#or as a comedic element. i will laugh at your 'quirky' main lead one (1) time

[junnnhui]

i think i finally found a asian drama romcom I do not like. as someone who watches a lot of asian shows (both trash tv and otherwise), this truly surprises me.

[sweetgirl-haz]

My Top 10 Kdramas

I was reading @overthinkingkdrama‘s list on her top 10 kdramas thus far and that got me thinking about mine. It’s been a while since I’ve evaluated my favourites and their ranking so thought it’d be interesting to check in. *frantically checks mydramalist completed list*

The problem is that after most dramas, I forget the characters and stories. There are many dramas that I have rated 10/10 right after having watched them many years ago but now I cannot remember what exactly I liked about them. There are some I remember because they’ve been rewatched multiple times. So do I include the ones that I’ve rewatched/are more recent that I remember or the ones from a couple of years ago which I remember enjoying but I’m not really sure why?

Let's start with notable mentions. These are rated 10/10 by me but I couldn’t fit all of them on the list so .....

Notable mention 1: Dear My Friends

Somewhere after the saeguk phase and before the crime thrillers phase, I was in a slice-of-life phase of kdrama watching. I picked this up during then. There aren't many stories that are focused on the lives of older people. They aren't that well represented in dramaland apart from the sweet/mean grandparents. This was such a heart-warming drama that made me laugh and cry. It was slow paced and probably boring for some but I thoroughly enjoyed it. I loved the friendships and the relationships between the characters. Their stories were so touching and heartbreaking at times. This drama was very realistic, calming and meaningful. I definitely want to give this a rewatch some time in the future. 

Notable mention 2: Tree With Deep Roots

A couple of years ago I went through the saeguk phase. I think a particular mindset is needed to watch a saeguk (or 10). You know it's going to be heavy, with multiple characters and intrinsic details. There won't be many fast forwarding opportunities without missing key plot points. This probably explains why I haven't picked up a saeguk in recent years - I cannot commit to it. This show is far from the romance genre, it is a saeguk about Hangul. I remember it being an incredible story with brilliant characters and mix of fiction and history. And with 24 episodes, never once did it get boring. What a performance by Han Seok Kyu! Jang Hyuk and Shin Se Kyung did a wonderful job too, plus there a short performance by Song Joong Ki. Time for a rewatch?

Notable mention 3: The Princess’ Man

What I vividly remember is me crying whilst watching this drama. I shed too many tears. Too many. The story can be compared to Romeo and Juliet - two people who fall in love in spite of their family's bitter rivalry. I remember it being well written with a balance of romance, drama, action, suspense, friendship, betrayal, war, politics and revenge (the usual mix really). Probably the best work I have seen of Park Si Hoo and Moon Chae Won. They did brilliantly individually and also together. Great chemistry. I wish I remembered more. Writing this list will tempt me to rewatch all of these. Cannot recall specific songs from the OST but I think I have a few in my Spotify Korean OST list.

Notable mention 4: You Who Came From The Stars  

I think I am the most upset about this not being in the top 10. The reason for it not being in the top 10 is because I did rewatch it a year or two ago and it wasn’t as enjoyable as the first time. 

Shall we start right at the beginning, with the intro. I loved that intro and despite being a serial fast forwarder, I made sure to watch it at the beginning of every episode. This was the first show where I thought the female lead was relatable. Jun Ji Hyun was vulnerable, sweet, goofy, not the smartest in the room and she made Song Yi so real to me. I loved her more than Kim Soo Hyun in this show. I loved the internal/external monologues she would have with herself. As a couple, they had incredible chemistry and remain to be one of my favourite on-screen couples. The story was complete and flowed well. I liked the second male lead and the side characters too. 'My Destiny' by Lyn is still one of my most memorable and most listened to OST. I'm not sure why I didn't enjoy it the second time. Writing this is tempting me to rewatch this gem.

Notable mention 5: Her Private Life

I have to agree with Deok Mi: Kim Jae Wook is so annoyingly beautiful. 

