#one of those manga changes/differences to potentially look forward to

[the-nysh]

i wonder how will saitama's interactions with blast effect how he reacts to blue

In the manga? He'll probably consider Blast that much more of an old man for being old enough to father a teen. :P Considering they actually have interacted a handful of times compared to zilch in the wc, manga Saitama should definitely have grounds for a different perspective going in once he's ever introduced to Blast's son. I'm hoping it'll be amusing!

[goingbuggy]

Good morrow my shuggy liege!

I was pondering if I should or shouldn’t ask but I hope it will not be too much bother to answer

It’s about one of your metas about the love and sacrifice Beautifully written I must say but reading through it again made me wondering how does buggy fall into the sacrifice themes of one piece?

It pains me to admit that once I’ve read 1082 I had many different feelings and one of them thought of buggy sacrifice as quite selfish in a way? Don’t get me wrong I’m sure came from him believing in shanks and the love he had for the boy! It just it felt in a way like he was burdening shanks with his own dreams

I’m happy he finally got the courage to follow his own path It’s beautiful and inspiring I just wonder if my interpretation is coming from anxiety or is actually true? Thank you and I’m sorry to sending this on anon

Hello, anon! Thank you for your kind words about my metas. Before I answer your question about where Buggy might fit into the wider themes of One Piece -- like sacrifice -- I think I should address your interpretation of 1082's events and compare them with mine.

I can understand why someone might conclude that Buggy's faith in Shanks is a burden of sorts, and ultimately selfish; after all, Shanks never asked for the weight of Buggy's expectations, and you could argue that Buggy's plan was to live out his dreams vicariously through Shanks. However, I think that there are some key points which entirely re-frame the situation.

Buggy didn't actually tell Shanks about what he did.

This isn't explicitly confirmed by the manga, but based on 1082's events and Shanks/Buggy's relationship timeline going forward, I can definitely make a strong case for their miscommunication in this regard.

Although we have Buggy's narration in 1082 to guide us through his flashback and enlighten us with his true feelings about Shanks, remember -- it's an internal monologue. The only thing Shanks knows is what Buggy tells him, and what Buggy tells him is not the full story. Look at this series of panels to see what I mean.

We have a very important contrast here -- Buggy's thoughts ("You're not the next generation's king?! I misjudged you, Shanks!" / "Don't you care about following in Captain Roger's footsteps?!"), versus what he actually says. ("You coward!" / "It's your fault I lost that treasure map!")

In classic Buggy fashion, we see him deflect from the truth; instead of explaining how much he believed in Shanks' potential, he brings up a petty grudge and insults Shanks out of disappointment, hurt, and anger/frustration. Nowhere do we see Buggy explicitly tell Shanks what/why he gave up. And this miscommunication is not only the heart of Buggy's sacrifice, but the exact reason why they split in the first place: Shanks did not tell Buggy what made him change his mind about going to Laughtale, and Buggy did not tell Shanks about his decision/dream.

I think this is key to understanding the way they navigate their interactions later down the line, in Marineford. Remember: Shanks believes that they split due to the whole map ordeal, which is not only a relatively lighthearted grudge to hold, but also very confusing from Shanks' perspective.

I love the curt answer he gives here, because it really reflects Shanks' limited understanding of what actually transpired between them that fateful day at Loguetown. Thus, it's also understandable why Shanks acts the way he does at Marineford. I highly doubt Shanks would be so casual if he knew Buggy's real reasons for parting ways. Hell, their split was so important to Shanks that he still remembers Buggy's gripe about the map 20+ years later -- and even uses the promise of one to draw Buggy back into rehashing things between them. (The anime expands on Shanks' confusion/limited understanding even more, but because we're dealing with the manga only, I'm not going to reference those added scenes.)

This interaction can seem quite confusing, but place it in the wider context I've just proposed, and it makes a lot more sense. Something fundamental has permanently shifted between them, but Shanks does not understand the gravity -- nor the real reason -- behind that change. And yet again, Buggy perpetuates this cycle of miscommunication by not telling him.

So, now that I've argued why I believe Buggy didn't tell Shanks about his true dream/decision to give up on said dream, why is it so important?

Well, this leads to my second point.

2. Buggy is a character primarily motivated by greed.

This statement does not need to be argued; it's as explicit as can be, because it has been well-established by Oda. In fact, it's very likely to be what people remember best about Buggy's character, in the midst of the massive narrative that One Piece has become. (I will touch upon this later, because this is exactly why I view Buggy's sacrifice as so impactful to the reader.)

Now, my last point:

3. Buggy is terrible at hiding his true intentions.

Buggy usually makes it quite obvious what he's hiding through blatant lies which hint to the truth, or even a direct slip of the tongue, like in Impel Down. This is partially for the sake of comedy/divulging necessary information to readers, but it's also a genuine aspect of his character which reinforces the comedy. Buggy's intentions are comically apparent to readers, so it's ridiculous to see his followers fall for his schemes.

These three points, in tandem, are exactly what makes 1082's reveal so impactful. Oda uproots everything we thought we knew about Buggy's character in order to give us the missing puzzle piece -- the reason why he is the way he is. This exact decision.

Buggy is a character motivated by greed, but he gave up on his dream, a pillar of freedom and existence in the One Piece world. He is self-absorbed, and yet he de-centered himself from the narrative. And for who, of all people? Shanks, the very man he claimed to despise in his first introduction. Are you starting to see the groundwork Oda's laying down here?

Buggy is notoriously bad at hiding the truth when he lies, and yet readers are blindsided by this reveal, over a thousand chapters after his first appearance. He kept it a secret, not just from Shanks, but from us. 1082 subverted our expectations and further developed Buggy's character in the process. It's a great display of what I love most about Oda's writing.

Before 1082, it would be difficult to claim where Buggy lies in One Piece's themes of sacrifice or dreams. But post-1082, it's a lot clearer. Oda has shown us that Shanks is just as important to Buggy as Buggy is to Shanks, and he's done it in the most effective way for a greedy character: by showing us that even Buggy is capable of sacrifice, when it's for someone he cares about. And what did he give up? His dream -- one of the most important things people have in One Piece.

Sure, it's possible to dismiss Buggy's decision as selfish, but remember: he didn't tell Shanks. He didn't expect anything in return. In a way, he has actually spared Shanks from feeling burdened; Shanks doesn't know the truth, and so he has no opportunity to feel guilt or responsibility for Buggy's decision. For a character like Shanks, who is defined by responsibility, this is also massively significant. Buggy's choice is not Shanks' fault, and by deflecting to trivial matters like the map, Buggy has -- intentionally or not -- lifted a possible weight from Shanks' shoulders. Shanks still feels the loss of their relationship, but instead of potential guilt, there is confusion and miscommunication.

So, no, I don't view Buggy's sacrifice as selfish. He did what he did because he truly believed in Shanks. He was willing to let Shanks become king and live out his dream, all without burdening Shanks with the truth. It's the antithesis of everything we've known about Buggy up until this point -- a decision without his greed, egomania, and overt schemes at the forefront. And if that's not a selfless act from Buggy, then I don't know what is.

[rei-caldombra]

Delicious in Dungeon - First Impressions Review

This is based off the first 3 episodes of the anime and does contain spoilers. Please be aware that I have not read the manga and am not spoiled. 

I actually got to watch the first 2 episodes of the anime live at Anime NYC last year. It also came with a sampler manga volume that includes a bit of the first volume of Dungeon Meshi. I’m glad they gave this out, this is a cool and unique item. It was nice being able to look at the manga art while waiting for the panel to start, so then I could compare it to the anime. I think the visuals match the manga very well and think both look great. I think there may be slight differences in facial expressions but nothing notably different or anything I would notice if I was not intentionally looking closely while writing this. The visuals of the anime are very high quality. The animation and art are clean, detailed and smooth. 

I like the intricate details of monsters. The mollusks in the armor in episode 3 are fantastic and easily my favorite part of the show. This is creative, unique and fascinating. This was completely unexpected. It is so interesting and inventive. This took a classic fantasy enemy and explained it in an entirely new way. If they can pull this off every episode, I would be ecstatic. I hope we get to see more reimagining of classic creatures on top of one's original to the series. 

I also enjoy the cooking aspect of the show. It's very satisfying to watch. I do like very detailed cooking and eating animation. I think the show is at its best when it presents an interesting creature followed up with an interesting way that they are cooked. Again, this is done well in episode 3, where we see the multiple ways that the living armor could be cooked. 

Another specific moment I loved was the detailed look into traps in the dungeon. Traps in any kind of dungeon-like structure are a staple, but usually they are breezed past as the characters avoid them. It was great seeing how these mechanically function. And even greater to then see how these traps can be used to cook food. This is another time where Dungeon Meshi does something truly unique and inventive.

It’s also decently funny. I do not think it’s laugh out loud funny, but there’s good jokes. I do think Marcille’s reluctance may get a bit repetitive if it keeps getting leaned into so hard but hopefully it won’t be too bad if we continue the same pattern of each episode featuring a new monster or two that they show us how to cook. I am totally down if it primarily wants to continue the trend of creature cooking of the week for now. 

When it comes to the characters, Laios is the main one I have much to say about. I think he is a solid main character. He is pretty straightforward but with the funny flair of being concerningly fixated on eating dungeon creatures. 

It creates lots of great rapport between the characters, and I am totally up for this simply being a weird hyper fixation of his. I enjoy when writers embrace characters having weird specific passions like many real people do. I think there is potential for there to be some more depth to him through his responses to his sister being in danger, but sadly I do not think that element is being hit properly, at least not yet. I hope going forward we will get more perspective from Laios on his sister that makes me care more about her and them as a family. 

The previous point is a good transition into my primary gripe. I think the main premise of saving Falin clashes with the tone of the show. You’d think they would be rushing to save his sister but it does not come across that way at all. And I do not feel like this is out of caution for moving through the dangerous dungeon or any reason along those lines. I understand that the dragon probably digests slowly but it still doesn’t change that this is between life and death. Falin being in danger does not feel very relevant. A lot of the time it feels like they are taking their time and enjoying themselves. Which is not fundamentally bad, but feels strange when the reason for them being there is to save the main character’s sister from dying. It feels so irrelevant that I genuinely forget that she existed for a time. With the general tone and content I think a serious motivation like his sister being in danger isn’t needed as a plot point. They could just want to finish where they failed, and Laios just wanted to go through it but be able to cook the monsters this time. And I think nothing would need to change. I think a simpler and less serious motivation would be better. A more dramatic plot like someone slowly dying would fit better if the series seemed to have more intent on being dramatic. But I do not see many attempts at that so far. Even at the very beginning when they realize she is down there we do not see much emotional expression. It seems focused on just having fun with its concept of cooking in a dungeon. Which is totally fine, but for me this creates a very poor tone. If I want to just be invested in the cooking and adventuring then I do not see the purpose of Falin being slowly digested being in the back of my mind while they relax with some food. If I am supposed to care about Falin then it doesn’t feel right to see the characters spend time and effort just to test if they could use trap oil to safely fry something when she is being digested by a dragon. For me there is clear tonal whiplash that harms my investment in the show. 

I will definitely continue watching as I am enjoying the fun adventuring and cooking. Hopefully the tone will be improved as we go forward. The anime is already slated for 24 episodes so we have a lot ahead of us. I do like the basic episode structure of “creature of the week” but I do worry about it continuing to be interesting for 24 episodes 24 weeks in a row. But I think and hope we will get some more dramatic elements eventually and more focus on Falin being in danger while they take their time cooking. Thank you for reading!

[nanamiscocksleeve]

Hey Ray, how are you? I've read about your flu recently. I'm very sorry and I hope you get better soon. Have a fast recovery, ok?

Regarding confessions, I have nothing much to say. I think other anons already mentioned lots of valid points. Sure- porn fics are obv exaggerated, characters get mischaracterized and ships get pushed down out throats all the time but hey, that's just an average fandom experience, right?

So I'm trying to ignore/filter all the negativity and allow only good, quality content on my dash. Unfortunately, the content is few and not many appreciate writers and artists here on Tumblr. So it's for the best if they'd just change platforms and try their luck somewhere else that offers more positive interaction/involvement. I miss Tumblr reblog culture and nice feedback on dif stories/art. Nothing is the same anymore...

