#non nakamura

[osharenippon]

'70s Harajuku (Part 2)

The Harajuku district in Shibuya has gained international acclaim as a hub of Tokyo's youth culture and fashion scene. Its streets are lined with cafes, boutiques, and well-known fast fashion stores, drawing a constant stream of tourists, fashionistas, and teenagers. However, before the arrival of billionaire retailers, foreigners, and media attention, this area's early inhabitants were the ones who truly shaped its unique character.

'70s Harajuku (Part 1)

There's been a few books written about Harajuku and its culture in the '70s. Famed photographer Shinpei Asai wrote "Central Apartments Monogatari" (Central Apartments Tale), published in 2002. Futoshi Kimizuka interviewed some creative professionals who had offices in the building for 2004's "Central Apartments no asobi" (Walking through Central Apartments). Yasuko Takahashi, Japan's first stylist, wrote extensively about her experience working and playing in the neighborhood during that era in "Omotesando no Yakko-san" (Yakko-san from Omotesando, 2012) and "Toki no kakeru Yakko-san" (Yakko-san Who Leapt Through Time, 2015). In 2019, Non Nakamura, who started out as Yakko-san's assistant, compiled photographs and essays from influential figures of the time in "70s Harajuku Genfuukei."

This same Non Nakamura contributed what I consider to be some of the most insightful and readily available essays on this period through her "20th Century Girl" serialization in Mononcle. These essays are accessible for free on their website (in Japanese, though Google Translate provides a decent translation). Nakamura's series chronicles the culture of the 1970s in Harajuku and the broader oshare influences of that decade.

The first essay discusses how she owes her fateful meeting with Yakko-san to rock 'n' roll. Nakamura was a teen during the folk music era when rockstars had long hair, worn-out T-shirts, and bell-bottom denim. She wasn't particularly attracted to this type of fashion, so when she first saw glamorous-looking David Bowie in a magazine, she instantly fell in love with him. Her other passion was the band Carols. She passed by a poster of them, with their regent hairstyles, motorcycles, and leather jackets, on her way to her part-time job in Shinjuku and was remarkably attracted to them. After work, she ran to the record store and bought their then-just-released first single, "Louisiana." When she got home and dropped the needle on the record, the sound of rock 'n' roll took over her body, and she was utterly fascinated with the band. Soon after, she got a boyfriend who followed the regent hairstyle/leather jacket/motorcycle trend of the time.

Nakamura hated studying and wasn't interested in school clubs and activities. She'd fulfill her curiosity about the world by reading the dressmaking magazine Fukusou and admiring the avant-garde professionals that worked in it, such as the photographers (Saku Sawatari, Daitomo Yoshida, Osamu Nagahama), the illustrators (Ayumu Ohashi, Teruhiko Yumura, Yosuke Kawamura, Osamu Harada, Tamie Okumura), the models (Risa Akigawa, Brenda, Ichizo Koizumi), and the writers (Takeshi Matsuyama and Ken Sunayama).

One day, Yasuko Takahashi, aka Yakko-san, started a serialization in Fukusou. In her inaugural essay, she wrote that if she were a teen, she'd probably be chasing her rock 'n' roll dreams and dating a rocker dude her mom disapproved of. These words resonated deeply with Nakamura, who found school tiresome, yearned for an artsy and glamorous world, adored Carol and Bowie, and was dating a delinquent high school dropout who didn't earn her mother's favor. She felt seen and understood.

In her column, Yakko-san published plenty of photos of her daily life. To Nakamura's surprise, she was friends with the guys from Carol and also worked as a stylist for David Bowie. In the 17-year-old girl's eyes, she was the most incredible woman alive.

As she recounts in her second essay, her deep relationship with the Fukuso magazine team started a few months before Yakko-san's inaugural column in the October '73 issue. One day during the spring of her senior year, she felt compelled to write a letter to the magazine professing her love for it. She dreamed of being an illustrator, so she included a bunch of her doodles. To her surprise, the editorial team called her home a few months later and invited her to their office.

