#or am I reading it wrong?

[dirtybiowareconfessions]

Confession: I want to mercilessly court and pursue Josephine with all the Orlesian pastries and delicacies she shies away from except during celebratory occasions. Shower her with sweet Antivan wine. Chocolate her into submission onto a boat in an Orlesian canal, while slowly, quietly reciting love and sex poetry. And yeah, if she becomes fat after 10 years of marriage, she'll be all the more desirable. One can only dream. Funny thing is, I'd normally consider the Inquisitor a pleb compared to her, but apparently the lady idealises knights and freedom fighters.

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[qweenofurheart]

timothy’s jokes don’t always land

[poorly-drawn-mdzs]

Actually, the bars aren't so bad anymore.

Think you can fix him? Read about his care instructions over at Tiger Tiger)

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[obsob]

oooooooooough i love you i love you i love you!!!! hand in loving hand !!!!!!

[p4nishers]

i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down

[sp0o0kylights]

Grass is green, water is wet, and Jonathan Byers does not like Steve Harrington.

These are known facts in the universe.

Computers were going to take over the world, a “mobile” phone was being invented, and Steve Harrington had lost most of his hearing.

These were unknown facts--rumors even, if you will. Eddie had never seen even a grain of truth to support any of them. 

(Well, maybe the computer thing, but only because Grant and Dustin both had made a couple of convincing arguments.) 

So he doesn’t think about it, when his freshman gang up on him. 

Doesn’t even factor the “can’t hear well” thing in, when he was tasked (demanded, whined, bitched and moaned at) with helping them explain to Steve why going to the release party of the new D&D box set, located at a hobby store only a mere 2 hour drive away, was important.

Eddie’s not even sure how the little shits got him to agree to do it until he’s standing in the parking lot in front of the former King himself. 

“The store’s leading up to the release with a handful of one-shots.” He’s explaining, unsure whether to pull out the bored act or play up his court jester persona, and thus mixing and matching on the fly. 

He does not care if Harrington doesn’t know what a one-shot is. 

“They’re releasing the set at midnight. You have to be there to get it though, you can’t have someone else pick it up for you because they only got a certain amount in.” 

Harrington’s frowning (no surprise) but it’s not until Eddie is well into his spiel about how his van is already full with the elder members of Hellfire, and thus has no room for the freshmen, that he realizes Steve isn’t quite looking at him. 

Is in fact, looking over his shoulder.

Eddie stops. Follows Harrington’s gaze.

Parked across from Steve’s Beemer, is Jonathan Byer’s barely working clunker car. 

A handful of steps in front of it, and thus nearly right behind Eddie, is the man himself.

His hands are still moving, mouth shaping words silent as he goes, his gaze locked not on Eddie or the kids--but on Steve. 

Who turns back around as Harrington’s eyes slide right back to him. 

“And this is taking place next Friday?” He says, in that sort of annoyed but resigned way parents aim at their children. “After school?” 

“I’d like to go during  school, but the freshmen insist you wouldn’t let them ditch out.” Eddie tells him. “They had two separate arguments about it.” 

Loud ones, that had interrupted the game and given Eddie a migraine. 

Once again Steve’s eyes slide away from him, to Jonathan. 

“They’re not skipping school.” He says suddenly, a glare forming and Jonathan makes an annoyed noise. 

“They argued about skipping, they’re not going to.” He says aloud, and finally steps up so that he’s next to Eddie instead of behind him. 

“Munson slow down, I can’t sign as fast as you’re talking.” He adds, in the hang-dog grumble he’s notorious for. 

Eddie stares at him. 

“Can he seriously not hear me?” 

“No.” Steve and Jonathan answer together. 

“I can kind of still hear,” Steve adds, gaze returning to Eddie’s face. “But its more loud music or noises. I can lip read, but you’re also talking too fast for that.” 

Without pausing, he turns back to Jonathan and says; “Why can’t you take them?”

“It’s Friday.” Byers deadpans. 

Eddie’s not an expert on sign language, but his hands somehow looked deadpan too. 

He’s not sure how Jonathan did that. 

“So?” Steve snarks back. 

What follows is an argument that Eddie is not, at all involved in, mostly because he’s too busy handling the fact that Jonathan Byers has learned sign language, for Steve Harrington, apparently, and given the tone the argument is taking they still don’t even like each other.  

Eventually the argument ends, Steve throwing his hands in the air and demanding that Jonathan owes him. 

(Eventually Eddie will corner the ever so quiet Will Byers and ask why the hell his brother learned sign language for someone he clearly fucking hates.

“Oh they don’t hate each other.” Baby Byers would say, in that shy, quiet way of his. “I think they’re actually friends now?” 

“You think?”

“Well--you’ve seen them.” Will shrugs. “I think being mean to each other is kinda their thing.” 

‘What the hell.’ Eddie would think, right up until he stumbled across one of the kids sign language books. 

Byers the Elder, he decides, isn’t the only person who should learn sign language to chew out Harrington properly.

