#on the upside i think my lit review's basically done now

[proto-language]

i have finally completed the paragraphs i've been putting off for like two months. this feels like the academic equivalent of making a phone call which took 90 seconds.

[s3899602]

Blog #8 - Week 7 and 8

Tuesday 29/08

Showed the reviewed version of my test for The Upside Down People project.

Notes: 

Colour - colours are better, yellow is basically orange in Pharos Designer, and orange is almost red. I got to go down and trial the colours so I know what yellows and oranges are nice. Yellow is green until you put a lot of red in it.

Timing - The timing was okay, I just need to fix one of the transitions because it looks very clunky. The birds at the end run a little long.

Twinkling lights - they end oddly so I will need to fix that 

Tuesday 05/09

Meeting with Sara for UDP

She was really nice and was very passionate about her work which was awesome. I'm very excited about this project and I think it will be great. She is coming down on Thursday so we will show her the lights we have done so far and get some feedback on it. I will fix the transition between the beginning of a sunrise and the sun on the ceiling so it's a bit smoother. I will also ask about sound design and if she’d like me to do anything. 

Thursday 07/09

Upside Down People

It was fantastic to meet Sara in person, she is so inspiring and I feel like she will be an amazing person to collaborate with. 

When looking at mine and Mai Han’s lighting she notes that the walls were more effective in producing the kind of effect she wants, so Mai Han and I will adjust the lighting accordingly. I think the ceiling lights were definitely a bit too overpowering in the space, and there was another lighting piece that Sara really liked because they utilised the walls to make twinkling lights which lit up the space less.

Sara wanted us to work on a candle flickering effect for the Dragon Tree Story so Mai Han and I will work on that on Tuesday as well. Sara also talked about sending me bats and a voice over so I can figure out the levels for her. I might send an email next week if she hasn’t said anything about it. 

Notes:

Crickets and birds in the morning and blue fading into green in the sunrise

Sara said to minimise light pollution that bursts the fantasy. She really likes the use of negative space in lighting and wants us to reduce the intercity of the brightness and the colours. Sara also mentioned that the side lights are much more effective for keeping the theatre dark rather than the upper roof lights which overpower the space.

I am going to time my sunrise to the opening sequence to see what it looks like

Call if you want a quick response

The Dragon Tree Story lights may only be used for the beginning and end of the story so it doesn’t overpower so it would be good to make 2 versions with Mai Han to show Sara. But she said she wants it to have an ‘old-timey story telling by candlelight’ feel so I’ll see how we can balance the lighting to achieve that. We have a little while to complete this because the section hasn’t been filmed yet. 

Kingdom Dance 

I have almost finished the lighting design for Kingdom Dance, I will show Darrin on Thursday in the Black Box to see what he thinks about the colours, I should have had it done by the 7th but I lost quite a bit of work on Tuesday when Pharos crashed and it really set me back, but all I have left to do now is the dancing sequence before I go through and make sure all the colours and consistent or the right shade (I know what the good shade of orange is now) so that won’t be too hard, getting the timing right is a majority of the work anyway. I might even tone down the lighting more at the start so it has more of an effect later, but at the end of the song I have a few big flashy showstoppers so I think that will be quite effective. 

All I have left work on is the dancing sequence at 1:16-1:40

Notes:

Footsteps start orange with small flash and go to light yellow/white

Change back to orange when the green light starts and transition to red/pink/purple maybe? 

1 pair at 1:16

2 pairs at 1:22

4 pairs at 1:28

Third Project 

Jo from class asked me to make a 2 minute piece of ambient sound that is focused around the ocean and the sun and other natural sounds so I will create something for her to give her options by Thursday. I unfortunately didn’t get her email so I could ask more questions before giving her a snippet, but I will create some options for Tuesday or Thursday that she can have a listen to and see what’s more her vibe/what she was going for. It would be great to collaborate on a project like this because she is working with AI and digitally produced images which is something I haven’t personally looked at before so that’s very interesting to me. I found some ocean and water sounds and will create something with them for her very soon. 

Research 

I will hopefully have more time for research next week. I want to do a deep dive on ASD. I have researched it before in my own time but there’s always more to learn and there is so much more information about ASD in the past couple of years. For now I found a couple of websites to look into:

https://www.autismspectrum.org.au/about-autism/our-research

Autism Spectrum Australia are constantly researching and finding out more about the autism spectrum and have many different studies going on right now, such as ‘Exploring loneliness of Autistic adults’ and ‘Aspect Self-compassion Program for Autistic Adults (ASPAA)’ which is about teaching autistic adults to be more self-compassionate. 

This is the Autism Research Institute and they have been operating for nearly 30 years. They seem like a very good resource when it comes to understanding autism and I will look at the website further next week. 

:)

[red-river-rocknroll-request-line]

Braindead: A Fan’s Dissection

When I first saw this film a good number of years ago I was left dumbfounded. How could anything possibly be this good?? How could humanity top this film?? I wore it like a badge of honor: “I saw Braindead. You know it’s been rated as the goriest film of all time.” And all my friends in school were like “yeah, whatever.” I would come home from school, grab myself a Dr. Pepper, and sit down and watch it again. This obsession lasted for weeks—maybe months. It’s been so long I can’t really remember.