After school, she changed from her uniform to her favorite clothes (which included a shirt she bought from a London import shop in the basement of Central Apartments and a gingham skirt she made inspired by MiLK) and eagerly made her way to the meeting. The editors inquired about her clothing and life, and their comment, "I sensed something in you that was not Yojohan-ish," stuck with her.

To understand the context of this comment, we must go back in time to the folk music fever of the '70s, when yojohan (4 tatamis and a mat) folk was at its peak. Yojohan referred to small rooms where impoverished university students lived, often idealized in songs about young love and melancholy that dominated the charts. Nakamura was happy with the comment because, indeed, she didn't like the poor and humid vibe of said songs. She was drawn instead to dreamy pop and rock. 

The teen girl left the magazine's office that day with an invite to publish a double-spread page in the June issue, full of her illustrations and thoughts. It was quite an achievement for her.

Encouraged by this experience, she didn't hesitate to write Yakklp-san a letter. And to her astonishment, Yakko-san replied! Before she knew it, they had become penpals and engaged in lengthy phone conversations. Thus began a profound friendship between a 17-year-old high school student and a 34-year-old stylist at the pinnacle of her career.

Funnily enough, Yakko-san feared meeting Nakamura and disappointing her. To the 17-year-old, it was amusing that a grown woman who organized Japan's top designer Kansai Yamamoto's show in London Fashion Week and had the initiative to collaborate with world-famous figures such as T-Rex and David Bowie would be intimidated by her.

But, as she recounts in her third essay, they finally met. First, a quick 10-minute meeting in a Shibuya coffee shop. And then a proper encounter at the renowned Leon, where she also met other cool people she used to see in the magazines. Soon after, she became a frequent visitor to Yakko-san's small apartment in Harajuku.

Initially, she was taken aback by the apartment's minimalist and compact layout, as well as Yakko's sparse possessions. Yet, within the broader context, it made sense that a trend-savvy individual in 1973 lived this way. It was the year of the Oil Shock, the first post-war recession and frugality was in vogue. Books like "Jonathan Livingston Seagull," an anti-materialism allegory, and Alicia Bay Laurel's "Back to the Earth" became bestsellers, reflecting the shift towards a more modest lifestyle.

Amid the growing popularity of the back-to-the-land movement in the United States, minimalism and healthy living gained global momentum. It was Yakko-san who first introduced Nakamura to these ideas.

Through Yakko, Nakamura also learned about "natural food," a relatively unfamiliar concept in Japan at the time. While a foreign concept to most, natural food was all the rage in the vibrant neighborhood of Harajuku, and locals bought it from the market in the basement of the luxury Co-Op Olympia condo. Additionally, a delivery service offered pesticide-free vegetables, spearheaded by a former Leon patron who had forsaken a successful creative career to explore his passion for sustainable farming. Through these encounters, young Nakamura began to comprehend that life presented various paths, and fashion encompassed not only clothing but also a holistic lifestyle, including food and living habits.

The fourth installment focuses on Sayoko Yamaguchi, one of Japan's top models of the '70s, who had worldwide success and shared a close relationship with Yakko-san. Nakamura observed that during that era, the most prominent models were of mixed heritage (haafus), characterized by big eyes, long eyelashes, and wavy hair. Notably, Lisa Akigawa was one of the most renowned among them. In contrast, Yamaguchi stood apart with her almond-shaped eyes and black bob haircut. Her unique style served as an inspiration for many Japanese girls, fostering their self-confidence. Her signature eyeliner makeup and haircut were emulated by numerous admirers. While Yamaguchi enjoyed global fame at international fashion weeks, she became a familiar face to the Japanese public through her Shiseido commercials. She was among the numerous icons in fashion and culture closely connected to Yakko-san.

During the 1970s, Sayoko Yamaguchi was one of the faces of Shiseido cosmetics.

Another notable figure in this circle was the director Juzo Itami, whose tight relationship with Yakko-san was evident in his introduction to her first book, "Aisatsu no Nai no Nagadenwa" (Long Phone Conversation with no Greeting), published in 1976. This title offered one of the first comprehensive examinations of the "stylist" profession, which was relatively obscure in Japan then.

