Some things to note when you're discussing Palestine and Israeli apartheid in the coming days/weeks/months (not a complete list but will update as I have the emotional energy):
Do not refer to what is happening in Palestine as a "conflict" or "war." These words imply a balance of power that does not exist. Palestinians in the West Bank and Gaza have no military, no control of their borders, no control over their access to resources like electricity, water, and medical supplies, no freedom of movement, and, most importantly, they do not have the most powerful government in the world funding them.
Israel is an apartheid state. Refer to it as such. It is based in a settler colonialist system that actively recruits and funds people from the Jewish diaspora to move into homes on stolen Palestinian land. Since the formation of the state of Israel in 1948, 42% of the West Bank has been illegally settled while 86% of East Jerusalem has been stolen for settler use. Under international law, the expansion of these settlements is illegal. Israel has faced zero repercussions for their actions. Hold them accountable in your speech.
Do not refer to the Israeli army as the "IDF" (Israeli Defense Force). Palestinians refer to them as the "IOF" for a reason--Israel does not need to defend themselves from civilians who have no military. From 2008 to September 2023, over 3,800 Palestinian civilians were killed by the IOF. There is no need for oppressors to defend themselves--they are the ones on the offense at all times by the nature of their positions of power.
Remember that decolonization will not be a peaceful process. Do not condemn a group of people who have been brutally colonized, ethnically cleansed, and displaced from their homes for 75 years for fighting back against those oppressing them. This post concisely explains why the violence necessary for decolonization will never match that of the violence necessary for the sustained process of colonization. You cannot break free of a violent system with nonviolence. When Palestinians attempted peaceful protest in 2018 on the 70th anniversary of the Nakba, they along with clearly marked journalists, doctors, and medics were shot and killed for their actions. Oppressors will maintain their power status by any means necessary; the ongoing genocide of Palestinians is proof of that. Decolonization requires violence because colonization itself is an inherently violent system.
Zionism does not equate to Judaism. Do not let Zionist propaganda fool you into believing that condemning the Israeli government is in any way antisemitic. The Israeli government does not represent the views of all Jews, even those who are Israeli citizens. Governments should always, always be criticized and held to account for their actions. Israel is no exception to this rule. Anti-Zionism is not antisemitism. Anyone who tells you otherwise is weaponizing true Jewish oppression and suffering as a means to gain support for a violent, racist, apartheid government.
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*hitting you with a stick* no benoit blanc movies should not interact. they should not lead up to something. you need to detox from the marvel/sherlock bbc poisoning. they should be completely independent movies (maybe w some cameos/little references for fun) and go on for as long as there are stories rian johnson wants to tell in this universe. i do not want an overarching plot i do not want a team up i dont want a benoit-focused prequel i want some good old fashioned episodic murder mysteries that have nothing to do with each other!!!!!!!!!!! also rian johnson has literally said he's not gonna do a prequel and he wants the movies to all stand on their own
addendum 1: by "marvel/sherlock bbc poisoning" i dont mean that those caused this over-serialization, but i think they are partially responsible for why audiences are expecting it. learn to engage w murder mysteries on the genre's own terms
addendum 2: idc what headcanons you have. i actively encourage you to write fanfic about marta and helen solving crime if you wanna. that is literally what fanfiction is for my guy! if you want to know how phillip and benoit met THAT IS WHY FANFIC EXISTS
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I was hanging out at the karaoke bar, chatting with a beautiful woman, and we were really hitting it off. I threw a couple of flirtatious comments her way. She giggled nervously, but abruptly stopped and looked at the floor.
She told me that she was too nervous to hit on people because she's trans and worries that people will view her as a predator and that she might get hurt.
My heart sank. I let her know that she could hit on me in whatever way she wanted and I would LOVE it. We spent the rest of the night hanging out and flirting. We ended up making out. It was great.
But I can't stop thinking about how that wasn't the first time a trans woman has said that to me. About how unsafe it is for some women that they feel the need to give out fucking disclaimers to have normal interactions with people.
We have GOT to make the world a safer place for trans women. It pisses me off that there are men at the bar who are openly predatory towards me without fear of consequence, yet a trans woman is too scared to even fucking call me pretty. And that's because she IS more likely to face worse consequences for lesser things! Like what the fuck!
You need to always check on your internalized biases. Being queer yourself doesn't absolve you of transmisogynistic thoughts and behaviors. Being bi/pansexual doesn't mean you don't hold those biases either! If you feel differently about a trans woman hitting on you than you feel about a cis woman or a man hitting on you, you need to evaluate that.
Trans women, I love you so fucking much. You should be able to express attraction and love as freely as everyone else. I hope you can always feel safe around me. And I'll never stop fighting until you can feel safe period.
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things you do that makes him go crazy (mature content! 18+)
just finished a spicy book and idk what came over me, suddenly wrote this w a high ass adrenaline. and yes it’s not proofread :p
gojo satoru maintaining eye contact with him while making out drives this man to the brink of salvation. he goes insane because of it. your arms locked around his neck, pulling him impossibly closer as you press your lips to his. ‘if i didn’t know any better, i’d say you’re asking for more knowing i wouldn’t deny it sweet girl’
geto suguru ride! his! abs! he loves to watch you fall apart just by riding his abs. the sounds and sighs that leave your lips, your eyes hazy and filled with adoration just for him, your fingers aching to hold onto something, preferably his hands. ‘just like that angel girl- just like that. move those hips for me yeah?’
nanami kento *sensitive neck alert!* don’t say i didn’t warn you. the second he walks in through the main door, you’re ready to pounce on the man. your hands immediately tug at his tie, pulling him close enough to place heated kisses against his neck which has him melting and moaning. ‘fuck baby, been needing this all day..’
toji fushiguro acting like a brat pisses him off yet has his dick reaching for the sky. we all know the man loves to be in control and that’s the finishing line. but you decide to go and act all high and mighty? he wasn’t having it, although he must admit, it was cute. ‘okay princess fun times done, now start behaving and bend over f’me’ his hands reach down to give your ass a little squeeze.
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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