#office space in mount road

[workezoffcespace]

WorkEZ - Office Space For Rent

More than 700 seats, over 35,000 sq. ft. with 1 discussion room, 3 meeting rooms, and 100-seater event space. Located near the LIC bus stop and metro station.

[epkrealty]

commercial office space in Mount Road

Stay updated with the latest commercial office space in Mount road,listings in EPKRealty. Find your ideal location now. Your success starts with the right location. 

[epkcoworking]

In the dynamic realm of startups and freelancers, coworking spaces in Chennai play a pivotal role in fostering collaboration and entrepreneurial potential. They shape individuals' mindsets and cultivate a culture of continuous learning, encompassing various aspects.

[ananya211]

EPK Coworking provides top-tier managed office spaces in Mount Road & tailored per seat coworking options in vibrant Chennai to boost your productivity and success.

[nandhini23]

Tech-Savvy Careers in Chennai: Boosting Productivity with Coworking Space

In the bustling metropolis of Chennai, India, where opportunities abound and the business landscape is thriving, professionals are increasingly recognizing the potential of owning a virtual office space in Chennai and coworking space in Mount Road as a strategic move to elevate their careers. As the city embraces technological advancements and a more flexible approach to work, the virtual office has emerged as a key enabler for individuals seeking to leverage their careers in this dynamic environment.

Breaking Free from Commuting Hassles

Chennai, known for its vibrant culture and economic vitality, is also infamous for its traffic congestion. Commuting to a physical office can often translate into long hours spent navigating through crowded streets. By owning a virtual office, professionals in Chennai can break free from the shackles of daily commutes, saving precious time and energy. This newfound flexibility allows them to focus on their work and personal development without the stress associated with navigating the city's busy roads.

Expanding Reach Beyond Local Boundaries

Chennai, with its diverse industries and growing economy, is an attractive hub for professionals. However, the virtual office opens up avenues beyond local boundaries. By leveraging the coworking space in Chennai and  virtual work model, individuals in Chennai can collaborate with clients, partners, and colleagues from around the globe. This expanded reach not only enhances professional networks but also exposes them to a variety of perspectives, ultimately enriching their skill set and marketability.

Cost-Effective Solutions for Ambitious Professionals

Owning a physical office space in Chennai can be a substantial financial commitment, given the city's real estate costs. In contrast, a virtual office provides a cost-effective alternative. Professionals can establish a prestigious business address in a prime location without the hefty price tag. This financial efficiency allows them to channel resources into areas that directly contribute to career growth, such as skill development, networking events, and professional memberships.

Embracing Cultural Diversity in Remote Work

Chennai, a melting pot of cultures, is home to professionals with diverse backgrounds and experiences. The virtual office aligns seamlessly with the city's cultural ethos by enabling professionals to work from the comfort of their homes or shared workspaces. This flexibility accommodates the diverse needs of individuals, fostering an inclusive work environment that values the unique strengths each professional brings to the table.

Boosting Productivity through Virtual Collaboration Tools

Chennai's professionals are no strangers to technology, and owning a virtual office aligns perfectly with the city's tech-savvy workforce. Cloud-based collaboration tools, video conferencing platforms, and project management software empower individuals to work seamlessly from different locations. The integration of technology not only enhances productivity but also positions professionals in Chennai as adaptable and forward-thinking contributors to the evolving work landscape.

Strategic Image Building for Chennai's Professionals

In a city known for its thriving business community, establishing a professional image is paramount. Coworking space in Chennai and Virtual offices offer services such as a prestigious business address and professional phone answering services, contributing to the building of a reputable image. This is particularly beneficial for entrepreneurs and freelancers in Chennai, allowing them to project a corporate presence without the need for a physical office space.

Navigating Chennai's Career Landscape with Flexibility

As Chennai's career landscape continues to evolve, owning a virtual office becomes a strategic asset. The adaptability and flexibility of virtual work align with the changing dynamics of the city's industries. Professionals who embrace this model position themselves to navigate the future of work in Chennai successfully.

In conclusion, owning a virtual office in Chennai is not just a practical choice; it's a career strategy tailored to the city's dynamic and ambitious professionals. Breaking free from commuting hassles, expanding global reach, and embracing cost-effective solutions are just a few ways a virtual office can leverage careers in this thriving metropolis. As Chennai's professionals navigate the complexities of the modern workplace, those who incorporate virtual offices into their professional lives are well-positioned to capitalize on the city's abundant opportunities and propel their careers to new heights.

[dharaniya]

Stay updated with the latest coworking space in Mount Road, listings in EPKRealty. Find your ideal location now. Your success starts with the right location.

[property23]

From Auctions to Bank-Owned: Unveiling the Spectrum of Distressed Properties in India

Investing in distressed properties can be a lucrative venture, offering unique opportunities for those looking to enter the real estate market at a potentially lower cost. In India, distressed properties encompass a variety of real estate assets that are available for purchase due to financial or legal challenges faced by the current owners. Here's an overview of the types of distressed property sale in Chennai commonly found in the Indian real estate market:

Foreclosed Properties:

Foreclosed properties are those seized by banks or financial institutions due to the borrower's inability to repay the mortgage or loan. These properties are typically auctioned off to recover the outstanding debt. Investors can find value in foreclosed properties, often acquiring them at prices lower than the market value.