In the fifth essay, Nakamura writes how she found out about the profession through an article at AnAn, which briefly described a stylist as "people who lease clothes for fashion shoots, run around Harajuku with large bags, line the soles of model's shoes with duct tape, coordinate clothes, and attend shoots."

As she discovered through her work with Yakko-san, stylists do way more than that. And that was also what Itami tried to convey in the introduction to Yakko's book:

"I want to introduce my friend, Yasuko Takahashi. She is a first-class stylist. When making fashion editorials or commercials, a stylist can materialize a suitable house, the right interior design, or a place just like the one you're looking for out of thin air. At the same time, they also find props that are suitable for the location and source costumes. Depending on the situation, they will interact with the models and even advise on hair and make-up, so they must be genuinely knowledgeable. Collaborating with Yakko is, without exaggeration, a heavenly experience for me. She is a consummate professional. Once upon a time, when she couldn't find a suitable location, she wandered through town all night, shedding tears of frustration until she eventually discovered one. I mean, she's persistent. Her tenacity isn't limited to her professional life; in her case, she's unwavering in allowing her creativity to roam freely."

Yakko and Itami first met after being introduced by famed photographer Shinpei Asai, who had his office at Harajuku Central Apartments. The three of them worked together on a serialization Itami had at Shūkan Bunshun magazine in the sixties, which had Asai in charge of the photography and Takahashi doing the styling.

Takahashi was impressed by Itami's sensitivity to trends on a global scale. When she went to New York, he told her to buy a Yellow Pages-sized book, "Whole Earth Catalog," which inspired his weekly column. As covered here, "Whole Earth Catalog" was highly influential among Japanese media and creative types in the late 60s and early 70s, molding much of Japan's fashion culture.

But back to Non Nakamura's column, stylist was a novel occupation. She notes that stylists became highly sought after in the 80s, with the effects of the D.C. brand boom and the bubble economy. A diverse range of stylist roles emerged, including magazine stylists, advertising stylists, men's fashion stylists, and even specialists in props and food styling, each requiring unique skills and expertise. But back then, when Yakko-san was one of the few professionals doing this job, a stylist was in charge of everything, from the models and shooting locations to the costumes, dishes, houseplants, furniture, or anything else the shoot may need.

One day, Yakko asked Non to work as her assistant on a Noriyaki Yokosuka shoot. She promptly accepted, even though she had no idea who the photographer was. However, when she mentioned him to the boys in her design school, they were impressed and told her that he was the one who photographed Sayoko Yamaguchi's Shiseido posters, as well as doing the Parco ads. Parco, the Shibuya fashion building, had the buzziest campaigns in the country under Eiko Ishioka's art direction.

When she got to the shoot, the photographer asked her to get some poppy flowers. Faced with challenges in finding these specific flowers, Non embarked on a frantic quest, purchasing as many as she could to meet the photographer's expectations. However, to her astonishment, the photographer didn't even glance at the flowers. That's when she realized that being a stylist was a tough job.

David Bowie was the theme of two installments of the column. Yakko-san introduced him to legendary Japanese designer Kansai Yamamoto, who was behind some of his most legendary costumes, and they established a close working relationship in the 1970s. During her tenure as Yakko's assistant, Non had the opportunity to meet Bowie in a 1977 photoshoot in Harajuku. One of the photographs from that session, captured by Masayoshi Sukita, ultimately was used as the cover of Bowie's 12th studio album, "Heroes."

The cover of Bowie's 12th studio album, "Heroes," was shot in Harajuku. Yakko-san was the stylist.

She also dedicated a chapter to another one of her idols, Eikichi Yazawa, whom she met just a few weeks after Carol's farewell concert as he prepared to make his solo debut. She recounts that his charm so enchanted her that she realized she didn't actually love her boyfriend at the time, breaking up with him shortly after.

Nakamura watched Carol's final concert twice. Along with the rest of the country, she followed the telecast, aired a few days later. As she recounts, she and Yakko-san were working in Harajuku on a Saturday afternoon when the stylist took a look at her watch, said, "oh, it's starting soon," and rushed to a design office at Central Apartment that had a TV (minimalist Yakko-san didn't have one at her place).