Regarding mischaracterization- it's not a problem to headcanon things, in fact, to each their own. But it's a problem when people openly accept headcanon as canon and unapologetically fight others over inaccurate opinions. It's so beyond me. And the funniest thing- it's mostly minors. Can we get rid of the minors in for-them-inappropriate fandom spaces pls? Tumblr staff where you at?

I noticed that fans of less popular characters are more fun. I'm not that big into Choso you see, but his fans made the whole fandom experience so much more enjoyable. And I don't think that Mahito fans are weird if you compare Toji smut fics (I'm not calling out people but I'm calling out people). Sukuna fans I'm looking at you too...

I'm forever grateful for Nanami, Higuruma, Kusakabe and Shiu quartet. Gege, thank you for feeding us while it lasted. The fics are divine and I understand why Shoko didn't see the appeal in stsg, like girl I get you.

I'll come out and say it- stsg is overrated. And jjk girls deserve more content that isn't ship-oriented.

I think Gege needs to make up his mind because Yuta and Yuji can't exist as two mains at once. Everyone is taking away Yuji's spotlight, but they're dying and dying until nobody's left except Yuji... I don't know how jjk will end.

I miss Yuki and Todo's dynamic and all the funny stuff, I wish jjk was a comedy fr... Gege is writing an idol manga after this one so I can't wait for the things he has in store for us!

Hello! Thank you for your concern about my cold. Honestly, with all of you wishing me to get better, I'm recovering a little faster! 💜💜💜

I agree with mischaracterization, but imo, unless a mangaka explicitly states something, then a fictional character is always subject to having HC's being formed about them depending on the writer. What gets problematic though, is when fans of a writer start looking at those HC's as an actual canon, and now they're picking fights/sending hate to other creators who have different opinions.

Fans of less popular characters tend to be more chill from what I've seen. They just want to talk about their faves and have a good time, and are less bothered with what could be canon or not. They have their HC's and are open to hearing different ones too.

I feel like JJK gave us this genre of 'tired men in suits' which is very appealing, even to us older girlies who are in the same age range as these men.

Stsg being overrated...imo I don't feel that way. I think they had great potential as a couple and I'm filled with sadness at the thought that they didn't catch Suguru's spiral when it happened. I can see them with heterosexual partners too, but I love the concept of Stsg.

The JJK women definitely need content not surrounding ships or smut. Something more action-related or just let her shine in her own right in a fic.

IDK what'll happen going forward...The story is supposed to center on Yuji but it feels like he's constantly being pushed aside. I hope things resolve soon but it looks like Sukuna might win after all this. I'm just sad thinking about it.

I miss the slice of life feel to the story as well but what can ya do...Gege is the mangaka, so he'll do what he wants. But if he brings back Nanami I ain't complaining lol.

Thank you for your confession!

[psychewritesbs]

my favorite psycho, i came here with a jjk confession but i changed my mind and decided to ask if you have a jjk confession that you want to share? maybe something you're loving or not about the manga, especially the latest events? or maybe something from the anime - have you seen Season2? or even a complaint to Gege (because God knows there are times when I'm really upset with that man and everything!)

omg bahaha! HOLA!

Is this how I go from "mental gymnastics anime girl" to "mental gymnastics psycho chick"? 🐥

jjk confessions you ask?!!!! hmmm... let's see.

I feel like my biggest grievances against Gege have got to be ch 208 because what the hell happened? there was just so much potential there, the "gathering of allies" from ch 220 felt a bit abrupt, Tsumiki getting fridged, and not understanding or feeling engaged with what is only the most anticipated battle in jjk, Sukuna vs. Gojo.

I also have to admit that when he announced "jjk's end", I was very worried because it felt like there was a lot of story left to tell and not a lot of time to tell it. So, my perception of the manga was affected by this and it felt even more rushed than usual. But knowing there is still story left to tell even though the end is in sight, helped me realize that I have to be patient and let the cat cook.

i.e. even if what I'm reading right now doesn't make much sense or I don't like it, I know he'll tie loose ends soon enough and that will change my perception of events. I just have to wait for the payoff.

Which is not easy because for those of us who've been reading jjk for a while, it's not a fast process between the weekly release and break weeks.

As for what I'm loving I just really enjoy Gege's writing in general. I love the themes he's explored so far. Soulmates, existentialism, love (is the greatest curse), the space between dreams and reality, how he's incorporated comparative mythology/religion and Depth Psychology into the story, and getting to know what Sukuna stands for on a philosophical level has been a delight (morepleasekthanksbye). That is not to mention that his character work in general is fantastic.

Of course, there's Megumi.

I think that even if I have grievances about how Gege has handled certain aspects of jjk, the way I see it, I am mostly in awe at what he can create under a tight schedule and the foresight he's had to have to plan for twists, etc.

To me, even if jjk is a bit rough around the edges, Gege's writing is very intelligent and intentional, and he is only going to get better as a mangaka, so I'm looking forward to seeing what else he comes up with in the future.

As for the anime.

MAN.

MAPPA has just NAILED IT.

This anime is nothing short of beautiful and even though I prefer the manga (sort of like how the book is almost always better than the movie), the anime elevates the manga to epic proportions. Music, cinematography, action, animation, you can tell the jjk animation team both has a lot of love for jjk AND they GET jjk.

MAPPA understood the assignment.

What about you anon? Do share your grievances. Like I've said before, I may not always agree and I will always try to present a different perspective if there is one except when it comes to not liking Megumi, there is NO OTHER PERSPECTIVE THAT IS VALID ASIDE FROM HE'S AMAZING but as another anon has said before, sharing these ideas makes for a richer discussion about jjk.

Thanks for stopping by and for asking me about jjk :)

[rrandomtthings]

Why Bkdk is NOT toxic:

A look through their relationship throughout the series

Cw// MAJOR bnha manga spoilers

As bakudekus, we experience that “bkdk is toxic!1!” argument on a daily. It’s something that we have all just.. let sit next to us knowing that it’s always going to be there. Of course, and understandably, it bothers most of us. What many see, especially non-manga readers, isn’t what we see.

Let’s start off with what they see. In the first episode/chapter, we start off with Bakugous infamous “Swan dive off the roof” line.

Of course, no matter how you look at it, this was a terrible thing that Bakugou said to Izuku. There is no excuse. Telling someones to kts, no matter how you may disagree and not see eye to eye, is always inexcusable (this applies to real life too!!)

Later in the chapter, Bakugou carries around a can that says “Lip Service,” which, pretty much means being all talk and not meaning actions behind the words that are being said (usually said with a negative connotation.)

Once again, does this excuse what he said to Izuku? Absolutely not. However, this does give us insight on the future and when we find out about how Bakugou feels for Deku.

Note: As for the bullying prior to this scene, there is no proof that Bakugou continuously bullied Deku as of when this has been written.

Then, the sludge incident happened. At first glance, Deku looked horrified at the attack. However, he didn’t make any moves as he assumed that the heroes will come in and save the person. Once it was revealed to him that it was Bakugou, Izuku had his “My body moved on its own” moment and did not even hesitate to save Kacchan.

After the sludge villain attack, it was explicitly stated that Bakugou had not bullied Deku since then.

Now, the two are in UA and it is revealed that Deku has a quirk to Bakugou. A quirk that he was told to keep its origins of a secret. However, Deku told Bkg about OFA, ignoring All Mights warnings because he felt like he could not lie to Kacchan. Despite them still having a very rocky relationship at this point in the series, Deku still felt the need to tell Kacchan about OFA. He could not lie to him. He could lie to his mom, all of UA, everyone in the world, but not to Kacchan.

Fast forward to DVK2 and they are fighting out their emotions. Here, Deku talks about how, although he hated those small parts of Bakugou that bullied him, he never let the bad outshine the good. He always looked up to Bakugou and wanted to be just like him.

Deku compares how he sees Kacchan to All Might. His literal hero. The man who he idolizes like crazy. He felt closer and more inspired by Kacchan than All Might. Because Kacchan was always there next to him. In Dekus eyes, despite the bullying and all, he saw Kacchan as more than All Might.

Izuku expresses how he is the only one who can accept Bakugous feelings. Not because it is explicitly about the two of them, rather it’s because he is the only one willing to listen and understand where he is coming from. And Bakugou knows this too. He could have easily asked anyone else, but instead he chose Izuku. He trusted Deku enough to be vulnerable around him.

During this fight, Bakugou expresses how he always thought that Deku continuously looked down on him. And it’s because he has never seen such genuine kindness from anyone. He was always expected to get up on his own. All because of his quirk and how he was praised for being gifted with such. He always thought that Izuku had an “attitude” that he was so unfamiliar with.

Deku, during their fight, although he does not say it out loud because he thinks that it “sounds stupid,” talks about how he sees Kacchan and his image of victory. To him, when he thinks of victory, Kacchan is who comes to mind.

After this fight, they are able to start to see eye to eye and start to understand each other’s perspectives. Now that Bakugou knows about OFA, they start to work and grow together. Win to save and Save to win.

In the JT arc there are very fun moments between the two as they start becoming more and more friendly with each other. They continue to try and one up each other, but it is much different than before. There is a lighter undertone to their words and actions. They start hanging out in the meeting room with All Might as there is also a lot of banter between the two—this is when their relationship has started to mend. Not to mention, during this arc Deku unlocks black whip all because Monoma insulted Kacchan.

Now, after the two spend so much time together with the JT and Endeavor agency arcs, the two has become much closer than they were at the beginning of the series. The two have started to mend their bond and continue to do so.

Then, the war arc.

After realizing that Shigaraki is after OFA, Deku makes the decision to follow after him. Throughout these panels, he looks absolutely terrified. Of course, why wouldn’t he be? He is about to run into a battle field all on his own, without any support and with no one knowing what he plans to do.

However, Kacchan does.

Kacchan follows Deku to Shigaraki. He claims that it’s because he has “unfinished business” with him, but, while that may be partly true, that’s not the full truth (I.e. he wants to protect Deku.)

Now, the two have reached Shigaraki and Deku is fighting against him. Bakugou tells Deku to get away from him and that he should be the last person near him. The response Bakugou gets is that no one else can defeat Shigaraki as Kacchan watches Deku in absolute fear that he will end up being terribly hurt.

Side note: look at the terror in his eyes.. I’m gonna sob

Within this specific fight with Shigaraki, there are many heroes with the two. Some of which are Endeavor, Shouto, Rock Lock, Aizawa (injured), etc. Despite knowing that this is a child up in the air fighting Shigaraki, some (not Rock Lock, he had the right idea with questioning why children are on the battle field) look in amazement as Deku continuously breaks himself so he can try and get Shigaraki down.

However, Kacchan sees past this as he yells at the other heroes about how this is not helping Deku in the slightest and that he is going to get himself killed at the rate that he was going.

Bakugou devises a plan to try and help Deku and to get Shigaraki down as the heroes look in awe at Deku. He uses Shouto and Endeavor as they try and get up to where the two were and have Endeavor use his Prominence Burn on Shigaraki in hopes that would bring him down.

While Bakugou is flying them up to Deku, he has a flashback to a conversation with All Might.

They were training Deku with black whip. They were playing a game called “Catch a Kacchan” (I will never get over how cute this name is 😭) and they called in others to help Deku practice with quirks similar to the ones that he will eventually or has either unlocked (Uraraka for Float, Tsu for black whip, etc.)

As All Might and Bakugou watch on as Deku trains, they have a conversation.

Bakugou asks All Might why he is hiding information about the fourth user from Deku. No, he doesn’t ask, he confronts him. He confronts his childhood hero for the sake of Deku. He straight up tells All Might to stop keeping information from, knowing that this could potentially harm him.

Bakugou is upset at that point. He wishes for All Might to stop keeping secrets from them, more specifically Deku.

Then, as the two continue to talk, All Might brings up the fact that he is worried for Izuku. And Bakugou is too, to which he does not deny in any sort of way.

Note: once again, even when they’re not on the battle field, Bakugou looks so worried for Deku. Many have speculated that him looking tired throughout this chapter (ch. 284) has to do with him continuously worrying about Izuku and thinking about their past together.