Point is: I adored this film the first time I saw it and I adore it even more now. This film is everything. It is—dare I say—Perfect.

For those of you who are unfamiliar with Braindead (or Dead Alive), I urge you to find it and watch it immediately before continuing to read my break down of it. I’m going to spoil a lot of it in this review.

Is this a review? It’s really just me gushing about it. It’s off-the-rails, hilarious, super gory, and a total blast. However, I hope you have a strong stomach, cos it’s really disgusting too.

Anyway, let’s take off, shall we?

Let’s start with our main character: Lionel Cosgrove. He’s played by actor Timothy Balme in his first ever role. Lionel is a rather well-off young man who lives with his mother, Vera (Elizabeth Moody). He’s an awkward and shy boy; the first glimpse we get of him is him fumbling with a fruit display in a shop. Very soon after this, he spills a box of black licorice and pens all over the counter. Then very soon after that, he backs into a streetcar, nearly getting run over.

He’s super emotive/expressive and the perfect protagonist for this movie.

Now that I’m thinking about it, Braindead is really a coming-of-age film for Lionel.

Let’s dive a little bit into his backstory. He has a memory of nearly drowning at the beach and his father diving in to save him. Then, before his father could get out of the water, a “freak wave” comes along and pulls him out to sea, causing him to drown. Lionel is haunted by this memory, and very clearly feels partially responsible for his father’s death. His mother uses this guilt to get him to bend to her every whim.

Lionel’s mother, Vera, is extremely manipulative. The first scene with her she’s waving a carving knife around. In many ways she is like Margaret White from “Carrie.” Overbearing, mildly threatening, etc. She keeps Lionel at her beck and call.

At the end of the film, when Lionel finds out the truth about what really happened to his father, he stands up and confronts his mother. For probably the first time in his entire life, he stands up to her! Good for you, Lionel! See? That’s why it’s a coming-of-age film!

I want to switch over now to Paquita, who is played by Diana Peñalver. Paquita is actually the first of the main cast we’re introduced to in the film. She works in a small corner store with her family—we only ever see her father and grandmother, but Lionel mentions at one point in the film that she has a brother. Paquita is a young woman determined to find the love of her life. She is very outgoing and independent. She kicks ass in this movie.

One of the great things about Paquita is that she has a strong will. I feel like the stereotypical way her character could’ve been written (love interest) would be for her to be the damsel in distress. However, since our main character Lionel is such an awkward guy who doesn’t really act without reason, we need someone to prompt him to action. This is fulfilled mostly by Paquita throughout the film.

There’s a scene I like where Paquita comes over to Lionel’s house to return his jacket. Lionel, nervous as heck because “Mum” is just down the hall, tries to tell her that he can’t see her anymore. Brokenhearted, Paquita offers him a red rose before turning away. I like how the stereotypical roles are reversed here: she sneaks up to his window and she gives him a flower. It’s refreshing. It also shows how much of a go-getter Paquita is.

I guess I should back up a bit and clarify why Paquita is so interested in a punching bag like Lionel. Paquita’s grandmother does a tarot spread to see who the man of Paquita’s future is. Initially Paquita is disappointed that it’s not the delivery man that she’s been flirting with. However, after her grandmother reads that Paquita will have one romance that will last forever, Paquita becomes interested again. Her grandmother says she will recognize the man of her future by the “Symbol of the Star.” Soon after, Lionel comes through the door, spills the licorice and pens which fall into the shape of the star. After seeing this, Paquita starts pursuing Lionel, believing he is the man of her future.

Let’s get back on track with why Paquita is so cool.

When the movies kicks itself into 12th gear and the bloodbath starts, Lionel and Paquita get separated and Paquita has to defend herself. She hides in a pantry with a large knife and when tapped on the shoulder, she wildly stabs at whoever did it. Finding out it’s one of the partygoers, Paquita immediately tries to comfort and protect her.

I just think it’s great that there’s a good chunk of the movie where Paquita and a character named Rita are by themselves, barricading themselves in the kitchen and taking care of each other. Well, it’s mostly Paquita taking care of Rita, but still. It’s just two girls kicking ass together. Then later they tear Void’s legs in half and start batting away zombies with the legs. THEN later still when Lionel is in the lobby during the famous lawnmower scene, Paquita takes the body parts that come flying her way and grinds them up in a food processor. She kicks ass! She doesn’t need prompting, she doesn’t need saving… she’s a girl who knows what she wants and knows how to handle herself.

Also I love it when she spits in Uncle Les’ face when she rips his spine off and then smashes his head on the counter. Nice!

Speaking of smashing heads, I want to talk about how people are seemingly made of jell-o in this movie. Especially when people become zombies. Limbs can get ripped off easily, two heads colliding can make one explode, a whole body falling off a banister can cause it to explode in blood and guts when it hits the floor. It’s outstanding. And so cartoonish!

This whole movie is basically a really gory, really violent cartoon. The huge glass bottles labeled “Tranquilizer” and “Poison” with a skull and cross bones but uh-oh! It was actually Animal Stimulant! Ooooops! Lionel’s facial expressions throughout the whole movie, all the physical comedy… even the meat grinder in the kitchen is labeled ACME. Everything in this movie is about 30 miles over the top. It’s a love story, a coming of age story, a splatterfest, and a comedy all rolled into one.

