#nothing will ever make me feel

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[sneakertin]

this is an embarrassingly low effort thing but i just needed to get it out of my sistem. so

what book do you think they're reading?

[dailyloopdeloop]

DAY 75: onehat

[bluespiritshonour]

here's 18-19 year old aang sketches. been hearing aang is ugly discourse—no he ain't. he was just 12.

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[usertoxicyaoi]

"I know I shouldn't like this. But, before I knew it, my mind was a mess. I lost control. It's your fault."

TAIKAN YOHOU (2023). Episode 2 -> Episode 8.

[voidcat]

characters: you/imaushi wakasa, sano shinichiro...

a/n: angst lol. strangers to friends. themes of fwb but nothing explicit. switch of perspective. mcd obviously,,

as i said in this post the loose explanatio/beginning of an idea i had that i liked ALOT but couldnt write due to various reasons (esp lck of time) (open post for a lil further stuff for reader x wakasa ig,,,)

attending the same classes as shinichiro sano... you've heard of him alright but that's about it. a nice face to look at perhaps but a little odd. not someone you'd interact with occasionally, nor someone you'd remember in particular-

until you're paired with him for an assignment. it'll help build bonds between the lot of you! the teacher announces and everyone groans in unision

you shoot your new partner to be a look from where you stand and turn back to your notebook. the ring bells but by the time you can get up adn gather your stuff, sano is nowhere to be seen

it takes you hours to find him. and at possibily one of the worst times too.

you heard of the rumors about fights and deliquents but you didn't expect yourself to run into one. youre careful, you live a peaceful life, you avoid trouble, always keep a clean name and all-

the people around all battered and beaten up, covered in bruises, cuts and maybe blood, looking hungry, unsatisfied, maddened– and you're in the center of it all.

footsteps approach you, strong, stern, taking their time and all- you hold it in you to not turn for a look. wait for them to show their face at your feet, dont give them the satisfaction nor even the slightest sign of weakness.

a man with blond hair and a pretty face, long lashes and all, stands before you, looking almost a little amused. "what's a pretty little thing doin' here all by themselv-" "where's sano" you cut him midsentence.

the man looks baffled, a little offensed even. soon joined by a second figure a lot taller than him, they both look at you with hostility and a hint of curiosity.

who cares, you scoff internally, whatever intimidation they're going for, you won't fall for it.

the other man raises a brow at the way you've mentioned sano. shit, you do hope this was not the wrong place, or whatever fight went down there, they must've won... right?

"and who is asking?" the blond speaks up again, sounding a little annoyed now. "you know, we don't allow passes to every pretty thi-" "eeeew" you drag the word and scretch like a gum, making sure to put on a face. "none of your business actually." you add on, placing your hand against a hip.

"why, you-" before he can follow up with whatever's on his tongue, a jolly greeting from behind interrupts him, cutting through the air. you can notice how the idle folks around suddenly tense up, and for the two man before you, shoulders dropped, bodies relaxing...

soon sano emerges, with his hair put up and stylized, nothing like the man in your class, a deliquent out of a shitty teen's magazine you'd say so.

exhanging greets with the two men and doing a special handshake for only them to know, he looks in the mood, just his face a little bruised up and some blood on his clothes.

so that's probably why he skips school some days, you muse.

he notices you a little later.

"oh!" mouth formed into an 'o' shape, you can see his surprise written all over but he is quick to disperse all that." greeting you with your surname formally, he reaches out a hand, then brings it up upon noticing the splatters of blood and takes it back with a sheepish smile.

"what brings you there?" he asks, never losing a bit of his joy that contradicts the entire atmosphere.

"our assignment." you say curtly and receive another sound of surprise from him. he looks apolegitic at the very least, you think.

"well.. uh-" he scratches the back of his head, casting a glance around, you wait to see where the stammering will go.

"how would you wanna do it then?" he asks more for you than himself, to ease you probably, you can only assume.

another joins their little group, keeping silent and watching what's going on. you relly, really should get going, you decide after giving a quick look around. "we can go over the details at an appropirate time later."

"alright then!" he says, never missing a beat from his energy. it's unbelievable, you think. "should we... ah-" he pauses, "exchange numbers to keep in touch then?" he asks, and he means well, you can tell just from the way he looks and talks, but the rest? you're not exactly dying to say out loud your contact information. especially not with that blond anywhere within a 20 meter radius.

"here." you say, reaching out your hand to reveal your phone. "i'm not announcing my number for a bunch of weirdo, self proclaimed deliquents to hear."

your words take him by shock but he breaks into a snort right after. the two men exchange a glance and a thug at their lips as well. the blond however does not look once pleased with your words.

or you at all.

you begin to come and go to their place often, the assignment builds up slow but steady and the guys seem reasonable enough after actually sitting down and hearing each other out. shin looks happy with the development too, says you have brought a change but you'd disagree. he is the light and sun and the beating heart of this place and wherever he goes, they follow, absolute devotion and belief in him, as a person, for his mind and for his heart.

you can see why, you can feel it too. once you begin to spend your time with shinichiro sano, all the rumors and speculations you've heard up until then are gone. assignment be damned, you can tell when a friendship begins to bloom and with shin- it happens at such a pace, you find yourself a little afraid.

the assignment ends, presentation and all, with flying colors you pass and decide to celebrate it out, with the rest joining as well.

a karaoke bar is all fun and games until night rolls out. it has gotten late but shin offers to walk you home; keizo and takeumi dragging a very drunk and messed up wakasa. everyone bids one another goodbye- save for wakasa... and you almost believe youhave seen a hint of sadness in their eyes as they bump their fists against yours. if you didn't know any better, you'd ever go as far as to say they'll miss you around.

a day passes, another and another... much to their relief and encouragement, you stick around.

