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brigdh · 11 months

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Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

#ofmd meta #our flag means death #ofmd 2x08 #ofmd season 2 #ofmd critical #(I guess)

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momentomori24 · 2 months

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Keiji is a character that I'm pretty sure every one of us can recognize is an absolute weirdo (ok maybe some are too hard on copium for the "weirdo" part) and sketchy as hell, but thinking about everything he's done it really feels like he's so much shady and ruthless than we give him credit for. So here's me bulletpointing some the moments that I haven't seen too many talk about, a little theory throwing his status into question and addressing the massive elephant in the room that almost everyone refuses to acknowledge. If there's something else you feel I missed or wanted to evaluate on, do leave it in the comments.

[Also, disclaimer: I will be discussing Keiji and Sara in a romantic light near the end of this post, so if that makes you uncomfortable please proceed with caution or skip entirely. This should go without saying but for my own sake I will say it anyway-- No, I do not condone their relationship in real life. No, this is not meant to be "shippy" or endorsement of any kind. This will simply be pointing out their dynamic as another example to prove the whole point of this rant. But if someone else does ship them that's totally fine. Fiction doesn't equal reality and if you harass a real person over fictional characters you will not see the light of heaven. Be civil, please and thank you. My block button is rated E for Everyone and if anyone decides to ignore the warnings and be an asshole I won't hesitate to use it. Thanks for listening. Disclaimer over.]

*Being a murderer.

I feel like I should start with the most obvious and undeniable. I don't think this is debatable to anyone here. Mr. Policeman may have been an accident and kinda confirmed by Midori to have been set up, but he still shot and killed an unarmed man in a moment of panic and recklessness. Even putting that aside, there's no denying that he killed Megumi in cold blood to get out of his debt to her and covered it up to the group to preserve his credibility. Regardless of what you think of Megumi, he has no excuse here. Not only is he one more kill away from being a serial killer, he's the only participant in our group that has actually killed people directly aside from Alice. Another reason why I bring this up is cuz something that completely flew over my head is this:

At the start of the game he had the audacity to complain about not having a partner or someone he knows with him like Sara does as if he didn't literally let Megumi get ripped apart by chains probably not even an hour ago Keiji what the hell--

*Throwing Kanna under the bus repeatedly.

Despite positioning himself as a protector and someone to rely on, he's far from above putting their youngest members in danger. Next to voting for the fourteen year old girl to die, he had the great idea of letting said fourteen year old be the one to babysit their biggest liability. Up to the point where they would stay in the same room both day and night. While I absolutely 100% trust that Sou would never EVER do anything to her, Keiji had no guarantee of that when he send her off. Hell, he literally just got done accusing Sou of setting Joe up to die (which I don't believe almost solely based on the fact that he said it, more on that another time maybe). He knew Sou was bad news, and openly acknowledges how adults can be terrifying, but he did it anyway. The dubiety of throwing the already traumatised little girl to keep watch on what they thought to be the most dangerous adult that had manipulated her once before is not lost on me, and that he didn't take any responsibility for her afterwards isn't lost on me either. To be fair, the Sou and Kanna thing doesn't just fall on him, it falls on everybody (Alice gets a pass because he actually swapped out with Kanna to watch Sou for her), but he was the one with the final say on the matter and who encouraged her to take the role despite Reko's rightful protests. The fact that he also voted for her to die in the Main Game, and is the only adult to do so, doesn’t help his case.

*Attempting to frame Sou knowing Reko was actually responsible.

While you could argue he was trying to cover for her since he knew why she did what she did, trying to pin this act on Sou to cast more doubt on his is extremely shitty. Never mind the blatant corruption and the irony of a supposed man of the law abusing his power to knowingly frame an innocent person (in this situation at least), and him sowing more seeds of confusion and resentment within an already rattled group, and giving Sou legitimate reason to be suspicious of him (and by extension Sara)-- this makes it so difficult to trust him after realising he's done this. Literally every time he accuses someone of being or doing something suspicious (mostly Sou), I always have to think in the back of my head if he’s telling the truth or just telling a blatant lie. He's shown that he's willing to not only lie to cover for himself, but to lie to delegitimize someone else. And Sara never caught onto it (Sou and maybe even Nao likely did tho). She never openly acknowledged it-- No one did. The complete lack of mention of what he did here makes this action quite missable. Hell, I didn't even catch it the first time. Has he done this before? Who else has he lied about? Who else would he lie about? Who else would he knowingly pit against the group? You don't have to wait for that answer, because I will provide an example later. And with "later", I mean now.

*Casting suspicion on Gin before the vote while hiding the fact that he killed Megumi.

While it's not as blatant as with Kanna, there are two instances where Keiji shows a readiness to either put or leave Gin in harm's way. The biggest one for me is in the Main Game. Like, how dare you. That is a furry child, sir. This kid’s like TWELVE. Even though he makes a valid point about calling out suspicious actions to clear them up so we can all trust each other, casting doubt on Gin of all people right there feels pretty screwed to me. This was before the preliminary vote. His words could’ve very well gotten Gin voted for if he couldn’t disclose why he did what he did for whatever reason and therefore being unable to clear himself from suspicion. It’s even more fucked when you realise that Keiji has literally murdered his partner and is currently planning to get Sou killed while giving this whole spiel about doubting others so that we can believe them and pointing the finger at a little kid to make an example to the group. But when Nao, Sou and Sara call him out on his suspicious actions that could rightfully damage his credibility, he tries to shut them down completely. My brother in Christ, you brought it on FIRST (don’t get me wrong I’m very much aware he didn’t really mean the whole “trusting each other” bit but come on dude)--

Speaking about not meaning what he says:

*Letting the group think he’s Ok to vote for knowing he’s the Keymaster.

This kinda got to me because I thought this was Keiji actually being… vulnerable? Accepting the consequences of his actions and allowing them to vote for him in their distrust without protest even tho it could cost him his life, maybe. Correct me if I’m wrong, but I can’t remember a lot of times-- or any times, really-- where Keiji has willing put himself into the line of fire, at this point at least. He always finds a way to keep himself safe, give himself insurance, and I thought that this would be the one time he doesn’t do that. But this feels so ominous looking back knowing that he was the Keymaster the whole time. That our distrust and betrayal and his resignation to it all didn’t matter because he was going to be safe no matter what. That he knowingly allowed us to assume that he was a safe vote because he didn’t want his plan to kill Sou to be ruined, which narrowed down choice of people we can safely vote for even further. That this action is ultimately the reason why Sou and Kanna were our only options to kill off in the end. If he had admitted it there, we could’ve found someone else to vote for so our final options could consist of three people, not two. But he didn’t, and the rest is history. There’s a lot of things he’s done I can’t get over. This one ranks pretty high. The second Main Game is already a huge sore spot for me for obvious reasons; knowing that a lot of the things that happened were due to his inaction where it truly mattered and activity in all the wrong places doesn’t make me fee any better. He didn't say he was a safe vote-- he didn't lie-- but his words carefully omit that voting for him means a total party death, something he should've stated then (and before this, really).

*Leaving Sara with the sacrifice card.

Despite making a big show about “always being by her side” and being her “reliable policeman”, he chose to look away when she was in real danger. He attached himself to her as her right hand man, made her shoulder the responsibility of being the leader, constantly manipulated and flattered her to win her trust and gain her favour-- but when she needed him the most, he basically left her for dead because it was the most beneficial to him. Keep in mind that not only did he know about her getting the sacrifice (he was also the sage so he'd have seen the trade happen), but he had the tokens to help her get rid of it. But those tokens weren’t for her life. They were for his. He used them instead to give himself the Keymaster as insurance for the Main Game (the Keymaster he stole from Sou/Kanna most likely to buy Sara’s trust btw). His desperation for survival outweighed his sense of obligation to keep her safe, and that’s the most subtle yet transparent he’s been about his selfishness. What makes this so much worse is that Keiji is our support character. He’s an ally, and our closest one at that, to the point where Sara burned her hands in a futile attempt to rescue him and signed her life away to save his. And yet his loyalty and protectiveness pale in comparison to other characters. Compare his actions to Sou’s: one of their many parallels and similarities is that both their girls get hit with the sacrifice card. As we’ve established, Keiji was fully aware of Sara being send the sacrifice by Sou, had 50 tokens ready to go and chose to secure his own survival than save her life. Kanna ended up doing it instead, attempting to trade the card off Sara with Sou realising what happened immediately. And what does Sou do? Completely bend over backwards trying to keep her alive. He lied about being the Sacrifice so the others wouldn’t suspect Kanna of having that role, meaning he could try gathering vote for her without anyone seeing his true intentions. He tried to stop her about coming out with the truth of what she had done so she doesn’t sentence herself to death. After everything he did to survive-- after how much he lied, how much he schemed, how much he hurt, and how he had thrown himself away to replace everything that made him Shin with the man that had traumatised him years before the game began to scrape together even the tiniest chance to survive-- he threw it all to the wind and was willing to let it all be in vain if it meant she got to make it out of the Main Game alive. The worst part is that Sou had never intended to make it through that Main Game. He confessed to already knowing that Kanna would choose Sara over him if she truly had the Sacrifice card. Yet he still did what he did all in the hopes that she could win. Because it was all about her survival first, not about them surviving together.

