#narrative

[eucanthos]

Tim Walker (UK, 1970)

Vanity Fair Cover Story: Emma Watson, Rebel Belle, 2017

source: post by x-heesy

- https://www.vanityfair.com/hollywood/2017/02/emma-watson-cover-story

[leoneliterary]

Point Of View Poll

This isn't exclusively related to interactive fiction, it's more of a question to readers out there in general. What point of view do you like to read in? Do you like to be in the story through the character's eyes via 1st person, or do you like a bird's eyes view through 3rd omniscient? I'd love to know!

[judas-redeemed]

yes yes characters doomed by the narrative always slap BUT what about characters saved by the narrative? characters who have already given up hope and don't know they have a happy ending? characters who believe they are a lost cause, characters who feel irredeemable, characters who think there's nothing left for them, but the narrative does provide a way out? what about the characters who don't expect anything good, who don't even remember how to wish for it anymore, who get the things they need anyway? what about the characters who actively run from being saved getting saved in a way they can't stop or control. what about being saved by the narrative!!!

[themightyhumanbroom]

It's always risky killing off a character but if you have to, you must have them HAUNT the narrative. Let their death and absence be constantly felt at some level.

[astroeden]

☔️ for my university’s newspaper! nz had a lot of rain last summer… 🌈

[hal-monitor]

“The Wind Beneath the Aspens”

-5 page pitch created during August of this year

[apollon-emos]

wait you know what's fucked up. this. this metaphor bestowed on Eumaios seeing Telemachos. while the narrative voice leans toward Odysseus's thoughts.

[itscolossal]

Through Metaphorical Illustrations, Owen Gent Unveils Difficult Psychological Experiences

[thewriteadviceforwriters]

The Five Types of Readers That Read Your Fantasy Book (For Writers)

As a fantasy writer, understanding your target audience is crucial for the success of your book. Knowing the different types of readers who are drawn to the genre can help you tailor your writing to their preferences and create a more engaging experience. In this blog post, I'll help you explore the five types of readers that are likely to read your fantasy book and provide insights into their characteristics and expectations.

The Escapist Reader

The first type of reader is the Escapist. These readers are looking for a break from reality and crave immersion in a rich and imaginative world. They are drawn to epic quests, magical creatures, and fantastical settings. As a writer, you can capture their attention by crafting a vivid and detailed world, filled with intricate plotlines and larger-than-life characters. Engaging their sense of wonder and providing an escape from their everyday lives will keep them hooked from the first page to the last.

The World-Builder

The next type of reader is the World-Builder. These readers are fascinated by the intricacies of world-building and the lore that shapes the fantasy realm. They enjoy exploring the history, mythology, and geography of the fictional world you create. To captivate these readers, focus on developing a well-constructed and cohesive world that feels authentic and believable. Pay attention to the small details, establish consistent rules of magic, and provide glimpses into the rich tapestry of your universe.

The Character-Driven Reader

Another important type of reader is the Character-Driven reader. These readers are emotionally invested in the journeys and growth of the characters they encounter. They want to experience the highs and lows alongside the protagonists, forming deep connections with them. To engage these readers, focus on creating well-rounded and relatable characters with compelling arcs. Develop their motivations, flaws, and relationships to evoke empathy and resonate with your audience on a personal level.

The Plot-Oriented Reader

The fourth type of reader is the Plot-Oriented reader. These readers are primarily interested in the twists, turns, and surprises that unfold throughout the story. They enjoy intricate and well-paced plots that keep them guessing. As a writer, you can capture their attention by crafting a narrative with unexpected twists, clever foreshadowing, and satisfying resolutions. Keep the suspense high and deliver a satisfying payoff to keep these readers engaged and coming back for more.

The Theme-Seeker

The final type of reader is the Theme-Seeker. These readers are drawn to the deeper meanings and messages embedded within a story. They enjoy exploring philosophical, moral, or social themes that resonate with them on a personal level. As a writer, you can captivate these readers by weaving thought-provoking themes into your narrative. Explore complex issues, challenge societal norms, and offer unique perspectives to stimulate their intellect and leave a lasting impact.

Conclusion

Understanding the different types of readers that are drawn to your fantasy book can help you tailor your writing to their preferences and create a more immersive experience. Whether you are capturing the attention of Escapist readers, captivating the World-Builders with your intricate lore, evoking emotions in Character-Driven readers, surprising Plot-Oriented readers, or stimulating the intellect of Theme-Seekers, knowing your audience is key. By crafting a story that resonates with these reader types, you increase your chances of creating a loyal fan base and achieving success as a fantasy writer.

Blow your readers mind. Happy writing!

[fanonical]

Create a monster, and I will show you your reflection 

Night has fallen. Lightning crackles in the sky above. It is time for you to create an abomination. But what manner of horror will spring from your hands?

-

I blacked out and made another narrative uquiz. Give it a play, tag what you get!

[sekhmetpaws]

Once more thinking about something that permanently altered my brain's chemistry and the way I see life and I think I should share it here, even if no one is going to see. In the How to Train Your Dragon book series, there is a scene where Hiccup faces an enemy who owns an axe that has two sides, one that is golden and shiny, the other that is blackened, bloody and rusty. He would throw the axe in the air and make decisions depending on which side it would land on. Said axe eventually is used to decide Hiccup's fate. However, despite being trapped by the narrative in many ways, Hiccup is the protagonist of his own destiny. He reaches for the axe as it falls, and turns it himself so it lands on the golden side. Whether the axe was going to land on the gold or the dark side originally is irrelevant. He chooses to be alive and be free. Every time I go through a difficult moment, as I am right now, I think about this scene, as silly as it may be.

I am allowed to grab the destiny axe. And so are you.

[deconstructeam]

The Cosmic Wheel Sisterhood releases TODAY on PC and Switch!

Please, enjoy out tarot deckbuilding narrative experience about Witches in outer space!

[swordplease]

I love you stories that know they are stories, i love you breaking the fourth wall, i love you omniscient narrators, i love you circular storytelling, i love you “maybe it will turn out this time”, i love you stories that end by starting over

[succulentsiren]

Change the narrative.

Start speaking from the position of your highest self, not as the empty handed beggar looking to obtain what you want, but as an opulent being already having what you desire.

[sketchingsparrow]

“In the Year of Tides, Ambassador Arno visited the Capitol City of Vox. He stepped onto the floor of the Dunlohran Senate and declared that the once warring cities of Faithfall and Silver Keep were now one allied nation��a union he had personally brokered over the past century.”

Duscal Arno is my original character. I painted him in his formal ambassador uniform with a combination of gouache and watercolor💙

[pratchettquotes]

Making history, it turned out, was quite easy. It was what got written down. It was as simple as that.

Terry Pratchett, Jingo