not within the vicinity on the days big fights go around but definitely dropping by to hang out, fool around and whatnot. it's now your laughter mixed with shin's that fills the air, and everyone seems joyful and happy most of the time- save for imaushi wakasa.

for reasons unbeknowst to you, he remains hostile, rude, and on and up about sending your way stupid lines like he did the first time. most of the time you ignore him, which annoys him further– the scene alone brings a smile to your lips, the smirk of a vixen, you even overhear him once, yelling to keizo about you are, sounding very much frustrated.

despite this is how the things begin and roll out, neither of you expect to grow close- closer than you'd have imagined.

yes, you and shin might be the sunshines, but you and wakasa? the two of you become inseperable. you even hear some people mumble how they fear the two of you looking down at them, gazes that burn holes through their skulls, see into their souls... the two of you could make a power couple- if you were one at all.

there is the heat, there is the tension. you comb through his hair with a gentle touch that has wakasa melting in your hold, yet the second someone dares to imply anything more, you shoot them a glance so heavy, it'd crash their lungs.

wakasa hopes, in the end, that perhaps there is an end to it that is happy, that is hopeful. he knows there is no making up for the way he treated you but you were not the kindest toward him either, so it makes you equals, no?

so he sings sappy songs at karaoke whilst tipsy, so any accusation he can brush off as the effect of the booze, but hopes you caught how he looked at you. so he touches you as soft as you do him, trying to mimic your kindness, an attempt at how love, in the physical, in action should be.

he doesn't know any better, why should he? why should anyone to begin with?

it scares him how natural it is for shin and you. some days he finds himself envying the two of you even, would things be any different were you to attend the same school as the two of you? oh what wouldn't he do to be graced with your smiles and giggles all day every day, having you look at him as you rest your cheek against your palm–

he aches for something a tad normal sometimes, at the very least with you. would the two of you ever cross paths were it not for shin? the thought scares him and he feels like an asshole for envying his friend like this, desperate for anything that would come from your hands.

but at the end of the day, it is himself you seek out. his arms that you allow around your person, his lips on you, devoring you, it's wakasa that consumes you wholly and the thought brings a wave of comfort at the very least.

then the entire world collapses down in the span of 24 hours.

shinichiro dies.

almost 24 hours have passed since his death and wakasa still cannot find it in him to return to reality yet.

then like an angel amidst the chaos, you reemerge from the fog, from smoke. it doesn't take a genius to figure out something is wrong.

"waka," you call out to him, sound laced with something he cannot quite pinpoint. shutting his eyes completely, he sits in the same spot for a moment, all the doubts, every single negative, twisted and fucked up thng he has been holding at bay til now so close to breaking out.

you speak, but he does not hear the words.

not pass the 'i am leaving'

[ineed-to-sleep]

*me immediately after going through a terrifying and traumatic experience* haha yeah I guess it was rough but I'm fine now like I'm totally chill. It was kinda funny actually if you think about it

[rin-hanarin]

FMA 03 is the show of all time because it gets more difficult and traumatizing the older you get. I've watched it when I was 12 and obviously didn't understand how complex it was, but it burned itself into my brain anyway; I rewatched it when I was twenty something and somehow got re-traumatized despite it never leaving my memory. It can be depressing and mentally draining and nothing compares to the despair I feel rewatching it, but it's just something else in the best possible sense.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[alilarxy]

Happy birthday, Saya! 💛

[imagine-to-be-a-pike]

Mf by like: we love good ED and queer representation, We need more exclusivity and understanding

And then they love him

[custom-emojis]

Drags my corpse in here.

Hi obviously, I’m not dead. Just insanely burnt out. My boyfriends gonna be visiting me and I’m on new meds so I think by the end of the year I’ll be more normal. I plan to just not even attempt emojis until next year. This has just been a hard year for me art wise okay.

Next year I’ll try to actually be filling the queue again, but some things regarding emoji style will change and I can’t promise I’ll ever be able to deliver daily new content again. My OCD likes to pick up on habits like that way too easily and 2023 was really bad for me with the emoji queue in terms of absolutely obsessing over needing one to be posted daily at exactly the same time Or Else to the point I was missing sleep and food to fulfill it etc. I just can’t let that shit happen again and honestly daily content is an insane expectation from one person anyways.

So yeah, just a little update. I’m still active on my server but the tumblr will be just used to promote my other art until next year when I can stand to try emojis again.

Thanks for the understanding and support!

[twentyfivemiceinatrenchcoat]

putting my sappiest silliest little satoru thoughts directly into this fic

[bitternace]

the father, the son, the end of the world (x)

[ID: two digital drawings of three iterations of kiryu kazuma that are intertwined in a downwards sequence. the background is a night sky with two framing clouds, and city lights, moon backlightning the three figures. the colors are tinted blue, and the image is held in a frame that is transparent on the outer part.

on top, kiryu is shown in his yakuza 3 okinawa outfit, in the middle in his yakuza 0 pinstrip suit and at the bottom, in a black shirt as he appears in infinite wealth.

y3 kiryu curls his right arm around y0 kiryu's neck, hand in a fist, his right hand comfortably lying on top of lad8 kiryu's head. his expression is a deep frown, as he stares at the audience.

y0 kiryu is turned to the left side of the image, as if running away, his left arm resting over y3's left forearm, hand slightly curled into a fist. his right arm curls forward over lad8 kiryu's shoulder protectively, palm held upwards. he is frowning at something off-frame, mouth slightly open.

lad8 kiryu has his right hand in a fist over his stomach and the left one reaching up to hold y0's left forearm. his expression is blank, as he stares at nothing, mouth slightly agape.

The second image is the same, only slightly less dark for visibility. /End ID.]

(ref) (edited)