The female character was particularly relatable to me. I am a fan girl (not to the extent of the character) and a life outside where people don't really know the extent of my fangirlness. This has to be my favourite (truly) rom-com. There are so many things that I loved here, but what made the drama that enjoying were definitely our main leads Sung Deok Mi and Ryan Gold. Park Min Young and Kim Jae Wook's chemistry was so natural. I loved how mature their relationship was - they sorted out all misunderstandings quickly and acted like adults. There was no pointless drama. The leads tried to understand each other and also give the other space. Ryan Gold seems like the ultimate male lead, he has raised those standards even higher. Side note to appreciate Deok Mi's wardrobe. Those pant suits were gorgeous - I wish I could pull them off. I guess there was a lack of real obstacles and conflict. But I liked that for a change.

10. Queen In Hyun’s Man

The premise was interesting and story was executed really well. A truly romantic drama. The mix of old and modern world was done so well. Yoo In Na and Ji Hyun Woo are absolutely adorable together. Love this show.

9. Bridal Mask

GAKSITAL! I was raving about this drama to everyone who would listen to me. I think this drama is a masterpiece. The amazing storyline with complex characters, excellent actors, epic cliffhangers, and breathtaking music (that loud/epic tune still rings in my head). The storyline was engaging and each episode always left me wanting more. The story is unique and I love how it explores a different part of history. The friendship and conflict between the two male leads Kangto and Shunji is the heart of this show.

8. Rooftop Prince

Every time I think about this show, I'm reminded of the comedic and quirky scenes of the characters adjusting to the modern world (post time travel obviously). I like how the stories in the old and modern world are integrated. There is a shift from romantic, light hearted comedy to sad and melodramatic later in the show. The sad scenes were truly heartbreaking. Enjoyable watch, great acting, wonderful OSTs that I still listen to!

7. My Wife is Having an Affair This Week

Another slice of life drama. I loved how the show explored marriage, relationships, cheating and divorce. It was only 12 episodes so didn't drag at all. The characters are so complex and human and the story is so beautifully written. Song Ji Hyo and Lee Seon Gyun are amazing as the leads, portraying every emotion of a struggling couple from start to finish. You need to go in with an open mind to watch this show.

6. 49 Days

Everyone has that one show, which isn't brilliant but somehow touched your heart and you love it despite its flaws. This is mine. 49 Days has a unique story and I knew I was going to be crying as I come to love these characters. I did cry, lots. I cried each time I rewatched it. I cried because it was sad and it made me so frustrated that life was so unfair to these characters and they're not going to get the happy ending that they deserve... The writer stayed true to their vision. It wasn't all rainbows and balloons at the end with loopholes to give each character their happy ending. I think I love this show because it really pains me to watch these characters and their lives. I really came to love Jung Il Woo and Lee Yo Won. LOVE the OST.

5. Signal 

What a story! And the execution of that story. Amazing from start to finish. I can still hear the sound of the walkie-talkies in my head. One of the best crime thrillers I have seen. Cases were well paced. The mystery would leave me at the edge of my seat every time. A couple of the cases were REAL cases, which was terrifying but brilliant. The music was mellow and fit the scenes so well. This show and the ones below were truly an experience. Loved the actors and the acting.

4. Father is Strange

Ah another phase of my - the family drama/soaps phase. After seeing a couple, I didn't go into this show with high expectations. It has the typical family drama elements: illegitimate son/birth secrets, sick family member, horrible in-laws, evil side character/bully. What made it stand out from the other shows was how the characters dealt with these issues. It wasn't the same as previous shows, the characters were more mature and real and dealt with these issues in a more progressive and refreshing way. The show also touched on issues including parenting, bullying, marriage, career vs pregnancy and societal pressure. I was so invested in everyone's stories and arcs. Lee Yoo Ri though. My favourite character, she made the show for me.

