Jon - God, I was such an irritating child — always talking back, thinking I was smarter than everyone else, wandering off, having the police drag me back home — no wonder my grandmother was so bitter.
Martin - I mean sure, but isn’t that just undiagnosed autism?
Jon - ……what?
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in case you are in the mood to feel devastated here’s an alternate way of viewing charles’ response to edwin’s confession:
we know that charles kinda puts edwin on a pedestal- yes they are partners but there is a bit of a hierarchy between them. charles just looks up to and admires edwin in so many ways while constantly looking down on and being really hard on himself. he puts on his big happy persona because he thinks that people wouldn’t like him if they actually got to know him.
so when edwin confesses, it’s like a blow to him. he took his charming persona too far and went and tricked the most important person in the world into thinking he was worthy of love. and it’s worse because he does love edwin in that way, which is exactly why he can’t let him know that. charles still believes that he is like his dad, and he saw exactly what his parents’ relationship did to his mother.
he thinks that loving edwin in the way that he wants to would only cause more pain to this boy who has already been through far more than he deserves. so he blinks back his tears, attempts the same charming smile he’s used all these years, and dishes out the gentlest non-rejection in the history of forever
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It's 11 PM, but one of my favorite little Darcy/Elizabeth moments happens while she still hates him and thinks he's a depraved monster, and I find it really entertaining.
It's during the Kent section, when Darcy calls at the parsonage and finds Elizabeth alone. During a longer, awkward conversation in which they both deeply misunderstand each other, they have this tiny interchange:
[Darcy:] “This seems a very comfortable house. Lady Catherine, I believe, did a great deal to it when Mr Collins first came to Hunsford.”
“I believe she did—and I am sure she could not have bestowed her kindness on a more grateful object.”
“Mr Collins appears very fortunate in his choice of a wife.”
“Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding—though I am not certain that I consider her marrying Mr Collins as the wisest thing she ever did."
So: they are in Mr Collins's house. Darcy tries to re-start the conversation with a polite nothing about the house. Elizabeth agrees about Lady Catherine's micro-managing, but can't resist the chance to make a sly jab at Mr Collins (who is not present) to Darcy (a genuine villain, as far as she believes).
Darcy's reply looks a bit like an attempt to redirect the conversation into safer waters (they can agree that Charlotte is cool!). But although his remark is only somewhat related to what Elizabeth said, I think it's a natural follow-up in his mind because he is also insulting Mr Collins, if more subtly.
He could have praised Mr Collins's judgment in choosing Charlotte or just said something nice about Charlotte; he doesn't. Instead, he suggests that Mr Collins's choice of Charlotte was a matter of good fortune—or chance, as Charlotte herself would say!—on Collins's part. Darcy and Elizabeth both know Collins is a fool and that his choice of a woman like Charlotte says nothing about his judgment, only about his good fortune. (Elizabeth has even better reason than Darcy to know how much Collins ending up with Charlotte was lucky for him, but Darcy can see it anyway.)
Darcy's phrasing gives him some plausible deniability, but I think he's generally quite careful with his wording and the implicit insult to Mr Collins is not accidental.
Elizabeth, I think, takes this exactly as intended. She's not at all confused about where this tangent came from or offended by it or anything. She readily seizes on the new line of conversation as encouragement to keep insulting Mr Collins and his appeal to women with functioning brainpower.
Elizabeth is pretty scrupulously polite in general, so I kind of love that she just starts venting about her absolute contempt for Mr Collins and the Collins/Charlotte marriage to Darcy in the middle of a tense and weird conversation in Mr Collins's house. And I love that Darcy, who is otherwise more or less dog-paddling his way through this conversation, is like "yeah, your friend seems really cool, that dumbass is lucky he accidentally chose someone with a brain."
Elizabeth: "Right? And, let me add-"
(Is it a bit of an asshole move on both their parts in the context of that scene? Yeah, I think a little. I also love it! Please trash-talk obnoxious hosts in their own parlours for the rest of your lives.)
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like 70% of my knowledge about twst is because I read all the comics about it you do bc they're hilarious, but can I confirm that Rook's character arc was basically just an 'Applejack -> Rarity hypeman (malicious)' pipeline??????
yep, Rook joined NRC as a full-on Rowdy Boy who wore the same ripped-up jeans and sweatshirt 24/7 and was 99% split ends, until one day Vil convinced him to dress up a bit for a concert and he was like, "oh. hmm. actually, I like this." and swung fully into the other extreme of Fanciest Lad. Rook just...does not do middle grounds.