Bank-Owned Properties:

Bank-Owned Properties, also known as Real Estate Owned (REO) properties, come into the possession of the bank after undergoing foreclosure. These assets are commonly marketed and sold through auctions or real estate agents, providing buyers with the advantage of streamlined transaction processes.

Distressed Sales:

Distressed sales include properties sold by owners facing financial difficulties or urgent circumstances. These sales may be prompted by issues such as job loss, divorce, or other personal crises, leading to a quicker sale at a potentially lower price.

Auctioned Properties:

Auctions are a common method for selling distressed properties in India, providing a dynamic platform for both buying and selling real estate assets. Properties may be auctioned by financial institutions, government agencies, or private sellers, offering a diverse range of opportunities for potential investors looking to buy or sell property in Chennai. Investors can actively bid on these properties, and successful bidders can acquire real estate at competitive prices, making auctions a compelling avenue for those involved in the Chennai real estate market.

Insolvency and Bankruptcy Cases:

The Insolvency and Bankruptcy Code (IBC) in India has facilitated the resolution of distressed assets. Properties involved in insolvency or bankruptcy cases may be available for sale as part of the resolution process. Investors can explore these opportunities through the National Company Law Tribunal (NCLT) or the National Company Law Appellate Tribunal (NCLAT).

Non-Performing Assets (NPAs):

NPAs in the banking sector may include distressed properties that financial institutions are eager to sell to recover losses. Investors can explore NPAs as potential opportunities for acquiring real estate assets at favorable prices.

Government Auctions:

Government agencies, including the Income Tax Department and municipal authorities, often conduct auctions of seized properties due to non-payment of taxes or other legal issues. These properties can provide investors with a chance to acquire assets with potential value appreciation.

Rehabilitation Projects:

Distressed properties in need of renovation or rehabilitation present opportunities for investors with the skills and resources to undertake such projects. These properties can be purchased at a lower cost, and value can be added through renovations.

Land Parcels with Legal Issues:

Some distressed properties may include land parcels with legal complications or title issues. Investors who can navigate and resolve these legal challenges may find opportunities to acquire land at discounted prices.

Before venturing into the market of distressed properties, potential investors should conduct thorough due diligence, considering legal aspects, market conditions, and potential renovation costs. This diligence is essential not only for those looking to invest in distressed properties but also for individuals aiming to sell and rent their properties in Chennai. While the potential returns can be enticing, careful consideration and a well-informed approach are crucial for success in this niche real estate sector, whether you are buying, selling, or renting in the vibrant Chennai market.

[epkcoworking23]

private office space for rent in Chennai

Enhance your productivity with our private office space for rent, a dedicated space tailored to your business needs and unlock a new level of success. 

[vidhya1233333]

commercial space for rent anna nagar

If you're looking for Architect consultants, Property Perfect free ads listing allows you to find architects near you and directly reach the properties to buy in chennai, commercial space for rent in Anna nagar. 

[seetha123]

commercial space for rent anna nagar

If you're looking for Architect consultants, Property Perfect free ads listing allows you to find architects near you and directly reach the properties to buy in chennai, commercial space for rent in Anna nagar. 

[sweetheartsofpanem]

Peach - Built to Be Wanted

hehe the start of a new slow burn series but don’t worry it’ll be filthy eventually🌝 i took so long posting this after the masterlist because i hated the original dividers i planned on using😭

pairing(s): refer to series masterlist

warnings: refer to series masterlist

word count: 3.89k

series masterlist | main masterlist

You’ve never been to District 12 before, but it looks exactly like you imagined.

Rebuilt, but not polished. Not finished.

Everything’s still a little dusty, like the buildings haven’t quite settled into place yet. The streets are wide and open, edged by rows of mismatched houses—some new and standing tall, others still waiting for their last coat of paint. You pass them with your duffel bag digging into your shoulder, sun beating hot against the back of your neck, and try not to let the knot in your stomach get any tighter.

The directions said to go straight to the municipal office once you got off the train.

So that’s what you do.

It’s not far. Just far enough to make you sweat. Just far enough to make you second-guess every step, every swing of your arms, every inch of your body.

The receptionist is an older woman with gray-streaked hair pulled into a bun and a clipboard she barely looks up from.

“Name?” she asks.

You shift your weight. “Y/N. I’m here for the nurse apprenticeship at the hospital. Was told there’d be housing ready when I arrived.”

She flips a few pages. Clicks her tongue. “It’s not.”

You blink. “I—I’m sorry?”

“The house. It’s not finished yet.” She doesn’t look up.

You stand there for a second too long, bag slipping slightly from your shoulder.

“They said it’d be ready by now,” you say quietly.

“Well, it’s not,” she replies, still flipping. “Construction got pushed back. Something with materials being rerouted to District 10. Not my department.”

You swallow hard. “Okay. So… where am I ‘sposed to stay?”

The woman finally glances up, eyebrows raised like you’re the one causing trouble.

