DPXDC Idea: Mother of Monsters Dan(yal)
Specifically Fem!Dan because I made this in mind with my Fem Danyal Au bUT. The best part about Dan is that I get to play dress up with her, and Fem Dark Dany is gonna go by Layal (pronounced lae-el) because it means "the nights" and it sounds similar to Danyal, and I think she'd choose that name to mock Dany. ANYWAYS
Mother of Monsters Danyal. She may be evil but she's an Al Ghul at her core (even with vlad's soul merged with hers - however, considering that Layal looks and sounds like Dany, she considers that soul to be the more dominant one.) and loves animals. And she might be heartless, but she adores the monsters of the infinite realms.
Mother of Monsters Layal who hates everyone but utterly dotes and adores on every manner of beast she comes across. Stealing the eggs and infant young beasts of the Infinite Realms to raise as her own because she wanted them. Her own island full of monsters, a monstrous menagerie of her own. She steals most often from poachers or exotic pet keepers and other menageries -- the full grown beasties can keep their young.
And with every monster she raises, she can shapeshift their features onto herself, allowing her to change her shape from humanish to any matter of monster or hybrid creature. She calls herself their mother, and them her children. Her precious little babies, capable of incredible mass destruction and mayhem.
From little griffins the size of kittens, to stymphalian vulture chicks, and leviathan young hatching from eggs the size of her pinkie, to creatures native of the ghost zone that didn't even have names in the living realm. There really wasn't a limit to what or who she would take in and she didn't limit herself to any form of mythology. If they were beasts and they were unwanted, she wanted them. And as such, amassed her own mini army of "children" willing to listen to her any command.
Earth doesn't know what hit it when she attacks them.
There are many monstrous forms she could take on, the first one I've thought of is a combination of various serpentine/reptilian features. The body of a naga -- her lower half long and serpentine, her upper still human -- with spiked fins connecting from the bottom of her arms to her sides, ever seen Sinbad where Eris goes "you might have seen my likeness on the temple walls" and her arms do that fin thingy? Same concept. Her hands are webbed and taloned, perfect for slicing through the skin of the living, and her teeth are needle-sharp and shark like. Her hair can either be spiny and feathery-like like the spines of a lionfish, or frilled like a frilled-neck lizard. It's perfect for dealing and doting on her reptilian and amphibian-inclined darlings.
I'm more of a fan of aus where Dan is a sibling of Danny's rather than their kid, so Layal's redemption(..?? probation?) proceeds with her legally becoming Danyal's "twin" sister, who had been lost to the foster system before the Fentons adopted Dany, and was only recently reunited with her. The two of them look so alike that the lie is easy to take root and spread.
Layal is very indignant to the fact that she's now ten years in the past and has to restart her menagerie all over again. Do you know how much blood and sweat went into raising those children? How dare you separate them from their mummy. Although she'll admit she does miss their juvenile years, so she won't mind (too much) needing to raising them again. Dany is helping her retrieve all of them though, dammit.
long story short: epic the musical's "Scylla" has a CHOKEHOLD on me and this is the result of it
Unlike her Dan counterpart, Layal's voice is dancing and sirenic. It's purposely alluring and motherly, in order to lure people into a false sense of security until she feeds them to her "children." Echidna doesn't have shit on her. She almost seems friendly and reasonable, until you get too close and realize it was all an act and she drops it to metaphorically swallow you whole. She's like an anglerfish that way. She and Dany both sound like Scylla from Epic.
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Mizuki and Date though like. Imagine being 8 and your parents are filthy rich and going through a bad divorce. Your mom treats you like shit, lashing out at you, hitting you, saying she wishes you were never born all because you were behaving like a child. Your dad is more comforting, but he doesn’t do anything to stop the abuse and he spends his time invested in a completely different family, a girl who you love and look up to but he loves her more than you and it fucking shows. Then your dads new friend, some fucking bachelor in his late 20s, is just like "wow you guys are the worst fucking parents ive ever seen" and next thing you know your dad is sending you off to live with him. And it’s just a massive kick in the head cuz you go from a rich lifestyle to living in some really shitty tiny ass apartment with this guy who’s clearly never been around a child in his entire life and he doesn’t know how to behave and does a really bad job of censoring himself like he has a bunch of dirty magazines that he can’t hide very well cuz it’s literally a studio apartment and also he talks to himself sometimes, it’s really weird. He doesn’t even have the slightest clue what he’s doing
And he’s the best parent you’ve ever had
Because fuck, it all really hurts. You have to cope with having never received any love from anyone, and with the fact that your parents clearly don’t want you and can’t even be bothered to send you with anyone even kinda responsible. And this guy has a scary job with crazy hours and you don’t know anything about him and neither does he. But still, he never once hits you or tells you you’re not allowed to cry. He just gives you space and doesn’t push you to feel any sort of way about him. And sometimes, he’s even kind. He makes you some stew, even though it’s a bit chunky. He lets you sleep in the bed and takes the couch for himself, even though he complains about the massive back pain he’d never trade his spot for a second. He pays attention to events at your school and gives you your favorite stuffed animal when you make good grades, even though you called it ugly. He gets worried sick when you come home with bruises and puts on a goofy voice and trains you to defend yourself and you develop some highly deadly skills and even though it’s really abnormal, he buys you a bench press so you can get stronger. There’s this distance there, and you feel really weird caring about someone who you aren’t related to, but you find yourself wishing it was meant to be like this all along, that maybe, he’s secretly your real dad and he loves you like his real daughter
And when you say "I’m back" he says "welcome home"
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Realistically, I get why people think the Pabu folks and Crosshair haven't been told about Tech. Taken within the bounds of the show, it looks like NO processing is going on, so does anyone even know? That seems absurd given the time jump presented in episode 1--which is masterfully handled--but still.
Yet Michelle Ang herself indicated we see none of Omega's processing ('there's not time for it with everything else going on') and the episode reviews for 1-8 confirm is it never addressed. That just makes no sense if they've not already been told.
So, they've been told, and we don't get to see it. But I totally grok why anyone not terminally online would be assuming those conversations haven't happened because the show is making it look like he only just died and word isn't out, when it's been 3-4 whole ass months.
In S3E1 Omega is in no way acting like someone mourning a beloved mentor and brother. She is literally not.
This is utterly unhinged writing if Tech is really dead. It erases the grief over such a loss and acts like 'well we all had to just move on' when the marketing was so, SO heavy handed on THE LOSS and THE SACRIFICE. What loss, what sacrifice? NO ONE IS UPSET ABOUT IT OR PROCESSING.
So. Like. They've been told. But I bet he's on his way back in some manner or another.
As @eriexplosion has pointed out, Kanan Jarrus got an entire episode about how he was definitely not coming back. Echo stepped off screen and Omega and Tech had an emotional arc about it that spanned two episodes. He wasn't even injured he was just off with his bro!
Tech yeets himself to save them and uh here are his goggles 'not all of us made it back' is the sum total of our commentary. ?!
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad.
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either.
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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