It also gives a different context to Sou's panic and him stumbling over his words trying to come up with any argument to get them to stop. At first I thought that Sou was afraid for his life. Which would make sense-- Keiji and Q-taro set him up to die and seemed pretty adamant on having everyone voting for him to get it all over with. But he was already prepared to die the minute he realised Kanna traded with Sara. So it means it wasn’t his life he was fearing for here-- it was hers. To him, if they voted for him there, it wouldn’t have just been his end but hers too. But we know that Kanna isn’t the one who has the sacrifice. It’s Nao, and considering how the Main Game can end either or both of them dead, I wonder if he regrets not having given up there, not letting Keiji get away with that shitty stunt he pulled knowing it would’ve at least guaranteed her safety than leave her fate in hands of a girl with enough reason to kill her. Ignoring the sounds of my heart shattering into pieces for the 100th time thinking about the Greenblings, it’s so fascinating that our biggest rival and most distrusted member has a greater sense of loyalty and responsibility for his ally than Keiji has for his own. Sou can be a liar and manipulative and selfish, but for how unpredictable he is something I can always trust is his love for those he holds dear (Kanna) and general desire to protect our most vulnerable (Gin). Sou loves Kanna, and so he’s fine with protecting her even if it comes at a price he never wanted to pay. Keiji surely cares about Sara, but unfortunately that is something I can’t say about him-- at least at that time (also the fact that Sou ended up taking more care and responsibility for Kanna despite Keiji having been the one to throw her on him in the first is so ironic).

*Continuously pushing Sara to take on the role of leader.

I think one of Keiji's biggest failures in the game come from his treatment of Sara despite positioning himself as her most reliable ally and her partner. From the very get-go, he was very adamant of making Sara be the one to shoulder the responsibility of the group. He, along with Joe (he didn't do anything wrong here), pushed Sara to be the Challenger during the Russian Roulette, despite Q-taro and Kai being readily available. He made Sara be the one to interrogate the suspicious convict while distancing himself from the situation. And he encourages her to lead them through the Main Game, lets her make the choices that steer them all forward and as a consequence take the fall for them as well. Rather than take on the role himself, or let another adult take it, he places his full trust in her and makes her shoulder everyone's weight so he doesn't have to. And he can see the effect it has on her: having horrific hallucinations due to the immense guilt she feels. But having Sara as their leader gives him a greater shot at survival and helps his credibility, so even though he tries to provide her comfort he still continues to keep her in that role. Again, the high schooler taking responsibility for the adults falls on a lot of the older people here, but Keiji was the one who kickstarted it rather than just go along with it like everyone else had. Gin, Nao, Kanna, Reko and even fucking Sou to an extent all have moments where they take the burden off her and relieve her of that pain she shoulders all the time (or at least try to). I need Keiji to take more responsibility for both the group and for her.

*Pitting Sara and Joe against each other.

This is just another example of the previous point. This isn't as bad, and I could give him the benefit of the doubt that this might have not been intentional, but it's something I want to bring up regardless. I'll be the first to say that Keiji wasn't wrong here. Prying into everyone's votes is a very bad move, especially since no one knew that Mishima would actually die (it was introduced as a practice round, after all). I agree with him, Joe was being rash, but instead of leaving the conversation there, he decided to throw Sara into it to pick a side. Which is... not good. He already won the argument and already had Reko on his side. Bringing in Sara could not only make Joe feel worse and potentially strain their relationship (especially if she rightfully chooses Keiji's side like he was expecting and hoping for), but just puts Sara in the spotlight during something she doesn't want to be part of. While there's a chance he might've done this because he know Joe is more likely to listen to her than him, he should've known better than that. It again makes her take the responsibility of giving the final verdict that would've otherwise gone to him.

*Asking Sara to take responsibility for his life

I've got nothing other that the grown adult swearing his life to the grieving, unstable teenager to take responsibility for while asking her if she'd die along with him is weird as heck. Keiji's said weirder things prior to this, but this one is a different weird. I think Beanieman's post mostly echoes my thoughts on this on, so I'll link it here for this point. This part kinda bothers me:

He shouldn't be encouraging her taking on anymore responsibility than she already is. He knows that the deaths that happened under her leadership haunt her. He knows that she's very much unstable enough already, to the point where he takes baby-steps to avoid triggering her trauma over Joe. He positioned himself as her reliable partner, her rock to lean on (quite literally sometimes). We see first hand how emotionally dependent she is on him. If he died, it would destroy her-- she'd destroy herself over it. He knows this (or should) but he still does it. His disappointment and dismissiveness when she understandably rejects him makes it worse. The guilt of potentially not living up to his expectations is not what she needs.

*Potentially working for Asunaro

This is more ambiguous than everything else here and more a theory than anything but it's been on my mind for a long time that Ranmaru might actually be onto something here. We know that Asunaro has a strong hold on the police. Midori was able to infiltrate the force, and they were able to get rid of Mr. Policeman for looking into the corruption going on, first having Megumi fire him and secondly getting Keiji to kill him by planting false info about the suspect having a gun. Megumi was also able to get Keiji off the hook for murder, which I believe Asunaro had a hand in too (I theorize this might've been her wish). There's also Alice, who was arrested and sent to prison despite the fact that he (legally) didn't kill anyone since Midori was a doll. The police are connected to Asunaro-- by extension Megumi and extending further potentially Keiji.

Something I've seen someone rightfully point out is that neither of the options you're given to say in response to the accusation... actually deny it? Both choices dance around answering directly, which is suspect as fuck. If Keiji truly wasn't with Asunaro, why not shut that theory down immediately? There's no benefit to answering anything but "no" when he's innocent, and he's lied straight to people's faces for less. So why not just debunk it? I think it's cuz there might be some truth to what Ranmaru was saying here. The biggest reason I think this is because despite the fact that Keiji quit the force, he and Megumi were still associating with each other years later. They were kidnapped together and partnered up for their first trial. One missable piece of dialogue is Keiji admitting that he was with his partner-- or rather a "coworker"-- before getting knocked out.

That slip of the tongue and backtracking makes me believe this part to be true. Him switching from "my partner" to "a coworker", which is a lot more distant and impersonal, makes me think it's got to be Megumi. However, I don't believe that Keiji would wanna keep in touch with her after what happened willingly, so I can only imagine that it's due to that debt he has to her. My little game theory here is that after the shooting, the debt he owed her was a forced recruitment into Asunaro. It's the only thing I can imagine he meant by "the worst kind of debt", a debt he'd literally let her die for to get out of. And if this is true, then it could also explain away his instant attachment to Sara, since he'd know beforehand that she's someone he can depend on due to her having the highest chance at survival. Maybe he already knew about her beforehand, one way or the other. We know Hayasaka did (which I think we as a fandom moved on from way too fast btw). Kai and Sou did too. There's always a chance. And unlike Sou's victory rate and Midori's favourite number, it's not zero. One person made a comic about this idea I recommend checking it out, it's tastefully unsettling. But still very much unsetling and uncomfortale. Be warned that it's also Keisara-centred, so if that makes you even more uncomfortable they did the job right you can ignore it. Proceed with caution or don't read if you don't like.

*Being a predator

I have been waiting so long for this one XD For context: a while ago I made a longpost discussing the sanitisation of soushin and this kind of toxic attitudes in fandoms regarding "problematic content" (ships, characters, shows, you name it). In it, I mentioned that it's not only soushin that receives this treatment but a certain other dynamic too. It's not a rainy day, however this has been way overdue and if I don't get this done now I never will.

Something I've seen a lot, and I mean a LOT-LOT is this notion that Keiji acts "like a father" to Sara and that their relationship is a completely platonic father-daughter bond and that he's the resident dad of the group? Like, it's cute, but that's not at all what their relationship is. At all. Not even a little bit. We called Sou and Kanna siblings before the Greenblings reveal. The difference is that not only does half the fandom think this man is gay, but he's only ever been protective and caring and loving without any romantic intentions towards Kanna ever. His title as her brother was deserved, based on the genuine affection and platonic protectiveness similar to that of Alice's. Keiji has made advances tho, on many occasions, and his flirting is repeatedly acknowledged by other characters. Namely Sou and Reko.

(Sou grills him for being a creep every chance he gets I love him XD) But yeah, these are not the type of reactions and comments you receive when being a "father-figure" to the teenager. You get all this when you hit on the teenager. Which he does all the time by calling her "cute" every time she asks something and his "cute little detective", swearing himself to her by saying that "he's always on her side" or something like that, asking her if she'd die alongside him, repeatedly claiming or insinuating that they're on a date, or ""having a moment"" and going to ""take the next step"" when in private (*cough* groomer *cough*)-- you name it, he likely said it. He's a walking-talking ladykiller machine and teenage girls aren't safe, apparently.

(Quick note: The dialogue for the Russian Roulette one is a tad different now. In the new translation he says "cause you're so darn cute" now. I dunno if that makes it sound any less weird, but I felt like putting that out there. What I'm also putting out there is that according to the trivia he calls her cute 8 times throughout the game so. Yeah. *Cough* groomer *COUGH COUGH*)

Like, who tf says this?? Especially that last part 💀 Even if you wanna die on the hill that these are supposed to be "jokes" not to be taken seriously, we should all be able to agree that the (ex)police officer in his late 20s jokingly hitting on the high schooler he follows around is still weirdo behaviour at best and down right despicable at worst. The fandom seeing lowkey predatory/inappropriate behaviour from a figure of authority persistent for almost three entire chapters and dismissing it as "fatherly" and "platonic" is, well, concerning. It's very concerning. If your dad acts like Keiji, you should probably call the police. Unfortunately for Sara, Keiji is the police. And considering this guy got away with manslaughter, I don't think said police would do anything anywho. But yeah-- he uses flattery and flirting to distract her from prodding to much at him while simultaneously aiming to gain favour in her eyes. He showers her with reassurance of his loyalty and affirmation of his deeper attachment towards her and her alone every chance he gets to cement his position as her closest and most trustworthy ally. He insinuates a romantic partnership between them to others to mostly keep her to himself or the two of them alone (he always does that when they're investigating or going to investigate by themselves). There's such an obvious romantic undertone to their relationship and his actions that it going almost completely ignored in the fandom feels weird to me.