“Victor’s Village. Just head that way.” She waves vaguely past the windows. “Someone there’ll take you in until your place is finished.”

“Thas’—” You bite your lip. “Are you sure?”

“They’ve got houses with space. You won’t be a bother.” A pause. “Probably.”

And that’s it.

No map. No guide. No explanation.

Just a tight smile and the sound of your own shoes on the tile as you step back out into the sunlight, heart beating too fast and throat too tight.

The walk to the Victor’s Village isn’t long, but it feels like it stretches on forever.

Maybe it’s the weight of your duffel digging into your shoulder. Maybe it’s the sweat slicking your back. Maybe it’s the way your brain keeps looping someone there will take you in like that’s a normal thing to say to someone who just got off a train in a brand-new district with nowhere to sleep.

You try not to let it show on your face.

The road curves a little as you reach the edge of town, and that’s when you see the fence.

It’s tall. Gated. Meant to separate the Victor’s Village from the rest of District 12, like it’s still its own world—even now, two years after the Games ended.

Inside the fence, the houses are… beautiful.

They’re not grand, exactly, but they look it. Bright white trim, deep porches, tall windows with hanging flower baskets and old-fashioned lanterns mounted beside the doors. Every home has signs of life—someone’s laundry hanging to dry on a line, a tricycle tipped over in a front yard, wind chimes clinking gently in the heat-still air.

All twelve houses are clearly occupied, most of them by people who came back after the war to help rebuild. It doesn’t look like a neighborhood for victors anymore. It just looks like a place for people who’ve lived through something.

You slow down without meaning to, eyes tracing the curve of a railing, the slant of a roof, the way the afternoon light pools golden on the porch steps.

You hover at the edge of the gate for a moment, heart in your throat.

Just pick one, you tell yourself.

You do.

You walk up to the porch of the nearest house with a flutter in your chest and knock twice—sharp, quick, before you can overthink it.

It takes less than five seconds for the door to open.

And then you nearly forget how to breathe.

Because of course.

Of course it had to be him.

Haymitch Abernathy.

One of the most famous men in all of Panem.

You recognize him immediately—greying blond hair, grey eyes, broad shoulders, and the kind of worn-in exhaustion that doesn’t fade, even two years after the war ended. He’s barefoot. Shirt slightly wrinkled. Holding what looks like a mug of coffee, though the sharp smell of liquor clings to the doorway like a second welcome mat.

He squints at you.

“Can I help you?”

Your mouth opens.

Then closes.

You absolutely did not plan for this.

You stare at him.

Not because you mean to. Definitely not because it’s polite.

But because—damn.

You remember seeing him on TV growing up. Reaping broadcasts. Capitol interviews. War coverage. He always looked tired, always had a drink in his hand, always said the most inappropriate thing at exactly the wrong time.

But even then, even as a kid…

You always thought he was attractive.

You just didn’t realize that in person he’d look like this.

Taller than you expected. Broader, too. His shirt’s wrinkled and a little threadbare at the collar, like he grabbed it off the floor that morning, and he smells like liquor and soap and something warm that you can’t place. His hair’s messy, his expression is unimpressed, and his bicep flexes slightly as he adjusts the mug in his hand—and you are staring.

Absolutely, shamelessly, staring.

You don’t even realize it until his eyebrows go up.

Then he gives you the once-over, slow and deliberate, eyes flicking from your face to your neck to the strap of your duffel and then lower.

And then he says, flatly, “Are you just gonna stand there and stare at me?”

Your whole body jolts.

“I—no—sorry—I’m—um—”

You gesture vaguely toward the yard, your voice cracking right down the middle. “They told me to come to the Victor’s Village? Was ‘sposed to have a house but s’not ready an’ they said someone here might—might have space—so I jus’—”

You are rambling.

And still sweating.

And still actively trying not to pass out because he is somehow even hotter up close and also your emergency housing option.

Haymitch blinks at you.

Then he leans against the doorframe, sipping from the mug like he’s rethinking every decision he’s ever made.

You don’t move.

You don’t breathe.

“I didn’ mean to pick your house specifically,” you blurt, words falling out way too fast. “I didn’ know it was yours—obviously I recognize you now, like who wouldn’, you were on TV all the time and kind’ve helped end the Games an’ everythin’—”

He raises one eyebrow.

“—but I wasn’ like followin’ you or anythin’, I jus’ knocked, an’ you opened the door, an’ now I’m standin’ here, an’—um—”

You take a breath.

Immediately lose it again.

“I’m Y/N,” you say, like that explains everything. “I’m from District 9, I’m here for a nurse’s apprenticeship at the hospital—they started a new pediatric program an’ I applied months ago, they accepted me, an’ I was ‘sposed to have housing, but s’not finished, the receptionist jus’ said to come here, so I did, but now I’m on your porch an’ I’m really sorry—”

Haymitch stares at you.

Just stares.

Like he’s not entirely convinced you’re real.

You’re still talking.

“I brought my own things. I have toiletries. I won’ get in the way. I jus’ need somewhere to sleep until the house’s done, they said it’d take a month or two—maybe less dependin’ on materials—so I won’ be here long, you don’ even hafta talk to me if you don’ wanna, I’ll stay outta your way, I promise, I—”

“Girl,” he cuts in, holding up one hand. “Breathe.”