Bakugou continues the conversation as he talks about how Deku does not understand how special he is. All Might brings up the idea of atonement and questions Bakugou as to whether that is what he is doing with Deku as a way to make up for their past, to which Bakugou does not disagree upon. The conversation then ends with All Might talking about how the two will eventually get to talk this out together and allow for Bakugou to express his worries for Deku to him.

Then, the scene changes back to the battle field as Endeavor uses his Prominence Burn onto Shigaraki, only for it to fail as he got right back up due to his regeneration.

The battle continues between Deku and Shigaraki (who at this point is AFO) as he releases Quirk Activation spikes in Izukus direction.

Kacchan, seeing as Deku is about to get hurt, rushes to him in an instant.

Throughout this scene, we see Bakugous inner monologue. Here, we are shown all his regrets with his and Dekus relationship. How he completely regrets bullying him in the past. Deku are his final thoughts in a moment where he thinks he is about to die.

Kacchan had his “my body moved on its own” moment as he rushed in to save Deku.

After Bakugou was hit, his first words to Deku were to try and calm him down and to tell him to not win this on his own.

Upon seeing Kacchan hurt, to even say that Deku went bat shit crazy would be an understatement. He was absolutely livid as we see him fight like never before.

As Deku continues to fight against Shigaraki, Shouto flies up with his fire quirk to catch Bakugou as he is falling, to which he eventually grabs Deku after him and Shigaraki separate and Izuku starts to fall.

After putting them on the ground, Shouto goes back and fight with Nejire.

As Iida had arrived at the battle field by this point, he tries to help an injured Bakugou get out of the battle field. However, Bakugou refuses as he continues to fight.

Here, it is revealed that Bakugou, just by seeing Deku almost die, has never felt so close to death in his lifetime. Not when Bakugou got kidnapped. Not when class 1A was attack at the USJ, not after he was stabbed. It was the thought of Deku dying that made him feel like he was about to die.

The need to get to Deku caused for a quirk evolution as he had to advance his quirk in that moment to be able to reach Deku.

After the battle is done, Bakugou falls into a 2 day coma. When he wakes up, the first thing he asks is how Deku, Todoroki, Aizawa, etc. are doing.

Upon hearing that Deku is still asleep, Kacchan rushes out of bed to get to his room despite still being heavily injured. At this moment, Bakugou knew that he would not be able to talk to Deku. He just wanted to know if he was okay. He just wanted to see him.

After having to tie him up with Tsuyus tongue, knowing that that if they tie him up with anything else he would explode it, Bakugou yells “Why am I awake while you’re still asleep?” towards Dekus room as he is being dragged away by the class.

Many have taken that line as a way of showing that Bakugou fully expected to die for Deku at that moment. And he was willing to. Seeing that his effort to protect him failed and led to Deku being in a coma only greatly upset Kacchan.

At the moment that this has been written, Deku still hasn’t woken up and Kacchan was forced back to his room.

If after reading this post you still think that bkdk is toxic because of their past, I do want you to understand that people change. We all have a past, a present, and a future. You are not who you were in your past. You are who you are in the present, and you will be someone different in the future.

Bakugou clearly regrets how he treated Deku. This is not an opinion, this is a fact. He is trying to change and mend their relationship. They are living in the present right now, not the past.

Izuku does not hold any grudge against him and even admits that he feels blessed to be able to have conversations with Kacchan.

When it comes to Bakudeku, so many only look at the first episode. Even if you’re just an anime-only, the anime has DVK2. The episode where a lot of their progression comes from.

At this point, if you still think that their relationship is toxic, then im really not sure what to tell you. If your argument is still “in the first episode...” The no. Stop. We are 300+ chapters in. These two are the main protagonists and the show literally revolves around them. They are obviously going to grow. You can’t completely ignore this growth because of what happened in the first episode. You can’t only look at the things you want to and ignore the big picture.

[misslovasstuff]

Why Dazai is a complex character

We all know how hard it is to get in this man’s mind, right?

First, let’t take a look on what makes a character complex:

- Conflicted or contradictory motives - Change or grow as a result of the story’s actions - Decisions advance the story’s plot - Create conflict in the story’s plot or theme - Learn something about themselves

 It fits Dazai perfectly, right? Now let’s take them one by one.

1. Conflicted or contradictory motives

- to die/to find meaning/to save others/? What the audience is given to realize is that Dazai wants salvation through death. His desire to die comes with a shade of humor to hide how sad and tragic it really is. Other than that, one motive of his is the promise he made to his friend who died on his arms. You see it right? Dazai’s motives are contradictory because he saves people but can’t really save himself. Although Dazai is on the side of ‘good’ which is actually something that doesn’t really exist in BSD world because everything is more like in a gray area, his motives are more focused on others rather than himself. While on the mafia, his focus was on himself, his doom and suffering. That’s what made him so miserable. People aren’t sure whether Dazai has changed, and they question his conflicted motives. But in reality, it’s very simple. Dazai has no hidden motives other than the ones we already know. He’s not the type to aim for power and fortune. Dazai just wants a bit of happiness, he wants to answer questions that are impossible to answer. I’d like to quote a Dostoevsky saying:

“Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.” ― Fyodor Dostoevsky, Crime and Punishment

2. Change or grow as a result of the story’s actions Dazai’s grow is something people fail to see. I’ve read thoughts on this matter and some claim that Dazai hasn’t changed at all. That is partly true.  Before Oda’s death, Dazai was not open to people (and still isn’t) but the difference stays on how he dealt with it. In the dark era, Dazai drowned himself in misery, seeing only darkness and claiming that this is how it always has been for him. Whilst in the time being, Dazai hides his misery behind a smile and happy facade. Bsck then, he made no attempt to change, nor did he tried to look things differently. Dazai was alone, completely. There were times he was surrounded by people he genuinely cared about, like Oda. Now, the thing is, without Oda, Dazai may have never gotten the development he got. Hardly would the things lead differently if Oda was still alive. With Oda, Dazai felt comfortable, not judges. He felt like he could open up with him because Oda would always listen to Dazai without joking around or judging him. That’s the reason why Odasaku was the only person that came close to understanding Dazai, because he was the only one Dazai opened up to. I believe that is becuase in reality, Dazai trusted Oda. We know how easily he can see through people. Perhaps, he saw in Oda that kindness and goodness that intrigued him. He saw such integrity and selflessness that made him lower his guard.  Their relationship was beautiful. They let aside the ranks and always had each other’s backs. Sometimes, between two people, it just clicks. It feels like you’ve known each other for a long time and you find yourself comfortable, you let yourself be. That’s how Dazai was. Maybe, the only thing that kept him happy, was his friendship with Odasaku and Ango. Because those were two people that accepted him the way he was, people who appreciated life and had dreams and goals, something that Dazai longs to have. When Odasaku died, Dazai’s hope died with him. Although extremely intelligent, Dazai is optimistic. He had hope that he’d find a solution to his problem, but Oda’s words shattered him.

Dazai did not cry. But you can tell that he’s ready to. Look at his face and tell me that that’s not the most devastating Dazai you have ever seen. His lip trembles and his eyes give away how hard it is for him, how hard it has always been. This is the moment that Dazai takes the decision to change, keeping the promise of his friend to become a good man and protect others.

3- Decisions advance the story’s plot Dazai is the one who comes up with brilliant strategies, but that’s not all of it. 

- He took Atsushi under his mentoring and hired him as an agent in the ADA.  Atsushi plays a very important role in almost every mission or situation that ADA is in.  If Atsushi wasn’t in the ADA, things might have gone completely different. - Dazai decided to join the good side. Yet again, if Dazai didn’t join the ADA, there would be no Atsushi, no shin-soukoku and probably the ADA would have already fallen due to the immense power the mafia would have with Dazai in it. More people would die, wars would destroy the city and things may have gotten to be worse. - The creation of shin-soukoku The plot goes around Atushi and Akutagawa as the new generation of the double black, a powerful duo brought together for the good of the city, to defeat the greater evil. Their mentor, who sees the potential in them better than everyone else, has forcefully made them work together, which had successful results. If Dazai didn’t make such decision, Atsushi and Akutagawa may had already killed each other. - Dazai decides almost any plan and strategy there is. He plays his cards well and the way he thinks and acts determine the aftermath.

4- Create conflict in the story’s plot or theme - Dazai’s a problematic character for a lot of reasons. He’s lazy, distracted, unbothered, mysterious and secretive. Sometimes, unwillingly he creates conflicts that sometimes as viewed lightly by the audience. Like the shin-soukoku conflict. A part why Aku hates Atsushi is because he is Dazai’s junior  and that he gets almost everything that he himself once desired. He gets praise and acknowledgment from Dazai. The latter, has not acknowledged Aku that way he wants to, but surely he has acknowledged him on his own way. Dazai made him part of the new double black and puts his trust in him and Atsushi. Dazai too believes in the quote that ‘only a diamond can polish a diamond’. Furthermore, we have the conflict between the mafia and the ADA. You may think that it’s not directly tied to Dazai, but he plays a major role. Having Dazai in the opposite team, makes it harder for the mafia to create successful operations. Not only Dazai’s intelligent and cunning, but he’s an ex-member himself which makes him even more of a threat to the mafia. His suicidal tendencies is the reason why he met Atsushi in the first place. So in a way, Dazai drives the plot of the story.

5- Learn something about themselves I believe that this is the point we are all looking forward to. Although we have already caught a glimpse of Dazai considering his worth as a human being in the Dead apple movie, but also in the manga countless times.

Just look at his expression. How his eyes close so peacefully when Atsushi claims that he does things that let him know that Daza’s a good guy (visiting graves and also in the end of the movie...)

Dazai sees himself rather harshly. He judges himself for his past and puts himself in constant misery. Maybe he doesn’t accept the fact that he’s a ‘good guy’, but he’s desperately trying to be.

Take a look to the following panel (chapter 50)

You can tell how much Dazai wants to help and this warms my heart so much.

“Yosano could heal me and I could help in the search”

 He clenches the sheet because of the frustration of not being able to help; that his ability is holding him back. 

HE’S BLAMING HIMSELF.

Like one would say that he’s injured, or that he was shot, but no. Dazai puts the blame on himself like he always does.

I’d like people to acknowledge Dazai’s growth because our boy is trying so hard. Dazai literally went from hell to salvation. He has already found his salvation but he hasn’t recognized that yet.

In conclusion, Dazai is the complex character we so much love. In the future, maybe we’ll be able to see him a bit more happy. Genuinely happy.

(sorry this was very sloppy but I hope you get the point)

[pencilofawesomeness]

Been looking forward to future arcs of HTRYDS in the last few days, and the longer I think the more I wonder : how long are you going to be able keep the story on a similar path as the original one ?

I mean, just take the Phantom Lord arc which should be up pretty soon after DT. If PL is the same guild as in the manga, the current FT will absolutely flaten them. So how are you gonna get around that? Do something different from an open guild war? Will half of FT be on missions at the time? Will you bring in new (or not-originally-in-PL) characters ? (Besides Acnologia can't be sleeping, right? It's summer... He'll defeat the guild single-handedly). I mean, I don't think they're the ones is possession of that dragon poison... (they're just small fish after all, you would most likely keep that ace for a more important foe) so the original PL doesn't stand a chance over this stronger FT.

Then we skip a couple no-longer-relevent arcs, to end up most likely fighting the Oracion Seis. And helping Mystgoan with Edolas (though with all those dragon slayers, once again, won't it just be too easy?).

What I'm wondering about most of all is Tenrou. Just....... How?! Are you?! Gonna?! Deal with that one?! Not only should Acnologia have removed Zeref before the trial ('cause he's not an idiot), but there's also a good enough chance that Acnologia would come to the trial, given that 100% of S-class mages went originally. (And that Zeref being a contradictory annoyance, there's always the chance the guy didn't listen or just forgot or stayed 'cause he suddenly wants to see Natsu so Acnologia should make sure none of these happen, no?). So would Grimoire Heart even show up? Well, probably, cause they're idiots. And as I said, Zeref may still be on the Island. A lot of potential angst here, we'll all love that. Anyway, while Grimoire Heart is most likely the ones with the dragon poison trump card, that shouldn't change the outcome of the war much, overall. But then... No time skip? So? What then??!