I want to make clear that there's nothing wrong with headcanoning Keiji as a father figure to Sara. It's cute. Keiji didn't have a dad himself, and the closest thing to a father figure he had was the man he shot dead. He's a damaged and hardened guy. But Sara's dad is involved with Asunaro and Gin's is an alcoholic, and in a situation where they both need guidence and protection he tries his best to grow and change, fumbling to become that decent father none of them got to have. It's nice, and a wholesome dynamic for our "characters with memorandum counterparts and only non-determined deaths" trio. But that's obviously not what their dynamic is. There's a difference between headcanoning something and erasing canon and the Yttd fandom leans heavily into the latter. Keiji's a creep, he always has been, yet 90% of people I see always portray him as a Mr. Dad Guy or completely sanitise him to hell when him being creepy and unnerving to be around is what made him such a fascinating character. Just like I said with Soushin, the sanitisation to make canon more digestible is one thing: harassing or insulting the people that explore canon is another. I'm gonna take a bullet, derail this rant and say it-- Keisara shippers get so much shit for literally being right it's so infuriating. Keiji does hit on Sara, a lot. He's creepy and weird like that. Him flirting with her isn't a "mistranslation" or a joke or anything like that; his dubious wording and antics are very much intentional. Yet the only people I see actually addressing and acknowledging that without adding fluff is keisara shippers and other ""proshippers"" only for them to get fucking sniped for it I cannot 💀💀 I have yet to meet a single eastern fan who calls this cop "fatherly". This really feels like such a western issue cuz the majority of the japanese fandom agrees that this man's a predator (correct me if i'm wrong but keisara is the most popular ship in the japanese side of the fandom, right?). Then again, eastern fandoms are more chill over there when it comes to separating fiction and reality in general anywho.

*Yeah, I think I'm done with the Keiji slander. Yay. Time to unceremoniously end this.

There's more to say about that, but this is a Keiji post, not another shipping discourse post (although it's hard discussing Keiji's predatory behaviour without bringing it up too). Before I do spiral from the original point, I'm going to try and reach some sort of conclusion here. While I did spent the majority of this post just reading Keiji to filth, and am very salty towards him in particular, this was not just to rake him through mud for my own sanity (tho it's part of it XD). Keiji's character is that he started off as someone who wanted to do the right thing, someone who wanted to be good and moral and protect others by joining the force only to kill all the progress he made along with the person who inspired him to become an officer in the first place. It heavily contrasts the Keiji we have now, a sleazy, unreliable and corrupt ex detective who flirts with underage girls and is willing to resort to the most bankrupt of decisions to save himself. A man that has long lost hope of his wounds healing that he lets them fester and his rot spread onto others. And while I headcanon Keiji to just inherently be a piece of shit, his former self tried his best to be genuinely good before he became so convinced he can never be better that he made peace with his shittiness in the end.

With all this I wanted to highlight some the shadier and bankrupt things he's done that I haven't seen much discussion around and refresh myself on them before the final part. Both so no matter how emotionally dependent and therefore rose-tinted Sara is about the man I don't forget what he's actually like and what he's done while also being able to appreciate how much he's changed for the better. Some of my favourite examples about how he's changed are these:

Before the second Main Game Keiji was willing to let Sara and Kanna die because it was the most beneficial option for him, but in Chapter 3 he takes the on the role of "it" from Kanna and refuses to tag Sara when he thought he was gonna die after failing to beat Midori.

Actually showing more sympathy towards Sou after the Main Game. He was very mean about dismantling his pretence of a cold front to Kanna's death, don't get me wrong, but he showed a lot more consideration and understanding for Sou's feelings and acknowledgement about his active role in it than he ever had beforehand.

He was genuinely fighting for everyone to survive the game, not just himself. While Keiji would prefer everyone making it out safely, he has a tendency to guarantee his own survival first through any means necessary. His plan to corner Midori in the banquet could've cost him his life if it weren't for Q-taro's final stunt, yet he still reassured Sara to save Gin even tho it could've resulted in his execution from Meister potentially finding him guilty of violating the rules.

Him hugging Mai and trying to be more cheerful was cute as heck. I'm sorry but him showing more vulnerability around his allies and being less closed off in a way he hasn't been before is something I'm very head empty about. That he was hugging and interacting with Mai without making any unwanted advances or ladykiller jokes and generally just having a more friendly vibe was nice. It makes his creeping on Sara more unfortunate, but I'll take what I can for now. The bar is in hell.

And that's it, I think. Overall, I hope they do address some of his actions here in the final part or make them have an impact on his and Sara's relationship. Especially that Asunaro part. The person who wished for Sara to join the death game is still unknown and so is Keiji's consent form wish (same goes for the Dummies, Hinako and Megumi), so I'm curious if they're related or not. If he's going to go down an even darker path or redeem himself as much as he can we'll see when the final part drops. He has the potential to go both ways. This is going to be kinda awkward if the next part reveals him to have been a decent guy all along, so hopefully that doesn't happen. Please be morally bankrupt, man. This post didn't end up the way I wanted it to, nor bring up as many points as I would've liked, but I know I won't finish it if I went full perfectionist on it (I already spent months on this writer's block do be a bitch) and it's looking kinda long already. Hopefully it's still decent enough as is right now. I'd like to say that this is my apology for the last longpost I made, but I brought up one of the most controversial and hated ships and traits of Keiji's character and defended them, so maybe I shouldn't 🙃 Anywho, hope you enjoyed and cheerio.

#yttd #your turn to die #keiji shinogi #keisara #character discussion #apologies to all the keiji fans i promise i'm one of you. sorta #he's one of my faves in the game and ranks pretty high but not for the reasons he should i think #keiji's one of those characters i feel negatively about yet want to learn and do more with so that's the energy i probably give off here #also i noticed that most of these points involve sara which makes sense but is also very sad when you think about it #there's a lot of other things i'd want to expand on (mainly that last point) but i suppose i can wait another day #this is going to be my last longpost in a while because i'm going to be busier from today for better or for worse. probably for better lmao #last reminder to be nice. this isn't twitter but i know better #i'll beta read it again later for any mistakes i missed so apologies for any potential typos or errors #also it might actually rain today so heck yeah #i'm a soushin shipper so happy keisara week to anyone that participates btw ^_^#momento rambles

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fereldanwench · 9 months

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I didn't want to completely sit out a year-in-review, but for reasons I'll explain at the end of this post and under a cut, doing the traditional pick-one-pic-from-each-month approach just wasn't going to work for me. So instead, here are 20 of my favorite shots (in no particular order) of Valerie from 2023!

(I'll share solo Goro shots and shippy/story shots in two other posts before the year ends.)

Some thoughts about this year (cw for anxiety and depression mentions):

So yeah. I actually hadn't planned on joining in on the virtual photography year-in-review fun in part because... Well, frankly, I wasn't sure if it would actually be fun for me.

Although I do have pictures for every month, the first third, maybe even half, of the year was a struggle on almost every conceivable level. A lot of it was shit that carried over from the end of 2022, which was also an incredibly difficult year for me. I don't really want to delve too deeply into why--Some of it was personal, some of it was professional, some of it was fandom, and if you know, you know.

The main obstacle I had here is that looking at a lot of the shots I took from about January to May (give or take a few weeks on either end) honestly reminded me of Bad Times™️. I've worked really hard to pull myself out of that depression/anxiety cycle and return to a healthier approach to fandom and online socialization in general, but I just didn't want to spend a lot of time in that mental space. There are a few shots from those months that made it to my favorites, and I hope one day I can look back on that stuff and just feel the good from it again. Alas, that day is still not here.

But I am happy to report that the other reason I wanted to approach the review differently is a lot more positive! It's also two-fold: 1) I spent the earlier part of this year exploring more of a technical side of virtual photography and 2) I was really prolific the last third or so of this year so trying to narrow faves from about August until now was just not possible.

One of the few good things about the end of 2022 was being able to upgrade my graphics card, which meant I then had a rig that could support ray-tracing and hot sampling. As a result, I started putting a lot more focus on lighting and getting acquainted with new tools. I also was trying to work with the new AMM posing system, which is very convenient in some ways (100s of poses without reloading the game!) and a complete pain in the ass in others (can't move characters without their poses breaking!). Custom photomode poses + Nibbles Replacer has been the game changer I've been waiting for.

Or to put it more succinctly, December 2022 through about April 2023 felt like a relearning/return to basics kind of creative period, which is essential, but also means I just don't really like a lot of what I did, lmao.

Then, shockingly (I'm not shocked at all), starting treatment for my anxiety and depression in the second half of this year suddenly made creating a lot easier and fun again! Crazy how that works.

Even bumping this little review up to 20 shots instead of 12, there are still pictures from the past few months that I had to cut as favorites. There was just no way I could condense the amount of fave shots I took from August to now in just 5 options.

I also owe quite a bit of this revival to modders for asking me if I wanted to take shots for them--Exploring more of a fashion photography approach to my shots I think did a lot to build on what I had learned earlier in the year and encouraged me to try something new. I don't want to tag anyone in this long-ass glorified diary entry, but if you invited me to take mod shots for you, just know that it really meant a lot. ♡

And that's where my head has been with a yearly review! Is filling out a little template with 12 pictures this serious? No, it definitely is not, lmao. But hey, overthinking shit is still something I'm working on. ✌️

#cyberpunk 2077 #cp2077edit #cp2077 screenshots #oc: valerie v powell #g: cyberpunk 2077 #mine: edits

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sambuuck-illuminated · 2 months

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Hello! I'm contacting you as one of the mods in PokeMagma events. We have noted your amazing contribution to the session, it's really well drawn! ^^ But unfortunately we are concerned about whether the image is suitable for the session-- Like you know everyone is welcome to the session as long as they follow the rules. One of our rules is "keep it PG." We have noted that it's a very vague rule and we actually forgot to add some clarification to it. So we have now added: "Any questionable ship content is off limits, either directly or suggested." This is not your fault! We should've been more clear about it before.

Our problem is that you're giving exposure to your au's that have blankshipping content. Imagine a situation if someone who's not comfortable with blankshipping will find that content via your twitter/tumblr handle and checks the au's that you drew in the session. Everyone trusts that no-one draws blankshipping content on the session so that would come as a surprise to them.