You stop.

Just like that.

Like your brain short-circuits.

Haymitch watches you for another beat. Then sighs like he’s already regretting whatever’s about to come out of his mouth.

“Well,” he mutters, stepping back into the house, “get in before you melt into the porch.”

And for some reason, that’s when your brain finally short-circuits for real.

Because of all the people you could’ve ended up living with—

It had to be Haymitch Abernathy.

The second you cross the threshold, the air changes.

It’s cooler inside, thank God, but it’s not just the temperature. The whole house feels dense with something—something quiet and heavy and his.

The place isn’t a disaster, not really. Not the way you’d imagined.

There’s clutter, yeah—books stacked in strange places, a few empty glasses on the side table, a half-folded blanket thrown over the back of the couch—but it’s clean where it counts. Lived-in. Comfortable. The kind of space that’s not trying to impress anyone.

Haymitch shuts the door behind you, his footsteps slow and even against the wood floors. He doesn’t say anything. Just walks past you into the living room and takes another sip from the mug like he didn’t just let a stranger into his house because the receptionist told her to knock.

You stay near the door, clutching the strap of your duffel like it’s the only thing tethering you to the ground.

The room smells like coffee and something woodsy. Old whiskey, maybe.

There’s a dent in the couch cushion like he always sits in the same spot.

You swallow and shift your weight, suddenly hyper-aware of the way your clothes cling to your skin. Of how much space you take up. Of how out of place you feel standing in the middle of his world, sweating and awkward and way too loud.

“I, um…” you start, voice softer now. “I can sleep wherever. Floor’s fine. Or the couch. Or—”

He cuts you off again, already walking toward the stairs. “There’s a guest room.”

You blink.

“Oh.”

He gestures toward the hallway. “Down the hall, last door on the left. Has a bed. It’s not fancy.”

“I don’ need fancy.”

He snorts. “Good. ‘Cause you’re not gettin’ it.”

You almost smile.

You wait until he disappears up the stairs before you let yourself exhale—slow, shaky, chest still tight with everything you’re not saying.

Okay. Guest room. One or two months. Don’t take up space.

You can do that.

You wait a few seconds after he disappears—just long enough to hear his footsteps fade—before you finally make yourself move.

The hallway is narrow but clean. Hardwood underfoot, pale walls, the faint smell of something citrusy. Not new, but well-kept. Like someone tries, even if they don’t talk about it.

You find the room easily. Last door on the left, just like he said.

It’s simple.

A twin bed with a patchwork quilt that doesn’t match the curtains. A wooden dresser with one drawer slightly open. A small desk pushed against the wall. No pictures. No clutter. Just clean, bare space and the soft, settled kind of quiet that makes your ears ring.

You close the door gently behind you.

Let your duffel fall to the floor beside the bed.

And finally—finally—you sit down.

The mattress dips under your weight, the quilt cool beneath your palms. You stare down at your hands, flexing your fingers like they don’t quite belong to you.

It hits you all at once.

You’re really here.

Not in District 9 anymore. Not in your shared bedroom with Mercher snoring on the bunk above you. Not helping your mom hang laundry or patch up injuries from the grain fields.

Here.

In District 12.

Living—temporarily—with Haymitch Abernathy.

You laugh once, breathless, disbelieving.

Then you reach for your bag and unzip it, fingers moving on autopilot as you unpack what little you brought. A soft bundle of pastel scrubs—purple, pink, blue—each with their own neat little pattern stitched along the hems. A framed photo of you, your mom, and Mercher, smiling in the field behind your old house. A worn paperback. A rolled-up knit blanket.

And tucked carefully beneath your clothes, the thing you’ll never admit to bringing.

The pink stuffed bear you’ve had since you were born.

You slip it under the pillow before you can think too hard about it.

Then you sit back again, palms resting on your thighs, back straight, shoulders tense like you’re waiting for something to happen.

Nothing does.

Just quiet.

And a whole lot of unfamiliar air.

You sit on the edge of the bed a little longer than you probably need to.

The heat from the walk here hasn’t gone away. It’s still clinging to your skin, your shirt sticking to your lower back, your hair probably frizzing out in three different directions. You’re not even sure what time it is. Everything feels like it’s moving in slow motion, and your body’s still catching up.

Eventually, the discomfort wins out.

You stand, brushing your hands on your thighs, and glance once around the room like maybe it’ll offer you some kind of direction. It doesn’t. Just blank walls and soft light filtering through the curtains.

You grab your toiletries from your bag and steel yourself.

The hallway feels longer the second time.

You don’t hear him—don’t even know if he’s downstairs—but you clear your throat softly as you step around the corner, clutching your little toiletry pouch like it’s some kind of shield.

“Um…”

Haymitch looks up from the couch. He’s on the couch, one leg stretched out, the other bent, arm slung over the side like he’s been there forever.

His eyes flick to yours.

Then to the bag in your hands.

“Bathroom’s second door on the right.”

You blink. “I—how’d’ya know I was gonna ask?”

“You’re real loud for somebody who barely talks.”