I could keep going on and on about how this move is the holy grail of horror/splatter comedies, but I think I’ve gushed enough for now. And really, if you still haven’t seen it (I know it’s kind of difficult to get a hold of) after reading this review or whatever this is, you’re missing out. It’s so disgusting and fun! On top of that, it’s got a sweet little love story in it. ♥

Thanks for reading! Stay gory, stay fun!

EXCELLENT MOMENTS

- Gluing Vera’s cheek back on. I just love how she says: “Oh.” So benign. The scene of Lionel gluing her cheek back on her face looks so painful and it’s just like what?? That’s the best solution you had? Absolute gold.

- “Damn fine custard!” Euugh oh my god. The scene of Mr. Matheson taking a heaping spoonful of custard contaminated with Vera’s bloody puss into his mouth is scarring. In that scene, we, the audience, ARE Nora Matheson. Her eyes bulge and she covers her mouth to stifle a gag. Then she looks over in horror as Vera eats her own ear with a spoonful of custard. Poor Nora has to leave the room before she vomits. Some of the audience might want to vomit as well.

- Lionel coming down to the basement wearing like hockey goalie armor or whatever that is as well as a helmet, goggles, rubber boots, and gloves in hopes of protecting himself from “Mum” and Nurse McTavish. Of course Lionel falls all over the place and most of his armor comes off while fighting against the two zombies, but he lives somehow.

- Continuing with Lionel, I love love love all the scenes where he’s all unshaven and greasy as he tries to figure out what to do with the zombies in his basement. I love in the graveyard when he tranquilizes Void and just sits down with his head in his hands like “Ah Jesus, could this get any worse?” Like, he’s too stupid (or soft I guess) to just hack the zombies to pieces and be done with it. If he were to do that, this whole mess could’ve been avoided.

- “I kick ass for the LORD!” This was the scene that I saw on youtube and then immediately decided that I needed this movie in my life. It’s so out of the blue, it’s so silly. The benign and somewhat irritable priest at Vera’s funeral is SO READY for the rapture or whatever that when he sees zombies in the graveyard he jumps down on them and kicks the shit out of them (before tragically getting bit in the neck by the zombie’s head that he had kicked up in the air and then running and drop-kicking so hard that he goes flying and gets speared by a grave marker statue). Bless you, Father McGruder.

- Uncle Les’ murder spree. Honestly, as shitty of a guy Uncle Les is, he really knows how to handle himself in a zombie outbreak. He’s a sadistic wack-job for sure, but if it wasn’t for him, Paquita and Lionel would probably have twice the amount of zombies to contend with. Uncle Les hacks up dozens of them in the kitchen and then lights himself a cigarette.

- Lionel dangling upside-down in the lobby. There’s so much chaos going on in the house, and I love that it gets tied together in a sense when Lionel falls from the attic but is caught by some electrical wiring which, over in the kitchen, yanks Mandy and her lit-up head back into the wall. I love Lionel dangling uselessly in the lobby for a small portion of the movie. Paquita runs up to him and kisses his cheek, Void’s intestines in the attic try to pull him back into the ceiling, Uncle Les shoves him out of the way causing him to start swinging around… I love the chaos of it. I love it. I can’t get enough.

- “Party’s over.” Of course. The bloodbath. The holy grail of bloodbaths. Lionel throws the doors open holding a lawnmower in front of him. He revs it up and starts plowing through the zombies in the lobby. The scene is set to a waltz number as Lionel grinds bodies seemingly made of jell-o to a bloody mess. Limbs and blood and guts are flying everywhere. It’s amazing. I also love the scene where Lionel flips the portrait of the Queen around before he let’s out a battle cry and continues to puree the zombies.

Feel free to add your favorite moments too!

[hillbillyhippiemusicreview]

Post #45—Interview with Addison Lea Thompson

Hey all you hillbillies and hippies! I hope you’re doing well out there in Quarantine-Land. If you’re anything like me, I imagine you’re getting antsy for some live music to soothe your soul. Thankfully, during this time, a lot of artists have been putting out new tunes for us to enjoy and alleviate the blues. Speaking of new tunes, one of our favorite HHMR alums—Addison Lea Thompson—joins us today to discuss life and music during the shutdown and what the future holds.

L: Well, hey there King of Honky Tonk Loud Nation! How’s this quarantine been treating you with no bars to play on?

ALT: It has been a blessing and a curse. Any one that knows me, knows I live for road life and touring. My friends and family are probably going nuts being around me, having not been on the road for a while. However the upside is I am able to get back to my original love and help out on the family ranch, I have also been able to do a lot more writing recently as well as put a lot of effort into a new album that we have in the works. So, overall I’m doing well, but damn am I ready to be back on the road.

L: I love the road myself, so I can imagine you’re as stir-crazy as I am! How do you keep busy when you’re off the road?

ALT: I love the ranch life so you can usually find me perched on a tractor or fixing fence or one of the thousands of other things you need to get done on a cattle operation. When I am not doing either of those things I absolutely love to hunt and fish. I have been an outdoorsman my whole life, and I do my best to take time out of my schedule to go drop some flies on a river or go chase some Elk in the mountains.

L: So, you’ve been rather vocal on social media about your need to honky-tonk during this time of economic shutdown. Finally, it appears the music scene is opening back up. What was your first show post-quarantine like? Was it anything like you expected? Any remnants of days gone by left?