You're still verry much welcomed to the next events if you still want to join us! ^^ I hope that you'll understand our reasoning why we'll remove that drawing from the final edit. Feel free to contact/reply me or @/pokemagma anytime if you want to say or ask anything about the matter! Thank you for joining us!

it is near midnight my time and i am tired and pissed off, so i'm sorry if i'm coming off as harsh

for folks who haven't seen it, this was my piece for the magma. it took me 11 hours to complete, and i was really proud of it. the piece itself is not shippy, it is PG. this piece did not break the magma rules that you published online.

some of my aus have been written for ship, some have been written for gen, some i've written both, some i haven't written at all yet. this is going to come as an absolute mindfuck for some folk here, but i am allowed to draw my aus in whatever way i want. for this piece i drew them as not shippy, out of respect for folk who don't enjoy that content. removing it from the magma edit because i've written ship for it in the past is shit.

and honestly the reasoning of "what if they look you up?" to be fucking bullshit. so what if folk look me up and find content they don't like? fam i trust them to go "oh! this content isn't for me!" and close the fucking browser window like the fucking adults they are. my shit is tagged on my art blog, my ao3 and my twitter - i trust that folk are knowledgeable enough to know how filters work and how to avoid content they don't want to see.

you tell me that i'm welcome to return - how am i welcome to return when you remove something i worked hard on and the reasoning is "you broke rules we didn't tell you about and we can't risk folk looking up your content"? i get that the filthy blankshippers aren't meant to have feelings but friend cmon. if you spent eleven hours on something only for a moderator to remove it because they "forgot to clarify" a rule and they don't want people looking you up, you'd be real upset too.

in addition to this, while i was drawing i was approached by one of your mods. after confirming I wasn't drawing ship art, they proceeded to tell me how many complaints they received because i was there and had been drawing on the last magma

to be clear, my first magma was in june. last month. the shiny pokemon magma. folk were complaining to you about me when i wasn't even drawing submas.

i don't think this is about the art, honestly. i think you just got tired of folk complaining about me and wanted me out

#submas #blankshipping

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mellosdrawings · 3 months

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Was playing through ignihyde chapter and I cam across the part where Leona told Jamil off abojt his behavior essentially saying Jamil was useless and not needed to do stuff. Jamil most likely didn’t understand where Leona was coming from. Cause Leona isn’t as “weak” or “unaware” as Kalim. So he didn’t need the protection of Jamil.

Leona was also kinda wrong for the way he delivered it. And it was also covered around with insults

Where I’m getting at is what if Jamil still lingers on with what Leona says and kinda backs off or feels useless around Leona. Kinda being more awkward cause he realized what Leona meant

Some angst for the ship skdndfjsjsjs hope this makes sense 🌸

Ok so, you probably expected some comic/fic ideas about this, but their dynamic during the STYX hellscape had me obsessed for months and you unlocked it all with that ask. It won't be necessarily shippy but it's a long rambling analysis.

ALL THE SPOILERS FOR BOOK 6 AFTER THE CUT!

Their dynamic is so terrible (/pos), I wasn't expecting them to get along the least (honestly thought Riddle and Azul would throw hands at some point, I've also obsessed on their over-confident/under-confident dynamic but that'sfor another time), but in retrospect it makes sense.

I always find Jamil's behavior to be cringe but there are reasons for it. Really he's the one who struggles the most (not counting Idia) during this chapter.

He's the only Vice Housewarden in the group, and also a servant. When it comes to choosing the groups he doesn't give his opinion at all and just goes where there's still place (with Leona) and then rely entirely on his habits and upbringing with him. His role is to protect the fancy person that accompanies him. Usually it's Kalim, but here it's an actual prince who could rain hell on the Asim should he get wounded while under Jamil’s charge.

Jamil thinks about his duty first, that's why he so overbearing until Leona tells him off.

Because Leona isn't Kalim. He’s a lazy twat (/affectionate) but he can also be very independent and he’s probably one of the strongest mages in NRC. He doesn't need Jamil to protect him. If anything he should be the one protecting Jamil considering he is younger and less experimented. (Plus Leona has his pride despite the laziness)

While Jamil thinks of his duties, Leona uses situational logic. They're in a dangerous position where they don't have time to play master and subordinate, it'd be a hassle if Jamil gets wounded.

And it does become a hassle when he gets wounded.

Seriously their dynamic was good.

But also Leona is terrible at communicating. It's a running theme that he expects others to understand his meaning from minimal explanations. For Jamil who is used to Kalim who is rather transparent with his needs and wants, that's a difficulty to tackle.

Add to that the fact that Leona can't help but rile others with his words and you quickly have a Jamil who doubts himself and starts to put himself down.

Again.

Because he's always put down. And this time by an actual royalty.

Like, yeah, Leona was a dick to him and didn't consider the pressure of duty Jamil constantly has on his shoulders. But also... he wasn't wrong. Jamil puts himself down even without external pressure. He's all talk but the only time he actually did something was when he overblotted. During Book 5 he showed no change in behavior except to accept the spotlight when handed (and even then his first reflex was to put Kalim forward, because that's what he's always done.)

While terribly worded and mostly unaware of Jamil's actual situation, Leona was right to set Jamil straight. He could do more. He should do more.

And Leona sees himself in Jamil. That's the moment when you get a glimpse of actual N2 squad. Leona knows they're both constantly second, but where he has no exit door, he sees one for Jamil. He might not stay a servant his whole life. Especially since Kalim is very fond of Jamil. It might take time, but Jamil might still have an exit door to his freedom. (And if Jamil ends up marrying Leona the exit door becomes glaringly obvious)

I like to start the LeoJami relationship right after this book precisely because there's no way Leona’s words didn't kick the ants' nest inside Jamil’s brain, and because Leona shows genuine interest (and a smidgen of care) for Jamil.

And yes, despite Leona cheering him up in his own way by the end of the chapter, he still said a lot of harsh words. Jamil is a notorious overthinker, he would probably alternate between the "I have more potential to growth than others" and "I'm completely useless and would fail to do my job if I stay that way, which would have repercussions on me and my family".

Leona sees potential in him. That's actually huge, you know? So far the only ones who did were Azul, Vil (about dancing and singing at least), and maybe Kalim? But here you have a prince making him understand he's got potential.

Their relationship after STYX is definitely a mess that can turn angsty really fast on Jamil's end, I agree with you. But sometimes you need to break a rock to show its shiny insides. You can get from this with Leona lazily helping Jamil out of his comfort zone (because, once more, Leona sees himself in Jamil) until Jamil improves and finds his self-confidence once more. From there the angst has calmed and you can go to the lovey-dovey stuff!

Does any of this make sense?

I'm done rambling. That was a long one :')

#ask me anything #twisted wonderland #twst #jamil viper #leona kingscholar #analysis #leojami

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heelgripper · 3 months

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Look, I'm not normally one to make theories, but as someone basically frothing at the mouth over the Osha/Qimir possibilities, let's take a look at some choice interview quotes, shall we?

It's tinfoil hat time.

Here’s a VERY INTERESTING quote from the show runner, Leslye (thank you to @tremendouskoalachild for the transcript!):

“I was always really hit by Obi-Wan's line in A New Hope when he says Vader was seduced by the dark side. That made me feel weird, because I was a kid, and I didn't really understand what that word meant, and then later when I did I was like, what's he talking about? So with the way that someone has turned to the dark side or someone joins the Sith to me it's all about seduction, it's all about appealing to the part of that person or the thing that person wants the most. With Anakin it was to save his wife, it was to stop the suffering of the person he loved more than anything in the world, more than his own self. That's why it's so tragic. He put her over so much stuff that he couldn't see the forest for the trees. And with Mae it was revenge. Manny was definitely feeding into, well, if you want revenge then come with me and you can do that. So OSHA is going to be a different tactic, like, what does Osha want? And what would her present moral code crumble under if she was offered? And I think for Osha it's something more emotional, and I think if you've been watching the show close enough, I think you'll know where that's headed.”

Then we get this from an interview with Manny:

“How does one get seduced by the dark side?” he asks. “I was very intrigued by that, when [Headland] mentioned that, it's such an interesting concept. Because with seduction, you have empathy and vulnerability. And that was really appealing to me because we never really see that in the Sith or in the dark side. It was a lot to explore.”

Now, personally, I think that Osha wants camaraderie. She sounds so EXCITED when Sol tells her that there are hundreds of kids just like her at the Jedi Temple on Coruscant. See her face light up! And then later, after she's left the order, she gets a tattoo to commemorate some of her mechanic friends! She quickly forms a connection with Jecki, and still has a close connection with Yord and Sol after all these years. She craves connection. I think Qimir will offer her that connection.

Will it be shippy? Well, there are DEFINITELY some moments so far, like Qimir's far too interested perusal of her face all close up in the apothecary shop. Then the way he tenderly lays the blanket over her at the end of episode 5. Why all the emphasis on the word 'seduction' in the interviews???

Even if the show does not Go There, I think it's safe to say that there will be some tension in their scenes together. Amandla and Manny's chemistry is OFF THE CHARTS. I'm so excited for Tuesday.

#the acolyte #qimir #the acolyte spoilers #personal

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system-architect · 5 months

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The Price of Enlightenment

Wracked by nerves in the days before the scheduled date of her Ascension, Zojja receives a nighttime visitor.

content warnings: lots of talk about death + dying (including some parts describing corpses and some analogies to suicide), implied bad childhoods, nausea/people nearly (but not full-on) getting sick

author's note: wanted to write a fic that makes zojja's soto arc make.. more sense... and inspire more realistic doubts into her character about it. this fic contains some fanon-- namely, the idea that kudu and zojja both briefly apprenticed under snaff at the same time before kudu's departure. also, please note that this fic is explicitly not meant to read as shippy whatsoever despite any banter ✌️

The sun had long since crept below the skyline of the Archipelago, but Zojja found herself unable to attain solid rest– she seems to flicker in and out of sleep, sparse fragments of dreams flitting through her brain like fireflies rising from a field. She finds herself shaken between them, roused by a small sharp breeze flowing through her opened window, and would turn in bed, futilely trying to attain a comfortable pose despite her eyes seeming to be glued wide open.