The pay off is immediate. 

Or at least, the pay off of watching Steve’s shocked face the first time Eddie signs something vulgar at him is, anyway.)

[puppetmaster13u]

Who wants a prompt entirely in memes.

[uncanny-tranny]

It's always, like, mildly annoying when people see a het trans couple and go "all that work just to be straight?" like... one, you don't know if they're straight and two, trans people don't owe you a queer sexuality to "make up" for the fact we're trans. Transhet people aren't a subtype of trans people, they're members of the trans community, and the queer one if they so desire!

[ferritins]

IN A STITCH, IN A PINCH | J. TODD

SUMMARY: you’ve developed something of a friendship with the Outlaws, but you’re not quite sure about what the irascible Red Hood thinks of you.

WARNINGS: graphic description of burn injury, oblique reference to canonical parental drug dependency, reader is a meta.

NOTES: bringing back an old work! Re: the burns treatment depicted here - my area of study was clinical microbiology, not emergency medicine; everything I know about burns is relegated to opportunistic Staphylococcus aureus infection and how Gram negative skin flora influence wound healing. Take none of what you see in this fic as medical advice; if you do have a severe burn, call 999 and get your arse to an A&E ASAP.

After an extraterrestrial incident in your city that ended with something to the tune of 5 and a half million dollars worth of property damage and you knitting Arsenal's torn-open back together in a moment of adrenaline-fuelled insanity, you've developed something of a friendship with the Outlaws.

What that really means is that you periodically come off your shift at the hospital to find 2 mercenaries and an alien princess divesting your fridge of it's contents, and get wheedled into using your meta abilities to heal wounds that would otherwise take them out of play for a good few months.

You're under no illusions. You're aware that a healer is a useful contact to have, that should the situation necessitate it they'll take the few scant inches you can give and run a mile with them.

However, you're also aware that being a meta is a risk and that it pays to be liked and valued by dangerous people.

It's a friendship of convenience, but a friendship nonetheless.

Kori picks you up bodily and spins you in a tight circle until you're giggly and dizzy when confess her favourite shirts of yours are always freshly washed, just in case.

Roy gives you a vulgar wink when you order his shirt off to take a look at where his back scarred over, but faithfully applies the Vitamin E cream you give him for the scarring, trusting you to ease his discomfort, and sneaks bottles of your favourite elderflower cordial and the tins of Zambuk you can never find in the US for you to find when he leaves.

The only one you can't quite puzzle out your relationship with is Jason. He's taciturn, stands watch faithfully as Roy and Kori pull you into friendly hugs and dizzy spins, pepper playful kisses on your cheek and rub their knuckles into your hair. He rolls his eyes at his teammates' antics, huffs through his nose at your fussing.

Sometimes though, he'll call you sweetheart in a low rasp as he bumps you away from the sink to take over doing the dishes.

Sometimes, you think you catch him watching you with something unnameable and warm in his eyes.

You're not expecting your front door to fly open and damn near off the hinges late on Saturday evening — just as you're fresh out of the shower and only just into your pyjama shirt & shorts, might you add — but your alarm and annoyance die on your tongue when you see Roy and Kori's grim faces and the way that Jason sways despite both of their considerable strength holding him up.

You smell the odd, sour-smoke char of burned flesh as they pass you to ease Jason down oh so gently onto your sofa, and your gut goes cold with fear. The burn, once you get his shirt cut open, is not as extensive as you'd feared, but it's still something from a horror scene.

It's a third degree burn, skin mulberry-red, weeping and blistered in a long arc that curls up from his right hip to just under his right pectoral.

"Bloody hell." You breathe, horrified.

You run to your room, digging out your first aid kit, and drop to your knees by the couch as you tear it open.

Roy snorts, bitter as cyanide. "Yeah, that's a fairly accurate summary of the situation, sweets. The only reason he's still alive is because he dodged and got a glancing blow from the energy beam instead of a direct hit."

You look up from Jason's side.

"I'll need you and Kori to get some things." You say, hands shaking at the prospect of the task in front of you. "I can reduce the severity of the burn to a first degree, maybe, but it–"

"What do you need?" Kori snaps, terse. You reel off a list - topical antiseptic, light bandages, a banana bag & an IV kit, amoxicillin - and then look to Roy.

"I need you to get him to take some co-codamol. It'll kick in in about 10 minutes given his enhanced metabolism, but I can't do anything until he's got painkillers in him."

Roy's brows tighten further.

"Jason doesn't do opiates."

"Roy, if this was anybody else he'd be hooked up to IV morphine! If I start working on him without him having painkillers, he'll go into shock which could kill him." You exclaim.

You make low, soothing sounds when Jason tenses at the shouting, only to groan at the fresh wave of agony in his side.

The sound of Jason's pain seems to be decisive enough for Roy, who moves round the couch and grabs the box of effervescent tablets, dissolving two in water and coaxing Jason into drinking it down.