Your face warms.

He smirks like he can see it. “Shower works fine. Towels are under the sink. Don’t fall and die.”

“Thanks,” you mumble, ducking your head as you shuffle past.

“Welcome,” he says, already halfway back to whatever battered book he was reading.

The bathroom is small, but clean.

The tile’s a little chipped in places. The mirror’s got a smudge near the top edge. But it’s real. Lived in. It doesn’t feel sterile the way hospital bathrooms do, and it doesn’t feel impersonal like the ones at train stations. It just… is.

You close the door behind you with a quiet click, set your pouch on the edge of the sink, and turn the faucet in the tub until the water runs warm.

Then you sit on the closed toilet lid, elbows on your knees, and breathe.

“You’re real loud for somebody who barely talks.”

The words echo back into your chest, sharp at the edges.

You know he didn’t say anything about your body. Not directly.

But the tone. The timing. The way his eyes flicked down once before settling back on your face.

It stirs something old and too familiar in your gut.

Loud.

They used to say that in school too. Not about your voice. Not about your words.

About your footsteps.

About your size.

About the way you moved.

You sigh through your nose, shake your head like you can scrub it clean, and stand up.

The mirror isn’t kind. They never are. You keep your eyes low as you pull off your shirt, peeling it away from your damp skin. Your bra comes next—simple, worn, comfortable. Then your shorts. Underwear.

Everything ends up folded on the edge of the sink like that’ll make it feel less vulnerable.

You step into the tub, careful, and let the water pour over you.

It’s hot.

Too hot, maybe.

But you don’t turn it down.

You let it sting your shoulders and slide down your back, down your arms, over the full curve of your belly and thighs. Let it soak your hair, flatten the heat of the day, drown out the thoughts.

You always knew this wouldn’t be easy.

New place. New people. New version of yourself you’re trying so hard to believe in.

But standing there, steam curling around your face, the water pooling at your feet, you let yourself feel it for a minute.

The fear.

The weight.

The strange, quiet hope that maybe—not today, not yet—but maybe, something good will come out of it.

You don’t say anything.

Just lean your forehead against the cool tile wall.

And let yourself be still.

You stay in the shower longer than you mean to.

Long enough for your fingers to wrinkle. Long enough for your legs to ache from standing still. But the water feels good, and the tile doesn’t judge you, and it’s the only place that’s been quiet since you stepped off that train.

Eventually, you shut the water off.

Dry yourself carefully.

Your favorite pair of sweatpants are soft from too many washes, and the oversized t-shirt you brought smells like your mom’s fabric softener.

You glance at yourself in the mirror before leaving the bathroom.

Not long.

Just enough to tug the hem of the shirt lower and try not to cringe at your reflection.

The hallway is still quiet when you step out.

You hesitate in front of your bedroom door.

You could go back in. Shut it. Pretend this day never happened.

But you know yourself too well.

If you sit down, you’ll stay there. You’ll spiral. You’ll overthink everything from your voice to your posture to the way you stammered on his porch like you’d never seen a man before.

So instead—you turn toward the living room after tossing your clothes on the bedroom floor.

And you go.

Haymitch is still on the couch when you reappear, feet propped up on the coffee table, mug half-empty. He doesn’t look up right away, just glances toward the sound of your bare feet on the hardwood.

Then he raises an eyebrow.

“Thought you disappeared.”

You shake your head, arms crossed tight over your chest. “Jus’ didn’ wanna be a bother.”

“You’re not,” he says, too casual.

Then pauses.

“Yet.”

You huff under your breath and make your way toward the armchair opposite the couch. It had a worn-in cushion and a little throw pillow tucked in the corner. You pull that pillow into your lap the second you sit, fingers worrying the edge of it like it might give you something solid to hold.

Haymitch glances at you.

Doesn’t say anything else.

The silence stretches.

But it’s not the worst thing you’ve ever sat in.

The pillow is soft.

You press your arms into it, fingers curled tight around the edge, trying not to let your shoulders round in too much. You stare at a spot on the floor between your feet for a few seconds, then glance up.

The room’s still quiet.

No music. No television. Just the sound of the fan spinning lazily overhead and the occasional clink of Haymitch’s mug when he shifts it in his hand.

You let your gaze wander—slow, careful, trying not to be obvious.

There’s a bookshelf near the fireplace, crammed with mismatched paperbacks, some shelved sideways, some stacked on top of others. A coat tossed over the back of a kitchen chair. A pair of boots by the door. A blanket draped over the back of the couch that looks handmade, maybe even hand-stitched.

Everything feels… lived in. Not carefully decorated, not showy. Just his.

You blink back down at the pillow in your lap.

“How old are you?” he asks, suddenly.

You jolt a little.

Look up.

He’s watching you now—not intensely, not probing, just… looking. Elbow on the armrest. Mug resting against his thigh.

“Twenny,” you say.

He nods. “So fresh outta school?”

You shake your head. “Finished when I was eighteen, like right before the war.”

“Huh.”

Another sip of his drink.

“You from the grain side of Nine?”

You tilt your head slightly. “Born an’ raised.”

“Figures. You got the look.”

Your eyebrows pinch together. “The look?”