The date of her ascension was drawing closer, and she had been absolutely adamant throughout the whole process– Yes, I want to do this. I really do want this. I know what it costs. Now that she was nearly at the peak, it felt as though the veil was beginning to fall from her confidence, and she felt half-formed doubts worming their way up through her body like nausea.

She flips herself over onto her back, fingers clutching at the sheets as her head sinks into her impossibly hard pillow. Her body felt heavy, so heavy, and achey. She lays there, staring at the ceiling, feeling every acute twinge of her soreness, when a shadowy presence creeps into her periphery from near the window.

“Zojja.”

Something within her ruptures– she knew that voice. It incenses her. She felt every muscle in her body spasm in a sort of shiver as she shoots half-upright, her face scrunching up and lips peeling back. She squints over in the direction of the figure.

“Kudu.”

The man was… posing in an uncharacteristically flamboyant manner, leaning up against the wall with one leg bent. He seems to have a wine glass in one hand, and just to the left next to him was… bizarrely, a cardboard cutout of Snaff, with features poorly drawn on in marker. Kudu appears as she remembers him– dark brown hair tied up in a tight bun, two little pinpricks of pale yellow glaring out at her from the shadows of his face.

“It’s somewhat incredible, you know, that you manage to make my name sound like a curse every time you utter it,” he swirls the wine in the glass. “I’d ask how you’re doing, dear, but I fear we both know that the answer is ‘terribly’.”

Kudu’s manner of talking set something berserk in her, like hearing claws on slate. Oooh she could not stand it. She had stopped taking it personally a long time ago– it had taken several run-ins with the man for her to understand his modus operandi. Once she did, it became apparent that the man simply dished out flamboyant little remarks like he exhaled carbon dioxide. Whether they helped manipulate or woo anyone was a near-unintentional byproduct. Still, something about him felt simply slimy, and thus every time he opened his mouth she felt like a bull seeing red.

“What is it you want, you little worm? Why are you here?” Her ears pin back as she squints over at him– taking the time to notice his shifting posture, which had spontaneously changed so that he was sort of draped against the wall. “...And why are you… like that?”

His brows raise as he taps the wine glass backwards against the cutout of Snaff. “I suppose, in a strange way, you could consider me as checking up on you at the behest of the old man here. Ah, but no, I suppose it’s more likely that I just still swim around in your head after all these years, yes? …And it’s not my fault that your brain has decided to render me as some sort of eccentric pervert.”

“That’s because you are an eccentric pervert.”

“You see?”

Zojja couldn’t help but let out a small, frustrated squawk. She feels the urge to grab her pillow so that she could scream into it, but stops herself so she doesn’t remind him how easy it is to get a rise out of her. She replaces the urge with a vision of her shoving the pillow down his throat in a cartoonesque manner. While she’s entertaining various other murder fantasies, she takes a second to study the facsimile of the man in front of her. It was definitely Kudu, but…

“What are you, anyway? A ghost? Some sort of kryptis trying to eat at me– or inspire doubt?! Hm?!” She punctuates her sentence with a triumphant humph, as if she surely had sussed him out.

“Oooh. Externalizing our locus of control already, are we? I’m certain you’d love it were I anything but the product of your… what was it now, fourth day of sleep deprivation?”

Her claws poke through the sheets and begin to pull at the mattress. Unfortunately, it was true. This wasn’t the first night she’d been in this predicament, it’s just that her stress dreams were usually bereft of morally bankrupt middle aged men.

Kudu’s pupils flick towards her stressed motion, weaving little light trails in the dark. The wine glass has mysteriously disappeared, and he folds his arms behind his back as he takes a small step towards her. “And… doubts? Who said anything about doubts? Aside from you, of course…”

“What?! No, I–”

He’s drawn closer. “What sort of doubts could you possibly harbor? Are they about your ascension, perhaps?”

“Th–”

Kudu wasn’t actually a particularly tall man, only having a couple of inches on her at most, but from his position next to her bed, he seems to tower over her. “What’s there to fear? Dagda seems fairly well-adjusted now. You trust her, don’t you?”

“Well– of course I do, but–”

“But?!” The man’s expression was like a jackal seeing a wounded gazelle, and he draws a claw up to pick at his chin. “...Mmm, actually, I suppose this is typical of you. The trust issues and whatnot.”

“What?!” She barks at him, face contorting as she bares her teeth. Her body feels incredibly heavy all of a sudden. “What do you– mean…”

Kudu peers down at her as if he were observing an experiment, stony faced. They both knew what he meant. He removes the claw from his chin, and waggles two fingers in a sort of walking motion across the air, as if miming people frolicking through a field of daisies.

“You haven’t reached back out to your little friends, have you? You know, the ones you still have, anyway.”

There’s a cascade of tiny popping sounds as Zojja’s claws fully puncture into the mattress. “Y– you’re in no position to talk, you don’t even have friends!”

He ignores her little jab, tilting his head to the side as he begins examining his cuticles. “Loathe as I am to compliment you, I have got to say, Zojja, I do somewhat admire your talent for burning out on people and treating them like chopped liver. Or, of course, simply getting them killed. Frankly, I understand it.”

“Understand?!” She spits venom. “I never– How dare you suggest– We are not–”

Alike? He splays out his fingers, waggling them one last time as he finishes studying his hand, before drawing it behind his back once again. He leans over Zojja just a little more, a halo of light from the window lining his silhouette.

“Another little thing that we both know, my dear.”

Zojja flinches, abruptly aware of the sensation gripping her entire being– she’s sinking almost painfully into the bed, as if there were iron weights piled upon her chest. Words are able to hiss past her teeth despite it.

“No way. You’re the only one to blame for your problems, you… you…” She can feel his eyes boring into her, the figment waiting with bated breath to hear which insult she chooses. “--poseur!!”

Kudu’s brows raise, and his jaws hangs open slightly. A little scoff escapes from his throat. “Poseur? Now that’s a nostalgic one.”

The room seems to flicker as scraps of memories waft through Zojja’s brain– a messy workroom table, three coffee cups nestled amongst the documents and tomes. Herbal tea in her’s. She had too young for caffeine; the old man insisted as much, anyway. The sounds of muffled conversation– debates, questions, revelations– swirled around her ears whenever she let sleep grip her on a late night, arms and crumpled velum pressed against her cheek in lieu of a comfy pillow.

A small spasm ripples down her body, jostling her out of her reverie. To her disdain, Kudu is still there, fixed in the exact same pose as he was before her eyes had closed. If they had closed, anyway– it was difficult to tell. The world felt like it was beginning to unravel and warp around her.

“Oh, good, I thought I lost you for a moment there. Where were we?”

You leaving.

“Ah, right. How we’re devastatingly incomparable people without a lick in common.”

Yeah. You said it. There’s nothing there. Just give it up. Stop thinking about it. A young man towered over her, a fresh undercut framed his ponytail, and a few stubborn pimples dotted his face. He shrouded himself in dark clothing and curled into himself when he moved, as if he might be able to shrink from existence, but his ego filled the room. Bitter, insatiable. She had been pulled from muck and fog and brought into a new world, she spat out sparks when she talked, her skull overflowed with ideas. She felt like she wanted to fly up to the sun. Tenacious, bull-headed. A thick layer of desperation to make something, be something under it all; they hitched themselves to the same star.

His voice toyed with her, sarcastic. “There’s a clear line between us, of course. I was simply born bad, and you, good. You have an unshakeable grip on everything you are and want. You’re infallible.”

Old arguments, coated in cobwebs in the recesses of her gray matter. She never understood where all the animosity came from. It wasn’t her fault that Snaff liked her iteration of the diaphase arcanic separator better. She couldn’t be blamed for being brilliant. He sat as far away from her as possible on the worktable bench; she’d slide closer and pester him on purpose. The way his weird puggy lips contorted when he was trying to stifle his upset was funny to her. He’d ‘fix’ her mystic diodes and leave them a smoking pile, she’d throw a tantrum. He’d look smug until he got reprimanded for it.

The edges of her thoughts melted together in the muggy heat of the eternal Maguuman summer. The smell of ozone and solder would hang heavy in the air for hours. Everyone got along best when occupied by some sort of project. There wasn’t a single inch of wall space in the lab that wasn’t plastered in sketches and blueprints of prototypes and small epiphanies. Snaff liked to hover behind them as they worked, arms folded behind his back. His presence always felt warm, not judgmental. She was glad she was here now, clean, a fresh start. She refused to ever go back, she wanted to do this– had to do this. Muffled voices across the lab kept her up at night. She knew she shouldn’t listen in, but she couldn’t resist. A voice of guidance and reason, and a voice that cracked, crushed under monumental pressure, always choked something back. You should really give him a chance. A concerned hand clapped on her shoulder. I’m trying to convince him of the same…

Arcs of lightning and smoldering fires set off a chain reaction of fights. It’s always your fault, not mine. When things don’t go my way I want to grit my teeth and scream through them and beat my fists against things. I just need this one little thing to work out. I feel so full of concepts and questions I feel like I’m going to burst, it hurts, I have a headache. Stop getting in my way. I can’t hold myself back when I get mad or excited. I love the thrill of the chase when I’m on the trail of an idea, a theory. Small game isn’t enough. I crave more. Every part of me feels sore and weary. I would never admit how much a deep part of me wants comfort. I miss Snaff. I miss Eir…

A hypnic jerk wracks Zojja’s body, the force knocking her bedframe into the wall with a clatter as she’s pulled back to reality once more. What passes for it, anyway. Kudu is still looming over her, and had leaned closer– she could see through his pupils, to the layer of yellow and green nightshine that stares back out at her from behind his retinas.