ALT: It was absolutely great to be back! There were some odd things that I am still getting used to, such as the social distancing guidelines in the venues and all. I’ll also admit that I was rusty as hell the first three songs, but man oh man I got into the groove on a “Dixieland Delight” cover around song number four and it was like being back on a horse you love to ride. I was back in the groove and back to doing what I love. I personally think we will be back to normal in the future.

L: Hopefully you are right and the scene will be hoppin’ again before long! When you’re able to tour regularly again, where would you like to play?

ALT: All over! Hahaha, in all honesty thats the answer. I have toyed with the idea of doing the western United States route I love doing so much, but I have also been super bummed that we had to cancel so many Midwest dates, and I really want to make those up as soon as possible because the folks out there have always been so amazing to me over the years. I also want to be able to share the stage with as many of my friends in this business as I can. I think some gigs with The Comancheros, Billy Don, Jeff Hopson, ole Uncle Dallas and so many more will be a well needed cure. Our plan is once its possible to set up a tour we are just going to hit as much of the U.S. as we can as quick as we can.

L: Most artists have their favorite venues to play whilst on the road and have that “Mecca” of a location they aspire to play. Where’s your favorite place to play and your dream venue?

ALT: I honestly don’t have a favorite, because there have been so many over the years that I have come to know and frequent. I will say the Moose Bar in Dillon, MT will always have a special place in my heart, because it is where I got my start, and it will always be my home bar. That was where it all started. My dream venue without a doubt is Billy Bobs Texas. I make a point to go grab a beer there every trip I make to Fort Worth. I’ll sit there and stare at that stage for damn near an hour and just keep saying “One day, Addison.” I know that sounds cheesy as all get out, but it’s sort of my cheesy moment I can always look at on a rough day.

L: That’s certainly a great—and reachable—goal, and I admire you for respecting your roots. What made you decide to start playing and writing music?

ALT: Music has always been a part of my life, I started piano at a very young age, I was in my school band, I was in the church handbell choir, church vocal choir, and the list goes on forever. I was the weird kid in high school wearing band tee’s and flannel, blasting classic country and rock through my headphones between classes. I was sort of just doomed from the get go. I’ve always written as well since grade school: short stories, comic books—I’ve got stacks of novels I never finished writing, poetry, again you name it! So, basically the two just came together somewhere in high school.

L: I can relate to the notion of being doomed from the start! The lyric “Way back on the radio dial, a fire got lit inside a bright eyed child” is my truth. When I started writing, I always made it a point to incorporate my life experiences. Can you elaborate on how your experience as a cowboy influences your writing and the stories you tell.

ALT: It’s my world. I have covered a lot of miles and met some amazing folks in my short life, all because of being a cowboy. It’s a unique world with its own culture, and that culture is so much of who I am and where I come from (Not to accidentally quote my own song there haha). You write what you know and I know the cattle ranching world and rodeo world. I always have felt if I tried to be anything other than myself and what I know in my music, people would know in an instant moment that it was fake.

L: It’s apparent from your music and lifestyle that you are very real—your music alludes to all things cowboy and western. So, what does the phrase “Heavy and Western” mean to you?

ALT: To me it means that I’m hanging out with my buddies “The Comancheros" and there will be a lot of talk about classic rock and Star Wars happening hahaha.

L: That’s a solid answer! Love those Comancheros! When I reviewed your most recent release, Western Sky, I focused a bit extra on two songs full of western imagery, yet with quite heavy undertones: “Towards the Light” and “Single Barrel Hell.” I was particularly drawn to the stories woven throughout the lyrics and I related deeply given my past with mental illness and suicide attempts. You mentioned I was the first to get the meaning behind them that didn’t know what they were about. Can you expand on your inspirations behind the songs?

ALT: For sure! Suicide awareness/prevention is a cause near and dear to my heart. I have lost several friends to it, I have my own personal experience with it, and I think there is a need to shine a light on what I personally think is a very “needed to be discussed subject”. I never went into the writing of either of those songs with the mindset of “oh, I’m going to make this big point about the subject”. I just wanted to tell both of these stories. One is the story of a combat veteran friend of mine, and the other is a collection of stories that are about a lot of people that have been through the same situation.

L: It’s a great cause to highlight and every bit helps to end the stigma. Where can your fans see you play those songs next? Also, where can they connect with you on social media?

ALT: Right now due to the current situation with Covid-19 we don’t have the normal solid schedule I like having, I will be trying to do more Facebook live feeds, and as soon as we get live shows booked everyone else will be the first one to know as soon as I know. You can catch me on the inter webs at Addison Lea Thompson on Facebook, @addisonleathompsonmusic on Instagram, and @AddisonLeaMT on Twitter. Or you can of course go to www.addisonleathompson.com

L: Speaking of social media, what’s your viewpoint on it and the effect it has on the music industry?

ALT: You know it is a blessing and a curse. It is a blessing because unlike back in the day, you can access a large crowd very quickly and find your market very quickly. It makes it easy for people that enjoy your music to stay up to date on whats going on. You can get the word out about shows, a new record, new merchandise—you name it. The only downside is you don’t want to get carried away using it as a platform for things that might not really effect your music. I make it a pretty solid rule to not post about touchy topics, because at the end of the day, people should be able to believe in what they want to believe in and it has no effect on me.

