DC/DP but Danny doesn’t explain why he has a thermos as his main weapon
Danny (ghost form): It’s soup time Skulker!
Nightwing: I’ve been meaning to ask… why do you have a thermos? Surely there are better weapons
Danny: Lol no
—————
Red Robin: What is this even made of? It’s like two pounds! I mean, that’s not a lot, but for a thermos?
Danny: Oh, you know, a special ghost-proof metal
Red Robin: *sarcastically* Oh, of course
—————
Red Hood: Seriously though, why a thermos?
Danny: I dunno, I didn’t make it
Red Hood: Then who did???
Danny: :)
Red Hood: ?????
—————
Robin: I have noticed that your catchphrase seems to be “Soup time”. Does this mean you cook and eat your enemies when you defeat them?
Danny: what the fuck
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The way some people characterise Buffy in fics like you described genuinely put me off Buffy fandom for years, it was absolutely everywhere, in Spuffy fics, in faith/buffy fics, it felt like I couldn't read a fic without the obligatory 'Buffy apologises to whoever the fuck for being so mean' and I just stopped, it was so baffling
For real its so weirdly pervasive. It genuinely blows my mind bc I totally get the urge to use your fic to call out a character/plot point you don't like, more power to you. Like I'm constantly imagining rewrites of the scenes where Xander is at his most insufferable but no one in-show is verbalising obvious holes in his bullshit (my big one is that besides a one off line from Buffy that everyone in the show ignores and a DELETED line from Giles is that NO ONE calls him on his absolutely infuriating "I was jealous of Angel being with the girl I like and I'm gonna have the gall to pretend it was bc I saw him turning evil coming" BULLSHIT)
But like. Buffy? You came out of this show and the person you had beef with and want to call out is BUFFY? THE VAMPIRE SLAYER? The protagonist of all time? Bc she's mean sometimes :( people try to apologise for trying to kill her and she's so unsympathetic :( she carries out her responsibility as the Slayer whether she wants to or not even if the person she's targeting is a character I like :( why won't she apologise. why won't she apologise. why does she insist on taking up space. why can't she just be nice all the time. yes my ao3 tag is princessspuffy why do you ask. yeah I know their relationship is abusive but I think Spike would forgive her :)
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fourteen's small kiss on donna's hand while reassuring her is making me feral btw. like yes, yes, character development. they're showing physical and verbal affection towards those that they love now after years of being a sopping wet, piney, closed off motherfucker. but i still can't get my mind off that one tweet i saw that said that that small gesture really seals the deal in making u see the remnants of their impactful experiences in recent regenerations. this isn't ten all over again. the physical action is so late eleven/twelveclara experience coded with the added benefit of them being consistently verbally vulnerable, honest, and caring (which is something they lacked in in the past in general).
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Skelefam
Unfortunately, as much as I love this mod - I mean, it’s beautiful! Just look at it! - it does have a game-crashing bug D: For some reason skeletons can’t get jobs, it crashes the game lol, so as much as I’d love to have Gaster in the Science career, he is a stay-at-home parent! That’s fine, nannies suck in TS2 lol. There’s also only a few clothing options but I’m gonna try some poking around to at least expand upon what’s there already :D
I ended up using the stretchSkeleton cheat - hehe, skeleton - to make Papyrus a bit taller and Sans a bit smaller. It’s only really noticeable in their ankles, and their animations are a bit misaligned, but other than that it’s very cute! :D Sans is also chubby but it’s kinda hard to tell :0
Sans, stop breaking the fourth wall!
Look how little he is compared to his brother hehe
Also, and I did not edit or plan this - they naturally started falling into their relationship dynamics! Gaster and Sans have a much lower Short Term Relationship here than Gaster and Papyrus haha
Would that I could! I was still testing at this point and yup, it crashed. Sadge
Well even if I can’t get the jobs, I can still cheat-unlock the Career Awards! Scientist behaviour lol
Look at their delicate little haaands
Did you know that Gaster sucks? He does!
Oh what are skeletons not your type? Don’t be rude
Sans even rejected him when Gaster offered to dance together! I love them
Gaster’s POV - he was listening to Sans tell a joke and next in the queue Papyrus wanted to show off to him. So accurate haha
Papyrus’ POV, of course he’s friends with both of them, sweet boy
And Sans’, look at how much more he thinks of his brother over Gaster! What more could I ask for honestly
Only concerned with Gaster seeing lol, Papyrus is way closer! He doesn’t count haha
Racecar bed babyyyy
Retextured the outfit for Papyrus, so now they’re much easier to tell apart! :D
Crossover babies ♪ One of the Todds walked by and I just now realized I also gave them a red/blue twin aesthetic haha
And that’s all he’ll want and care about from now on :)
Hehe. He gets it!