But she also was one of the lucky few who actually were at the proper concert in Hibya Open Air, which she attended all dressed up in clothes from the trendy Creamy Soda boutique in Harajuku (the owner was notoriously close to Carol's members). Infected by the feral atmosphere, she ended up in the front row and even tried to invade the stage. She succeeded in getting her right foot in before being kicked out by the security guard. But here's a twist: the security was also a regular at Harajuku's Leon coffee shop.

In the 1970s, the hippiest motorcycling gang in Tokyo was The Cools. They were known for their cool styles, hung out with models and celebrities, and were always at Leon. Of course, like all of Japan's young bad boys, they were also big Carol fans. And they actually became close to the members. For their final show, the band wanted to mimic the Rolling Stones -- which had the Hell's Angels as security -- and they invited The Cools to escort them and guard the stage. 

After Carols disbanded, the Cools were actually hired by a major record label and became a proper rock band.

In the 1970s, Harajuku remained a hidden gem, undiscovered by the masses. Yet, this small district nestled within bustling Shibuya played an integral role in the histories of the most extraordinary individuals. As the rest of the country caught on, they sought a taste of Harajuku's uniqueness, propelling it into the phenomenon it has become today.

[seullovesme]

need your attention » nakamura kazuha

pairing ⥬ kazuha x f!reader

genre ⥬ fluff

summary ⥬ you pay the le sserafim girls a visit after one of their stages and your time spent with a certain member was misunderstood by kazuha

sorry to my dear anon who requested this, ive been neglecting this for so long 😞

the attention of the le sserafim girls was caught when a member of the staff quite loudly questioned you, asking who you were and why you were trying to get inside.

the first one to recognize you was eunchae, she was surprised to see you and got the attention of the leader sitting beside her, telling her to tell the staff to let you in. "unnie! look it's y/n, tell them to let her in!"

the other girls heard your name and turned to see you standing at the door with a face mask on being talked to by some staff. chaewon got up and rushed to go and assist you while the members all smiled at each other.

she pulled the face mask off your face and grabbed your wrist, dragging you to where everyone had been sitting and she sat you right beside sakura before claiming her spot beside yunjin.

"y/n!" the eldest cheered as she hugged you as tight as possible, making your face turn a shade of red as you felt the air leave your lungs. "hey, stop hogging her!" eunchae yelled as she also lunged toward you and you yelped when she squeezed you too.

"guys stop! look at her, she's gonna pop!" they both let go of you to take a peek at your face and you gasped for air. "one more second and you may have actually suffocated me." you say in between small breaths, smiling at the affection of your friends.

"not our fault, where have you been? we missed you!" sakura said, going in for a much softer hug. you took your eyes off her and glanced at kazuha who was crossing her arms, looking disinterested. did she not miss you at all? you looked away and coughed as you noticed that the rest were all patiently waiting for your response, wondering if they saw you peek at the ballerina.

"w-well, i've been busy working at this new company and i actually got paid yesterday, so i was hoping that i could treat you guys out for dinner!" when you made the offer, the girls all got up and began squealing in excitement. it was nice finally seeing them again, you enjoyed watching them be so up and active, just being so cheerful. especially zuha.

but she didn't get up like the rest of them had. she just kept sulking in her seat. you could tell something was off about her and that she was thinking really deeply, but you chose not to say anything. you knew that she would tell you what was bothering her sooner or later, she always let you know what was on her mind.

they began discussing places to go and what foods they were craving. you watched them happily, ecstatic that you were able to treat them after all the times they treated you. you continued sneaking glances to kazuha, hoping to catch her looking at you as well, but her eyes were locked onto sakura. you turned to sakura and realized she had been talking to you.

"mm? sorry, say that again i wasn't listening." you laughed nervously and rubbed your neck.

"oh i was just asking if you had any preferences like what kind of food you wanted, or if there were any restaurants you were interested in going to."

you shook your head in response. "no, it's up to you guys. i'm not picky." sakura nodded and went back to chatting after you gave a small smile.

you looked back to where kazuha was sitting, but she was gone. you searched the room for her, eventually spotting her sitting at a vanity, mindlessly going through her phone. thinking back, she didn't have any input about food. was she not hungry?

you got up and walked over to her, hoping this was the chance to talk with her one on one and hopefully ask her to go out sometime, just the two of you. she didn't look up from her phone when you stood there awkwardly, sort of ignoring you.