L: I can get behind that. It’s been a blessing to stay connected with new music lately. I’ve heard through the grapevine, namely via you, that there are new tunes on the way. What can you tell me about this project?

ALT: It will be sonically unlike anything I have ever put out, but also reminiscent of both of the previous records. I wanted to go different than what we have done historically on this record, and we have made that point key in the process. We are drawing on a lot of influences and ideas I have always had, but never pulled out of the bag. It has been an absolute blast working on the project and it will feature some awesome co-writers on some of the songs, all who are good friends of mine. In my personal opinion lyrically, this album is the best songwriting I have done to date.

L: I’m excited to hear it! Now, time for some lighthearted questions to get to know you better. You’re obviously quite talented in the music realm, but what would you consider your most useless talent?

ALT: I know a lot of good dad jokes, and I am excellent at being one of the most technologically impaired people on the planet.

L: Dad jokes are quite nerdy, but other than that talent what is the nerdiest thing about you that fans may not know?

ALT: I am a HUGE American Civil War history buff. I can’t tell you how many damn books, documentaries, and artifacts I own from the era. When I was 13 my folks let ME pick a vacation destination for the summer, big mistake on their part because I totally picked three days touring the Gettysburg Battlefield.

L: That’s awesome! It’s one of my favorite eras in history, too. So, it’s time for the final question—think hard. We at HHMR love to ask artists is what they perceive their spirit animal to be. So, what is yours? And why?

ALT: North American Bison, the main reason I say that is that it is an animal I am obsessed with. The necklace people always see me wearing is a Bison necklace. They are an incredible animal that just enamor me so I am personally going to say Bison. Ask my family and friends they’ll probably tell you an old mule, since I’m so stubborn.

Well there ya have it folks—the man behind the music is quite the interesting feller! But, I think I may be able to outdo him on the dad jokes...

What did the buffalo say to his son when he left for college? Bison!

On that note, I gotta go, buffalo. Y’all be sure to stay connected with all things Addison Lea Thompson via his social media. In the meantime, brush up on your puns so you can challenge him to a Dad Joke Duel and tune into the Facebook live shows until we can meet again in person. Stay safe and healthy. I’ll see y’all down the road.

Peace, love, & music

—Lyssa

[fayewonglibrary]

FAYE ACCOMPLI (2000)

With a new album and a younger beau, Faye Wong again is the centre of media attention. She talks to Life! about her family, daughter, and the paparazzi

By YEOW KAI CHAI

FAYE WONG is a curious, unique and fascinating phenomenon in the Chinese entertainment scene.

Hers is one lit by sacred mystery, slavish fan-dom and marketing savvy – a kind of meteorite which makes an impact on pop consciousness that is felt years later.

Just last week, several incensed Faye-natics wrote to Life! to complain about the less-than-positive review of her latest album, Fable. The letters burned with an unbridled intensity reserved normally for matters of life and death.

Faye is a diva, and divas are infallible even when they falter, these correspondents insisted.

While the bigger Western pop market has always loved its fair share of staunch, individualistic visionaries, ranging from loose cannons like Courtney Love to weird, elliptical New Age daughters like Tori Amos, the East had preferred its female singers decked out uniformly in pretty frills, smiling coyly and oozing saccharine.

The entry of Faye changed all that.

THIS EMPRESS DOES HER OWN THING

A*MEI can belt better, CoCo Lee can shake her bon-bon with more fervour, but Faye – who moves very little on stage, makes scant eye-contact, and banters very poorly – is Queen. Or Empress, if you go by her Chinese name, Fei.

She is the Anti-Entertainer made good, the kind of gauche, strangely-riveting drama unfurling on stage.

Faye as a proposition came at the right time in the Internet era, a child of the global village, where the twain finally met.

As Life! music columnist and “I’ve-never-stopped-being-angry” singer and DJ Chris Ho once told this writer, he fancies the “idea” of Faye Wong, somebody who does her own thing without a care in the world for social approval – never mind whether her songs are good or not.

How many of Singapore’s unloved “indie” rockers would love to have that kind of clout.

Here is a goddess who subsists on both flaws and gifts alike – her lousy media relations, superb style sense, and her talent in out-copycatting her Hongkong counterparts in choosing smarter, more revolutionary musicians to filch from.

All these add up to an irresistible package.

Last weekend, on the popular Taiwanese variety show Super Sunday on the TVB-S channel (Ch 54), Faye was the guest.

She was gorgeous and smiling all the time, but was otherwise in typical Faye mode. She did not play to the crowd, or banter needlessly. She just spoke when she needed to.

Tellingly, the usually-riotous team of Harlem Yu, Huang Chi Jiao, A Liang and premier veteran compere Chang Hsiao-yan wound down their antics and became less irreverent.

They kept calling Faye tian hou (Heavenly Queen), and spoke to the 31-year-old, 1.72-m tall singer in clearly deferential tones.

The more senior Chang, usually quick and particularly ruthless, even gave way to her guest in a contest.

The singer, on her part, looked bemused by the surrounding plebeian inanities, a placid self orbiting at her own pace.

A COOL ONE FOR GENERATION NEXT

THE name Faye, at the cusp of the new millennium, has become synonymous with Attitude and Coolness personified for Generation Next.

