#nope! nope I die

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[starlooping]

this song has been stuck in my mind for several months tbh. everyone check out MAL DU PAYS (Monophobia) by @starvingnarcissistmusic (sorry for the tag) . its awesome. does a cool pose.

edit: as someone, who had thsi song stuck in my head for month i still somehow managed to get the lyrics wrong. electric chair for op (me). it's supposed to be '"if nowhere is home". oh well XD

[sukibenders]

When other Yellowjackets fans, majority who are poc themselves, talk about how weird and frustrating it is that the writers introduced a random yte character and gave them a storyline when there were two (technically three but they killed off Lottie even when there was an opportunity for more) woc, who have been around since s1, that could've fit the mold instead (like Mari) and have actual personalities outside of building up/being the lapdog for another character. Or how often times many of the, limited, poc characters are often either treated poorly and killed off, or pushed to the side (Simone, reduced to the disposable black girlfriend trope and is nearly killed by her partner because she's in the way of a ship; Travis, since s1, had his trauma dismissed or ignored and was overly hated but no one talks about how he was SA'd by the girls he's now stuck with on top of having to eat his brother and not be able to grieve over it). How Taissa's whole storyline is just revolving around Van even with all the potential, especially given she's fighting to be free from her own mind, how Lottie's mental illness is treated so poorly as if it's not the butt of a joke then it's met with heavy criticism (and the only time she is met with sympathy for it, it's through the lens of a yte character embodying her and having an emotional conversation with her father). How you can have all of these reasons (and more) for being annoyed by Melissa's character or the direction of the show, and be met with #those fans downplaying these concerns, or just being overly antagonistic just because they find yte character #243 entertaining so obviously these conversations don't have merit. But this fandom has always had an...."interesting" way in which it discussed the poc characters on the show, so I'm not surprised.

[st-hedge]

What was that really beautiful wording used to describe characters I like— ah that’s it, sad sacks of issues. That’s this guy right here

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[happi-dreams]

the sillies the goofers the 💥💥

this is offically a hyperfixation now thank you funny bird for your essay

[rin-sith]

Ages ago, I promised a sequel to my Ruthlessness sketches with my new Poseidon design, and well... See, I had a very specific vision for this, my beloved 🫶 favorite song in the whole entire musical. And I guess I was finally brave en- I mean, found the time to bring it to life. Enjoy 🙈🌊🔱

@glisten-inthedark look at what I've done now

[my-little-random-world]

ANNA MADELEY 𝒂𝒔 AUDREY HALL 𝒂𝒏𝒅 SAMUEL WEST 𝒂𝒔 SIEGFRIED FARNON | All Creatures Great and Small Series 3 Episode 6 — For Whom the Bell Tolls

🎥: Behind the scenes footage by Peter Ellwood

[lidera-aro]

We know everyone cried at WYFILWMA but am I the only one who cried in the Challenge?

Specifically, Though I never thought that this would be the length we go for love, I would not have it other way part

Idk, it just felt really emotional(and we also have whole Penelope sitting behind axes thing) but it always makes me tear up and I have no idea why

[blue-mood-blue]

I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

[shima-draws]

Scrolling through the BNHA tag on AO3 and while it does make me very happy to see so many Aizawa + Izuku centric fics it also makes me sad bc WHAT ABOUT ALL MIGHT. I know canon has established how much Aizawa cares about his kids and Izuku specifically but Toshi loved him FIRST!! Toshi was the one to take Izuku under his wing and train him and care for him and help raise him and mentor him and LIVE for him despite everything telling him he couldn’t. And he was the one who refused to let Izuku go off on his own and did everything in his power to make sure he was at least eating and sleeping and being cared for despite being and feeling so powerless. Toshi’s such an important part of Izuku’s life and people need!! To address that more!! That’s his DAD!!!!

Anyway I see the ‘All Might bashing’ tag and immediately scroll past. I don’t trust you if you don’t love and appreciate Yagi Toshinori and his place in Izuku’s life like he deserves

[maybebitterxox]

The pitch for Buffy The Vampire Slayer was probably just “What if there was a girl who could kill vampires. And she can Never Catch A Fucking Break”

[thecourtofteeth]

Will, baby boy, if you die istg I'm gonna bring you back, kill you myself, and then bring you back again.

[haze-of-hyperfixations]

a concept. to consider. what if. what if there was a Remember Them reprise after the Thunder Saga. "We are not to let them die in vain" except he's the only one left so it's "I am not to let them die in vain." and there's no backing chorus of his men. because. they're all dead.

and the line takes on a whole new meaning now that he's the one who chose to let them die.

(not in vain. it can't have been in vain, it can't have been for nothing. i have to see her. i have to see her, because if i don't make it home, those men died for nothing. the ends always justify the means. i can justify anything as long as it ends with Penelope and Telemachus both in my arms again. but if it doesn't-

but it will. it will. it has to.)

and our- ... -and my comrades will not die in vain...

[spatteringstars]

someone’s gonna ask me one day,

“So, how did you get into DC comics/Batman?”

and I won’t be able to answer them like a normal person and say “oh the justice league shows” or “oh my brother was into comics and we bonded” or even use those godforsaken Snyder films as an excuse (they did Superman so dirty) because all of those would be LIES

No. One day I will have to look someone in the eyes and tell them that I got into this shit because I saw one (1) animated TikTok referencing the “Bruce strips and dances on an ice penguin” scene from the Gotham Knights video game and everything else just spiraled from there

and they will never look at me the same again

[offonaherosjourney]

So what if I want to headcanon Grace Chastity as queer because in The Guy Who Didn't Like Musicals, Paul's coworker, Bill, tells his daughter Alice that he wished she would date someone like Grace Chastity (to which Alice replies that no way because Grace Chastity is a nerdy prude)