"hi." you were going insane on the inside, your braincells going into a code red as you lost the ability to think of what to say. she put down her phone and made eye contact with you through the mirror, waiting for you to continue.

you cleared your throat. "so... did you not have any food suggestions? where do you want to go?" you asked, your voice a little shaky.

"hm. i don't know, why don't you ask kura unnie?" she said while she broke eye contact, picking at a thread on her shirt.

"what?"

"you should ask kura unnie, sure seems like she has a lot to talk to you about." she mumbled the last sentence, but you heard it clearly. you spun her chair to face you directly.

"what's going on? is everything okay, kazuha? you can talk to me, you know i'll hear you out." zuha sighed and leaned back in her chair as she crossed her arms. you pulled up a stool and when you seated yourself, you were a little shorter than her. you put a hand on her knee and gently stroked it as an attempt to comfort her.

"well, she's been hogging all your attention and you didn't give any to me. you didn't even say anything to me until now." she just looked away, embarrassed to have admitted her need for your attention out loud. "but i guess i understand, she's really pretty and all. honestly, i guess i'm.. glad she feels the same." she finishes hesitantly, her words lacking sincerity.

with the way you couldn't understand what she was talking about, it was like she was speaking another language. who feels the same about what? and she just wanted your attention? you blushed at the fact that kazuha flat out said that she was upset you didn't give her attention. she was adorable.

"what do you mean? sakura feels the same? about what?" you questioned.

"don't play dumb, i can tell you like sakura!"

you tried not to, but you laughed. "i do not like sakura, where did you get this from?" kazuha huffed and pouted, annoyed by your reaction.

"you were all over her earlier! you were basically giving her heart eyes." you scoffed at her response, rolling your eyes with a smile.

"heart eyes? all over her? oh please, we had two conversations."

"what about when she hugged you? you seemed to enjoy it a little too much."

"she was squeezing the life out of me, what do you mean?! plus, eunchae hugged me as well."

"well," she thought about another argument, but she didn't have anything else to say. "whatever." she went back to playing with the thread on her shirt, feeling kind of silly because you were right after all. there wasn't anything weird about what you were doing her member, but it still bothered her. just watching you talk to her when you hadn't even tried to talk to her once this entire time affected her tremendously. she felt frustrated with all these mixed feelings.

and you could tell. you saw that she was bothered, and she was even saying it out right that she was upset about your interactions with your other japanese friend. the only thing was that you knew how she felt. "zuha, you don't think you're a tad bit jealous?"

it was her turn to scoff. "jealous? of what? the fact that you like kura unnie and not me? pshh, no way." kazuha frowned slightly because she was, and it was making her say these stupid things. curse her stupid heart and it's stupid feelings.

"oh, kazuha." you lifted her chin, initiating eye contact but she just pouted, scared to look you in the eye.

"i told you, i don't like sakura that way. in fact, it's quite the opposite." she finally gave in and stared into the windows of your soul.

"she is pretty," you observed the twitch in her eyebrow when you said that. "but i think you are the prettiest girl out of everyone in the world." her jaw just fell and she watched the corners of your lips curl up.

"i'm sorry i didn't give you any attention. i know i usually do so i understand why you were bothered. you weren't used to it, were you?" kazuha shook her head, and you smiled as she eased up the tension in her muscles. you just needed to let her know that you understood, that's all.

"how about this, i give you my undivided attention for as long as you want this upcoming saturday, just us. does that sound better?" you offered and she was dumbfounded.

she uncrossed her arms and nervously rubbed her palms on her thighs, feeling the heat of your gaze cause her to sweat a bit. "are you.. asking me out?" you just nodded and watched as kazuha's eyes lit up. she clapped her hands together and flashed her sweet smile, and it felt like you were watching an angel spread it wings for the first time. it was just a beautiful sight to see.

