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necrotic-nephilim · 29 days

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what are your favourite batcest ships and why?

AAA i love this question so much. i'm going to limit myself to a top five, because otherwise, i'd just end up listing all of them. the true joy of batcest is they're all so good for such different reasons and there are so many unique dynamics you can explore.

JayTim - it's funny bc, before i started this blog, i don't know if i would've put these two losers as my number one. but because i've done so much deep diving into their dynamic and i write them the most, i think it'd be a disservice for them to be anything *but* number one. their canon dynamic is just. so fun to play with. i truly love all of their interactions, particularly pre-Flashpoint. the concepts of Tim holding such contempt for Jason while Jason is weirdly obsessed with Tim. i'm a fan of Hannibal and Killing Eve and well. if this isn't a Hannigram-coded ship idk *what* is. i like ships where love and hate co-exist and there's no real "happily ever after", just fucked up co-existing, where they crawl back to each other like a bad habit and really, this ship is that so perfectly. the themes of jealousy in the Robin mantle. Tim wearing Jason's Red Robin suit to punish himself. i will likely never shut up about them. even in the New-52, there's such a substance to them, though the dynamic is wildly different. they will always be so weirdly dependent on each other's existence. i love them.

BruDick - you can't outdo the doer, i fear. i think i like BruDick mostly for the history of it, yk. there's genuinely *so much* queer history seeped into the homoeroticism of Batman and Robin, these two have been a symbol for queer people for decades. but the ship itself has so many dynamics i love. problematic age gap, "are we family or lovers", "i can't be in a room alone with you without getting into a screaming match but if you called i drop everything for you". all of it. i especially favor 80s/90s BruDick when they were in their divorce era just because it's so messy. Dick has canonically said he would die for Bruce, even during their arguments. no matter what, these two will always be single-mindedly devoted to each other. there will be other Robins, but none of them will compare to Dick Grayson, for Bruce. it's a unique and complicated bond that has endless layers to peel back. they always crawl back to each other bc no one else will match their level of intensity.

DamiTim - years and years ago, when i was a teen trying to people-please with how i existed in fandom, i used to insist i didn't like batcest and found it icky and gross. but there was one DamiTim fic that was my exception. that fic was my fucking roman empire. i reread it like once a year even though it's not completed and likely never will be i do not care. so now that i've killed the morality police in my head and i let myself ship what i actually want to ship, this ship holds a top place in my heart just bc of that fic alone. but in general i do fucking love their dynamic. similar to JayTim there's just so much mutual hatred in these two that has endless potential. Damian's insistence to not see Tim as a Wayne and as a legitimate brother/heir to Bruce is something you can play a lot if you give Damian an angry, fucked up crush on Tim he doesn't want to admit to. they have so many reasons to dislike each other, so to try to get them to slowly fall in love is a fun challenge. they either have a long complicated forgiveness arc and end up a happy married couple or they are the couple that tries to kill each other once a week. no in-between.

JeanTim - there's like. one person here on tumblr who goes as hard for this ship as i do and truly god bless them bc they feed me. Jean-Paul is too underrated in the batcest scene. once i reread Knightfall, i will have to help popular this tag on ao3. i enjoy both a very fucked up version of this ship during the peak of the Knightfall arc, where Jean-Paul is deep in his murder Batman era and Tim is trying to stop him to no real avail, but i *also* think there's so much you can do with the ship afterwards, where Jean-Paul is trying to make up for what he's done and be a better person and better hero. they're the peak Batman/Robin ship, to me. they truly care about each other, but have a very complicated/bloody history and i just. man i love it so dearly. i've been meaning to write a fic where Jean-Paul goes to Tim post the Sword of Azrael (2022) arc to properly discuss and apologize for all his actions in Knightfall for his personal healing and they end up fucking. it could be sweet and cute or kinky fun bc what is the joy of a character with that much Catholic guilt if you don't give them a weird religious kink.

BruCarrie - The Dark Knight Returns got me into comics and i will defend it till the day i die. Carrie Kelley can be pried from my cold dead hands. i just really love these two? Carrie took one look at that cranky old bastard and decided she was his problem. and Bruce is at a stage where he should be very averse to the idea of having a Robin, he knows it's a bad idea. but he just. accepts her anyway. idk how to explain their dynamic other than she plunks herself in his lap and stitches up his wounds while telling him he's an idiot and he lets her even if he's grumbling about it. they have the biggest age gap of any Batman/Robin ship and for that, they should get like. a dead dove gold star no matter how rare the pair is.

also honorable mention goes to BruTim, because *god* do i love the concept of Tim offering himself up to Bruce as Robin in every way, knowing that there are likely sexual/romantic implications to being Robin. it's one of my favorite flavors of batcest to exist. i don't view them as a "happily ever after" ship, because Bruce will always go back home to Dick, but it's a fun lil dead dove moment.