That's when your story tips into the unknown, cause while future allies and enemies still exist, the timing is...! So weird!

Are they even gonna fight Tartaros or Arvalez at all? (I can just imagine the dragon fam's unimpressed looks when Mard Geer announces their guildmaster is END. No, even earlier, Acnologia just going to chase Zeref down and bring him back by the scruff of his neck so he can clear his mess.)

So yeah, I'm positively thinking about all this way too much.

Anyway, lots of love to you!

🐧

Hey Penguin!

Heh, yes those are all very good thinking points. The short answer is that things are absolutely going to spiral into the unknown post-Tenrou, though there are still some events that will still happen after that, being that some of these third parties are still scheming their schemes. (Though other people are affected by the changes and their arcs will certainly be adjusted or dropped accordingly.) As for what exactly happens in some of those post-Tenrou arcs, y'all will have to wait and see, though I did drop some hints places already, with more to come :P

As for the earlier arcs, yes, power wise a lot of it would be a curb stomp, absolutely. Buuuuuttt that doesn't mean that I can't get some emotional mileage out of it. After all, I'm more interested in the resulting character arcs in this series than the big shonen worthy fight scenes anyway. (Plus, some antagonists would be keen to alter their plans from the original version, since some of these changes are public knowledge so there's some room to make adjustments from the onset.)

Besides, with some of the canon arcs zoomed forward or altered, I get more room to play with the forgotten plotlines of Fairy Tail >:)

[maxwell-grant]

May I please ask where you set the boundaries when constructing a crossover? (i.e. How far are you willing to bend characterisation of the setting a character's adventures take place in and of the individual characters themselves to make this crossover work? How many settings are you actually prepared to smush together before you feel you're losing more than you gain in this mix? and so forth).

I could be off the mark here, but this question sounds like you yourself got a very big idea planned but you are unsure of how far you can, or want to, push the concept. Two words of advice upfront: 1: Stop overthinking it, and 2: Run your ideas by people whose judgment you know and trust. I run some of my biggest and stupidest ideas by friends of mine and they help me make them less stupid or at least stupider but in a better way.

I mentioned in my post about potential Shadow crossovers that "boundaries" are not the priority to fret over so much as having a good working knowledge of the characters. And part of that is because a crossover, by design, already constitutes the breaking of boundaries. That's by default what a crossover does. You don't wanna test or break boundaries, then you picked the wrong kind of story.

A crossover is still a story like any other. Two characters meeting is not a story, it's a premise. You don't start a story by defining where it can't go, before you've even decided where you want to take it. Some boundaries are important, others aren't. Some boundaries are hard-coded and unbreakable, and others HAVE to be broken for the story to work, and the process of deciding which is which is easier when you have a clearer idea of what are the characters and what is the story you want to tell, and what you can and can't do with either. You gotta understand the properties you're working with, or at least, understand WHY you want to work with them and make this crossover happen in the first place.

For example, you could, very easily, write a crossover between The Shadow and The Spider, just by going through the motions. They are urban vigilantes with fairly similar designs who live in the same time period and fight crime with their supporting casts. I'm sure most writers offered the job wouldn't think twice of putting them together. But as someone who's read their stories quite extensively and who likes and obsesses over both characters, I would not cross over the two, because their stories and characters are fundamentally incompatible with each other in a more "serious" narrative, and you could not merge the two without seriously fraying one or the other.

It's a story that doesn't work, with characters that are not supposed to function together or in each other's narrative real estate, even with a character as malleable as The Shadow. This doesn't mean that it's impossible to write a good Shadow and Spider crossover, but to me, personally, these two are hard-line incompatible. That is, if it's a crossover based specifically on these two, because that changes if said crossover expands to more characters, as I'll get into.

Regarding the question:

How far are you willing to bend characterisation of the setting a character's adventures take place in and of the individual characters themselves to make this crossover work?

By default, any crossover is already going to have to create new settings from scratch based on relevant bits and pieces from the properties in question, so you do get more leeway for bending it.

But regarding characters, it's a question that cannot have a unified answer, because it's even more so dependant on a case-by-case basis. You could argue "only as much as necessary for the story to work", sure, but that's not really a good answer, because a story can do anything it's author wants to, and sometimes the story is not good to begin with, or the characters are just not made for being in the same narrative or even partaking in a crossover to begin with.

No amount of justifications for a story or characterization can excuse an unsatisfying result. Joe Yabuki and Guts are two of my favorite manga protagonists, but there would be no point to even attempting to put them together in the same story, because you'd have to twist either their narratives or their characters past the point of recognizability, which defeats the purpose of making a crossover to begin with.

Like, yeah, we've all heard the argument that Zack Snyder's Superman makes sense in the context of his movies, doing his own thing. Sure. But there's a reason any discussion of that character in the context of Superman in general comes prefaced with "Zack Snyder's" first, and why mainstream audiences who earnestly looked forward to Batman V Superman walked away feeling cheated, because, to borrow RLM terms here, they got "MurderMan vs Captain Hypocrite", and you can't even tell which is which in that description. You gotta give audiences at least a bit of what you promised them.

How many settings are you actually prepared to smush together before you feel you're losing more than you gain in this mix?

This one actually DOES depend on the story, because most stories that aren't just short narratives require multiple settings for it's scenes. Chances are your narrative will already be combining multiple settings, because setting is a word that can refer to "Korea during the Joseon dynasty", "spaceship traveling through lost nebulas" and "the McDonalds parking lot", as if they are the same thing. And in a way, when you look at a narrative's bones, they basically are.

To an extent, I think opening yourself up for a massive crossover of multiple properties of different characters and settings can, indeed, be a better choice than just going off purely by X meets Y. You start off by making it very clear to the audience that the boundaries are thin and you will be breaking them, and you use said framework to instead tell a myriad of stories, big and small. Stories that you couldn't really tell if you stuck to an existing framework or defined strongly the boundaries you can't cross. I'm gonna use Smash Bros as an example:

Smash Bros is arguably the biggest "official" crossover of all time, and it doesn't really have a "story" other than the basic framework that the series was built on, that these were representations of Nintendo icons dueling it out, and the few details that used to define this in the older days (like the characters being trophies and copies, and not the real deal) have been basically pushed aside. The most story you get in Smash nowadays is in the form of what the trailers showThe "point" of Smash was never really to tell a big, dramatic story with these characters. And maybe you really can't tell this kind of story, or a good story, with this many characters to juggle.

But they tried it once.

I'm sure most of you who do remember Brawl, as anything other than the blistering shame of the franchise that it's treated as these days, remember it mainly because of Subspace Emissary, which was this big, dramatic storyline where the end of the world was at stake and all the characters had to pull their weight to fight it. Subspace didn't have dialogue, it didn't have much story other than characters going from scene to scene while fighting, several of the characters either got nothing to do or were written poorly (mostly Wario), and none of this mattered at all, because Subspace, I'd argue, was the one and only time Smash Bros ever really recaptured that childhood feeling of smashing toys together that the franchise was built on.

Because if you remember being a kid smashing toys together, you remember not just doing it because you wanted Max Steel to kick Cobra Commander's butt. No, you did it because you wanted to tell a story where Max Steel got trapped in a rapidly filling water tank along with He-Man's Battle Cat while Cobra Commander kidnapped Max's girlfriend April O'Neil and bombed the city, and Max Steel had to talk Battle Cat into not eating him so they could together save the city and April from evil, and so they reconciled their differences and saved the day. Those things mattered to you. They were the stories you could tell with the resources you had in hand, sagas you did for the sheer fun of it, regardless of whether they were "good", you probably didn't even think of that. Why would you? You had bigger things to do.

And that's what Subspace did. It was big and dramatic and the world was at stake and all these heroes were coming together. Ness sacrificing himself to Wario so Lucas could have a chance to run away. Diddy Kong dragging along seasoned Star Fox pilots to rescue his buddy. Samus and Pikachu forming a bond. Peach stopping a deadly battle just by offering tea. ROB's story arc culminating in actual genocide, hell, ROB having a story arc to begin with. To a lot of people who played Brawl as one of their first games, this would have been their "introduction" to a lot of these characters in any sort of narrative, and to characters like ROB or Ice Climbers, this would have been the only chance they would ever get to be part of a great big dramatic narrative. Hell, Pit sure looked like he was on the same boat at the time, until Smash brought the Kid Icarus franchise back from death, and now Smash is where characters or properties get to stay relevant or at least on life support (Captain Falcon), or make glorious comebacks (King K.Rool). Brawl was what destroyed the idea of there being boundaries as to who could get in Smash or what kind of story could be told within it.

And people don't seem to recall this nowadays, but Brawl was when Smash exploded in fan content, specifically inspired by Subspace. This was the period of the Machinima craze and the fan mods galore and fan remixes and fan art and fan headcanons and fan films, and suddenly it hit people that, just because the games couldn't accomodate the stories they could tell with the premise, didn't mean that they couldn't start telling them on their own. We even got the formerly longest piece of English fiction off of it. The devotion Melee inspired in competitive players, Brawl did for artists and creators who got their start off in Smash fan content.

And because of it, suddenly a lot more people started writing stories with ROB and Ice Climbers and Pit and Captain Falcon and so on than there would have ever been if it wasn't for Brawl and Subspace. Smash gave ROB a story the character likely would have never gotten otherwise. And if you don't grasp what I'm getting at because you still think that fan content is a long way from being "official" or at least respectable, I don't know what you're doing following someone who rants about pulp fiction all day.

The point I want to get across is, boundaries in a crossover are important, yes, they exist for a good reason, but the boundaries should be defined by the story and characters and whatnot, not the other way around. Boundaries in fiction exist to be crossed or tested, they exist to tell you where you can't go so you can try to do so anyway and either fly high or crash.

Sometimes, bending or twisting characters and settings can be both a grave sin, as well as the thing that allows them to survive. Sometimes there are rules that seem unbreakable until someone breaks them without trying. And sometimes, going big and stupid and carefree over-the-top is either the worst, or the best outcome. It's fiction, taking risks and having fun is part of it.

So I'm afraid I thankfully cannot give your question a universal answer.

[jgnico]

These were her words, hope you don't mind me showing//i also saw another anon talk about this >>

"At first, I went to make a character that was a quite specialized in Tsukkomi, but there was direction that she was elegant, beautiful, and only changed when Gojo involved. She often gets angry, but that's why I wished I could make a character that makes people think she's cute. It's a difficult point of view but I think that the nuance is different from hate or distaste. I feel that it is necessary to have a very delicate play as to where Utahime's feelings and how to reconcile with the places she hates to lose. There are many parts that have not been revealed yet, so I'm looking forward to playing them in the future."

And of course lastly, i haven't seen anything officially posted, this was only posted on twitter by Gojo*hime fans(surprised?) to me either way if this is her supposed interpretation of a character, it sounds awfully sexist but hey, what do i know 🙄(Do VAs get sneak peaks from manga or words from author about characters?)

From what I remember of manzai --which is where the term tsukkomi comes from-- it's an act/skit where one character is the straight laced, angry type (tsukkomi) while the other is the irreverent, funny type (boke), which is a trope I could potentially see Utahime and Gojo falling into.

I'm glad that she was steered away from that direction though, since I don't really like the idea of Utahime's character being painted into such a two-dimensional personality type that's built around being a foil for Gojo.

It is nice that she was given the input (I'm assuming from Gege or the director) that Utahime isn't the angry-all-the-time tsukkomi type, but rather has a lot of good qualities --elegance, beauty, etc-- that go away whenever Gojo comes around because he makes her angry. I'd say that's a fair direction, since that's kind of how Gojo is with most people. Even if you're someone that likes him, he's gonna do something to get on your nerves.

That being said, I really don't like the idea of Utahime having to reconcile her feelings [towards Gojo] vs her ambition. Those should be two separate things, same as they were for other characters that have/had a relationship with him. What I hope this means --or is referring too-- is what was brought up the last time that we talked about these two on this blog: that Utahime can't really afford to give into Gojo's antics because she's built a place for herself in the Jujutsu world where she's taken seriously and Gojo --by goading her out of her composure, making a fool of her in front of her boss, and calling her weak-- jeopardizes that, so she's not going to put up with it even if she doesn't hold any truly negative feelings toward him. [link to prev Utahime & Gojo discussion]

(I don't think it's misogynistic, per se. I just think her words are lacking a lot of detail and context, which is understandable because you have to be careful about not spoiling anything and you can't really go super in-depth on character analysis in a timed interview. As for where the interview came from, I haven't seen it around and I avoid the Goj*hime side of the fandom for sanity's sake, so... 🤷🏾

Also, as far as I know, directors and authors try to avoid giving VAs any kind of spoilers so that they can avoid leaks, but they will give character direction to avoid potential contradictions/conflicts of the source material in the future.)