(tangential, but my personal 100% crack actively-contradicts-canon-but-I-don't-care headcanon is that French doesn't exist at all in Twst. Rook personally just made up a collection of fancy-sounding words that, by complete coincidence, happen to sound exactly like earth-prime French.
"but in the City of Flowers --" no, look, his family is VERY rich and VERY weird, it is not out of character that they paid an entire city of people to throw out a few words of their kid's conlang whenever he visits. it makes SENSE --
this is mostly because I think it would be funny if, after Rook gives someone their special little nickname, he has to sit down and explain to them what it means. which I've actually just decided he does anyway, so never mind.)
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we really had evan ‘buck’ iconic-line-of “well, uh, wish i could help” buckley. newly realized bisexual buck talking to his sexy male best friend about his sexy male best friend’s sex life and about how pent up said sexy friend feels, while this same sexy bff aggressively uses a bench as a prop to… “squat” quickly, up and down, and buck’s only response to all of this is “well, uh, wish i could help”??????? i—
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unfortunately I have opinions about the ascendant astarion ending and I have been holding back from saying it. but it's a problem that applies to the whole game and it's been annoying me
what's actually weird about the ascendant "romance" scene is that the writer considers it a tempting option for the player. They wrote it to be bad, but they also think it's a fun and sexy option. Same goes for the haarlep scene which they also wrote that way because they find it sexy. Except finding this sexually appealing entirely hinges on the idea that the player is a submissive. So RIP to a scene that the rest of us could have found sexy because the lead narrative designer was a submissive. lmao
In this game you can have a scene where you have to kneel for a male character. But you can never have a male character do the same for you. (Halsin doesn't count. It's a vanilla scene, he is not submissive there and we are not even asking/telling him to kneel down) You don't get such options, not even if you play a drow female! RIP the number one reason for playing drow female to be honest. lol You can kneel and fully submit to ascendant astarion or fully submit to mizora or fully submit to haarlep or submit to lae'zel or submit to minthara. you can get whipped by abdirak or you can tell him "touch me and lose a hand" he even responds positively to this remark and yet the possibility to flip the dynamic doesn't exist. There is never an option where a male character truly submits to the player. RIP to a scene that would have been the opposite of the traditional dynamic. the potential that existed but they never used the opportunity
By the way, how interesting that Lae'zel is dominant but she is a woman so ofc you get the option to tell her “no you will submit to me”. You never get such switch options with any of the male characters... Obviously it's not ascendant where they could have made that an option. My point is that it's NEVER an option among so many male characters.
It's a cool idea that the bad ending in a romance means "I saw this character as a sex object" except it falls apart when the scene is very sexually unappealing to anyone who is more dominant leaning. If I see a character as a sex object then I would place them in sexual situations which are appealing to me. so the message doesn't quite work. because there isn't anything that I can selfishly choose for myself just because I like it and I find it sexy.
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God can you imagine? If Rangi and Kyoshi really were BOTH oblivious about their own feelings this entire time???? Can you imagine the talks Hei-Ran and Kelsang probably tried to have???? TT0TT
Hei-Ran: I've noticed you've been.....running a lot more lately.
Rangi: Yeah.
Hei-Ran, trying to solve what strange mating ritual her daughter is performing: Is there someone you.... like? Romantically or....otherwise?
Rangi: No? Why would you think that?
Hei-Ran: I....I don't....know just.... What are your thoughts on Kyoshi? Completely unrelated.
Rangi: She's a good friend. Would probably die for her. Might explode if she holds my hand. That's normal with friends, right?
Hei-Ran, trying not to cry: I see.
Kelsang: Kyoshi do you like anyone?
Kyoshi: Me?! NO! Never! Who is this "anyone" you speak of? Hahahaha Yun didn't say anything to you, did he?
Kelsang, really confused: Yun???? No- I just. Um. Rangi-
Kyoshi, grabbing Kelsang by the shoulders: RANGI SAID SOMETHING?!
Kelsang: She said you were running late! Um, what do you think she meant?
Kyoshi: I DON'T KNOW! I think I need to clean, yes, this'll keep my aching heart from hurting! *runs off*
Kelsang: So her heart aches when she's thinking of Rangi???? TT0TT Kyoshi we need a talk please come baaaaack!
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