#necrotic answerings #batcest #jaytim #brudick #damitim #jeantim #brucarrie #brutim #can you tell tim is my favorite.#i just think he's neat.#it's probably the projection.#also i checked while writing this and wtf do you mean brucarrie has only 3 fics on ao3.#did i hallucinate the one i thought i read.#i think i fucking did bc i can't find it.#apparently it's not a rarepair ship it's a goddamn pool noodle i'm floating off through the ocean hanging on for dear life #if i write brucarrie on this page can i convince you all to ship it.#i know frank miller's writing is bad just ignore the canon it's fine #tkdr universe isn't *good* per se #but carrie is a darling girl and i will emancipate her from frank miller's grubby hands. she's mine now.#genuinely considering changing my banner on this blog to carrie but it'd ruin my color scheme.#jeantim is also very unpopular and none of you are inspired /lh #you can make that SO dead dove.#i barely remember most of knightfall i rlly need to reread it properly #and the rest of jean-paul's 90s content #i am so serious tho that damitim fic rewired my brain chemistry.#i think about it like once a week.#and i usually dislike no capes aus i can't even remember why i read it at the time #but god did it reset me.

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jq37 · 2 months

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Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

#rise of red #descendants #descendants rise of red #descendants the rise of red #i have never seen a dcom paced like this #uma DOES say that messing with time has consequences which gives me a glimmer of hope that they're going for a 'we have to go back' thing #but idk I've stopped assuming that writers know that they're doing #if I was ending this movie on this note here's how I'd do it #I'd have it end the same but when red and her mom are dancing I'd have one lingering shot of her being a little uneasy #and uncomfortable with this new version of her mom #and I would show chloe happily reuniting with her mom but then pan over to another part of the room and show that like #a portrait or s/t that had charming in it before now just has ella #or maybe something more subtle like something he placed on a table or something earlier in the movie isn't there anymore #just a little thing to be like 'don't worry we know what we're doing'#that would give me a lot more confidence #I was so sure that Chloe was gonna find Cinderella and she was gonna turn around and be like 'who are you?'#*that's* how you do a cliffhanger #and then in the next movie we could have had the tension of 'yeah we saved your mom from being evil but now mine doesn't know I exist'#listen there's a lot of ways they can handle this #they just need to pick literally any of them #last thing:#in the Jr. Novelization #the line is that the prank turned her into a *giant* during the dance #not a monster #i wonder if the giant prank was an 'eat me/drink me' wonderland ref before it was changed #also there is a world where they changed it from giant to monster bc they wanted to do s/t with the monster body/monster personality thing #but that is TOTALLY veering into pepe silvia/secret good episode or sherlock territory lmao #for the record I did not buy it I checked it out from the library #I'm not above buying jr novelizations (i happily own the disenchanted one)#but I'm not into descendants like that

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sheepalmighty · 1 year

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Some more of that Chai joins Vandelay for half a day AU. Or just a picture of a kinda OOC Kale chilling if you wanna gloss over those comics. I'm still not sure if the colours are too garish or not.

These were mostly done with the premise of treating Kale's office like the hideout. I also really like how mundane, or familiar, the interactions between Chai and Kale can be in the game so I wanted to draw some stuff exploring more like that. But also, there's the ulterior motive of shipping so I included an out of context scene because I can't bother drawing the rest of it (though it seems like a huge jump in their relationship as a result. I think they're so big headed that they get stuck in a feedback loop of stroking the other's ego if an excuse comes up to do so)

#hi-fi rush #hi fi rush #hfr #kale x chai #kale vandelay #hi fi rush chai #hi fi rush korsica #i didnt spend any time finding a ref for kale's shoe sole so i made something up #besides that though i owe my life to all the uploaders of reference pics and interesting details in the game #sorry about the korsica comic i probably had no choice but to cram all those words into one panel. also i like the typo on that webpage #i gave myself an arbitrary deadline of the end of last month but found the pages to be too messy so i spent an extra week on them #whether that helped or not no one will ever know. i have to work on other things so im putting a hard cutoff now #i wonder if my want to draw perspective stuff freehand is a case of fearing what my limits may be or if its just a fear of the line tool #i adore that this game lets you add more to the music through your inputs (dashing on the beat etc)#just like the games i have thoroughly enjoyed from tetsuya mizuguchi #i seem to have too much time on my hands #thinking up scenarios is quick and easy to do while carrying on with the day to day #its when the brain decides you need to try to draw them that the problems occur #'tis mine

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edbluemel · 2 months

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