“Hard worker. Tired eyes. Pretty girl who doesn’t think she’s pretty.”

You blink.

He says it like it’s a fact.

Like he’s not even trying to make a point. Just noting it.

Your face heats immediately, and you bury it in a shrug. “Y’all’re real blunt out here.”

He smirks. “You ain’t seen blunt yet.”

You snort under your breath and look back down at the pillow, still clutching it to your stomach.

He doesn’t say anything else right away.

Just lets the quiet settle again.

This time… it doesn’t feel quite so heavy.

You sit with his words still echoing in your chest.

Pretty girl who doesn’t think she’s pretty.

You’re not sure what to do with that.

Not when it sounded like nothing more than a casual observation. Not when he said it without looking at you too long. Not when it didn’t feel cruel—but didn’t feel like a compliment either.

You glance up again.

He’s still watching you. Or half-watching. Eyes on his mug, flicking your way every few seconds like he’s still deciding whether or not you’re going to pass out on his rug.

You shift, hug the pillow a little tighter.

Then, before you can talk yourself out of it, “Can I ask you somethin’?”

His eyebrows raise slightly. “Sure.”

“You always lived here?”

He nods once. “Born in Twelve. Stayed in Twelve. Didn’t exactly have time to go house hunting.”

You look down at your fingers, picking at the edge of the pillow. “What’s it like? Livin’ in the Victor’s Village.”

He shrugs. “Used to be empty. Quiet. Not so quiet now.”

You snort softly. “That your way of sayin’ I’m already disruptin’ your peace?”

He smirks. “Not yet.”

There’s a pause. Not uncomfortable. Just… hovering.

You press on, quieter this time. “I’ve never been in one before. A Victor’s Village. We have one back in Nine, but s’always been gated off. I always wondered what it’d look like on the inside.”

Haymitch leans back in his seat, the leather creaking. “You expected gold trim and champagne fountains?”

“I expected not to knock on your door,” you mutter before you can stop yourself.

His grin turns sharp.

“Still time to change your mind, peach.”

You blink.

Then furrow your brow. “Did’ya jus’ call me peach?”

“Mm.” He takes a sip of his drink. “You look like one.”

You freeze.

Your stomach twists, the smile slipping from your face before you even realize it was there. He says it so casually—so offhand, like he’s not thinking—but all you can hear is the echo of voices from years ago. Boys laughing. Snickering behind lockers. Round like a peach. Big like a pig.

Pretty girl who doesn’t think she’s pretty.

Right.

You let out a quiet, awkward laugh and stand too quickly. “Um. I should probably unpack the rest of my stuff. Long day.”

Haymitch glances up at you, something unreadable in his expression, but he doesn’t stop you.

“Right,” he says. “Sure.”

You nod once, too fast, clutch the pillow tighter before dropping it, and shuffle back toward the hallway before he can say anything else.

The moment the door closes behind you, you let out a breath you didn’t realize you were holding.

And try not to think too hard about what he meant.

Or why it hurt so much.

Next

[workezoffcespace]

WorkEZ - Coworking Space Chennai

More than 700 seats, over 35,000 sq. ft. with 1 discussion room, 3 meeting rooms, and 100-seater event space. Located near the LIC bus stop and metro station.

[epkrealty]

Tech Hub Transformation: Chennai's Commercial Office Market at the Forefront

Rapid urbanisation and infrastructural development, IT and technology boom, flexible workspaces and co-working trends and  work methods are all examples of Tech Hub Transformation: Chennai's Commercial Office space in Mountroad, Anna Salai, Perungudi and their  Market at the Forefront.

[epkcoworking]

Comparing Chennai's Work Culture: Plug-and-Play Offices and Coworking Spaces

In the vibrant city of Chennai, professionals and businesses seeking versatile work environments encounter two prominent options: plug-and-play office space and coworking spaces. Understanding the nuances between these setups is essential for individuals and organizations striving to align their workspace with their operational needs and culture.

Plug-and-Play Offices in Chennai

Chennai, a bustling hub of innovation and business, hosts a variety of workspaces tailored to the dynamic needs of professionals and organizations. Among these, plug-and-play offices have emerged as a game-changer, offering instant functionality and flexibility in prime locations across the city.

Features of Plug-and-Play Offices in Chennai

Strategic Locations: Positioned strategically in areas like T. Nagar, Guindy, and OMR, plug-and-play offices offer accessibility and convenience, situated in the heart of Chennai's business districts.

Ready-to-Use Infrastructure: These offices come fully furnished and equipped, boasting ready-to-use amenities such as desks, chairs, high-speed internet, and essential IT infrastructure. This setup ensures immediate functionality upon occupancy, eliminating the hassle of setting up an office from scratch.

Flexibility in Leasing: One of the key attractions of plug-and-play offices is their flexible leasing options. Businesses can opt for short-term leases, enabling them to scale their workspace up or down based on evolving needs, without being tied down by long-term commitments.

Cost-Efficiency: Ideal for startups and small businesses, coworking office space in Thousand Lights and plug-and-play offices in Chennai offer cost-effectiveness by eliminating initial setup costs. This allows companies to allocate resources strategically without the burden of substantial upfront expenditures.

