotiate a little, I think, but not significantly? That's my understanding at least.
Framing it as students not buying the books when they're being told/required to buy so many at such high prices instead of as publishing companies taking an unfair cut of the profit feels...misdirected. These students are not the enemy or the problem or cruel or dumb. They're trying their best to manage their education
It's the publishing houses/companies, from what I know, that we should be pissed with. Students and authors alike. For high prices, for low pay, etc.
But again. Not an expert. This is simply my understanding of the forces at play
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ok. i finally caved and watched journey beyond sodor. so many questions but many things i liked. mostly being thomas and james. i adore them.
#absolutely fascinated by james on his rescue mission. he Could have had his ego buttered up so easily like thomas but he Knew to be sus#and just the. cut the shit. where is he.#If i had a nickle for every thomas movie where James was pursued into a steelworks at risk of death i'd have two nickles#thomas was p good int his movie#i remember seeing critique of this that was like 'the experimentals are annoying apart from merlin'#i actually believe the opposite. lexi and theo u are angels. merlin ur kinda annoying but the fact u can steam properly is helpful#but also merlin is a king. arthur. ha.#batshit that at the end the villains got what they wanted. like hurricane proved himself by saving Thomas but Frankie?#she girlbossed too close to the sun. and then she fake-cried about it and it WORKED??#Thomas!! have higher standards!!!#id like to think James noticed this worked on Thomas and tried fake-crying to get his way later. id like tto think Thomas then caved#why is that a trait u have thomas. ur so manipulable in this film#but yes. yeah. that ending chase was so tense#also i love theo. he looks like fergus and stepney in one little clanky box#tbh i didnt like most of the songs but i think my standards r too high#james' favourite song was very cute the first time but i dont think it deserved to be the main theme sort of thing#some of the lyricism was Really weak. who wrote that. why is ur meter so bad#but on the whole this was actually like. very musical theatre-y in how its music was presented. thomas had like. recitatives and shit#that i can appreciate#dj rambles#u think one day id learn to put my ramblingg in the main text but alas
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imaginarypasta · 9 months
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i’ve been trying to get through hoh for literally like a week now but it’s so hard bc the way my fave nico is treated is absolutely ABYSMAL and i know it only gets worse
#personal#even hazel being like ‘yeah he’s hard to get along with’ or whatever she said#every single non-tartarus perspective has had at least one reference to this#and like i understand the reasons it’s not that it’s that it highlights this issue i have with a lot of the characters in that series which#is that i don’t like them. and that’s so different for me bc i actually usually find that my two favorite characters in anything are the tw#that don’t like each other? unrelated to that dynamic usually mostly but still within it#but that’s not even what the dynamic is yk.#and it’s just the whole thing overall like in the last book there was one part where these two characters who are supposed to be good#friends are separated and one makes a comment about how annoying (or something along those lines) she finds the other which.#i’m vaguely aware of what happens in toa so i think you could argue something about that but read on its own bc i don’t want to make that#argument without fully grasping where her character goes#it just kinda reinforces this… vibe to the whole series that was not nearly as present in the first series of like. really overemphasized#like gender roles/heterosexuality/etc. i can’t think of the word to use to describe it. i’ve seen other ppl talk about the parts that add u#to the whole that i’ve seen but never synthesize them. and it really varies between actually insidious and simply not my taste which is par#of the reason i hesitate to make a full critique out of it. but suffice to say i really don’t like it#with that being said the pacing of this book is really good and i am compelled to finish based on the themes i do find interesting#autonomy being a huge one#but anyway those are my thoughts on it after a few days of a break. i’ve been playing a video game instead :3 but i start work on wednesday#sooo i won’t have as much free time boo#looking back maybe ‘insidious’ is a very strong word for it. i’m talking about like when percy complains about the bag and similar moments
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fellhellion · 10 months
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hey Tunes, do you know whats happening in the Miguel tag? I'm too afraid to check it out myself so thought I'll ask you.
essentially the atsv screenplay was released two or so days ago, which you can read in its entirety here, and there has been valid crirtique regarding the language utilised to describe Miguel within said screenplay, including allusions to bloodlust and the screenplay describing him as an animal twice I believe.
#insofar as my own personal thoughts this does really make me concerned that theres a real lack of consciousness to#emphasizing miguel's anger and the nature of his being in that he's half spider as primary tenets to his character#its deeply concerning to me that regardless of whether the authorial intent was more in vein of providing direction to animators#or was an attempt at shorthand for his emotional state to emphasize his threat AS an antagonist#that this kind of language pertaining to a moc wasnt examined more closely and that it wasnt something picked up upon throughout the#creative process (because lbr Lord + Miller + Callaham are notorious for creatively echoloating their way to the final product and even the#screenplay we HAVE has elements which never made it to the film that exists right now)#its concerning that this mindset on part of the creatives (esp in contrast to Spot as others have pointed out who doesnt contain the same#kinds of language descriptors) that this is something that appears to have been integrated carelessly and without consideration as to just.#the implications of always referring to a moc within bestial terms and characterising his emotions as such. and i think thats something#which is important to point out and criticise as part of the authorial intent (which is what i read the screenplay AS yknow)#but yeah tldr theres been a lot of issue taken with the language used there and i think its a very warranted point to make critique of#and its one i personally hope the creatives HEAR and reflect on. because theyve shown they can do so in regards to characters like Peni or#elements like getting the texture of Miles' hair wrong at first#ask games#anon
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