“A pity that there will be no one left to remember it all.”

Zojja’s ears pin back, pressing against the pillow entombing her head. Her voice picks up a desperate tone. “Wh– everyone loves Snaff! No one’s going to forget him! And you… you’re… infamous, you know–”

Kudu’s head tilts to the side, considering her like an owl watching a mouse. “Being a celebrity is one thing, but it’s all about the details. They’ll never know about Snaff’s sweet tooth. How I had to teach myself to stop biting my claws…”

Their mentor stuffed wrapped candies into every stray desk compartment and container like a skritt hoarding coins. He never seemed to mind if she pocketed them– she thought he’d tuck them into her console’s desk on purpose, actually. The other apprentice had cracked, bloodied cuticles when she first met him. Some sort of nervous habit. He’d pull an angry and embarrassed face if he caught himself doing it, as if anticipating being scolded.

The specter clasps his hands against his chest, digging into his ribcage with his nails. He doesn’t give her time to reply. “Those memories die with you, Zojja. I’m a dead man. You remember that, don’t you? You introduced me to my butcher. Snaff’s dead too, in case you already forgot…”

Zojja feels herself shiver. A painful memory, perfectly clear, worn in from how many times it had been on replay in her mind. A hand, wreathed in purple crystal, going limp. Dangling from her arms, or splaying out against the tile. Twitching with postmortem spasm. She senses a bit of sick climbing up her throat and tries to shake herself out of it, despite the amount of weight on her chest.

Kudu is relentless. A clawtip sinks into the center of her sternum, prodding her like a scalpel. She wants to writhe and scream, but she can’t. His lips peel back to reveal rows of violet teeth as he grins at her in a sadistic manner.

“That’s another thing we have in common, you know. The self-destruction. You just can’t stand it all, can you? You sink one little tooth into something you feel you want so badly, and the world just becomes a big blur…” He twists his finger around, burrowing the claw in deeper. “You should tell them to make your robes purple. Adorn them in stones. We’d all match.”

She finally manages to shake her body out of paralysis, squirming as she bucks his hand off. He withdraws back towards the window in one smooth motion, expression unchanging.

“Shut UP– I would never– I won’t forget–”

Kudu wraps his arms around what was the cutout of Snaff, which is now very real, very physical, very limp. The moonlight casts their skin in a clammy lilac hue, striped and stained with black stone and indigo crystal that splits open their hides like rot. Snaff is unmoving, devoid of life, propped up only by Kudu’s hand at his back. His head has rolled back; she can’t make out Snaff’s face anymore.

“You would– and you will.” His lips tug impossibly upwards, his eyelids crinkling at the bottom. “You don’t even have her twin anymore, do you?”

Zojja growls as he hunches one shoulder, indicating the silvery metal device strapped to his left arm, pressed in between himself and Snaff. “Of course– I– She’s just in storage–”

He pounces. “Storage?! Oh, oh, oh, Zohhh-jjaa, you may as well just throw it out! Even I hadn’t realized how much you had given up!”

“I haven’t given up– I’m just–”

Kudu grips onto Snaff’s body tighter, his claws starting to pierce through their mentor’s coat fronts, the sides of their cheeks pressing together as if he’s giving him some sort of painful embrace. “I carried on his legacy better than you. Did you know that? Have you ever thought of that? Doesn’t it burn? I was the one ripping open dragons’ brains, you abandoned us. And you don’t even care!”

She snarls through her teeth. “Worthless liar! I– I had the Pact, of course I care–”

He begins to lower Snaff out through the open window, dangling him precariously over the sill. Snaff remains limp, arm waving slightly in the night breeze. “You care?! You’re throwing us out. Rendering us down to useless garbage!”

Her body just barely pries itself upwards. “I’m NOT– I might still remember– I just, I have to do this for–”

Kudu lets Snaff slip from his grasp even more, and his own body begins to tilt towards the window, as if pulled by the other man’s weight. “I’ve told you enlightenment always comes at a price, dear! I suppose I can’t judge you! I did the same!”

Zojja can barely choke out anything through the tears forming on her face before he continues. They both look like they’re about to topple out, off the edge of the precipice. “Since you want to destroy everything so badly, just bite the bullet! Let them rip you apart! Let’s die together, Zojja!”

She rockets upwards, her throat instantly rendered hoarse by the scream that flies out of her mouth. “SHUT UP! STOP IT! SHUT UP!”

She’s met with silence. Blinking hard, she does a double take at the window. No Kudu, no Snaff. The wind whistling through the opening rattles the frame quietly, and stings at her brow with an icy feeling. She hadn’t realized she was coated in sweat until now.

It takes only a few brief seconds for the sound of running echoing down the hallway to burst forth into her room– a panicked Dagda, who throws her door open hard enough to make the metal of the handle emit a sickening crunch as it hits the wall. The jotun seems just as sweaty as Zojja is, wide-eyed and bewildered.

“Zojja–! What’s wrong?! Are you hurt?! Are we being attacked?!--”

She slows down a bit as she scans the room, before finally setting her gaze on Zojja– the only person there. Zojja’s ears twist back as she tries to gain something resembling composure. She turns to look back out the window again.

The horizon shifts outside, a deep navy tint beginning to break up the dark. High in the sky, the stars still hang overhead. She stares tiredly at a particularly bright one as it shimmers. A binary star, flickering rapidly between red and blue as its twin stars rotate around one another. As she watches it, her hand crawls up to feel at her chest, which is unscathed, unwounded.

Finally, she turns back to Dadga, forcing a small chuckle. “N– Nothing. Just… dealing with some demons.”

It takes her a moment to notice Dadga’s widening eyes and the panic not leaving the woman’s face. The asura panics for a moment in turn, waving her hands dismissively.

“Not– not literal!”

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inverted-typo · 1 year

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what are some things you like about damirae that are unique to them as a ship? like you can't think of any other ship that has these specific traits except for damirae

First off--love this question 10/10!! Always ask me stuff like this!

Here's a few things I think are unique about this ship! Obviously I don't know every ship ever so this is in reference to the ships I've liked in the past.

Their empathetic connection - I love that this isn't implied or hinted at, but is quite blatantly stated they experienced glimpses of each other's lives. I think this is unique because I haven't really seen that before and it really adds this nice touch as to why they may grow so close

Similar vibes - I think this is the first ship I've enjoyed where one of them isn't like the happy-go-lucky type and the other is more broody and reserved. They both share that same level of seriousness and bluntness that creates a nice push and pull dynamic, I'd think. They're both sarcastic and witty, but aren't too similar in that they seem like the same person. I like that they don't fit the "opposites attract" troupe (which isn't a bad troupe by any means!).

Backgrounds - I think the fact they both were born expected to do one thing but chose to do another is also somewhat unique and specific. Damian was meant to be an assassin and Raven was meant to be a conduit to end the world, and from a shippy perspective I think it creates a particular common-ground between them.

These are probably the main points I can think of right now, but I love being able to dive deep and analyze these two! Thank you so much for asking!!

#damirae #damian wayne #raven

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laithraihan · 6 months

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I really don't care about whatever someone ships or doesn't & I do believe you that it's not meant shippy & I think that's fine, because it's fiction so you can make up a bond between whoever you like however you like. But that goes for everyone else alike.

Art will be interpreted as soon as you look at it not after digging for the artist's own opinion, so I can't say I'm surprised that people look at it and think it's shippy first. Sure, some were annoying about it I grant you that, but I think it's because it simply comes of hypocritical to act like a ship interpretation is nuts when the art simply does look like that on first glance.

The average MP100 viewer will not interpret a familial bond between these two characters who canonically barely interacted, but you did. (& more power to you) Maybe your average follower will not interpret a romantic implication in your artworks, but others will. (& more power to them)

I really don't think people lack parental love to see it shippy, I think people simply expect parental love between, well, a parent and their child. Not someone you personally declared to be a "weird uncle" to a girl he barely knows. I didn't even want good night kisses from my actual "weird uncle" as a kid idk man.

Again, I don't see the slightest issue with the platonic relationship you make up for them. I just also get where the romantic interpretations are coming from.

Your uncle/niece interpretation sincerely is farther removed from canon than ship interpretations are from your artworks.

Interesting message so I'll answer this genuinely.

To start off: I Never once implied that it was crazy that other people would interpret this as romantic at first glance. I quite literally said that I understood the confusion because these two barely interacted in canon. Which is why Im always happy to explain my intentions. Experiences vary so what one considers normal may not be normal to someone else: I'm very much aware of this but y'all clearly aren't.

When it gets to the point where people say "this artist drew that AND said it wasn't shipping even though we can obviously tell theyre delusional and in denial", that's where the problem is. I provide an explanation, that explanation gets ignored, people either answer "lmao just admit it" or they treat me as if I'm the worst person alive and they refuse to accept they must've been wrong about their interpretations. They proceed to openly "discuss" this (by just mocking me repeatedly, nothing constructive) in a public space where they think I can't see it almost as if they forget I'm an actual person who can come across these messages at any time.

What others ship or don't ship is none of my concern, I stay away from circles I dislike. But when people constantly attempt to force me into "admitting" I'm into something that I have zero interest in out of malicious intent, then naturally it'll annoy me.

I'm sure you didn't really mean to imply that I was merely outraged at the thought of someone interpreting this as romantic if they didnt know every single thing about my headcanons which is why I'm answering you sincerely. So please forgive me for assuming the ones who compared a peck on the cheek to some nonsense like "platonic breastfeeding" have never experienced any sort of familial love growing up 💜

#asks #and whether or not you think my headcanons are 'so removed from canon' is also not an issue by itself #this is 100% me being self indulgent and i don't hide that fact #i draw whatever i want whenever i feel like it and if others dislike it then i understand #but please don't act like these people were totally oblivious when making these comments: they knew very well what they were doing

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darkstarofchaos · 7 months

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Let's get uhh...constructicons/Prowl (for the ask thingy)

Don't ship it.