Advantages:

Immediate Functionality: Plug-and-play offices offer quick operational readiness, ensuring immediate functionality for focused work.

Privacy and Control: These spaces provide autonomy and privacy, suitable for individual tasks or team-based operations, allowing businesses to control their environment.

Disadvantages:

Limited Networking: The private nature might limit networking and collaboration opportunities compared to more communal setups.

Potentially Higher Costs: While upfront costs are lower, long-term expenses might be higher compared to shared spaces due to individualized infrastructure.

Coworking Spaces in Chennai

Key Features:

Coworking spaces, thriving in locales like Alwarpet, Nungambakkam, and Teynampet, foster collaboration and community spirit with these defining characteristics:

Community-Centric Environment: Open spaces encouraging interaction, networking, and skill-sharing among diverse professionals.

Flexible Amenities: Varied facilities such as shared workspaces, meeting rooms, and networking events accommodating different professional needs.

Diverse Network: Attracting freelancers, remote workers, entrepreneurs, and established companies, fostering a melting pot of ideas and collaborations.

Advantages:

Networking and Collaboration: Coworking spaces offer an environment conducive to networking and collaboration, facilitating idea exchange and skill enhancement.

Resource Sharing: Access to diverse amenities and resources enhances productivity, providing a supportive and well-equipped work environment.

Disadvantages:

Potential Distractions: The open layout might lead to distractions for individuals requiring focused work, impacting productivity.

Limited Privacy: Shared spaces might not suit those needing greater privacy or confidentiality for sensitive work or discussions.

Choosing the Ideal Workspace

Selecting between plug-and-play offices and coworking spaces in Chennai demands consideration of several factors:

Work Culture Preference: Determine the preferred work environment—private and focused or collaborative and open.

Budget and Long-Term Goals: Evaluate short-term cost-effectiveness versus long-term scalability and expenses.

Networking Needs: Assess the importance of networking and collaboration opportunities in professional growth.

Conclusion

Chennai's workspace offerings encompass plug-and-play offices and coworking spaces in Mount Road catering to diverse professional needs. Comprehending the distinctive features, benefits, and limitations of each empowers individuals and businesses to make informed decisions aligned with their operational dynamics, work culture, and growth aspirations."

[mimir-mimir]

My brother and I rewatched the original run of Samurai Jack and I made a road map of all the places traveled Jack to on his journey. I've written all the explanations to where I placed the markers down below.

Season 1:

Ep 1: The Beginning - takes place in ancient Japan. I placed the marker in Kyoto because that was Japan's capital before Tokyo, but it could be anywhere in ancient Japan. From there, young Jack traveled across the Indian Ocean, Africa, Europe, the Middle East, and Asia to learn new skills.

Ep 2: The Samurai Called Jack - Jack arrives in the future in what I dubbed "Aku City". Since Jack fought Aku in Japan, I placed this new "Aku City" in place of Tokyo, Japan. Again, it could be anywhere, but I thought the bustling city was appropriate as a substitute for Tokyo.

Ep 3: The First Fight - Not marked on the map, because the dog mining canyon is too vague and didn't have any distinct land marks.

Ep 4: The Woolies and the Chritchellites - The Woolies are shown to be wearing kippot in their flashback, so I placed them in Isarel.

Ep 5: Jack in Space - Not marked on the map, because half of this takes place in space. And the woods were too vague to be any specific location.

Ep 6: The Warrior Woman - takes places in Saudi Arabia because of the marketplace and desert landscape, and all the musical references as well.

Ep 7: The Three Blind Archers - The army that attacks the three blind archers at the beginning of the episode are heavily based on Nordic Vikings, so I placed it in Norway.

Ep 8: Mad Jack - Not marked on the map, too vague.

Ep 9: Under the Sea - Jack goes to Atlantis, which is somewhere in the middle of the Atlantic Ocean.

Ep 10: The Lava Monster - The lava monster is a Viking warrior trapped under a curse, connected by his longing to go to Valhalla, so it is another case of Viking mythology, which could be from Norway, Sweden, or Finland.

Ep 11: The Scotsman - Not marked on the map, because the Scotsman was also travelling in a vague landscape.

Ep 12: The Gangsters - The gangsters have Chicago accents.

Ep 13: Aku's Fairy Tales - Takes place in Aku City, but not marked on map because this episode is not about Jack.

Season 2:

Ep 1: Jack learns to Jump Good - Gorillas are most commonly found in Central Africa, specifically the Congo.

Ep 2: Jack's Tales - Not marked on the map, because it is three different stories that don't have any specific location.

Ep 3: The Smackback - The announcer for the tournament is very British, from his attire to his accent.

Ep 4: The Scotsman 2 - The Scotsman invites Jack to his home in Scotland to visit his family, and to save his wife. This episode was pretty self-explanatory.

Ep 5: The Ultra-Robots - Not marked on the map, because the scientists did not have any specific characters traits to draw from.

Ep 6: Jack Remembers the Past - Jack returns to the ruins of his home. Since I placed his home in Kyoto, I marked it as Kyoto.