"then yes! it sounds much better." she took the hand you had resting on her knee and held it tightly. you swooned over her touch, enjoying the way she shined. "i don't want any other girls to have you, you're all mine."

you raised one eyebrow at her words which kazuha picked up as you teasing her, and she hit your shoulder in response. you snickered, interlocking your fingers with hers and tugging her, pulling her up to stand. you gave her another smile and brought her back to the girls who were finalizing their choices.

you sat where zuha was sitting previously and pulled her onto your lap, wrapping your arms around her waist. the four of them turn to you two and carried on with planning like it was the usual. because it was, it was always you and kazuha, kazuha and you.

everyone knew you and zuha were like two peas in a pod, and it seemed that the only ones didn't were the people in question.

literally took me so long to finish one fic, wtf is wrong with me rn😒

[artemx746]

(Just copying this from my frustrated-with-the-pjo-fandom induced ramblings on the ta server + al lot more more shit than I expected to write)

I think the main pjo fandom has such a misunderstanding of why Alison might be bad for the show

It's not because she's a new character, I honestly think a new character could be good for the show, but it's because the pjo show team has already shown a fundamental misunderstanding of what pjato should be at its core (that being disability). Alison will most likely only prove what we already knew: that being the show not actually knowing what to do with pjo

Gonna be straight up here, I don't think any of these arguments against Alison are really about the fact she's a new character, season one had plenty of changes that a lot of people were fine with despite them not really making sense (why was Annabeth there for Luke's betrayal). They're because she's a new ta character and that'll either lead to the fandom confronting the fact that they've had a bias against the ta characters for literally no reason (Percy destroyed a bridge and blew up a boat, chb also had child soldiers) or their deep rooted sexism against barely morally gray women without stripping them of their agency.* The only fear I kinda get is that Alison will end up replacing one of the ta characters but unless you're a diehard Kelli fan I don't think there's really much to worry about, I'm not saying she'll replace Kelli as a Luke love interest but rather an 'evil bossy woman' type so they don't need to animate Kelli's hair.

The only thing I'm worried about is the lack of disability. I've rambled about this before on the ta server** but Alison is most likely going to be a child of a minor god, and while I do want more minor god kids, the minor god's kids represent a very important part of the disability metaphor, that being disability hierarchies specifically being detrimental against people with physical disabilities and people with stigmatised mental illnesses (npd bpd schizophrenia etc) . Alison has an open casting, and while that would usually be fine for any other character I doubt they'll cast someone with a physical disability and I highly doubt they'll cast someone with a stigmatised mental illness. So you either have: an abled bodied person acting like they have a disability OR a ruined metaphor and Ethan's eye was lost for nothing.

Ta server ramblings under the cut

*Me: considering how this fandom treats women I do not wanna see them if Alison is in the book. They can't handle Silena without stripping her down to "UwU poor manipulated girl" I do not wanna see them with Alison

making it out that Silena was just in love with Luke and he manipulated her is a) reaffirming the sexist stuff about aphrodite kids and b) robs Silena of her agency to make decisions that she ends up regretting

**Me: Honestly hate when people act like it was just Percy who got the minor gods cabins, buddy did the metaphor go over your That Much. The reason it had to be Percy was because he represents people who already have resources speaking out for those who don’t because they’re more respected. That applies to both Percy and Luke. Percy was not the reason for it it was Ethan,

There is a Reason why Ethan was the first named demigod child of a minor god and he had a physical disability, it has a mythic reason like all of the others but it is still a disability. Ethan represents the metaphor in the minor god demis, that being hierarchies in disabled communities

(this is another reason why I'm scared for Alison in s2 because she's probably going to be a child of a minor god)

what I'm really worried about is they either: make Alison physically disabled and kill her off (killing off all* your physically disabled characters rick how fun)

OR

make her able bodied and the metaphor is lost unless they explicitly say she has another stigmatised mental disability which they will not

*I don't count the kid from toa since he's a background character mentoned once and hephaestus was pretty much disabled in the myths so not rick's

okay end of ramblings jesus christ

[spirit-of-anime]

Non Non - Nakamura Asumiko

[kimbapisnotsushi]

hi! please share your headcanons about jay. thanks!

ooooooooh sure thing let's get it!!