Just last month, an impressive turn-out of 500 journalists from China, Hongkong, Taiwan, Malaysia and Singapore flew to Shenzhen. Faye, as part of a promo tie-up with Head &Shoulders Shampoo, was scheduled to emerge from a helicopter in a golf buggy and perform three songs from Fable on an aircraft carrier.

Alas, due to rain, the gig was brought indoors, and she stayed for only about 15 minutes to field questions from the disgruntled press before being whisked off.

It was all in a day’s work on Planet Faye.

MEANING BEHIND THE SONGS

FEELINGS: A diva speaks

On the lyrics of her songs “(Lyricist Lin Xi said) it is to do with the various love stages and incarnations. Sounds very deep…’

On a message to her listeners ‘No, there is no special message. For this album, it’s basically an expression of certain moods.’

On the paparazzi "There has to be a decent limit. I feel it’s immoral for the paparazzi to snoop.’

On negative news reports "I just treat the reports as if they were about someone else.’

On movies she enjoys "I like to watch movies from which I can get some enlightenment or inspiration.’

SO, OF course, we didn’t get the one-on-one interview or even a phone interview with this elusive mystery. But we were given the privilege of faxing her a list of questions. And here we have Faye’s answers, recorded on tape.

We cannot tell you what her facial expressions were, or what she was wearing, or what Singaporean make-up designer Zing had painted on her face.

We hear only the Beijing native’s mellifluous, Northern-accented Mandarin, punctuated occasionally by a peal of laughter.

She has ignored some of the more probing questions, preferring to spend precious reel on giving us a very detailed run-down on the mystical meanings of the first five songs, which she says are "all about love and its complexities, from the beginning of creation to modern times”.

Oh, okay. But which songs in Fable mean the most to her?

“The five songs I wrote are the songs I like more,” she declares, not very diplomatically.

“I asked lyricist Lin Xi what they mean and he said it is to do with the various love stages and incarnations. Sounds very deep, but that’s what he was writing. Anyway, people don’t really have to really listen to the lyrics. They can listen to the music.”

On the whole, what message does she want to convey to her audience with this album?

“No, there is no special message. For this album, it’s basically an expression of certain moods,” she offers in a typically-obtuse manner.

“When people hear the songs, they should be able to feel the moods. I only write lyrics and music when I am inspired. I won’t write for the sake of writing. I hope that people can find some form of emotional empathy. No big pronouncements.”

No big pronouncements. Such a casual statement of nothingness can only come from supreme confidence. Faye has come a long way since 1987, when she was an 18-year-old who had left Beijing for Hongkong, to take singing lessons.

Two years later, her singing teacher introduced her to Cinepoly, which released her first three albums, and marketed her as a cookie-cutter balladeer.

At the time, she went by the plain name of Shirley Wong Jin Man.

She was not happy. She was getting famous, but she was an introvert and she did not like the attention brought by fame.

She took a sabbatical and flew to America, where she attended some singing and dancing lessons.

The trip was an eye-opener. In New York, people in the streets dressed the way they wanted, and acted the way they wanted.

It proved to be the turning point in her life. She returned to Hongkong in 1992, more assertive and ready to steer her own ship. She reverted to her own name, ditched Shirley for Faye, and decided to record Mandarin albums instead, save for one or two novelty Cantonese tracks on each CD.

She made an about-turn away from the chart-friendly pop route and transformed herself into a canny alternative popster who spoke her mind and followed her heart. She dressed the way she wanted, and acted the way she wanted.

She struck gold.

Musically, the 1990s was an experimental era which gave free rein to Faye, who borrowed the fine (some say bad) points blithely from the leading female originals of the western pop hemisphere – Bjork’s sartorial and follicular sensibility; Sinead O'Connor’s nuanced vocal styling; and Liz Fraser’s unintelligible phrasing.

She covered the Cranberries, and mimicked Dolores O'Riordian’s yodelling. She even worked with the Cocteau Twins.

On the media front, she was no PR merchant, happily dissing reporters who dared ask her about her marriage/divorce to mainlander Dou Wei.

She would deflect intrusive questions with mystical monosyllables, which, depending on your ardour or the lack thereof, was either intriguing or just plain rude.

In short, she turned the rules of the game upside down. It was shocking, baffling – enchanting. She stood out.

The media and public, thrilled or repulsed by such blatant insouciance, lapped it all up. They trailed her every move, her elusive relationship with Nicholas Tse, who is 11 years her junior, and second-guessed her every new image overhaul.

It was a beneficial media-celebrity relationship for both parties: fuelling her cool, defiant stance and adding grist for publicity.

PAPARAZZI SUCH A HEADACHE

SO WHAT does she really think of the media, especially the paparazzi? How does one maintain the line between one’s public and private selves?

“Of course, I don’t like the gouzai dui (paparazzi)”, is her calm, candid answer.

“The paparazzi make the task of separating work and private life very difficult. There is absolutely no way for me to protect my own privacy. It is a headache!

Although I understand that as a public personality, my private life would be an issue of interest, I still think there needs to be some restraint. There has to be a decent limit. I feel it’s immoral for the paparazzi to snoop.”

As for the “negative reports” in the tabloids, Faye, a devout Buddhist, professes she has transcended frustration.