Ep 7: The Monks - The cartoon idea of climbing a mountain to overcome a big challenge in life is usually associated with the tallest mountain in the world, Mount Everest which is located in Nepal.

Ep 8: The Farting Dragon - The village are all very ole-timey British stereotypes. Also, the dragon is a typical depiction of a European dragon.

Ep 9: Versus the five Hunters - The Hunters are summoned from another planet by Aku, but the episode takes place in a bustling city. And since Aku summoned them to the city himself, it is implied to be Aku City.

Ep 10: Demongo, the Soul Collector - The fight between jack and Demongo takes place in a large canyon, so I marked it as the Grand Canyon. It's possible that it's not, but there are not many known canyons and the place they seemed to fight in was pretty large.

Ep 11: Jack is Naked - This episode is a parody of Alice in Wonderland, which takes place in England. Also, the underground city is filled with English accents and jobs (like the cop looking like a stereotypical British police officer).

Ep 12: The Spartans - This episode is a parody of the War of 300, which took place in Greece.

Ep 13: Jack's Shoes - I originally had this placed in Aku City again, but my brother convinced me to place it in New York instead. The different cultures we see mixed and mingled is different than what we see in Aku City. And the Japan car shop is like an immigrant family making a new life, but still holding onto their tradition- which is much more like New York than Tokyo.

Season 3:

Ep 1: Chicken Jack - The bustling city mixed with the emphasis of different cultures (the Japanese food vendor, the Italian man, the gangsters), are more reminiscent of New York.

Ep 2: The Rave - The Innkeeper Jack spoke to at the beginning of the episode had an Italian accent and wore Italian clothing.

Ep 3: Couple on a Train - The assassins in this episode had heavy Texas accents.

Ep 4: The Zombies - Not marked on the map, since this episode takes place in a graveyard, which could be anywhere.

Ep 5: The Scarab - The episode opens with Jack reminiscing about his time in Egypt as a kid, as he explored the ruins. This episode also features Set's servants and the Egyptian God Horus.

Ep 6: The Traveling Creatures - Not marked on the map, the places jack traveled to were fantastical and not any real landmarks were shown.

Ep 7: The Annoying Creature - The dried cracked mud resembled Nevada's landscape.

Ep 8: The Swamp Wizard - Aku, disguised as a swamp wizard, puts on a Mexican accent to blend in?

Ep 9: The Haunted House - somewhere in Japan, as the house Jack travels to has ancient Japanese architecture, and the residents of the house were Japanese. Also, the spirit haunting the house could be called a yokai.

Ep 10: Jack travels and meets two monks that were taught the same Xiaolin moves as him long ago, so it is implied that Jack returned to the same palace where he first learned kung fu.

Ep 11+12: The Birth of Evil - Not marked on the map, because it is a flashback episode

Ep 13: The Labyrinth - Jack travels to the Egyptian pyramids in order to find a diamond that can help him return home.

Season 4:

Ep 1: Versus the Ninja - Jack helps a village of natives on the coast, who have stereotypical straw huts and tiki masks on the side.

Ep 2: Robo-samurai vs Mondo-bot - This episode didn't have any specific landmarks to reference, but the episode is a parody of Godzilla movies, so I placed it in Japan.

Ep 3: Samurai vs Samurai - The bar that Jack visits has a Japanese design, it is the middle of a bamboo forest, and one of the patrons of the bar is a geisha- a Japapnese female entertainer.

Ep 4: The Aku Infection - Jack is traveling through snowy mountains, one of the mountain researchers have a German accent. Also, the salamander monks have a specific Jewish accent, which is found in Germany.

Ep 5: The Princess and the Bounty Hunter - This episode takes place in a very snowy landscape, and this is the first time in the series we have had a Russian accent. It's possible that this episode could take place anywhere that is snowy (and the barbershop haircutter had an Italian accent), but the fact that this is the one and only time we had a Russian show up, I marked it in Russia.

Ep 6+7: The Scotsman Saves Jack - Jack has a new identity as Brent Worthington, he wears British clothing but speaks with a California/beach bum accent. Since Jack had to get those clothes from somewhere, and sirens are typically a European myth, I marked this episode in the UK.

Ep 8: The Flying Prince and Princess - Two members of an alien royalty are taken to Aku, where Jack was planning to ambush him. Wherever Aku is, I mark it as Aku City.

Ep 9: Jack vs Aku - Not marked on the map, because my brother convinced me it was too vague of a setting. My guess would have been Greece because of the ruins of pillars and large cement floors.

Ep 10: The Four Season of Death - Not marked on the map, because it is an anthology episode that doesn't taken place anywhere specific.

Ep 11: Tale of X-49 - the wiki said it's a parody of Blade Runner with some reference to John Wick. Blade Runner takes place in Los Angeles, so that's where I marked it.

Ep 12: Young Jack in Africa - not marked on the map, because it is a flashback episode

Ep 13: The Baby - The baby is found and returned to the peach grove by Jack. The most popular/biggest peach grove I could find was in Georgia, USA so???

[dharaniya]

Stay updated with the latest coworking space in Mount Road, listings in EPKRealty. Find your ideal location now. Your success starts with the right location.