[17wishbones]

Here is Chapter VII: War’s End (Part 2). I low-key cried writing this because, wow, I really do love this Flame Hashira so so so so so so much. I got a bit distracted reading other fanfiction and all that but here comes the second part. Now, this has spoilers from the manga/movie, so get to watching it as soon as possible. However, if you don’t mind it, go ahead and have a read! Please enjoy!

- - - - - - - - 

                                            Chapter VII: War’s End (Part 2)

Bright rays of the sun beat down on you as you stood before the oceanfront. The wind blew through your locks and along your skin. In your hands was a net and a few fish caught in them. You ogled them with a tight squint. ‘I know this handwork-’

“_____! _____!”

Your eyes widen. “That can’t be. . .” You slowly turned around and was blessed with a beautiful sight. “Mother? Father? You’re both. . .” Tears flowed like a river as you tackled them in an overdue embrace. You couldn’t swallow the sorrow that crept over your body when you thought to have lost them.

“We’re both what? Other than waiting for you to come home?” Your father was a tall man, standing halfway over six foot. His thick dreads touched the small of his back and his salt and pepper beard filled out his face. He was a handsome man still.

“You must be thirsty, _____. Come on in and drink. You’ve caught enough fish to last us a while.” Your mother was a beauty herself. She had a clean shaven head, a strong jawline, and the legs of an Amazon.

They stood tall while you remained short. You didn’t receive the end of the tall gene pool but that didn’t make you any harder to love, even though they joked about your height all the time. The two of them loved you so much.

Your mother, Oolade, wiped your tears away as your father, Uzoma, got the net of fish from the shore. “We shall eat as kings and queens together!” He shouted. “Look at the bounty our daughter has gathered!”

“I am proud of you, my sweet _____.”

“Mother, Father, please, you are embarrassing me!” You laughed. “Kyōjurō would love nothing more than to meet you both.”

“Kyōjurō?” They both questioned in unison.

“Oh.” Your mind went blank a moment. ‘Why did I say that? Kyōjurō? Who-who is that? His name sounds familiar.’

“Never mind that. Come.” You didn’t even think twice as you followed your mother to your quaint house on the shore that your father built by hand. It was just as you remembered.

“Oolade found some wild rice to make with as well. We’re going to have a feast!”

‘What was I even doing before? I must have been daydreaming.’ There was no questioning this surreal feeling as your parents showered you with love and laughter.

Overwhelmed with a sense of unbridled joy, you thought to never leave him.

You blinked. ‘Him?’ You questioned blankly. ‘Who is this him?’

Time had passed but the scenery didn’t change. “Hey, I’m going to step outside for some air.”

“Hurry back so that you may bless the food before we feast.” Your parents’ smiles, even though forever imprinted in your mind, suddenly dulled in comparison to the image of this fiery man.

You took a deep breath and closed your eyes. You slowly opened them and saw an outlined path towards the woods. You instinctively followed it to a rip into another space. You gasped aloud as you caught a young child making their way to this shining orb floating within a bundle of sunflowers.

The child turned to you, frightened and with the needle pointing towards you. They were sweating and shaking with fear.

“What are you doing here?” 

“How did you find me!? You’re not supposed to be able to enter into your own unconsciousness!”

“It’s mine… isn’t it?” You took a step forward.

“_____? _____!” Oolade and Uzoma came running toward the border with sadness filling their eyes. “What are you doing? Come back!”

“_____, don’t leave us!”

You didn’t heed their words, but their voices wretched your heart. “You plan to do something? For what cost?”

“Destroying your core will allow me to sleep peacefully and see my family again!”

“And that’s the best way to go about it?” You ignored their calls as you pressed forward towards the child. “Your good dream will end and so shall you succumb to your pain.” Your eyes softened. “You will die a sad death. To a demon.”

“How do you know how I feel!? You just had a good dream!”

“A bittersweet dream. My parents have long since passed. They no longer live in this world. Even this cannot bring them back forever or give me peace.”

The child backed up until he was just a footstep away from your core. “Come any closer and I’ll do it!” 

You stopped your approach and knelt down, holding your arms out. “Then you choose. Live your life or succumb to an eternal slumber?”

The child had wanted a good dream of his family, to be happy, but when he saw the look on your face, the look of pain and suffering from even getting a glimpse of what life could have been with them spread over your face.

He dropped the needle and ran to you full throttle, crying his heart out as he embraced you tight around your neck.

This was the right thing to do. Even as good as the dream would be, it would hurt all the more to have it taken away.

The faux warmth of the child disappeared and your eyes fluttered open to an ungodly sight that made you want to throw up.

“What the hell!?” You stood on top of flesh. “Intestines!?”

Rengoku flashed past you by one moment and returned the next. “You’re awake, Sunflower!”

“Did the demon become a train!?”

“So it seems, yes! Kamado and Hashibira are going for the neck. Our job—”

“Is to protect the passengers at all costs.”

“Nn! You take care of this cart and I’ll do the other four!”

“Just one?”

“Your safety is of utmost importance! Aid Golden Boy and the Demon girl as needed!” He kissed you quiet before dashing off in a blaze, hushing your protests.

“That man…” you drew your Nichirin blade, “Is so…” your short dash in the cart made easy work of the disgusting, fleshy tendrils, “Annoying!” But you couldn’t argue with his command or logic. He was sound in the midst of danger.

What you did was light work, and by the looks of it, Zenitsu and Nezuko had the other three sorted as Tanjiro and Inosuke ran for the front of the train. You hummed, slightly irritated at your position. You were getting into none of the action, but you knew how fast Rengoku and Zenitsu were moving by the back and forth teetering of the carts.

‘This train could topple at any moment, especially with all of this monstrous bulk. So, there’s no telling when it’ll--’ A shrill filled the air, disorienting you as the train of muscle crumpled up and fell right off the track. If it weren’t for the demon’s flesh and that Demon Slayer footwork, people onboard would have been seriously injured.

You checked those in your assigned cart and then where Zenitsu and Nezuko were. “Are you guys alright?” 

“Mm, mm!” Nezuko nodded as you came over to the slightly slumped Zenitsu.

“Great!” You took him by the shoulders and started shaking him away. “Zenitsu? Zenitsu! Wake up!” He was still asleep, but he only incurred very few injuries as Nezuko had. “At least you two are alright. You really held your own, Nezuko. I’m a little jealous I didn’t get to help out much at all.”

Nezuko, no matter if tired or full of spunk, was just a beauty to look at. You understood why Zenitsu was so smitten with her though he feigned himself a well-groomed ladies man. She offered a soft sound as a response before she leaned up against you. 

Parts of the demon’s body slowly faded from existence, leaving now broken windows with an open view to the outside. Rengoku stood over Tanjiro, instructing him as he laid on the ground. Nezuko picked up her brother’s scent and slowly headed outside. Zenitsu followed her sleepily as you grabbed a few people and exited yourself.

Suddenly, the earth shook and dust flew everywhere as something else landed unto the field. You couldn’t believe your own eyes! The aura spiked high as it circled around the tattoo-marked Upper Moon demon. The shine in those eyes were as hungry, monstrous, and devilish as their appearance.

In the blink of an eye, he was just moments away from striking Tanjiro. “Fire Breathing! Second Form! Rising Scorching Sun!” Rengoku’s quick thinking saved him. “I don’t understand why you’d target a wounded person.”

“I thought he’d just get in the way between you and me.”

You froze. You had never seen a demon so fast like this one. It was just as scary as that time in Asakusa. The aura you ingested made you run on instinct, quelling the thoughts of fear or nervousness. 

This one looked too toxic. You’d be sick for days. Not to mention, this demon only had eyes for Rengoku.

“You and I have something to talk about? It’s our first time meeting and I already hate you.” Rengoku replied.

“Is that so?” Akaza mused. “I really hate weak humans,” in terms of Tanjiro and others, “When I look at weaklings, I just feel disgusted.”

“It looks like you and I have different moral values in regards to things.”

“I see. Then I have a wonderful proposal. How about you become a demon, too?” 

“No chance.” Rengoku declined.

“I know your strength just by looking at you. You’re a pillar, right?” Akaza’s interest in Rengoku shined through his symbolic eyes. “Your battle spirit is quite polished. You’re getting close to Supreme Territory.”

“I am the Fire Hashira, Rengoku Kyōjurō.”

“And I’m Akaza.”

They both exchanged names but withheld their stances. Akaza came to kill and eat any humans as well as convert the strongest ones into those he could. However, no matter the strength, Rengoku was defiant in every sense of the matter when it came to slaying demons and protecting the weak who could not fight for themselves.

But you weren’t out of the clear, however. “Ah, seems like I have a two for one deal.” To your chagrin, the demon noticed you next. “Why don’t you consider becoming a demon, too?” He saw your spirit as well, one with potential of being his punching bag. “As a demon, you can become stronger. That wonderful sword style of yours will keep on improving and we can fight forever! Otherwise, you’ll never reach Supreme Territory and do you know why?”

Silence.

“Because you’re human. Because you’ll grow old. Because you’ll die.” Akaza pointed his finger at Rengoku. “Become a demon, Kyōjurō. You can train for a hundred years. Two hundred years. You can become stronger.”

His face grew dark as he pointed at the likes of everyone in the vicinity, truly disgusted by what he saw before him. Rengoku looked none too pleased with you inserted into the situation. ‘Don’t worry, _____. I will protect you, the children, everyone! Nobody here will die or turn into a demon while I still stand!’ He felt overprotective over you, and found it fit to fulfill his duty not only as a demon slayer, but as a man.

Rengoku couldn’t stand that look of dread and worry filling your eyes. “Growing old and dying is the beauty of the fleeting creature called a human being. Because they grow old. Because they die. They are tremendous. Lovable. What they call ‘strength’ isn’t a word that is used in regards to the body.” He wouldn’t let Akaza spout such untrue words. “This boy isn’t weak. Don’t insult him. I’ll say it over and over again. You and I have different moral values.” His sunset eyes widen menacingly. “No matter what kind of motivation I have, I will not become a demon.”

“I see.” Akaza stanced. “Technique Deployment. Destructive Kill: Compass Needle!” Akaza prepared to fight. “If you won’t become a demon, then I’ll kill you!”

Air waves and flames lit up the area as both Rengoku and Akaza moved at blinding speeds. Pillar versus Upper Moon. You were stuck in place, unable to move. The sudden gravity of the situation skyrocketed and your body froze. Your breath shifted, becoming uneven and quick.

“DON’T MOVE!! If your wounds open, it’ll be fatal! Standby, soldier!!”

Rengoku’s serious voice brought you back, but he demanded no one interfered. Inosoke, who stood at Tanjiro’s side, felt helpless.

It was an explosion of power that erupted, and emerging from the dusty cocoon was an unscathed, healed Akaza and a battered Rengoku. “Kyōjurō…?” His blood-soaked uniform recalled his humanity, his mortality. You were in a state of distress.

Akaza praised him, and employed the idea of becoming a demon, where all his wounds, his crushed eye, and his organs would heal in moments. He’d become stronger, faster, and more powerful than before, but the answer was still no.

Rengoku raised his blade and stared on with a dazzling, one-eyed smile. “I will fulfill my duties! I won’t let anyone die here!”

“You really should become a demon so that we can fight for all eternity!”

“Full Focus Breathing. Flame Breathing. Esoterica. Ninth Style: Purgatory!”

“Technique Deployment. Destructive Kill: Obliteration Style!”

They clashed in one final blow, and the results after the dust cleared terrorized you with your unknown and worst fears.