Why don’t you ship it?

The biggest reason is that nothing about the situation was healthy for Prowl. Not only did he become part of Devastator in the most traumatic way possible, but the time afterward was physically and psychologically harmful for him as well. Outside of that, there just isn't much for me to ship there? Prowl sees the Constructicons as a weapon and the Constructicons are just fanboys (up until the narrative decides Prowl needs to be utterly alone and they drop him like a hot potato). The whole situation was incredibly wasted potential.

2. What would have made you like it?

A different writer.

On its own, Prowl being forced into Devastator isn't a deal breaker for me because the Constructicons weren't the ones responsible. They did decide afterwards that they liked Prowl and wanted to hang with him, but until then, he was never even meant to be part of the team; just a disposable test subject for integrating someone new with an existing combiner. And I do honestly get the appeal of, "You were disposable to them, but not to us". Goodness knows Prowl needs someone in his corner. Heck, I can even get behind the angst of "this situation is physically hurting Prowl, but none of them - including him - want to stop".

So the setup was great. Super unhealthy, but you can do some pretty interesting things with unhealthy. But as they say, the devil's in the details.

See, I like the Constructicons. I do not like the way John Barber writes them as an interchangeable amalgam instead of letting them have some individuality. And I really don't like how he tried to resolve that conflict with earlier portrayals by saying that combining "rots away the individual". I like the idea that the Gestalt mind affects its components, not the idea that it supercedes them. I also don't like Prowl's recent instability being ascribed to the combining process and not, y'know. The traumatic events surrounding it. But we get this explanation from Galvatron, who delivers it alongside lies about Prowl killing Spike's father, so I can ignore it. I can pretend it's just another lie.

What I can't ignore is that Arcee doesn't hear this and think, oh, maybe it's not Prowl's fault he's been so erratic lately. Maybe I should see if he's okay when I get a chance. Nope. She just turns on him completely. Because the post-Dark Cybertron arc is the "let's tear away what little support Prowl still has" arc.

So I don't like how the Constructicons were written, I don't like the in-universe explanation for how they were written, and I hate the way everyone saw Prowl falling apart (including people who dared to call him a friend, Optimus), and just went, eh, I don't really care. He's just bad. And then, just to make sure Prowl loses everyone, the Constructicons turn on him too. Because apparently they can spend time in his head and like what they see, but it's still somehow a surprise that the mech who tolerated them because they were useful might not actually want them the way they want him.

Get these mechs a different writer.

3. Despite not shipping it, do you have anything positive to say about it?

As I mentioned above, the setup is great. It had a lot of potential, not just in terms of the relationship, but for character development, worldbuilding, and even the introduction of something like chronic illness with Prowl's physical health being affected by combining (again, he was introduced to the team as an experiment in adding bots to a combiner. It would make perfect sense if it wasn't an entirely successful experiment).

I also like a lot of the art and fics I've seen for them, even if most people seem to ignore the inherent angst in favor of sweet, funny, and fluffy pieces. I just wish more people dived into the physical and psychological impacts, whether in a shippy way or not.

#transformers #Prowl #Constructicons #Prowl/Constructicons #It's too bad I have no interest in writing IDW fic #The whole 'Prowlastator' thing is fascinating #but I can't stand most of the characters I'd have to write to play with the idea #Might use a G1 AU to play with it on my own terms idk

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sneezypeasy · 2 years

Text

ATLA Original Scripts: Extra Goodies

As I’m sure you may have guessed, the very first script I chose to open at the WGF was The Southern Raiders (I mean, can you blame me? 🤣). But shippy lore and zutara fandom history aside, I did unearth quite a few unrelated tidbits, author’s notes and script changes that I found interesting or funny enough to note down. As promised, here is a compilation of some of these tidbits, with little connecting theme or pattern other than “I thought the fandom might find these snippets interesting” 😁

1. Elizabeth and Aaron Ehasz are genuinely hilarious.

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Credit for finding #1 and #3 goes to my husband, who was with me on Day 2 of Original Script Investigations :3

I don’t mean to say that the other ATLA writers are necessarily boring or unfunny – as I said I didn’t get a chance to read every script and there may have been other genuinely amusing snippets from other writers that I honestly just missed. All I know is, the most entertaining action/non-dialogue lines that I did find were written by these two chuckleheads. I fuckin’ love them, lmao 🤣

2. In Day of Black Sun, Zuko was originally meant to redirect lightning using his dual swords.

I can see why this detail was changed during the storyboarding/animating process (as he just uses his bare hands in the show, the way Iroh taught him), but at the same time the sword-lightning-redirection thing really intrigues me. Dual swords are strongly associated with Zuko’s Blue Spirit vigilante persona, and there’s several episodes where Zuko uses them as part of obscuring his Fire Nation identity, whether that’s to help him keep his cover or even to help him get away with what the Fire Nation could reasonably consider as acts of treason.

So the idea that Zuko would use his swords to redirect Ozai’s lightning comes across as powerfully symbolic to me: Zuko standing in defiance to his abusive father, channeling some Blue Spirit energy to defend but not to kill; Zuko facing down a terrifying display of Fire Nation aggression and wrath, absorbing it into himself and then directing it back to its source, using a non-bending instrument, one he’d previously used in service of vigilantist or even sabotage/treasonous acts… yeah, I think that’s pretty damn cool, ngl.

From a Doylist standpoint, I like it. Very nice.

From a Watsonian standpoint, I can (grudgingly) understand why they likely chose not to portray this scene the way it was scripted.

Ah well.

3. In Lake Laogai, Katara’s healing water was meant to “turn black” as a visual indication that Jet’s injuries were too severe for her to heal.

This scene kind of plays out in the show, but not in the way that the script implies it should:

youtube

You can see that in the show version, the water turns black right as Katara appears to pause her work and look up to say “This isn’t good”. Maybe it’s just me, but the show doesn’t seem to imply that the water “turned black” despite Katara’s best healing efforts; I instead get the impression that the water stopped glowing because Katara (momentarily?) suspended her healing efforts upon registering how bad Jet’s injuries were.

The script seems to suggest that the scene should have played out like – Katara tries to heal Jet, the water turns black while she’s still moving her hands and working, Katara might then visibly react with shock or alarm, before finally looking up to remark, “this isn’t good”.

And honestly, I’m actually really bummed that they didn’t animate this sequence out! It would only have taken maybe a couple more seconds, but can you imagine if the writers had been able to employ the dramatic effect of “[Character] is so heavily injured, the healing water turns black” to its maximum potential?

Imagine Katara trying to heal Aang’s lightning wound in The Awakening, but it turns black and then he has that chi-shock attack. Imagine her explaining beforehand that she’d tried healing his wound multiple times over the two weeks he’d been unconscious, and it had always turned black, but she hoped that with him being awake maybe it wouldn’t fail this time - except that it does 😭

Imagine Katara trying to heal Zuko after the lightning scene in Sozin’s Comet, and the water turns black, and Katara grits her teeth “Oh no don’t you dare” and visibly puts all her effort into making that water glow again and finally he wakes -

Argh, it’s one tiny visual clue and yet there’s so much potential for drama and angst (yum!) - I’m so frustrated it wasn’t kept! Huge missed opportunity imo. Ah well, for all you fan-artists and fanfic writers, consider it free real estate. Make it canon, let’s gooo 🤣

4. In The Runaway, after being accused of being “too motherly”, Katara actually slaps Aang when he doesn’t respond fast enough 🤣

I don’t really have much to say about this one other than that I just found the mental image pretty funny. I do find it interesting that as much as the writing did a better job of developing Kataang in the original script, there also isn’t any serious effort to tone down Katara’s motherly tendencies towards Aang either (in fact, I think one could easily argue that slapping Aang’s hand away makes the whole mom thing come off stronger, but idk). Either way, this was pretty entertaining to read. 😂

5. In Tales of Ba Sing Se, Zuko and Jin are both a lot more expressive in the script, and it’s way more fun:

In the script, Zuko looks “totally overwhelmed” when Jin asks him out. In the show, he just looks… blank? Expressionless? Idk. I did get the sense that this was unfamiliar territory for him, but to me the show doesn’t animate him to be nearly as flustered as the script suggests he ought to be. He doesn’t scowl at Iroh immediately either, and even when he does he looks more irritated than “furious”, imo. 🤷‍♀️

I did figure that Zuko telling Jin she has a large appetite was his attempt at making polite conversation, but the script makes him come off more sympathetic with that too:

In the show, the waiter doesn’t roll his eyes at anyone, he just walks away, the shot does pan out to the other diners staring but they move on very quickly, and notably Jin appears completely unperturbed by the whole thing. She doesn’t look sad or “hurt” as the script suggests, and Zuko’s attempt at a compliment isn’t framed as him regretting his outburst and awkwardly trying to make up for upsetting her (as she doesn’t seem to be upset at all).

I’m honestly a little sad that so much of this was cut; it really softens Zuko’s character a fair bit. I mean we already know that underneath his hot temper Zuko always had a deep sense of compassion and empathy for others, but these little details really help bring that side of him to the surface and I’m just sort of bummed that they shaved them off here :/ not sure why they felt the need to do that.

Anyway, we all love awkward turtleduck Zuko, so here, have some more:

I like that Zuko is explicitly written as being more at ease once he and Jin have found a quiet area to be alone in. Neurodivergent Zuko confirmed? :P

Also, love the little addition that Jin “peeks” through her fingers right before Zuko starts firebending (they didn’t include that part in the show either). Makes you wonder, did she see? Did she see, and accept Zuko anyway? :P

(Too cute.)

6. In Zuko Alone, Zuko stops Lee from hurting himself with the dual swords:

On the one hand, I don’t mind that the show portrays Lee just having fun with the swords and looking to Zuko for approval (and getting it!). It’s sweet. On the other hand, I think there’s a layer of foreshadowing here that the show missed - without Zuko there to help, Lee’s recklessness and impulsivity will get the better of him (as it ultimately did). I’m sort of torn on this one.