3. Reply 1988

This is such a nostalgic, true-to-life trip from start to finish.  Reply 1988 exceeded my expectations, after Reply 1997 it was hard not to. What made it stand out from the previous Reply series was the focus on family and friendship instead of the romance. This meant we got to know EACH and every character and feel what they were feeling. The story isn’t fast paced with big ups and downs. It depicts the true day-to-day life, which made it feel even more real. I didn’t expect to cry as much as I did in this drama. And it wasn’t because someone was dying. They were the small acts, unsaid things that truly touched my heart. Junghwan’s and Jung bong’s terrace scene watching stars, Jung bong in the hospital, Bora leaving to go to the hostel, Dong ryong wanted to spend time with his mum, Sun woo’s wedding invitation to Taek’s dad, Bora and Bora’s Dads letters to each other, etc etc. I truly felt like a part of the Ssangmungdong community. Even though I didn’t enjoy the ending, this would be one of my favourite dramas ever. The length of the episodes and the ending has stopped me from rewatching it but every once in a while, I think about how beautiful this drama was.

Also, as an epilogue to the show, everybody should watch Youth Over Flowers: Africa.

2. Healer

Ji Chang Wook. That's it. Do we need to say anything else. Solid romance, great story, brilliant action scenes, gripping, wonderful OST, good acting and JI CHANG WOOK. Love this show. Ji Chang Wook. Watch it for him.

1. Age of Youth

This is such a precious show. I have rewatched it and am planning to watch it again for the nth time. This show really defines slice-of-life. I am sure everyone watching this drama could relate to one of the girls or even just a situation faced by the girls. I was able to relate to different situations and aspects of many of the girls personally and also have seen other friends/family facing similar situations. I was really glad that the plot focused on the girls the most and not the boys. It didn't take a detour. It was consistent. This show touched my heart in the way no other show probably will (for now atleast). The relationships were realistic. The casting was perfect - Age of Youth 2 was great but changing the actor changed the dynamic for me. The music was beautiful - I still loop 'Butterfly' by Sogyumo Acacia Band. I have no complaints or flaws for this show apart from it being too short.

Just realised I've left Forest of Secrets/Stranger out of this list. EURGH let's add that in somewhere.

If Be Melodramatic carries on the way it doing, it's going to be in my top 10.

[lyendith]

Ciconia no Naku Koro ni Phase 1 : To You, The Replaceable Ones

I had planned to write this… review? analysis? of Ciconia Phase 1 right after finishing the game about two weeks after its release, but since then I've had trouble organizing my thoughts. The reason is that this first installment alone tackles a lot of themes: war, nationalism, technoscientism, media consumption and manipulation, the blurring limits between physical and virtual reality, education systems, generational gaps induced by technology, artificial procreation, old people robbing the youth of their dreams, the meaning of family and interpersonal bonds, and even transidentity (albeit briefly). And it is quite remarkable that almost all of those themes are represented by one object: the Gauntlet and the idea of “parallel processing” associated with it.

It's gonna be a long and messy review, I'll probably forget to mention some aspects of the story or overlook others, and I won't talk about every single character, but I'll try to cover the essential parts. Not easy considering how densely-packed the story is, but let's go!

So to start, I should probably focus on this VN's protagonist, Mitake Miyao. On a surface level, he's a bit of what you'd call a “tsundere”: harsh, a little irritable and sarcastic with his pals, but always well-meaning and easy to befriend in the end. One of the running threads of the story so far is that he's too well-meaning in fact, idealistic to a fault, which contributes to his odd charisma but also makes the increasing realization of his powerlessness all the more depressing. You don't want to see this guy fail, but because of the way the story is framed, you know he inevitably will.

For a while, the narration and dialogue like to repeat that “youngsters are each generation's main characters”, but that's a sentiment I couldn't quite share − in our real world, youngsters may be the ones will all the dreams, but they sure as hell aren't the ones making the decisions. The climate change crisis, for example, wouldn't be left unaddressed if that was the case. And sure enough, Ciconia isn't so naïve as to ignore that reality. Every single step of the way, Miyao thinks he can use his power to overturn the situation. Every single step of the way, he's reminded that in the end he's just a pawn moving however his higher-ups or other nebulous forces wish him to. That's a really powerful and relatable theme in this day and age, which raises the question of how far you can oppose a system you're an essential part of.