(also please keep in mind that soke was literally my first time dipping back into dc after a LONG while, so i have a bit of catch-up to do in terms of characters and stories, and thus some of my knowledge might be outdated!!! also i love jay but i do consider myself still very new to understanding him and thus most of these will be silly fun :333)

damian makes fun of him for that all-black ninja-esque stealth suit he wore to sneak into star labs because there was literally NO POINT in jay trying to disguise himself like that when he didn't bother covering up his BRIGHT FUCKING PINK hair

yes i'm still mad about yes i would like to know his thought process

is it natural btw??? i've seen different takes around where people think it's dyed bc of his other version in aos:jk, but i feel like that's pretty unlikely considering it was shaved all the way down when he got taken prisoner and experimented on and it grew back exactly like that

for the record i'm not a hater i'm just saying 1) it made him a walking beacon and 2) it being natural is so fucking funny to me since he clearly didn't inherit it from his mom, which begs the question:

who the fuck is jay's dad

while jay does care for all of the revolutionaries as their ally and everyone at the truth as their boss, and as an overall friend, i think that wink and the aerie are especially close to him and they consider each other family. they were pretty much the closest thing to adult supervision jay had for a while, and he relied on them a lot when he was settling down in metropolis and figuring out how to live alone

this meant that he called them for stupid things like "if something explodes in your microwave do you call the fire department", and not-stupid things like "help me open a bank account because metropolis bank has laws that won't let me do it by myself as a minor"

they were also the first people he came out to

jay loves them even if they CAN be really annoying

jay: "are you—are you guys ACTUALLY planning on shovel-talking superman" wink: "technically, he's superman's son" the aerie: "and if he's late to the coffee shop, i'm taking points off"

i think jay would get along with tim actually

the dude is an underground hacktivist refugee, investigative journalist, and a former president's son. he's probably used to always looking over his shoulder, ready to be jumped at a moment's notice. he's got a plan for everything but the plans only exist inside his head because he can't risk hard copies being found or digital ones being hacked. he's memorized them all. they're either alphabetized or mentally color-coded. we're talking levels of elaborate just-in-case getaways and meticulously planned investigations that would get a normal reporter killed if they asked the wrong question. it's dedication to a terrifying degree

yeah tim would definitely rock with him

jay has this neat little trick where if he's in a situation in which someone's poisoned his food and he has to eat it/can't let them know he knows, he just partially phases his organs so that the food falls through his body a little bit at a time and never enters his digestive system

jon is HORRIFIED when he finds out. damian is really fucking impressed

does gamorra have its own language???? i feel like jay would be fluent in it if so. of course he would be. he'd do anything to keep part of home as close to his chest as possible

oh that's another thing i'll probs mess up on btw i am legit so confused on gamorra considering it's apparently in asia and i would assume has its own distinct culture? but jay's surname is japanese and that random kid on the boat has a japanese name so are they like. japanese-adjacent??? or is gamorra made up of multiple asian identities blended into one (read tags for clarification)

i should probably read absolute power shouldn't i

okay sorry that got WAY off topic but yeah jay is definitely someone who loved his home despite not being able to go back and did everything he could to maintain his ties

ALSO can we talk about jay being a student at metropolis college at seventeen???? did he skip a year of school when he got to the u.s.??? did he lie on forms or something??

like i don't think he's taking extra credit classes as a high school student because he was also advertising the media department when we saw him, and i don't think he'd be doing that if he was in high school

jon makes sense because he had a fake identity which COULD put him in college. but jay???

honestly lying on paper is such a jay nakamura thing to do if he doesn't want people tracking him down by cross-referencing his birthday with government records

jay nakamura's number-one tip of running an anonymous underground activist stream: hide all identifiable information from the government

(this does not work when you are widely recognized as superman's boyfriend)

also now that dick is backing the truth can we PLEASE get tim in on it. i think it'd be so fucking funny. i think he and jay would have a grand old time breaking into firewalls and digging through internet archives and exposing corrupt people

tim is like "FINALLY i have something fun to do at all those fucking galas bruce makes me go to" because jay needs some rich guy's vacation itinerary so he knows the prime time to break into his house and gather evidence for something

i just have so much appreciation for jay nakamura you guys i love him so much

[stellarsightz]

At least just let me say

That when I talk to you oh,

Cupid walks right through

And shoots an arrow through my heart.