Akaza punched through Rengoku who held his blade upright. It was but a second before he tightened his grip and slashed at Akaza’s neck which surprised the demon. Rengoku, even as death approached him, remained resilient as he caught Akaza’s other hand, tightened his innards around his arm, and dug his blade further across. As the demon screamed for release, Rengoku screamed for his defeat.

“INOSUKE, MOOOOVE!!! MOVE FOR RENGOKU-SAN!!!”

Tanjiro’s shout broke you from your shock. Opportunity to strike was now or never. At the speed they ran, they wouldn’t reach Akaza as he struggled for release as the sun was due to rise. 

‘Full Focus Breathing. Fire breathing. First form: Unknowing Fire!’

It was a split second decision that made all the difference, and thanks to Inosuke. As Akaza panicked upon seeing Inosuke preparing to jump, Akaza suddenly felt weightless below. ‘What? My legs!’

Inosuke stopped just in time, leaving the final slash to Rengoku who pushed with all of his might and brought his searing blade through Akaza’s neck.

“You sneaky bit— oh no! The sun! I have to go, I have to— AHHHH!!”

Dawn broke over the horizon and Akaza’s body disintegrated.

“Kyōjurō!” You helped him to his knees, seeing the condition that he was in. “You’re hurt. Maybe if we can get you bandaged up, we can—”

“I’m sorry, My Sunflower. My stomach won’t close. I will die very soon.” He turned and addressed Tanjiro. “Kamado, my boy. Let’s have a final chat.”

Tanjiro ran over, huffing as tears stained his cheeks. “Rengoku-san, don’t talk too much! Help will be here soon. Just hold on!”

“Just listen to me. Return to the Rengoku Estate. There should be notes about the ‘Dance of the Fire God’. My father read them  many times. I didn’t read them myself, however, so I don’t know what’s inside them. And for the both of you, tell Senjuro to pursue the path that he thinks is right, as his heart tells him to. And tell my father to take care of his body. And also...” He leaned in. “Kamado, my boy, I believe in your sister. I accept her as a member of the Demon Slayers.”

Droplets of water dripped from Tanjiro’s big eyes.

“I saw that girl protect the humans inside the train despite bleeding out. Those that protect humans and fight demons are Demon Slayers, no matter what anyone else says. Live with your chest high. You, Hashibira, Golden Boy, and her will become great pillars.” His attention finally landed on you.“My Sunflower.” He weakly raised his blood-smeared hand, touching your cheek. “Never give up. I will be watching over you.”

Rivers flowed down your desolate face. “Wait for me over the bridge when I cross. And meet me in the next life.” You found his hands and held them in yours. “I-I l-” Words became lost as you choked on every letter, unable to contain the sadness corrupting your mind and heart.

It hurt him to see you like this, and it devastated him more that he wouldn’t be able to comfort you and grow old together. “My life flashed before my eyes and my most wonderful memories were of you. Your warm smile, your touch, your praises, it makes me more determined than ever to be with you wherever we may go or be.”

The last thing he’d feel was your lips on his, stained with his blood. “I’ll never forget you, Kyōjurō!” You said with as much enthusiasm as you could. “I-I love you!”

Rengoku couldn’t help but to smile. “I love you, too, My Sunflower. Set your heart ablaze. . .”

“And move forward.”

Rengoku peered past you and Tanjiro, spotting a familiar shape. ‘Mother?’ You and Tanjiro looked back but saw nothing. But an enveloping aura past you two and surrounded Rengoku. ‘Did I do everything right? Was I able to fulfill everything I was supposed to carry out?’ 

‘You did a wonderful job.’ A smile to him, a smile to her, and his head drooped. His body rested peacefully in your arms and his fiery aura dispersed as it was no more.

‘Kyōjurō!’ You were too choked up as you sobbed loudly and ugly. Your heart ached just like it had when your parents were eaten by demons.

Your world darkened, stained in your tears and his blood. What was this victory worth now that he was gone? 

It was worth every saved life here, and you knew that. It was going to weigh on your heart how you didn’t help him sooner, but his face discouraged you. He took the brunt of Akaza’s assault and held on until the very end.

You mourned over him from that day and weeks later. No one had seen you since the Mugen Train incident. Rengoku had done so much to keep everyone safe, taking his last breath on the battlefield. It had been a hard pill to swallow, one that you had not fully been accepting of even though you were there to see him off.

Tanjiro, Inosuke, Zenitsu, and Nezuko missed seeing you around. And especially Senjuro, but you needed to separate yourself and become better. You were no use to anyone lying on your back and crying your eyes out.

With the Nichirin blade in your possession, you carried on silently with a memory of him attached at your hip. His haori? Cleaned, pressed, and framed on the wall. For as long as you lived, his legend would be immortalized. On your shoulders, you carried the burden of loss. Sometimes, it’d hurt so much, your chest would heave and you’d clutch part of your left breast, where the pain ran deep as tears stung your eyes.

You left Senjuro with a kind yet sad smile as you didn’t want to hear the ugly mutterings of his father’s distant, drunk voice. His aura dripped in a drab blue, his melancholy nature surely melting at the loss of not only his wife but now his eldest son.

You hadn’t forgotten about those you loved. You’d be back for them. - - - - - - - - - -  Chapters: I | II | III | IV | V | VI | VII (Part 1) / (Part 2) / (Part 3)

[gracielitamargarita]

Thoughts on Kyoru in Fruits Basket: The Final as a manga reader

(and bad metaphors about lava cake)

So with next week's impending shit storm of a Furuba episode next week, I've been doing some reflecting on our favorite Mutual Pining Idiots, Kyoru--and thinking about how the anime adaptation's choices in rearranging or removing content has impacted things, specifically with Se3E6.

And just to preface, I think the anime adaptation has been terrific overall. I also think loving something and critiquing something aren't mutually exclusive either. The goal of what I'm about to write is not to incite negativity, just to get some feelings out about my favorite pairing from my favorite manga series and provoke some deeper thought, I guess.

ALSO, I hope you don't mind metaphors--specifically ones about chocolate-raspberry lava cake, because that's what I've decided works best for explaining Kyoru. So FASTEN THOSE SEATBELTS PEOPLE 

MANGA SPOILERS regarding previously omitted content as well as VAGUE ANIME SPOILERS that can be implied/inferred from the ending of Se3E7 under the cut.

I think one of the (many) reasons I find Kyoru to be such a satisfying ship is because of the slow-burn element. Come season 2 through the beach arc, their chemistry is palpable, natural, and growing stronger and stronger with each episode. When Kyo finally admits to himself that he's in love with Tohru in Se2E9, it feels like we've been rewarded with a chocolate lava cake topped with raspberry sauce--it's delicious, complex, and full of gooey and satisfying substance.

Now like many, I'm a sucker for the pining idiot trope--let alone the MUTUAL pining idiot trope--and we do get to see this through the end of season 2 as Tohru's feelings for Kyo become more apparent to everyone BUT her. It's like we're LOOKING at the chocolate-raspberry lava cake, so close that we can ALMOST touch it, but we as viewers aren't allowed to cut into it yet--which makes every little encounter between the two of them all the more exciting, because we wonder what's finally going to allow us to ravish this goddamn lava cake (sorry).

Which is why I realized I'm actually struggling more than I initially thought in the final season. As it's been widely speculated, discussed, and now officially confirmed, we're getting 13 episodes this season. And while like most everyone else, I'd be thrilled with two cours, I don't know the ins and outs of anime production, AND, while I'm bummed, I've accepted that it is what it is--and that it isn't the reason I'm writing this post.

Of course not every panel or fleeting moment can be adapted from the manga to the anime. There were small little cuts here and there over the course of the first two seasons, but nothing in my opinion that's really SO substantial that it drained the lava cake of its filling--maybe some of that raspberry topping, but generally, the good stuff is all there. (Though I do love this moment below from chapter 82, which was skipped over in Se2E19)

The final season has been different, though. As we know in the manga, the inner turmoil for Kyo--and Tohru to an extent--really starts escalating immediately after Cinderella-ish with Kyoko's backstory and Kyo's nightmare from chapters 90-93. I also understand that Cinderella-ish was Se2E23, and with only 2 episodes left in the season, it made sense from a directorial standpoint to end with the Kureno/Akito reveal versus Kyoko's backstory and Kyo realizing he needs to know his place.

But without this context, it leaves moments like the flower scene from Se3E2 less impactful--like a lava cake made by someone who skimped on the filling. To an anime-only (and even as a manga reader), it's likely still a satisfying moment to watch: we know that Tohru clearly has a lot of inner turmoil following her conversation with Kureno. Kyo's turmoil following his nightmare, however--and overall, the sentiment of him thinking he needs to stay away from Tohru, yet still finding himself drawn to her above all odds--is deeply diminished.

Which leads me to the main reason (finally, sorry) that I wrote this post--Se3E6, or the episode when Tohru finally admits to herself AND to Rin that Kyo has taken the place of her mother as the most precious person to her. 

In the manga, Se3E6 is made up of chapters 107, 108, 109, AND 114, spanning the end of volume 18 through the beginning of volume 20 of the TokyoPop mangas. Volume 19 in particular is one of my all time favorite mangas in the entire series for one clear reason: just as we've seen Kyo get to do in season 2, we finally get to see Tohru slowly own her feelings for Kyo, and MY GOD, is cutting into that lava cake and enjoying that delicious filling satisfying AF. The Mutual Pining Idiots are in full swing here, both dealing with inner turmoil but also being unable to stay away from one another either. In addition, they're dealing with normal teenage awkwardness too, which feels like a bonus topping (would nuts go well, do we think? LOL) to the Kyoru lava cake.

But between the producers adapting Momiji's arc prior to episode 6 AND the producers ending episode 6 with a 2-minute horror movie essentially--AND, lest we forget, none of the Kyoko backstory at this point--we lost essentially all of that satisfying filling. 

And again, I understand, only 13 episodes and the producers are trying to make shit work and I do see why they made some of these changes in the overall big picture of things, but I wish it weren't at the expense of Tohru's character development and also for Kyoru, which had been so thoughtfully and delightfully well-developed in the first two seasons.

My biggest issue BY FAR with episode 6 is Tohru's confession to Rin happening before the sheets scene. The producers combined 109 and 114 for the second half of episode 6. In the manga, Tohru is able to openly admit that Kyo is the most important person to her BECAUSE of how he accepts her after she "opens the lid" to reveal the ugly feelings she's been harboring for years about her father. And in the manga, since we have the context of Kyoko's backstory and can see how she nearly committed suicide and left Tohru alone for days, it is gut-wrenching to finally hear Tohru confront and express her trauma in her own words. 

The sheets scene is arguably my favorite scene in the entire series. The anime portrayed it beautifully. Jerry and Laura ripped my heart out with their performances. It was a deeply moving scene (even with all of the changes) and the romance and pining was there--but, I hate to admit it, the feeling of cutting into that delicious lava cake to reveal that even more satisfying filling was not.

And now, come the end of Se3E7, we're approaching the climax of the series that we've been salivating for for so long now, the result of all of this inner turmoil and secrets and deep, deep longing for one another--and it almost feels now like the cake was baked too quickly, in addition to being drained of much of its filling. 

I was debating waiting to write this until next week after we see how Se3E8 goes, but my thoughts have been swirling about and this clown couldn’t help herself. I'd like to end this post on a hopeful and more forward-thinking note, though, if you've made it this far into my novel LOL.

There is definitely the potential to add a little more about Kyoko's backstory in next week's episode. I also expect that we'll hear more of Tohru's inner narrative and thoughts, which I’m really looking forward to. As several others have speculated as well, I predict that we'll be getting chapters 119-122 next week. Despite it being 4 chapters, everything should happen in sequence (versus with episode 6) and there's a lot of action, so I do feel like it won't feel rushed or disjointed. And while I could see them possibly ending with 121, 122 would be my preferred ending for many reasons (manga readers know where I'm going with this ;P) and I honestly see it fitting best there.

And regardless of what happens, I'm looking forward to eating whatever variety of lava cake is served to us next week.

And at the end of the day, we'll always have the manga, which will probably always be my favorite lava cake of all.

