#nicolas de largillière

[history-of-fashion]

1680-1685 Nicolas de Largillière - Portrait of Philippe Roettiers

(National Gallery of Ireland)

[countess--olenska]

Nicolas de Largillière

[ollietalkshistory]

I absolutely love this painting and the dress and more people should be seeing it. Portrait of a young woman, known as Jeanne-Elisabeth de Beauharnais Former title: Portrait of a Lady of the Barral Family 1711 by Nicolas de Largillière  She married on January 9, 1711 (date of the painting) in Orléans with Michel Bégon de la Picardière.

[portraituresque]

Self-Portrait of Nicolas de Largillière - 1707

[psikonauti]

Nicolas de Largillière (French,1656-1746)

Marquise du Châtelet

oil on canvas

[artthatgivesmefeelings]

Nicolas de Largillière (French, 1656-1746) Portrait de jeune femme de trois-quarts, n.d.

[life-imitates-art-far-more]

Nicolas de Largillière (1656-1746" "La Belle Strasbourgeoise" ("The Beautiful Strasbourg Woman") (1703) Oil on canvas Rococo Located in the Musée des Beaux-Arts, Strasbourg, France The identity of the depicted woman is unknown: she may be someone from the Strasbourg bourgeoisie, or a young Parisian in disguise (Strasbourg had become part of France only 22 years prior, in 1681), or the painter's own sister, Marie Elisabeth de Largillière. The costume she is wearing was fashionable in Strasbourg between 1688 and 1730.

[gogmstuff]

Early 1730s dresses (from top to bottom) -

1730 Tea Party at Lord Harrington's by C. Phillips detail (Yale Center for British Art, Yale University - New Haven, Connecticut, USA). Probably from Wikimedia; fixed spots with Pshop 1247X1623. There are many caps and veils, square necklines, and laced bodices with revers. But full-blown panniers are not to be seen.

1730 Marquise de Gueydan as Flora by Nicolas de Largillière (Musée Granee - Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte d'Azur, France). From cutlermiles.com/portrait-of-marquise-de-gueydan-as-flora-nicolas-de-largilliere/ 1908X2484. She wears a stout Swiss belt and cleft coiffure that harken back to the late Louis XIV era.

ca. 1730 Empress Elisabeth Christine by Johann Gottfried Auerbach (auctioned, probably by Lempertz). From Wikimedia trimmed 1715X2352. She wears a round skirt and a scoop neckline.

ca. 1730 Polyxena of Hesse-Rotenburg, Queen of Sardinia by Maria Giovanna Clementi (location ?). From tumblr.com/blog/view/jeannepompadour; enlarged by half 1053X1385. Her dress has a deep V neckline filled in by a modesty piece.

ca. 1730 Rhoda Apreece, Mrs Francis Blake Delaval attributed to Enoch Seeman the Younger (Seaton Delaval - Seaton Sluice, Northumberland, UK). From artuk.org; enlarged by half 994X1200. The ruff makes this a Van Dyck revival dress. The laced vest and jaunty hat lend a casual air to the portrait.

ca. 1730 Robe volante (Musée de la Mode - Paris, France). From fripperiesandfobs.tumblr.com-post-139802377452-robe-volante-ca-1730-from-the-palais-galliera 1140X1620. Dresses before the 1750s often had cuffs that could be substantial like these.

1731 Die Liebeserklärung by Jean François de Troy (Sanssouci, Stiftung Preußische Schlösser und Gärten Berlin - Brandenburg, Germany). From artsandculture.google.com/asset/die-liebeserklärung-jean-françois-de-troy/XAFpCyLiWrxHZw?h 3074X24.12. Known in the Anglophone world as “The Declaration of Love. The large patterns mark this as early century. The robe à la française is firmly established in the form it would take until the late Louis XVI period.

1731 Infanta Maria Teresa Antonia de Borbón by Jean Ranc (Museo del Prado - Madrid, Spain). From their Web site; removed spots and streaks with Photoshop 2621X3051. Spain was ruled by Borbóns after the last Habsburg was cleared out in the early 1700s.

1731 Julia Calverley, Lady Trevelyan, by Enoch Seeman the Younger (Wallington Hall - Wallington, Northumberland, UK). From nationaltrustcollections.org.uk/object/584399; erased navigation marks in corners & fixed spots w Pshop 1616X1992. Clasps replace lacing to close this bodice.

1731 Lady by John Vanderbank (location ?). From the Philip Mould Historical Portraits Image Library 920X1214. The dress is Van Dyck revival similar to the one worn by Rhoda Apreece.

[xoxogossiphobbit]

Nicolas de Largillière (1656-1746), Portrait présumé de Jean André Soubry (1703-1774) 

(Presumed Portrait of Jean André Soubry (1703-1774)), ca. 1729, oil on canvas, 81 x 65 cm.

[18th-century-mental-health]

Voltaire by Largillière, Carnavalet - and apparently the og one - (1) and Versailles (2).

[jnjo]

Antoine van Dyck, - / Jean-Baptiste Santerre, 1707 / John Vanderbank, 1731 / Charles Quint, 1548 / Adolf Ulrik Wertmüller, 1785 / Nicolas de Largillière, 1740 / Alexandre Roslin, 1775  / A. Malyukov, 1836 / Jean-Marc Nattier, 1751

[history-of-fashion]

probably 1710 Nicolas de Largillière - Portrait of a Man (Jean-Baptiste Rousseau?)

(National Gallery, London)

[conformi]

Nicolas de Largillière, Study of hands, 1715 VS Garry Marshall, Pretty Woman, 1990

[portraituresque]

Nicolas de Largillière - Self portrait

[pagansphinx]

Nicolas de Largillière • Portrait of Catherine Coustard (1673-1728) with her son Léonor (1695-1770), Marquise of Castelnau, Wife of Charles-Léonor Aubry (1667-1735) • c. 1700 • Minneapolis Institute of Arts

[artthatgivesmefeelings]

Nicolas de Largillière (French, 1656-1746) Nature morte aux raisins, grenades et figues sur un entablement de pierre, n.d.