One thing that makes Miyao special, at least compared to his pals from the AOU, is that he's “ciconia-born” − born from natural procreation. Which means that unlike Jayden or Gunhild, he has bilogical family bonds but also hasn't been subjected to a genetic selection that would predetermine his path in life. At least supposedly, but we gradually learn that that may not quite be the case. In fact, that biological link to Toujirou ends up acting as a tether that robs Miyao of even more control on his own life than he thought, leading to the final tragedy of this first Phase.

There also lies this story's commentary on technology and man's increasing dependence on it − technology makes the kids' life easier, but it's also their undoing. One technology prevented an apocalypse that another caused, and the loss of the former brings about a new apocalypse. Humans created the 8MS but only a handful of scientists have a full understanding of how it works, just like today's technology are only fully understood by a small elite of technicians. We are increasingly dependent on tools whose principles are increasingly out of our grasp. Again, the Gauntlet is another reflection of that.

But back to Miyao and the Gauntlet Knights. In retrospect, it is clear that the way both the characters and readers learn about most dramatic developments through disincarnated news reports (with a goofy “news flash” alert by the frog AI Keropoyo to make it worse) is meant to build up that feeling of powerlessness, and also of disconnect. We should be alarmed that war is approaching, that terrible things are happening… but it all feels distant. After all, do you cry or tremble in fear when you learn that an eathquake killed a thousand people on the other side of the globe? No, you'll think “it's terrible” for a minute and then move on, because what can you do about it? Reading the second half of Ciconia felt a lot like that. And while that's part of the message, it is also to the detriment of the reading experience a lot of the time.

For a while (around the 60-to-80% portion of the game, roughly) we get a lot of redundant dialogue about commenting the news and Miyao rambling on about how they're all COMRADES MAINTAINING THE WALLS OF PEACE, again and again and again, to the point it becomes annoying. That's my only real gripe with the game − the feeling that, at times, Ryukishi forgot he was writing a story and went into political or philosophical essays about its themes instead. Maybe a manga or anime adaptation could help make these parts more… show-don't-telly. But as it is, it could have used some serious trimming down. That's hardly something entirely new − who can forget Krauss' tangent about 1986 Japan's economic situation or Beatrice's explanation of Hempel's crow? But in Ciconia the narration doesn't seem to come from any specific point of view except that of the author (and even on that front, the opening disclaimer warns us that the views expressed don't necessarily reflect the author's opinions), so those parts become all the more conspicuous. Unless this all turns out to be part of a Witch's game, which wouldn't be surprising.

Where Ciconia shines however, is at weaving a web of connections between the characters, one by one, to make you care about some and suspicious of others, sometimes both, and deliberately confuse you about who really controls whom. First we have the kids, with Warcat and Grave Mole which instantly grew on me (the slice-of-life TIPS focused on them had some of my favorite scenes actually), then the other kette with their own quirky charms… then the “villains”, with Toujirou and Seshat, then the Three Kings and Jestress who has a delightful dynamic with Toujirou, and then Toujirou is revealed to be Miyao's father, etc... It's a testament to how well all of those characters are established that I could remember almost all of them very quickly despite their massive number. Save for the Cairo Squad maybe. They're just kinda there. The (mostly) gorgeous character designs certainly help, even if Ryukishi still has a somewhat loose grasp of body proportions and of the… number of fingers on human hands. There's some improvement even in that department though.