(and now I'm hungry for an actual lava cake)

[masterhandss]

Hi im just starting with the ln of hamefura (manga/anime watcher) which so far so very good. A lot of additional characterization and world building. But a question: does katarina, mother doesnt like her? She seems to be completely obsessed with her husband and the reason she ( so far) treats keith well is because she reminds her of him. For katarina she seems more as an afterthought and a point of embarrassment. Do we get her pov in future novels or more kind relationship with katarina later ? She is kind of a nonentity in the manga.

Miri gets a few POV chapters in Volume 5 as extras, but aside from that we don't really get to see much of her. I understand if people don't really feel the love between mother and daughter, since most of time we see Miri she's just angry or exhausted of Katarina's behavior. Miri and Katarina's relationship is mostly played for laughs so we only get Miri POV scenes when she's surrounded by other noblewomen or scenes with Luigi where he feels glee about how similar the two actually are.

Though I wouldn't go as saying that Miri doesn't love her daughter, she's just strict because of the societal expectations place on Katarina (that she doesn't feel lmao). She's hard on her, yes, but that's because she loves her daughter and doesn't want her to humiliate herself or their family. Miri very much appreciates the joy that Katarina has brought to her and the entire Claes estate by being her happy, energetic and rambunctious self.

Miri wants Katarina to be a proper lady, but that doesn't mean she wants her daughter to change and stop being herself. I like to think that while Miri definitely disapproves of Katarina's farming hobby, she somewhat allows it because that's what makes her daughter happy (realistically it's probably Luigi or Keith who convinced her to allow it but I think a small part of Miri who agrees for those reasons). She doesn't like seeing Katarina embarrass herself (or at least when she thinks Katarina is embarrassing herself) because what kind of mother would want to see or hear her daughter being gossiped about or scorned in public? Of course Miri doesn't know that Katarina is loved by everyone regardless of how she acts, because she can't believe/comprehend that anyone outside of Katarina's circle of people would find her unlady-like antics to be amusing or endearing (also because that's the running gag of the series).

Sadly, even Katarina doesn't believe her mother loves her, which can be either really funny or really sad depending on how you take it. Katarina (and I guess the audience too) takes her mother's scolding and disapproval or her behavior as rejection, but to Miri it's strict parenting and maybe-kinda-extreme concern.

If the series decides to actually address the consequences of the running gag to Miri and Katarina's relationship, there is lots of potential for growth with both characters.

I don't know about Miri being obsessed with Luigi though, since it's kinda the opposite haha (Luigi is the one who madly in love with Miri hehe). You did mention that you're just starting the novels, so sorry if you consider the prior statement as a spoiler, but hey that's something to look forward to while you're reading the books :DD Of course Miri shows extra appreciation for Keith, he's growing up to be a fine gentleman and noblewoman and is helping her keep Katarina in check. Plus yeah like you said, Keith looks like Luigi so she finds him extra endearing. Miri will constantly encourage Keith's behavior as a noble and sense of responsibility in order to reward Keith for his growth over the years, and to maybe encourage Katarina to follow suit.

I wouldn't deny that there's visibly some favoritism when it comes to Keith and Katarina though, but I kind of really like it because it really helps emphasize the irony of the relationships in hamefura (y'know, how FL!Miri is very proud of FL!Katarina and hates Keith, but now Miri is very proud of Keith while is strict but still loving towards Katarina). I don't know, I just really like thinking about it sometimes.

While this may not be official material, I do love it when fanfics dwell into the relationship between the mother and daughter and delves deep into Miri's appreciation for Katarina's personality post-head injury. There's a lot of fics that cover this, but right now I can only think of "A Parent's Worst Nightmare" (and Catarina Claes Must Die by extension) and "Zuchini Flowers". One of my favorite things they do in fanfiction is address the fact that Katarina believes that Miri doesn't love her because she didn't turn out to be a proud and poised noblewoman (like FL!Katarina was supposed to be), only to find out that Miri loves her just way the she is. It's so nice and I would be willing to read the same character development in 62375427th different ways via fanfiction!!

I feel like there's so much more to say about their relationship that I haven't elaborated well enough, but I hope this answer is good enough for now. I'll add more things if I can think of more to say :''DD

Thank you for the ask :DD

[meimae]

Look at me, not being on time for my April Immersion Overview as is the usual. (・w・;

First, little blog updates to get out of the way:

I reached 100 followers! Got an influx of people checking out my 1 year update post, and got plenty of nice compliments on my data collection.

For those of you wondering just why I keep up with so much data, it's mostly because it can get really hard to notice how much you're improving in a language especially with something like immersion learning that for people who don't get it feels like a waste of time or a time sink.

Graphs showing consistency, improvement in reading speed, increasing vocabulary counts, and generally just seeing numbers grow turns language learning more fun and motivating for me, and if as a bonus, it encourages someone to try immersion learning then that would be cool!

With that said, whether you're here as a fellow language learner, graphs enthusiast (笑), or just want some Japanese media recommendations, ようこそ! 

Also, made a tiny DP change - it’s チト from 少女週末旅行. Pretty sure it’s the first manga series I ever finished in Japanese (not the first one I started since ちはやふる is still ongoing), and I always felt a bit of a ☆connection☆ with  her - between her book-loving personality and being a no-nonsense kind of person, there was no way for me not to enjoy her character. Great beginner anime/manga if you’re not into most beginner recommendations.

-☆-

April has been a pretty good immersion month, as I was able to dip my toes in a variety of media. A bit competitive, too! The club I joined has been pulling all the stops to get to the Top 20 Immersion Leaderboard in it’s first month. I was able to snag the 9th spot among a bunch of people of different comprehension levels (the majority being N1+ since they’re able to comprehend much more and in turn stand longer immersion hours). Lots of tiny complaints though of potential “whitenoising” content (”listening” and “reading” but not comprehending very well just to get a large number to post), but really what can you do? People lie all the time on the internet. Besides, it’s internet points that doesn’t do anything beyond being a little shiny I guess.

Enough about that, let’s get into the nitty-gritty details you came here for!

ANIME

フルーツバスケット

Might need to rewatch this one. Felt like I didn’t connect with the characters the way the rest of its fandom has. I’m kinda sad about it, since I normally love Slice of Life and Fantasy, and I know this is one of my friend’s diehard shows.

ラブライブ! School Idol Project S2

A filler anime to watch tbh. Nice and easy enough to follow for beginners. Pretty good songs. With regards to it being a show about music and moe, I still 100% prefer K-On! if I’m going to be honest, but for a show about non-toxic idols, it’s good!

魔法少女まどか☆マギカ

First read this as English translated manga when I was 13 or something. Mistakes were made. Let’s all just agree to throw キュウベえ into a pit of fire and never talk about it again. Great ending and a show that really reworked the magical girl genre. But seriously, I was traumatized by マミ’s death then and now, help.

四月は君の嘘

Already knew what was going to happen even before watching this so I didn’t ugly cry like I was expecting. Still got that awful sinking feeling though. 10/10 would recommend for a good cry. Also, I’m planning to read the manga, might enjoy that more, because I’ve always liked it more than anime actually. *shocked pikachu face*

ホリミヤ

Watched before I even finished the manga which felt like a mistake at first until I realized that it perfectly stops where I stopped reading. Nice and comfy anime, the kind I would have loved as a teen. Fun animation too, making parts very dramatic even though it wasn’t really that deep of an issue even in the manga. Just teens feeling feelings. Still salty that we lose bad boy styled 宮村, but I get why it had to happen.

AUDIOBOOKS

氷菓

Second re-listen. I understand it fine, but it’s very easy to drift off when you can’t catch all the words so I had to replay often. Will have to mine more from the anime/book.

君の名は

I mined from the anime, and was really pleased to be able to follow all 6 hours of this audiobook perfectly fine. Will need to read the book, because I realized just how seamless reading it would be after listening to it with hardly any issue.

BOOKS

キッチェン

Completed! Read my thoughts about it and see my stats on this post.

君の膵臓を食べたい

Still trudging on with this one. It’s not a bad story, it’s pretty well written actually, I just made the mistake of watching both the anime and live adaptation first, so I know exactly what’s going to happen and it’s killing my motivation to keep reading. I guess reading the book first before watching the movie still applies in any language with me. Really need to 頑張れ and finish so I can move on. 

三日間の幸福

Started reading towards the end of the month, mostly because I realized that every chapter is only 5000-15000 characters long, and I was able to read up to 40k in a day with Island most days. Only two chapters read so far though because I got distracted by manga, but it’s shaping up to be a really good plot and potentially a really sad one, too, so I’m interested.

DRAMA

花ざかりの君たちへ イケメンパラダイス

Heard this was a classic so I gave it a try. Loved 生田 斗真’s character in this one the most especially all his internal dialogue acted out. Also, 小栗 旬 in anything is bound to be a good watch. Simple and fun watch. They dragged the ending so much though lmao 

ごくせん

Look, I see 松本 潤, I click. Definitely the kind of show you should watch for some great life advice. Planning to watch the 2nd and 3rd seasons even if there is a terrible lack of 松本 潤, because I love my strong female protagonists, and man, ヤンクミ is such a great character. Need to read the manga, too, if I can find it.

極主夫道

Oof, this was kind of hard. The yakuza talk was throwing me off, but the rest of it was enjoyable. Not really plot heavy as I thought it was going to be. The comedy side of it was fun and predictable after the first few episodes. Overall, pretty good slice of life, family story with a twist.

MANGA

Read a bunch of manga this month, mostly because I am struggling to find the next vn to read.

おやすみプンプン

Read a couple of volumes (6-7). This manga is so good, but it’s so depressing I need to stop to take a breather every once in a while. Please don’t leave any spoilers. The club has been reacting to me reading this, and it has mostly been a lot of crying emotes. It’s both been enjoyable to see and really worrying. 笑

チェンソーマン

Club recommendation. Only read the 1st volume so far. I really need to get into more 少年 anime/manga. That’s currently my 苦手 genre which is awful because literally all the top anime/manga is 少年 help. I just can’t enjoy it much still even though it’s comprehensible to me.

ちはやふる 中学生編

Read Vol. 1, chill read to me at this point after reading 45 volumes of the regular manga. Look, it’s my favorite 幼馴染 manga in baby format, of course I’m going to read this! 太一 has been a flake way before season 3 confirmed. Don’t come at me たいちはや stans bc I also like his character.

約束のネバーランド

Volume 7. I’m taking my sweet time with this one, because I heard the anime for season 2 sucked, so I’m avoiding it like the plague. This is 少年 how am I enjoying this and not everything else what.

ヲタクに恋は難しい

Enjoyed the anime hated the movie why did they make it a musical that sucked (ps i normally love musicals hated this one) 

The オタク jargon is kinda hard to read suprisingly but I do enjoy this ship very much. It’s a lighthearted take to otaku culture which is great because seriously it’s scary out there.

ツバサ -RESERVoir CHRoNiCLE-

It’s my childhood ship, obviously I will read this again (read in English several years ago). Still as plot twisty as I remember it being (now at a bonus hard level reading it in Japanese 笑). Really enjoyed reading this one (I finished it this May).

-☆-

I’m starting to really dislike furigana in manga. It was a great help as a beginner, but now it’s like training wheels that you can’t take off. I feel like the gains I’m getting from manga is much lower than it was when I first started which makes me both proud of how far I’ve come, but also sad because I love manga. Sad that I might have to start choose VNs over it, because it’s not going to challenge me as much going forward. I mean it didn’t stop me from reading a lot of it this month, but you get the picture.

VISUAL NOVELS

ISLAND

Completed! See my stats and read my long spoiler filled post here.

ファタモルガーナの館

Picked up this VN and finished two doors (15 hours) before stopping. On the fence about it, because it has been kind of predictable so far, and I don’t particularly enjoy the horror genre. That said, this is more psychological than anything, so it’s probably not that that’s putting me off. The language is not exactly difficult, too - maybe some oddly specific words because it is after all historical fiction (which is one of my favorite genres, btw), and 敬語 is definitely interesting to read for once after encountering so many お嬢様 characters in anime/drama so far. 

I think maybe it’s the conversations that are kind of dull - dots (silence) every few clicks that keeps breaking the flow of reading. Probably judging it really harshly too early, because it’s rated so high everywhere, and I just have high expectations. Definitely not dropping it yet though, just taking a break and testing a couple of other VNs before I settle with whatever I end up choosing. It is, after all, going to be another 50+ hour read, and I just don’t want to not enjoy the process, because having fun with the process is a huge part of immersion learning.