[mickeycookies]

I liked this drawing from my zine so much I used it again as a test for MAD and thus she started to become real lol

[incorrectlesserafim]

Kazuha: So, what's it like living with Eunchae and Yunjin?

Garam: They once referred to sand as "heterosexual glitter."

Kazuha: ...

Garam: I love them so much.

[holofoil07]

[nikkeisimmer]

JAG: Rising Flames

This was kind of a cross over with Top Gun Senator and Secretary of the Navy Mike "Viper" Metcalfe.

Of course, I'd use Tom Skerritt as Viper, it's only right - it is HIS role.

----------------------------------------------------------------

The SECNAV was a four year politically appointed post so Republican Senator from the great state of Texas and former RADM Mike Metcalf, USN (ret.) callsign Viper.

The former Rear Admiral (upper half) nodded to Animal. "Good afternoon, Admiral, good to see you, Animal." RADM Mike Metcalf was Animal's Battlegroup Commander on his last cruise in 1996. RDML Mike Metcalf had coordinated the overseeing flights over the Bosnian regions and kept the battlegroup in the area when the Bosnians started firing on each other. The Black Aces couldn't shoot back unless they were fired upon but of course the then-Rear Admiral (lower half) had planned a deceptive enticement. Animal would run a TARPS mission at 7,000 AGL. through the Carpathian Mountains. And the Serbs had bit the bullet, they'd fired on Animal's TARPS bird and it was all-out war. His usual back-seater hadn't been trained on TARPS so he'd had to fly with Wrench who was qualified and Wrench managed to get clear crisp shots as Animal was jinking away from the Triple-A. Then they'd hit it with GBU-86s along with targeting the sites with LANTIRN on a following mission inside of five hours. Triangulated with a satellite image of the area, they could tell if there had been movement by the Triple-A platforms and hit the new location with ease.

"It's good to see you too, sir." Animal said acknowledging Sen. Metcalf's obvious position as Secretary of the Navy; an obvious appointment as he like Sen. John Lehman was a former Naval Officer and Naval Aviator instead of being completely oblivious as most civilian appointments were.

"Admiral, as you know, we have a very tenuous situation. Islamabad was hit with a vacuum bomb." The SECNAV indicated as he showed them a map on the projector. "This section along Abeyd-Asam Street and Khalid Wali Avenue. There was an explosion as the fuel-air bomb went off. There's structures flattened three-quarters of a mile wide and the casualties at last count were thirty-five thousand people and the number is rising. The scary part of it is that it is a weapon of mass destruction that these terrorists can cook up in their own back yard labs. Set off a few in the different neighborhoods across the city and there would be casualties in the hundreds of thousands. If you can't breathe because all the air has been sucked into a flammable mixture; you're dead. If you get injured by the blast wave, you're dead. It's a terror weapon."

"It's the same as the MOABs we drop out of our planes, only they put theirs on wheels and drive it into place incognito if that's what you're telling me they did."

"That's exactly what they did, Admiral Nakamura." Animal looked up to see a gray-haired man step in to the room; aquiline nose, and hard steel-blue eyes and a sharp angular jawline complemented his features.

"Gibbs, you ever think about retiring?"

[charliearlet-art]

Kisses for goulash

[04tenno]

To make the QRTs worse on that Mine vid, one of them is from a subreddit user I see frequently. He’s been complaining about not getting a constant stream of news about Gaiden and 8, I’m pretty sure I remember him being strongly against the characters being seen as queer, so on and so forth. I think RGG should bring back Mine and make him wear a big rainbow with sparkles

Imagine My Shock

[saeraas]

actor imitates character when yuichi nakamura said his gbf spark will be easy and take 5 minutes then ended up not only taking a hour and 40 minutes but all had to spark three times (900+ rolls) to get for the summon he wanted

[kursed-arcana]