“Now, they don’t affect my state of mind that much. I just treat the reports as if they were about someone else. The report and my life are two different matters. I wouldn’t be bothered.”

It does seem that she has become less irascible, more at peace with her life and its inconveniences.

Asked what kind of movies she enjoys, she ponders, then offers, most beguilingly, “the kind of movies I don’t like”.

“War movies, period movies, I don’t quite like. Things that are distant from my present lifestyle, I’m not so interested in. I like to watch movies from which I can get some enlightenment or inspiration.”

To her credit, Faye thinks that Fable could have been better produced.

“The mixing for this album was done in England. We worked with an English mixer – I don’t know whether people who heard the album could tell that. I heard the CD, and it wasn’t as good as I had expected, but it has its fine points.”

For the next album, she will work again with longtime collaborator, arranger-producer Zhang Yadong, and find some famous European arranger/producer to arrange and mix the album, she says.

Unfortunately, as the singer points out, “the more famous producers are usually very expensive, and we have yet to settle the copyright issue”.

“It’s a headache, but I hope the plan will work out,” she adds, laughing.

HER SUCCESS AND ITS DOWNSIDE

REFRESHING it is to hear Faye, often typecast as wilful and artistic, considering a serious business matter.

At this juncture of her life, she may have achieved equanimity. She has learned how to enjoy success, and dealt with its downside.

Indeed, slavish adoration may come and go, but Faye has one basic guiding principle on how to live her life.

“My parents’ biggest positive influence is on my character. They are very upright people. They have integrity, and they are not fake or insincere.”

If all else fails, there is always her darling daughter. So, has Dou Jingtong inherited Mummy’s talent?

“Yes, she is sensitive to anything that has rhythm. She is acutely sensitive to music. I don’t think it’s all hereditary though. Maybe she was a musician in her previous life!”

As if surprised at her own elucidation, Faye chuckles, sounding truly embarrassed. And for a second, you think you hear beyond the Superstar, the Hype and the Fable, the wide-eyed girl who once marvelled at the things she had seen for the first time.

Fable is out in stores.

------------------------------------------------------------------

SOURCE: THE STRAITS TIMES / LIFE

[tessatechaitea]

Justice League of America Rebirth #1

Batman's mom made him a coat of many characters.

Of course they always swing first! It's how comic books used to work! The bad guys were always bad. But then modern thought had to intrude and writers had to start asking questions like "But are they really?" and "What caused them to go bad?" and "If the bad guys aren't always bad, are the good guys always good?" and "What if we tear everything down and look at the whole superhero concept in ways that completely break the entire reason for the medium?!"

After watching the women fight for awhile, Batman makes his presence known. You'd think he would have tried to avoid unnecessary violence. You'd think that but his bat-boner would betray him. Black Canary is already referring to Seattle as "her city." Don't you fucking hate recent transplants who go whole hog embracing their new homes? They're as bad as the local news who do ads that are basically handjobs for the egos of local residents. Here in Portland, one station has a promo that's all "Portlanders. We're thinkers and players. We're beer drinkers and wine tasters. We're super awesome at sex and we don't use umbrellas. We are so fucking righteously awesome guys! Watch our news!" Batman explains that his team is a team of mortals and not a team of gods (except for Lobo, of course! Total god, that one). He also points out that Black Canary will be the team's conscience. I don't know how he figures that. I think he just wants to separate Black Canary from Green Arrow because he can. Batman probably hates Oliver Queen for stealing his rich white guy fighting street crime shtick. Next up is Lobo who is hanging out in New Jersey for some reason. Maybe because his secret identity is Jon Bon Jovi!

That's a pretty good description of Lobo.

One of these days, I'm going to write a Shakespearean play about Lobo. It'll totally be easy because he's got that whole "stick to my word" honor thing which can easily turn his life upside-down. Too bad he doesn't have a daughter named after a sexually transmitted disease though. So Killer Frost recruits Black Canary. Black Canary recruits Lobo. That means Lobo gets to recruit The Atom! I bet it involves human gauging!

Darn it. I wanted to see Ryan Choi inside Lobo's penis.

Now Ryan gets to recruit The Ray! I bet those two have a lot of fun together. Ray can turn into a beam of light and Ryan can ride him around! Probably. That sounds theoretically possible based on my high school knowledge of physics (which is mostly the knowledge of how many Gs the Tidal Wave roller coaster at Great America exerts on its passengers). Next on the list is Vixen. You probably already know the list since you've seen the cover and possibly read all of the JLA Rebirth one shots. Vixen is currently hanging out in downtown Manhattan channeling koi. I guess she wants to suffocate? Oh, maybe it's some kind of catfish that produces electricity. I've never had one of those at Popeyes. Batman tells Vixen that there is no team without her. That's a lie or else he'd have recruited her first! If she said no, was he going to fly back to Happy Harbor and call the whole thing off? Now that the recruiting is done, it's time to call the first meeting of the Justice League of America to order!

I love you, Lobo!