Let me know if you’ve read Fata and if I should continue! 

-☆-

That’s it for this month!

If you have any suggestions on what to watch and read next, please send me a reply, especially for VNs because I’m struggling over here.

[ignitification]

at this point d.ku saving shiggy would just feel hollow. of all these 10 solo d.ku chapters he hasn't had any emotional or mental development/understanding. Like d.ku just isn't where HK's writing shines. Not giving him any tragic backstory may have seemed like good subversion at the start but rn my emotional attachment to his growth/lack of it is just at an all time low. And yass way to make another pro hero look infantile due to MC-armour. Istg as soon as any character interacts with either en.dv or d.ku they take negative infinity in power, potential and likeability. Even the vestiges went down on the likeable scale. Also, these chapters were deserved more by literally any other character.

I'd begin addressing your last point anon, and by saying that while on one hand I agree with you, on the other I really understand that on some level (except physical) these chapters are needed for two reasons. First of all, because BNHA has picked up at ‘intense pace’ which translates into a lot of stuff happening all at once (It took us 285 chapters for Bakugou to admit that he cares about Izuku, and then we got in the span of 20 chapters Touya’s reveal, Mr. Compress face reveal, Mirio is back, BJ is alive, Todoroki’s backstory, Tartarus breakout, the name of the 1st OfA User, Izuku dropping out of UA, Overhaul and Lady N - just to name a few), which consequently means that we are fast approaching the final battle (excluding the Traitor affair, the grounds for the last arc are all already in place) of AfO against Midoriya, which bring me to the second point being Izuku, as also confirmed by himself, would not be able to save Shigaraki and also destroy AfO in the shape he is (or rather was, when leaving the hospital), meaning that he needs an upgrade of his abilities, and he needs it quickly. These chapters, unfortunately, are exactly that: a boring build-up needed in order to show us Izuku’s progress in managing OfA. Therefore, while I do agree that it would be nice to have other characters (from which we haven’t heard from in ages, like Toga and Bakugou), I also sadly understand why exactly we are at a halt in terms of ‘story progress’. And this is mainly due, as you pointed out, to the fact that Izuku is definitely not where HK’s writing shines, not in the slightest. 

Izuku’s main flaw is that he does lack some sort of baseline growth which in his case should translate into less hero worshipping and more concentration into his rightful mission of wanting to change the status quo (by saving the villain). HK planted the seed, and at some point it feels like he forgot to water it, and while still holding the principle (on some level, as we saw in his fight with Muscular), it still feels very superficial for something that should be the main goal and more interesting lapel of the manga? I totally understand how someone would feel dejected when faced with this characterisation, especially if the character in question is the Main Character, the story is ending and he STILL appeals to the only thing which caused the entire problem. 

As for me personally, I am still very much attached to Izuku and the Vestiges (because nowadays they represent an interesting development in the Quirk area, in a scientific and symbolic aspect, which I’d like to be explained and explored more, but let’s be realistic - this is a shounen and fans eat this content like famished lions just because it is content, with no critical thinking whatsoever), but I do admit that sometimes I feel frustrated because my main issue with BNHA is how is actually treats its victims and the way people feel attached to toxic traditions (and in particular Izuku’s attachment to the notions of hero as represented by AM, and his will to copy him in the slightest detail). This is even more evident for Endeavour, who seems a catalysis for bad decisions and just a cluster of condoning actions which would not be accepted if done by anyone else, and a lot of crap justifications about themes like violence and abuse, and the implicit lack of consequences each of these actions have in the manga (because preoccupied with more important things, sure - but I think a line would be enough).

Nonetheless, yeah - Izuku should have shown some kind of advancement (not Quirk-wise), but instead in a way to contrast Gran Torino’s view and the example set by older heroes, but instead we get a team up with those same heroes, with Izuku as a bait (which, very much is a problem for both him because he still disregards himself, and the heroes who accept this condition voluntarily) and now that they get separated and Izuku is fighting the possibly only threat (besides the remaining villain at large - and because I really cannot define Lady Nagant as a villain, more like an anti-hero) and he is still winning? Where is the realisation that maybe, even with his Quirk - what Izuku is missing is actually the experience of the pain and grief of this world, which he should have acquired since he appositely left UA? I would agree that until Izuku reaches a level in which he can admit to himself that heroes are not what this world needs, but instead a more inclusive and less-Quirk based society (and the fun fact here, is that he himself is a victim of that and instead he just lets it happen because he is selfless that way) which does not allow loopholes in terms of bad behaviour and where villains are not villains by default when they spur on a bad action, but instead can be guided on a different path - since no such injustices exist in the first place, it would feel very superficial and forced for him to save Shigaraki. It would be seen as a duty, he is forcing himself to make because he consider himself a hero, instead of the contrary and that he is a hero because he decided to save Shigaraki. I hope this can change in the next few weeks, and a good first step would be to have Izuku being overpowered by Lady Nagant - finally showing Izuku that weaknesses are real and that he is still human, and that there is no concrete rule by which someone could be judged as weak or strong (especially if we talk Quirks), and then finally brought forward to AfO, so we can see how he reacts to a. Overhaul; b. AfO; c. ShigarAfO. 

I do not want to hope too much, but at the same time there are reasons for which I am still holding a candle for that. I hope this helps believing, even a little, that hope for a better narrative is still possible. Thank you for the question and thank you for reading.

[dropintomanga]

The Evergreen Shonen Story

A short while ago, there were some online conversations about the popularity of shonen stories. Almost all of them are based around the experiences of youth and some adult fans wanted action-oriented stories based around their life experiences as adults. Reading stories centered on teens and kids as the main characters isn’t everyone’s cup of tea, I’ll admit that. But sometimes, I think shonen stories are somewhat of a reflection on what adults have been telling kids for years and how some/most of their advice has failed youth.

Life begins in the womb. We come out to a world of many possibilities. As children, we’re immune to bias until adults decide to tell us about the many differences of various people out there. Some adults may not care and have trouble dealing with their own pain, They may resort to substances like drugs and alcohol to cope. Under the influence of drugs or alcohol, these adults may start to abuse children and/or neglect them entirely.

There’s a term that relates to the overwhelming negative experiences of children growing up. It’s called ACE - “adverse childhood experiences.” Examples of such experiences include physical/sexual abuse, parent separation, physical/emotional neglect, and living with an adult with substance addiction. I look at a bunch of shonen flashback stories and many of the traumatic ones revolve around physical and emotional neglect.

Why is this important to acknowledge? Because some adults do a bad job in raising their children or guiding kids to become responsible individuals. We’ve seen examples of bad parenting in anime and manga. There’s also the fact that adults have been full of dreams themselves when they were kids, but have been fed advice on how the “real world” works. They’ve been told that they can’t make their dreams come true and/or they need to behave a certain way to get by. It’s a vicious cycle. A colleague of mine told me that when she sees young people with vision and a desire to smash the status quo end up being a part of the status quo themselves, she wondered if that’s due to those individuals seeing how hard it is and how long it takes to generate the change they want to see.

One of my favorite shonen characters in recent memory is Satoro Gojo of Jujutsu Kaisen. He was a student of Jujutsu High and ends up becoming a teacher there. Gojo is considered to be a prodigy, but he remains humble. He’s also willing to speak up to authority as he has gotten into disputes with upper school management over the fates of cursed students (particularly Yuji Itadori and Yuta Okkutsu) whose potential have yet to be realized. Gojo has once said that he needs to remind himself not to be a bitter old adult as he ages.

A good number of shonen stories drive the point that adults shouldn’t be bitter old ones. Or maybe more importantly, don’t be dismissive about teen experiences. I listened to a podcast a while back about loneliness and how much it affects mental health. There was a discussion point about adults ignoring teens that feel lonely with regards to dating. Here’s a quote from that discussion.

“The number one way that we do this (being dismissive of loneliness) in America is every single 30-year-old up completely dismisses the loneliness that a teenager feels about not having a significant other. Because once we hit 30, we realize that your 16 year old significant other is nonsense. It’s just nonsense. You’re gonna be in love so much in your life. You’re gonna love everybody. You’re going to date a million people. It’s gonna be fine. You’re going to realize how insignificant this relationship is. 

The key word there is you’re gonna realize it. It’s a future thing for them. So when every 30, 40, 50, 60 year old looks at the 16, 17, 18 year old and says, oh, you just broke up with your boyfriend? Yeah, who cares? That’s a meaningless relationship. I don’t care. That exacerbates the loneliness. It exacerbates the disconnected feeling because it really, really, really, really matters to them.”

I honestly think adults being dismissive towards teens’ current experiences is one reason why shonen stories still resonate with many. We’ve all been through those times where adults just shut us down because ultimately, it doesn’t matter. Yes, there comes a point where we have to move forward. But a good amount of emotional pain stems from adolescence and it lingers. Most mental disorders begin to happen around those years. Unfortunately, most of us don’t know how to give back in ways that stop the cycle. I do think mangaka are trying their best to give back the way they know how. 

Yet I think the biggest reason for the enduring popularity of shonen stories is friendship. We all know the Shonen Jump tropes - friendship, hard work and victory. All three are important, but friends are what really keeps us alive. The harsh truths are that hard work doesn’t always get you where you want to go and victories do come at the cost of important relationships. Over the years, I noticed that in my neck of the woods, friendship is frowned upon. When you’re ranking important relationships in life, first is your mother, then maybe your father, then your romantic partner, followed by your children. Friends are last. There was a nice read I found that listed a good amount of studies on the importance of friends (especially for those who are LGBTQ+ and faced stigma from immediate family). 

We don’t live on an island, contrary to what neoliberalism says. Families aren’t enough. Friends are what keeps us alive and helps build our sense of identity. 

Maybe the fans who want more mature/adult-centered stories with shonen action just want to see more nuanced stories about friendships in adult settings. Friendships are so hard to make and maintain as adults. There’s some glimmers of hope for those kinds of stories - in video games. Yakuza: Like a Dragon is a great example of an adult hero in a genre dominated by young protagonists, the Japanese RPG. The story is about a 42-year old ex-yakuza who gets exiled into a unfamiliar city and manages to make something of himself with the help of new friends he made there. It was refreshing because the whole cast were adults who were unemployed and/or stigmatized due to underworld ties. They managed to save Japan from a vicious political alliance with action elements that felt shonen at heart.

I’m all for more adult-centered mainstream shonen stories because seinen material can be a bit too blunt for some tastes, but there’s a lot of focus on the mindset of youth lately than in decades past since there’s concern on how they will manage in a world that continues to disappoint them.

I love shonen because I honestly don’t feel like I’m an adult due to my depression. My development felt stunted. I feel that I have more in common with 20+-year olds than people my age. I want to be around people who are youthful at heart. I wonder about those who still enjoy shonen past the target demographic - what still draws them to it? Is it due to them embracing their inner child more likely than most people? Or do they just like to follow simple action stories that have a lot of heart (something that some people don’t have)?

Looking at shonen’s enduring mainstream status does make me think about the the feedback loops between adults and teenagers. I’ll end this by talking about an incident that happened a couple years ago where a somewhat prominent Anitwitter figure (I am NOT going to mention their name here, but you may know who I’m referring to), who made a lot of friends with people in the anime/manga industry, was outed be a sexual predator who went after young naive anime fans at fan conventions. One of the reactions from someone that was once close with them was how can older anime fans better connect with younger anime fans when needed. I know from personal experience, I sigh on seeing the behavior of teens at conventions at times. But I learned that by saying things like “Kids are so dramatic,” “Boys will be boys,” “She’s being emotional.” gets harmful in a hurry where proper context is warranted. Maybe they are being so-and-so, but it doesn’t hurt to ask and give validation to their concerns. Teens are the lifeblood of anime conventions right now.

Shonen is a gateway introduction for youth on how to process pain in a way that helps themselves and other people with the help of said people. It’s an escape from the distress and trauma of reality. That reality, which has situations like the incident I mentioned, is controlled by adults who don’t always have it together, can’t admit their flaws, and sadly take it out on the world. That’s why shonen is still so powerful today despite all the criticism the genre gets. And that’s the evergreen truth.