idk something that really bothers me about fandom culture is the urge to just. ship everything. yes namor is hot but all these namor x reader/shuri or 'i could fix him' girlies are like completely missing the point?(i think) most of them don't even examine the politics and history and nuance of the film, they just ...see a hot guy who is 'bad' and say omg it's loki clone # 437 !!! so hot im gonna write a bunch of fics where he's a stereotypical bad guy but! not for me!! and look, i have no problem with people enjoying characters and stuff and it's obviously not my place to tell people how to enjoy things but please get out of your shipping brain for one second and have some critical thinking skills please.
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Ok but Bruce’s “batglare” except it has specific stages that mean you’re in varying degrees of trouble. Allow me to elaborate:
Level 1: isn’t even really considered a glare in Bruce-speak, more of a suspicious squinting
Level 2: standard Disappointed Dad look, the most you’re gonna get is a reprimand
Level 3: resting Bitch face. Less of a glare and more of a sharp look that WILL follow you around and creep you out
Level 4: worried batglare, features aren’t as sharp as with the standard batglare. Usually smooths out when his kids/teammates stop being idiots and putting themselves in danger
Level 5: standard batglare, regular criminals are usually at the end of it, most of the kids have gotten pretty used to it
Level 6: You’ve Fucked Up. Expect a screaming match or a lecture of at least 30 minutes. Also you’re grounded
Level 7: full batglare on steroids, makes grown men piss their pants, usually reserved for the joker. Most of the kids have received it only once and that was MORE than enough for them to never want to receive it again
Level 8: Alfred.
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PART 4!!
01 02 03 04 05 06
I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!
Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao
In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:
I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.
So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......
It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.
I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.
So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.
In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.
I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol
Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao
Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao
Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!
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Just realized that if only Poseidon went straight to Ithaca and asked for Odysseus, Penelope could do the biggest gamble of them all and get one of the suitors in SUCH DEEP SHIT.
Poseidon: "Odysseus of Ithaca! Tell me this instant where is this mortal who dared to hurt my son and try to lie about his name!
Penelope: ...
Suitors: ....
Penelope: *stops weaving*
Penelope: *pointing right at Antonius* There he is! This one is Odysseus, my husband and king of Ithaca! Please don't sink us, almighty god of the sea!
Antonius: What? I'm not Odysseus, I--
Penelope: Of course he would say that! He's a liar!
Poseidon: *has no reason to not believe her, wipes him out effortlessly*
Then Odysseus comes back like "It's me, Penelope! Your husband!"
Penelope: "No, you're not. From now on your name is Agamemnon the Greater and the new lover I marry to make king."
Odysseus: *grumbling* why after Agamemnon though...
AND HOW WOULD POSEIDON EVER KNOW?!
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Guys, its not some fucking “bad luck devil” or whatever. It’s clearly this fucking time gargler or whatever the fuck that’s behind all this nonsense. Aguefort literally lays it out for us that the quangle makes things happen out of order. Things like, say…Zelda and Gorgug being broken up even though we know from the Seven that they’re still together in Junior year, or Aelwyn suddenly moving out and going from a snarky 19 year old whose never had a job or gone to college to a middle school teacher with 5 cats in the course of 3 months, or the sophomore album being 10 months late even though Fig only finished her debut a little over 16 months ago AND they were in the middle of the tour, or Hallariel and Gilear getting engaged after like a year when 3 months ago Gilear wasn’t even allowed to sleep in her bed, and Sklonda defending one of the organizers of this folk festival when the festival hasn’t even happened yet, or Figs birthday suddenly moving from Christmas to July.
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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We took the in laws to a little park I like. The scenery was rather wasted on them but it was a nice cool morning to go walking. The first huckleberry bush I saw I shared a look with my beloved. We both knew the in laws would be horrified at the thought of eating wild berries.
By the third bush I was too tempted and cheerfully announced, “Look, berries!”
They milled in horrified confusion as my beloved and I picked a small handful. I heard my step-MIL whisper, “They didn’t wash them…”
We offered them each berries while expounding on berry facts in the Pacific Northwest including the types we grow and the culture around trail berries. They both declined to try any.
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Crowley starts off his confession already terrified, already most of the way to mourning, but his voice really starts to go to pieces when he says “and we’ve spent our entire existence pretending we aren’t. Well, these last few years, not really.” And you can just see it sinking in — after all these years of pretending, this is all we get? These few years of half-admitting, half-having? Never saying it was love?
I think that’s why he can’t get through “and I would like to spend — ”. Whatever time we have left together. Really together. Before it all comes apart. He’s just realizing that after all this time, he won’t get to.
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