Remember when Lobo first appeared in The Omega Men? Batman should have forced Lobo back into his purple and orange costume. I love Lobo in a way that other people don't love Lobo. It's a special kind of love that most people don't understand. I don't care that he was meant to be an indictment of the grim and gritty mass killer characters popular among the moronic and stupid. Lobo, like Rorschach, transcended the authorial criticism inherent in his creation! Also he looks super cool and sexy, wears radical knee pads that don't make any fucking sense, rides a motorbike, looks like he's wearing clown make-up, has a butt-rocker sense of style, and is way into space dolphins. He's the fucking best ever. Batman has a big speech that's basically "Representation matters!" If that's true of this team then Lobo represents me! He's bad-ass and great at math! I know I said I was not able to do math in a Hal Jordan and the Green Lantern Corps commentary but that was a lie. In reality, when I walked into my calculus class as a senior and one of the nerdy kids looked at my cool-ass Lobo look (minus the clown make-up and knee pads), he was all, "What are you doing in this class?" I just lit my cigar and said, "Sit down, ya bastich." After I came back from the principal's office for smoking in class, I totally rocked that math! There's an epilogue page that's not really an epilogue but one of those pages that was basically the entire story in Hal Jordan and the Green Lantern Corps #13 where it's just random images of future events to get fangenders and their crotches all worked up. This one shows Lobo and Ray about to kiss, Destiny talking to Killer Frost, Batman holding Liberty Belle's shield, and Ryan discovering Ray Palmer. Sounds super exciting! The Ranking! Best comic book ever! I mean, not really, but it features Lobo! Twenty stars! All the thumbs up! Fifteen tub girls! Super fantastic!

[joellewyser-pratte]

Is NCIS a high-quality and/or culturally relevant television show?

Marc Bodnick

It’s a mediocre but very popular/addictive show that isn’t culturally interesting or forward-thinking. It caters to people who want an enjoyable, comfortable viewing experience that isn’t intellectually stimulating.

I’m pretty sure this is the objectively right answer to this question. It may seem mean or needlessly insulting to criticize a show that so many people like, but I think it’s important on Quora to provide the right answer to a question, even if that answer challenges the overwhelming consensus of US and/or global consumers. And to be clear, the fact that lots of people like NCIS doesn’t mean that it’s not crap.

Anyway, back to the question. I came across a good review from The Atlantic that summarizes consensus critical perspectives on the show:

Let's just put it right out there: NCIS is not a good show. The Navy crime procedural is badly written and badly acted and bizarrely lit and is a strange, discordant mix of corny humor, hokey dead body gravitas, and flag-waving patriotism. This is a show that seems ready-made for half-asleep airplane viewing, it's certainly not something that should require week-in, week-out loyalty. And yet yesterday morning I found myself not just recording last night's new episode, but setting the DVR to record the whole damn season. Why is this? Why am I subjecting myself so willingly, so actively, to such a thunderingly dumb show? Well, probably because it's so dumb.

.

.

I guess I was initially trying to uncover NCIS' ultimate mystery: Why is it so successful? There had to be some answer in the details. Well, I never found a specific explanation, and [I] have instead adopted the more general philosophy that NCIS' lameness and squareness are both an obvious detriment and a sad, secret asset. Its easiness and relative blandness should make the show a bore, and to many people it likely is. But to some, perhaps to many, that slightly off-brand uninventiveness acts as a soothing agent. When you're not getting mad about some awful thing the terrifically annoying DiNozzo has just said (he's the worst character, right?) or groaning over the way Abby, a forty-year-old woman, is treated like a simple child because she dresses "weird," you're mostly slowed to a calming low-level brain function. The show's dumbness is an initial deterrent but then, oh then, you enter the sweet stupefying grasslands of the no-think place. It's warm and silly and you want to bathe in its glowing Washington light forever, even if vague whiffs of the show's fairly unpleasant politics and remedial storytelling occasionally threaten to pull you out.

For that reason, the show is best consumed in marathon form, and that's how I assumed I would always watch it, in clumps of reruns when nothing else is on. But now I have committed space on my DVR to record this thing in primetime. I'm guessing, or hoping at least, that the reason I've done this is simply to recreate a little of the weekend's slumped-down, slack-jawed torpor in the middle of the ever-hectic work week. Because the other alternative is that I actually like the show, which cannot, absolutely cannot and must not be the case. No, I'm not eager to see the murders solved, or to watch Gibbs slap DiNozzo upside the head, or to listen to Abby prattle on like an asshole in pigtails. I'm there to lobotomize myself for an hour, only having a rise in brain activity when someone says or does something so weird (the show's humor is weird, but in a completely-not-funny way, not in a good weird way) or asinine that some sort of reaction is necessary. That must be why. I am in love with being a lump, glazed-over and drooling, pathetically succumbing to the show's inertia. But whatever my real reasoning, this is nevertheless my addiction. My burden, my sorry secret. Until now, anyway.

As Stephen King says, “shows like NCIS and CSI that basically show one story over and over.”

The show is also popular because the characters are conservative and reflect conservative stereotypes. Per Slate:

At heart, it is a conservative show… To the extent that the show’s characters are stereotypes, they’re certainly not liberal ones. Gibbs is an old-fashioned man: strong and silent, a skilled woodworker who doesn’t lock his front door. DiNozzo is a Rush Limbaugh fan who tells sexist jokes and has some seriously retrograde notions about courtship. David represents those aspects of the Israeli character that most appeal to middle America: She’s disciplined, self-reliant, good with guns, and skilled in hand-to-hand combat. Abby may look like a freak, but she’s a church-going patriot.

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