some people are so funny like “this disqualification means nothing, he's still the winner” honey, it means Everything. you can choose what you believe in but to say it with your whole chest that the underweight car didn't help him in anyway throughout the race is just being ignorant. penalties are penalties, rules are rules. that's how this sport goes. we accepted it with other drivers before, accept it now. there's only one truth here, lewis hamilton won spa.
also stop taking it out on lewis who has the right to celebrate because he's the legal winner. of course he was not excited before because he felt like this was his race and the team failed him, but that didn't mean he had ill-wishes towards your driver. take it out on mercedes who messed up the car's weight (don't even say it's sabotage because THEY TRIED TO COVER IT UP) which consequently fucked up this mercedes 1-2
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This little bit of the Iliad is so interesting like. Briseis mourning her own situation and describing her attachment to Patroclus for trying to ‘better’ her situation in attempting to give her the security of a marriage. Like it's horrible that being married to your family’s killer is the 'best' possible option (and likely that her feelings towards one of her captors would be much, MUCH more complicated than depicted), but also believable as being a relief to someone in her position in this uber-patriarchal cultural context where this sort of thing is a fact of life.
And describing these other unnamed women (who are also captured in war and enslaved as wives/sexual partners for the men who have sacked their cities and killed their husbands/fathers/brothers/etc) going about the display of mourning for Patroclus and using it as a way to vent their grief about their situations. The POV fully understands that their grief isn't really about this Greek guy who's been sacking their cities being dead.
Like most of the Iliad doesn’t really concern itself with the women that the story revolves around (and is of course completely and utterly of its time and context) but these very humanizing moments show an awareness of these people as full human beings who Do Not Like Their Situations (even as it effusively honors the people who have enslaved them). It’s small in the grand scheme of things but very compelling and frankly a lot more nuanced than a lot of Feminist Greek Mythology Retellings tend to be without even trying.
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To the non star rail followers, my feelings on the fandom's treatment of Sunday and Robin are like when Adam stans try and take Blake/Sienna Khan's characterization and ideals and claim Adam had those things the entire time
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no one knows just how hard I work at things. how I have to work 1000000x more than the average person to compensate for being autistic and adhd and probably other things i'm working out with therapist, and having a sort of physical disability i've not received any help or treatment for. everyone assumes I don't try or give up too soon. they think I just started, need more practice. they think I expect everything handed to me immediately with no work or effort and don't acknowledge the multiple years i've put into things. they think I have no right to be upset about still failing to get where I want even after working my entire life to get there, while watching people around me surpass even my meager goals within a fraction of the time and work i've out into the same thing. constantly getting surpassed by everyone around me who seem to barely do any work to get there compared to me. it's all handed to them and falls into their lap so easily. all because they don't have the extra obstacles to overcome and work around that I do. while they go from point A to Z immediately with no major stops in between, I have to go through every single letter and then some, often getting sent back to the start. but it's always *my* fault, according to everyone. it's not the fault of those around me who ignore me, don't support me, don't help me, don't believe in me, etc. it's my fault they don't do those things. because doing the work of 10 people in one isn't enough, just because it's me. and not reaching Z as fast as everyone else means I don't deserve any of the support or help or anything else and means i'm not trying hard enough. it doesn't matter that I *need* to work harder than 100 "normal" people combined to get even half the result! Just because I can't reach what they do means i'm not trying hard enough! ugh.
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How is it that humans have such endless capacity for hatred, conflict, and war?
I'm not even talking about Ukraine or Israel/Palestine or Syria or Armenia or whatever the fuck. I'm talking about all of us.
When I was 19 and I had my first boyfriend I thought all the stupid rules around dating and courtship and all that would be gone in my lifetime. Why wouldn't more women ask out men (or other women)? Nothing wrong with it; I have done it myself. Why wouldn't everyone pay their own way on dates? Why would people assume the man would pay for everything or the woman would 'owe him' later? Everyone works now, so why not split it? If we want equality, why not act like it?
But clearly, I was fuckin' stupid, because it's not over. It's not even better - it's worse. Nobody talks to anyone. There's a loneliness epidemic (the discourse of which is focused on men, because men still aren't socialised to make friends or practice emotional intimacy with anyone but sexual partners or even recognise feelings, apparently, but it's not like it's peachy for women looking for relationships either). Patriarchy and toxic masculinity and toxic femininity are still killing everyone and now they have living embodiments all over everyone's life via the algorithms, all the time, telling women and girls they are subhuman garbage to be victimised and subservient and boys and men that women are their enemy to be destroyed, and that they need to be angry and violent to society.
Do you have any idea how fucking tired I am? Why the fuck do we 'need' a War of the Sexes? Why the fuck have we EVER needed it? (Not 'why did/do we need feminism.') Why the fuck are we supposed to be mortal enemies, trapped in endless battle, cursed to never understand or trust each other? WE'RE ALL JUST PEOPLE. It shouldn't be this hard.
