#no reporters welcome

[casavanse]

... aaaand THAT'S called spam.

[theneighborhoodwatch]

a decoder, huh? and one of the pages apparently spells out "www"?

.....hm....

[kandavers]

Kandavers Nation, I’m very sorry to say, but this Art Theft thing has been stressing me out a good amount lately... I used to feel very Happy and Safe being able to post artworks without the need to put a large/noticeable watermark on them, but now I’m embroidering my username onto the characters’ clothes and everything, and though it’s a Cool and Fun Idea, it really is actually out of spite. As a result, I feel like the Love I put inside my Art has plunged significantly because of it :(

I’m not saying I’m quitting Art or going to stop Drawing Welcome Home content or anything (Although I actually considered it for a second...), but, once again, I am Kindly requesting you to report this thieving channel. And one more thing you can do for me is go onto each of their reels/videos and comment asking them to at least give proper credits to the artists they stole from or take the videos down. Mention the artists, if you know them. For example, "this art is originally made by kandavers! this account is a repost account so please stop supporting them and support the real artist instead!"

PS. PLEASE DON'T ATTACK THEM! Just kindly tell them to take the video down, okay?

i feel like if a lot of people comment smth like that, the more likely for it to surface at the top of the comment section and more ppl will see

The pure disrespect they have for me is unreal. They post shorts with no captions, no nothing, and get tens of thousands of views they dont deserve. And not to mention... the poor choice of audio... and overall extremely low quality editing... It makes me sad. There was no justice for me.

I would usually have no problem with comic dubs or edits, or anything, but please please please ask me first and have the basic decency of properly crediting me!

And someone even had the gall to reply to my post about an art reposter and say I'm the bad guy for wanting to get the videos where someone stole my art taken down. I literally can't with these people.

"What did they even do to you" Umm... They stole my art? This person with the gacha life Wally x OC pfp wanted people to report me for wanting to take down a repost account. I can't do this anymore 💀 They probably don't realize that if I ever stop drawing, half of the repost channel's content will be gone. Literally. Imagine defending reposters and then insulting my emoji usage too. (This is why I hate minors /hj)

Usually I wouldn't pick fights or escalate things when I don't need to, but this is genuinely upsetting me and I literally filed a takedown to YouTube so that the reposts will go away.

In the meantime, I think I'm going to need a break for a couple of days to gather myself again. However I managed to cook some art for you to enjoy over this weekend! Hopefully that will fill your Kandavers Art Needs while I am away.

Thank you for your help! And see you soon.

[dykesagainstgojo]

ok i went until the 6th episode and my main takeaway is that carlos is the real first male victim of misogyny. hes out there in his scientific duties and everyone is just around giggling saying yes carlos hihihi youre so pretty i bet you could use your jaw to cut this sample youre dealing with hihihi and its so unprofessional. please let him do his work?

[clownsuu]

Hey! I wanted to ask you about how do you feel about fanarts made with your AU? Not going to say names but, some people have already drawn some *suggestive* WH arts with your AU. Does it leave you upset? Should we report it? Also love your arts,I love how you draw Howdy so fluffly! he's a cutie pie!. I hope you're feeling great!

I mean I don’t mind people making fanart of my au lol, there is already a bunch of people who have made incredible art for it!

I personally do not mind suggestive stuff. H O W E V E R, what I DO mind is if it breaks (other) clowns boundaries. This goes for every single welcome home au out there- just because it’s an au does NOT automatically mean it can randomly subside boundaries. The characters are STILL (other) clown’s property and he has final say on what he wants at the end.

[t0tally-n0t-3m0]

Fiction podcast starter-kit

+trauma

[k-i-l-l-e-r-b-e-e-6-9]

[akkivee]

very!!!! thankful for the 9th live!!!!

[thisdastampdoesnotexist]

x

[lilacs-in-space]

[themilanobitch]

when welcome to night vale said "but the truth is that Leah did not feel mourning, grief, or sadness. She supposed that those feelings would come. She hoped they did, because she didn’t know what it would mean for herself if they did not. However emotions are not domestic creatures that can be summoned with a whistle. They are wild, and they move as they please. So try as she might to access her sadness, Leah couldn’t. What she could find, to her horror and shame, was relief. She felt so relieved. And she felt free. She felt absolutely free and completely relieved and she felt that she must be the worst person in the world for feeling those things. 'What is wrong with me?' she said, and nothing that heard her answered except a lone coyote who started and fled to a warm groove in the earth where he felt safe from predators. There was nothing wrong with Leah. She was free and she felt relieved. Later she would feel sadness, sadness that’s vast shape would hardly be conveyed by such a simple word. But not now"

[pciu3-r]

Stitcher said you do “solo missions”

I was wondering what kinds of things you do during a solo mission?

Archivist Frank @ask-archivist-frank

[welcomehomeincorrectquotes]

Frank: My disappointment is immeasurable and my day is ruined.

[destiel-news-channel]

I legit do not watch the news i just log onto tumblr every day and go to this account and i feel so caught up

so thank u

[misteria247]

2022/23 animatronic/puppet horror based bingo card so far-

Don't Hug Me I'm Scared TV series

Welcome Home

Welcome to the Neighborhood

Five Nights at Freddy's

We're eating good fellas, we're eating good.

[wonder-worker]

Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.

Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].

The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.

[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."

-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"