When the glass is empty, Roy is back to his feet, quick as lightning. He strides to the door, shepherding Kori out of your apartment.

"We'll be back with everything you need in half an hour, tops. Please, help him."

Jason comes out of the shrieking adrenaline of agony to the sound of your voice, and a slight cotton fuzz in his head.

Narcotics, then, but a fairly low dose for him to still retain this degree of alertness. Feeling the encroaching spectre of that terrible pain just barely held at bay, finds he's grateful for the medication.

He goes to prop himself up on his elbows, only to strike a line of phosphorus-white flare of pain down his side that has him hissing breath through gritted teeth.

Above him, you make a startled sound, press a hand to his sternum to keep him down. His eyes catch yours, and he sees the relieved sag of your spine and shoulders at the alertness in his eyes.

"Thank fuck you didn't go into shock." You sigh. "Stay still, I've just about got this down to a second degree burn. I've just got your hip."

You snap off your nitrile gloves and lean forward, cupping his face in your hands. "Don't make a habit of this. You'll kill us off with stress if you keep on nearly-dying."

As if on cue, the front door opens and Roy and Kori come into the living room, pharmacy bags clutched tightly in their grips and fragile hope in their eyes.

When they see Jason's alert eyes, the slow knit of skin and sub-dermal tissue and hear his sheepish grumbling in, response to you, their smiles are like sunlight.

Healing the burn is slow going, taking a full five evenings after your shifts.

Roy and Kori are intent on Jason staying the full course of treatment — settled by a, literally, on account of Kori, flaming row when he asks for his helmet and body armour —and though your entreaties are quieter, they're no less insistent.

It serves him right, probably, but it's driving him to distraction.

Specifically, the feeling of your hands over his skin is driving him to distraction.

He's not sure whether it's mercy or the sweetest of torture when you approach him, eyes darting down his body in a way that's half-assessing, half appraising before the heat-shock of your touch makes contact, pieces his skin back together.

(The thing is, Jason's attuned to everything about you, has been ever since you pulled Roy's flayed skin back shut whilst the city was still smoking behind you, totally unafraid in scrub trousers and a hoodie.

He's got it bad, and it's not exactly subtle.

Roy and Kori haven't missed that, or the way he reacts to you, judging by the raised eyebrows and teasing smirks as they lean up against the wall and watch you work.

He hopes the glare he levels at them over the top of your head communicates exactly what he'll do to them if they open their mouths.

It all comes to a head on Monday evening, when you come home from your OR shift, duck into the shower and then come into the living room in a too-large grey t-shirt and deliciously short sleep pants.

Jason's heart stops for a second. He lets his eyes flit despairingly over to Roy and Kori as you prep your kit, watches their unrepentant grins with a burning resentment towards them.

Having you this close to him, worry-soft and lit like a Rembrant from the lamp on the side table without being able to touch you is the closest thing to hell there is. You're close enough that he can smell the overlapping, inoffensive fragrances of your facial skincare products, see the faint pearlescent sheen of the residue of some serum on the apples of your cheeks, the tip of your nose, the soft line of your jaw.

Your nitrile-gloved hand settles gently on the raw new skin just above his hip and he jumps, his own broad hand flying up defensively to catch your wrist and still your movement. It's a mistake he regrets immediately.

The skin of your wrist is still tacky-soft with still-settling moisturiser, hair curling damp where the spray of your shower caught it. Jason's mind spins an unbidden reel of your hands, smoothing lotion over the plush expanse of your thighs, the line of your neck and the gentle swell of your décolletage, the curve of your hip.

He presses his eyes shut tightly.

He feels feral, the hungry bones of him blown open and exposed like the hull of a shipwreck. He wants to worry marks the shape of his mouth into your thighs, your neck, across your collarbones. He wants your knees bracketing his hips, the weight of you on top of him.

God, he wants–

"Are you okay? You're not in too much pain, are you?" He hears you ask.

He knows he's in far too deep when the thought of tasting the way the words roll off your tongue flits across his mind.

"Sorry." He croaks, releasing your hand. "Instinct."

(Roy turns to Kori with a snort, murmuring low so you can't hear.

"He's been watching like he wants to eat them alive since the first time we met and it's a miracle he's got enough blood north of his waistband to be capable of speech, but sure. Instinct.")

[radioelly]

shj: i could be sucking him dry rn 😔 han gyeol, born five minutes ago: whag does that mean. thats scary.

i dont think im far enough into the novel to 100% know what gyeol was talking about when he said shj would swallow him but. my first thought was. um.

[bloobydabloob]

You doing good dude

[carnivalcarriondiscarded]

Sally is the real neighborhood Rizzler... you all know i'm right...

[purpleelephantsocks]

Oh god, oh fuck, oh no; the parallels between Jean at the beginning of tsc panicking and telling Wymack "I want to go home" and Jean at the end of tsc falling apart after finding out his baby sister has died, telling Neil the same thing.

"I want to go home."

He is only nineteen