And it's everything, everywhere, all the time. 'Hurhur Americans are stupid because they microwave water.' 'Ugh Europeans are rude and joyless and don't trust compliments.' 'Australians are -' 'Trans people are trying to destroy -' 'Queer people are so - ' 'Muslims need to -' 'Jews should -' 'Boomers are -' 'Millennials are-' 'Zoomers are-' 'Breeders' 'Childless people' 'Westerners' 'Atheists' 'Cishets' 'Leftists' 'Fascists' 'Tankies' 'Liberals' 'Anti' 'Pro'. Every person and every word must be taken in the worst possible light. Malice isn't just assumed, it's mandated. Everyone is responsible for countless sins: their own, their parents', their friends', and those of everyone they might share any kind of group or link with, living, dead, or yet to be born. Everything is a fight, always, forever, and if you're not fighting and hating and categorising and labelling and shunning, you're part of the problem.
I know cultural relativism has limits, and I know all things aren't equal, I'm not stupid, but come the fuck on.
The whole world is hurtling straight into an age of fascism and authoritarianism and autocracy. I'm at the point where I think the 'Great Experiment' (not of the USA, but of representative democracy and pluralism and tolerant societies all together) was always doomed. We'll never get past that wretched, pathetic need to name an 'other' that is our enemy to convince ourselves we're better, we're worthy, we're good. Not like them. And that will always lead to insular thinking and to actual war. We'll never outgrow might makes right. At least two of the major world deities rely on it as their source of authority, FFS.
Do people not get it yet? Your purity and your precious little groups are all a fucking lie. EXISTENCE IS HARM, EXISTENCE IS COMPLICITY IN EVERYTHING THAT HAS COME BEFORE US, THERE IS NO ERASING ANY OF IT. EVERY PHILOSOPHY AND EVERY SOLUTION TO EVERY PROBLEM HAS DRAWBACKS AND MORAL COMPROMISES. THAT'S JUST LIFE. WE ARE NOT PURE AND WE NEVER WILL BE. JUST FUCKING COEXIST WITH PEOPLE EVEN IF YOU THINK THEY SUCK. WE ALL SUCK.
I love and treasure individual persons. People as a whole, I like about as much as I like mosquitoes.
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Were you the one talking about an mcr song based on Gerard being afraid of Mike dying and getting that phone call? I can't remember what it's called and google has failed me 😶🌫️
YEAH I WAS THE ONE TALKING ABOUT IT BUT IT WASN'T AN MCR SONG. you're thinking of last week when I was going insane over the intro to the song Brother. it's from Gerard's solo album, which came out the same year that Mikey was told he should have never woken up after an overdose (iirc) and went to rehab. so the dialogue in the intro (which imo is barely audible, I had to see stuff about it online and then look it up myself to even realize) is based out of the emotions surrounding that.
the actual MCR song that's about Mikey is called Famous Last Words and you've probably also seen me scream a lot about that. Gerard wrote it while they were making The Black Parade (which like obviously is probably their most popular album) because Mikey was having a really hard time and was considering leaving the band. the bridge is actually based on the fact that, when they were doing that album they stayed at this purportedly haunted mansion or whatever (idk man the early 00s were whack) and Mikey has straight up said, on camera, that he would get scared and so would go and sleep on the floor of Gerard's room. thus the "I see you lying next to me" line in the bridge of Famous Last Words.
Gerard has also said that the song Save Yourself from Danger Days is "a cousin" a Famous Last Words, so there's a conclusion that can be reached that maybe on some level that song took a bit of inspiration from Gerard's love for Mikey as well, especially considering that within the plotline of the Danger Days music videos (which have their own plot and characters portrayed by the band), there's a scene where Gerard's character is killed and Mikey's character kinda goes ballistic about it. but that's basically speculation
and as we delve into some very murky and hypothetical areas here, my personal theory is that Surrender the Night, from Schroedinger's album Conventional Weapons*, a series of double-single releases which were mostly written between the making of TBP and Danger Days but weren't released until after Danger Days, could ALSO be about Mikey in some vague, ambiguous way as MCR's songs tend to be vague and ambiguous in general (except when they're very very starkly about love).
*(I call this Schroedinger's album because I take them all in the context of each other and would consider Conventional Weapons as an album in its own right, however it was released as EPs with two songs each so technically speaking it isn't a proper album in that way)
and that isn't even mentioning the fact that Mikey has a cameo on another song from Hesitant Alien (he says "it was really me" in Millions)
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I was talking to my mom about some book releases that I'm excited for and I mentioned Holly Jackson and my mom stopped me while I was talking and asked “Isn't that your favorite writer?” and I said “Yes, she wrote A Good Girls Guide To Murder books, and others that I love.” The fact that she remembered, though, has me tearing up. Like, it's such a small thing but it meant the world to me 🖤
I had to post this on here because it made me so happy 🥹
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