#no spoilers but really good so far!!!

[merthurians-prat-and-idiot]

Just watched the first two episodes! Had to stop myself from watching a third!! So good so far!!

[verflares]

just how long is forever? // not long enough, with you

pssst. check this out on inprnt :]

[mintypsii]

i can't believe one piece invented gay people

[moonscape]

isat: explores the concept of found family outside of the expected nuclear family dynamic. goes even further by being explicitly against the idea of a found family always being nuclear, and shows this by having the characters cringe and express discomfort at the idea of being assigned specific roles. wants you to accept its found family being an amorphous blob

isat fans who don't understand themes outside of fandomized incorrect quote blogs: okay but what if odile was the mom friend and the rest of the group are her kids

[thewhizzyhead]

WAIT I WANNA BRING UP ANOTHER THING ABOUT HOW BULLYING IS ADDRESSED IN NERDY PRUDES MUST DIE. one thing I really liked about how Max is shown as a bully is his talk with Pete at the Pasqualli's parking lot. When Pete tries to stand up to Max, Max pushes him down and emphasizes that Pete isn't a loser because of his own qualities - rather, Pete is a loser because Max simply said so.

Of course we can attribute this to Max's god complex but I think that this point in particular is less than often really brought up in teen-centered media featuring bullying: that bullying exists not because of nerdy behavior or whatever the fuck, but because bullies will it into being. And to have a BULLY of all people say that out loud - to have the main villain point out the root of their behavior without showing any kind of shame whatsoever - showcases just how much of a menace Max is.

[atlas-five]

Alice inviting Sam and Celia to the show seems less like trying to fuck w Sam or his relationship (or even flirting w then both) and more like she's fucking lonely. she might have genuinely wanted them there, cuz, y'know, hanging out w people is how you make and keep friends generally. like,,,, before Celia it sounded like Sam and Alice were chillin' at work and had regular banter but since Celia showed up Sam's attention is all on her and hes started treating every interaction with Alice as an annoyance (and just generally being grumpy, if you consider his interaction w Gwen that one time). plus it's not like Gwen has time for Alice to even mess w her anymore. everything is changing and I don't think Alice is taking it well

[dizzybizz]

the game dialogue:

the dialogue in my head:

[egophiliac]

ch 5 is coming in twsten ch5 is coming in twsten ch5 is coming in twsten (we gon die it's been a YEAR since I saw some clips and I have not emotionally recovered from the incredible deliveries by Silver's seiyuu because holy fuck) EGOOOOO ARE YOU READY TO SEE EVERYONE DESCENDING INTO MADNESS AGAIN (and a pool of tears??? MINE SPECIFICALLY)

YESSSSSS I AM SO EXCITED FOR EVERYONE ON ENG, chapter 5 is some of the most PEAK Diafamily content imo. 🤌 it's definitely my favorite part of episode 7 so far! (though 6 is pretty close...)

some (mostly) non-spoilery advice: on the hex maps, check out the non-required story cells, especially in the later parts! some are basically just throwaways, but there's some real good scenes hidden in there too that are potentially missable. 🥄 (it shows which cells you've cleared on previous attempts, so if you're low on resources and/or super impatient like me, do just the required ones to get through it, then when you're ready go back and restart as necessary to get to the others. enjoy! >:)

[miisfits-toys]

I hardly make fan art but ohhhh Bucky... Bucky my friend......

Part of a series I lovingly called Barrel Beavers. How kind of The Horrors to abide by safety rules :-)!!

[poorly-drawn-mdzs]

So, I started watching Link Click...

[a2zillustration]

We lived.

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[only-one-cannoli]

She called Crosshair 'little brother' i need a minute, this is so damn cute.

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[rafumeika]

What Mahito did: Manipulate Junpei into being his friend and then killed him in front of Yuji, laughed about Yuji's desperation to save him, killed Nanami, got Nobara into a coma, destroyed one of Todo's hands

Yuji with Mahito at the end:

What Sukuna did: Threaten to kill Yuji's friend multiple times, ripped Yuji's heart out of his chest and then tricked him into making a Binding Vow that he would have to forget in order to bring him back to life, laughed at Yuji when he desperately begged him to try and save Junpei, told him over and over again that his mere existence would bring destruction simply by being his vessel, destroyed Shibuya and killed countless of innocent people, ditched Yuji to make Megumi his new vessel, then sinked Megumi's soul as deep as he could in darkness in order to keep control of his body, killed Tsumiki, killed Gojo, killed Kashimo, killed Higuruma, killed Choso, almost killed Yuta and pushed him into using Kenjaku's CT to get into Gojo's body, kept praising literally everyone else but Yuji (while still trying to kill them), who he kept talking shit about instead, got pissed when Yuji showed pity and told him that he would kill every single person still left alive that Yuji cared about before finally killing him

Yuji with Sukuna at the end:

[stormbros]

This isn't a theory or anything, just based on vibes alone. If Bells Hells do happen to seek out other prime deities for guidance or boons, the Moonweaver would be so juicy for Dorian...

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.