Edit: I’ve been thinking about this a little more and I think I definitely prefer the script version, if only for the fact that Zuko’s “imperceptible smile” is at the end of his and Lee’s encounter. In the show, Zuko smiles at Lee encouragingly after he gives him a swordfighting “lesson” and then lets the kid swing the swords around a bit, which is definitely a heartwarming moment but it has a very different connotation to Zuko smiling with Lee after Lee opens up about Sen Su to him. In the show Zuko is smiling for Lee, to give him encouragement and support. In the script, Zuko smiles during a bonding moment for both of them, in a way that seems to suggest he is grateful/touched that Lee is sharing something so personal with him. It’s a really soft moment for Zuko and upon thinking about it more I’m definitely bummed they cut that little smile. :(

7. In The Chase, after Azula attacks Iroh, Zuko is apparently doing his best to comfort and stabilise him – he is not simply overcome with despair over his fallen uncle:

And in Crossroads of Destiny, Katara isn’t just angrily pacing the “prison cell” back and forth before Zuko is thrown in with her; she’s actively searching for a way out:

I kinda wish both of these were kept in too. Zuko and Katara may be hot-headed at times (they are definitely two of the most passionate characters in the show, if not the most passionate) – but not to such an extent that it overwhelms their ability to work through a crisis; I find it more consistent to their characters that they would still try to do something even when they appear to be in a pretty hopeless situation. That seems to be a trait they both share, in the show.

I also like that Zuko’s efforts to help Iroh humanises him a bit more and puts the emphasis on Zuko caring about Iroh’s recovery, rather than Zuko just being upset that things have turned out so horribly. I was sympathetic to him before, but I’m even more sympathetic now, if that makes sense. 😭

8. In The Painted Lady, Katara’s disguise is blown due to a hair-loopie malfunction, rather than Aang literally blowing her disguise (off).

This is more of a subjective thing but I wish they kept this one in too! I think it’s cute :P

9. The Puppetmaster was originally meant to be titled The Dark Side of the Moon, and includes some differences on how Katara regains control of herself in the battle with Hama:

I understand why the script made Katara “pirouette” and dance under Hama’s bloodbending – it’s a reference to the whole “puppetmaster” thing (which, by the way, I have to say “The Dark Side of the Moon” is a much cooler title, but I can see why they changed that too – it’s way too spoiler-y, sadly). Ultimately though I prefer the show’s version where Katara is forced to her knees and then breaks free – it’s more dramatic, I think, and it reminds me of the earlier scene in The Waterbending Master where Pakku has knocked Katara down, and she takes a breath and steels herself and then gets back up to fight again. I’m not sure if the animators meant to mirror that scene or not, but either way I think Katara standing up after being pushed to the ground is a lot more powerful and compelling, both visually and symbolically, than Katara breaking free of a dance that she’s forced to move to under Hama’s hand. Maybe that’s just me.

I will say though, the ending shot is different to how it is in the script, and I wish they’d kept the script version:

10. Finally, the ending of The Fortuneteller has Katara actually hearing and reacting to Meng’s insult.

Which I thought was mildly amusing. Slightly bummed this was cut, but only a little 🤣

I hope you guys enjoyed reading these as much as I did 😊 I actually have about 6 or 7 more tidbits left that I want to share, but I’ll pause this compilation here as 10 is a good number and I think this post has gotten long enough already 😅

Thanks to @korranguyen for her effort in spotting and transcribing the Zuko/Jin snippets 😊

#atla #atla original scripts #writer's guild foundation #elizabeth and aaron ehasz are absolute legends #bit of fluff for the jinko fans too

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a-sociopath-do-your-research · 8 months

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VOTED O7 (although i would have done it anyway heheheh)

anyways idk what kind of stuff u prefer to write but either some rendoc or something season8!grumbo (yanno when mumbo ate his soul to preserve his humanity. that was fun) would b very cool <333

OK SO YOU ARE IN LUCK! have this little thing taken from one of my fics!!

Some season 8!Grumbo for your… soul :)

(ain't exactly very shippy cause at this point in time in the fic they're not together yet! Sorry! I'll try doing some rendoc too<3)

Remember, reblogs>likes

«"… By signing this you agree to me harvesting your… Soul? In an attempt to become human again,"» Grian read from the small print. «Why aren't you human?»

« Grian. Look at me. » Mumbo said to the other, looking at him through the glass.

He took off his mask, revealing his pig-like face.

« That's weird… » Grian said, as if it wasn't obvious already. « But…? Was that supposed to explain anything?»

Mumbo sighed, « Ok, you can't get there on your own, I overestimated you. » Grian let out an offended gasp as Mumbo smiled a bit.

« I'm a shapeshifter. » Mumbo said, avoiding the other's eyes.

Shapeshifters were usually accepted… but not the ones like him.

« Oh… » Grian said, quietly.

That was it, wasn't it? Grain was gonna be scared or disgusted - he didn't know which he'd prefer.

« Makes sense. You're one of the ones without souls right? » Grian said, calmly, as Mumbo looked up, hearing shuffling.

Grian was sitting on the ground, with his legs crossed.

He didn't seem upset.

Grian motioned for him to sit as well, and after a moment of hesitation, he did.

« So? »

Mumbo gave him a quick nod to answer his question.

« Hm, I wonder how I missed it? » Grain said, with his usual mischievous smile.

Mumbo would usually get out seeing that grin, knowing it meant trouble, but considering what could've been he was overjoyed seeing it.

« I'm good at keeping it a secret. » Mumbo answered, trying to stay positive.

« You can't control your shifting, right? » Grian asked, taking off his Elytra And pulling off his sweater, revealing his wings.

Mumbo hated how thin he was. He wasn't healthy and he hated not being able to help.

« Yes and no, As long as I don't eat too much of the same thing I don't shift… » He trailed off. He had been eating the same thing for the whole season.

« Do you know why you can't control it? » Grian asked, tilting his head.

Mumbo just shrugged « I was just born unlucky, there's no reason. »

« Wrong. » Grian said, humming a bit.

Mumbo tilted his head « What? »

« You're wrong. There is a reason. » Grian said, with a smile, and brought a hand to his chest, and motioned to grab something. He slowly moved it away, and cupped his hands, showing Mumbo whatever appeared in his hand.

It looked like a wisp sphere, glowing with a sky blue light, with small wings and a halo, both glowing with a light purple that melted with the other color.

Mumbo had never seen something so beautiful.

« Do you know what this is? » Grian asked, quietly, looking at the thing in his hand with a soft smile.

Mumbo shook his head.

« It's an old trick someone I once knew taught me, » Grian said, then looked up, holding it out to Mumbo « It's my soul. » he said, and the words echoed through Mumbo's mind.

He clenched his chest.

He knew he'd never have something like that.

« This little thing - or better, the lack of it - is why you can't control when you shift. » Grain explained, holding his soul close to his chest again, he cupped it like you'd do with a flame. « I'm not good at explaining, we both know that. But… I want to help you. » He said, and gripped the soul. His expression shifted,looking a bit pained.

« Grian, what are you doing… » Mumbo whispered, as he started getting up, not liking where this was going.

« I know you didn't really mean it when you said you wanted my soul. You wanted my help to turn you back. » Grian said, smiling wider now « And this is how I'm gonna do it! » He pulled at the wings.

Next thing Mumbo knew, he was thrown against a wall, and there was a blast of light.

When he looked up, Grian was on the other end of the room, leaning against the opposite wall holding…

Two halves of his own soul.

He looked up at Mumbo, with that stupid smile he always had.

Mumbo rushed towards him, breaking the glass that was between them.

Grian had gotten even paler than usual.

His legs gave in, and he sat down. « This should do… » he whispered, holding out one of the two halves « I can shift a little bit. A half should let you keep your powers but let you control them. »

« Grian, what?!- » Mumbo hissed, not accepting it.

« Mumbo, take it. » Grian insisted, yelping when Mumbo pushed his hand back « Don't do that! They'll fuse back together and I don't think I could handle it breaking again! » He said, doing his best to keep the two halves apart.

Mumbo just… stared. « Grian, you know I'm always up for crazy things but… I can't do this… » He murmured.

Grain took his hand, and placed one half in it, « You gotta, cause I'm not taking it back. » Grian said stubbornly, and moved the half he still had next to his chest. It disappeared again.

Mumbo moved the one in his hand closer, just to look at it.

The halo had stayed with Grian's half, but it had one wing.

Grian smiled « Come on, it's yours now. » He murmured.

Mumbo closed his eyes, and pressed it against his chest like he just saw Grian do.

It was a weird feeling. He shifted back to human, as usual, but it was… different, somehow.

A good different, but nothing like it had ever been before.

Grain chirped - as he often did - but he… understood him?

« Change! »

« I'm sorry? » He whispered, confused.

Grian ignored him. « You've changed! You don't look like usual! » He said.

« I- Grain? » Mumbo fiddled with his sleeves, « I think I understood that chirp… »

Grain blinked, then chirped again and tackled him in a hug.

« Yes! »

Grian started purring « Yes! You're flock! You can understand me too now! » He said, squeezing him.

« Geez- for having lost half a soul you're still pretty strong. » Mumbo said, smiling, and pet him on the head.

« Don't you get it?? You understand my flock! »

Mumbo smiled « I'm assuming it's good? »

Grain purred again « It's really good! I never thought it was possible but now- »

He put his forehead against the other, still smiling, and chirped again.

« You're family now! »

#grian #hermitcraft #mumbo jumbo #grumbo #hermit shipping #waffle duo #hermitshipping #hermitcraft season 8 #my writing #YOU DONT GET IT all the little things in this #i could rant about my choice of wording for a long time #like how Grian explained some things.#how Mumbo talked #jshdhshsn everything has at least 2 layers you can't see at first glance

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