Papyrus is bad at making friends! Sans there in the background passively ++ing with Todd lol, he’s a natural
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I don't have the words to articulate how "scooter riders" on the last-minute casting call makes me feel. Some sort of mix of fear, anger and a bit of contempt from my years as a skateboarder
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Do you have any tips for starting a story? The middle and end is easy (lie) but the beginning SUCKS to write sometimes
oh gods no joke openers are one of the hardest part for me. Theres so many ways a story can start, and it makes me CRAZY because that right there is your hook, thats what convinces people to start reading!!!!! And there are so many unique ways one can start, so it ends up feeling a bit like that one reaction image of the girl being handed so so many pancakes
I think for me, what i try to ask myself when sitting down to write an opener is: "what kind of story is this?"
Because each story needs something different to accomplish its goals. A slower story might want to take its time with setting the scene, while an action-packed one might start in media res and with a bang!!! I guess if i had to give advice i would say, take the time to identify what your story is trying to say, and then look at what different openings can do for you to identify that goal.
For example; this is from my fic when the night cries, which is essentially a ghost story:
This was meant to be an introspective story, with a very gentle pace overall, so i took the time to really set the scene, build up the sense of what we're looking at before we get dropped into the fic proper. I remember my thought process for this was: how can i make this unique??? how can i make it FEEL like one of those old paintings with the beautiful yellows and summery oranges, while giving the reader a sense of whats to come?? Adding in the repetition of "it begins" was a way for me to sorta hammer that home: this is the start. This is where the story originates. And in a technical sense, it hooks your attention, with the question and immediate answer within the narration. The intention here is for the reader to want to know why this is important, and now it's answering that, but still leaving gaps for more questions.
Now compare that to, say.... lost in the dark's opening:
The overall pace of hunger au is slow, but this opener isn't-- partially because it's a rough draft, but also because what i wanted out of this scene was a sense of deep, deep urgency. We're in the middle of action; Grian is physically running while he thinks, and i wanted the reader to feel hunted and uncertain with him. Dropping everyone in with Grian at one of his most frightened, shaken points was the best way i felt i could establish that scene, and throughout it i drop hints as to what's actually going on. He's scared. He thinks he's going to hurt people. He's been on the move for a very, very long time. These are all things that are meant to pique interest and get answered later, when the reader is already invested. And i guess in that regard, its really all about timing.
But yeah!! Rambling aside, i'd say try out a few different ways of opening your fic and see what works. Think of em as thumbnails; write maybe 200 or so words at most and see if something works better than something else. I think theres this secret culture of shame among writers for not putting the perfect start down on the page the very first time you open the doc, but it's super normal to have to workshop things around to your liking!!! There's absolutely nothing wrong with writing a few different openers to see what works best for you and your story, and in fact is something i genuinely recommend. Its good practice, and essentially functions as a warm-up!!! You also get the benefit of exploring new angles in a scene, which can sometimes unlock really cool stuff for your writing
Sorry for how long this is, anon!! Hopefully you find my rambling helpful :D thank you for sending in this ask!!!
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please share your wisdom of the pandora hearts title meaning!!
First, thank you for the ask! I'm not very good at articulating my thoughts on this sort of stuff so sorry if it I sound incoherent. Also my take isn't anything new, it's been said before and it's fairly obvious in hind sight tbh (at least to me). I had just dismissed the title early on and hadn't noticed the connections while reading the manga for the first time lol.
I don't think the title is meant to represent a specific aspect of the manga, but rather thread together the main motifs of hope, despair, light & darkness, people's hearts and of course, love. I don't have any exact references on hand, but you can open almost any volume and find a panel with one of these themes pretty easily. What/who exactly is "pandora" or "pandora's box" doesn't really matter as it can apply to any of the characters or even the abyss itself, and hell even life in general.
It's like the main quote of the series, "Someone said that this place is engulfed in darkness. But, that doesn't mean there was never any light there". While it's very obviously about the Abyss, it can also be applied to the series as whole or individual characters. Oz even compares light and hope in one scene.
Jack talks about how Lacie brought him hope, but it was because of that hope he was engulfed in the shadows of despair and lost himself in them. Oz, on the other hand, starts the series an abused child who's lost his will to truly live, but he is able to find hope and love and ends the series happy and fulfilled. The manga is filled with awful and dark moments/events, but it's ultimately a story of hope & love & connection.
I'm going to stop myself there, so hopefully you get the point. There's a lot of ways to apply the title Pandora Hearts to the manga, as it's kinda just an encapsulation of the themes of the whole thing.
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