While Miyao is for the most part the center of the cast, at least on the kids' side, that doesn't mean the others aren't interesting in their own right. Jayden is your classic “best buddy dudebro” whose easygoingness lets him bounce off Miyao's more strait-laced personality in a fun way, but his relationship with Meow, Miyao's “little sister” who shares the same body, allows him to show more sensitivity and shyness he would otherwise have. Speaking of Meow, she brings about another interesting element of worldbuilding − the existence of “Congenital Parallel Processors”, or CPPs, i.e. people born with multiple personalities, who are not considered mentally ill but a full-fledged minority with its own issues and “coming outs”. Although that aspect isn't developped much (Meow herself kind of disappears from the radar in the second half), we do get other examples of how it can manifest, notably with the character of Naima, whose unnamed alter-ego is violently protective of her, or Rukshana who's prone to abrupt personality changes when she laughs. The way Jayden kinda walks on eggs but genuinely tris to to treat Meow as her as her own person while respecting her and Miyao's privacy is frankly adorable, and I almost wish we got more of that at least in the TIPs!

The kette I found the most interesting, though, was Grave Mole, composed of Chloe, Lilja and Koshka. While a lot of characters have issues, all three of these girls are complete mental wrecks to some degree. Koshka spends her time between grumpily taking part in Kizuna chat rooms and horrific body experiments (usually simultaneously) when she's not training, Lilja has to take drugs to pretend like she's a happy, cute and mischievous cat-girl for the sake of making Koshka a more-or-less functional human being, and Chloe has to constantly deal with unfair punishments and a constantly battered self-esteem. As comedic as Okonogi's angry rants and karate-chops are played (and as much as I like this version of Okonogi, strangely enough), that scene where she gleefully lets Lilja be killed in battle makes it clear that her mental state is just as unstable as the other two's.

On the antagonists' side, things are a lot more blurry: a lot of them utter the arc phrase “All is in the name of guiding humanity down the right path.” However, what the right path is seems to vary depending on who says it. That's where a lot of the mystery lies − be it with Jestress, Seshat or Toushirou, their goals seem contradictory, and Tak… I mean Vier Dreissig doesn't even seem to have a goal beyond SCIENCE. But a big part of Phase 1's hook is that constant uncertainty as to who is playing whom and for what purpose. Even the Three Kings, who seem like your bog standard Illuminati knock-offs, might not be as much in control as they seem − hell, one of the big catastrophes (the fatal damage to the atmospheric 8MS) happens completely outside of their control, in an almost comically sudden way.

Speaking of comical… let's get to what I found personally fascinating but what other readers might have gripes with: the brutal tonal shifts and dissonances throughout the story. A cheery scene to announce the big success of a plan for the Order of the Public Bath? Keropoyo pops up to gleefully announce… an avalanche of terrible news that make the success from a minute ago meaningless. A big conference for peace where World War IV will most certainly be stopped? All of its participant die in an “accidental” explosion. Not to mention characters that are walking balls of tone dissonance like Chloe (who has many comical scenes but is clearly broken beyond repair) or the Yeladot Shavit girls (who by the end are forced to spew out fanatical bullshit with the same sparkly smile they sport when gushing about yuri ships).

This is of course embodied by the incredible climax where all the Gauntlet Knights celebrate their comraderie together in a virtual room… while their real selves are busy killing each other lest they're court-martialed for treason. The moment where all of Miyao's ideals are brutally trashed and scattered in a battle we don't even know the purpose of. The moment where the kids' taent for “parallel processing” becomes their sole mean of escaping the horror of their situation. The moment where all the absurdity, all the unfairness explodes in a depressing flourish. The moment also where the thematic resonance with Umineko becomes fully apparent − how can we not be reminded of Sayo and Maria escaping their shitty lives through their magic? Though of course Rose Guns Days also constantly came to mind, with the focus on war and nationalism, Japan being divided between a union led by the US and one led by China, and two of Miyao's closest friends being the American Jayden and the Chinese Lingji; as well as Miyao being an idealistic and charismatic leader-by-circumstance whose dreams crash into a wall much like Rose's in RGD.

So…

All in all, Ciconia might not entirely be what I expected from a When They Cry game, but it is certainly what I expect from a 07th Expansion game: a thought-provoking experience. Again, I finished my reading shocked and confused. Although it might seem like it shows its cards more explicitly than the openers of Higurashi and Umineko, deception still plays a big part in the story, even if the interaction with the reader is less direct.

Now there might be no murder mystery for the reader to solve, but that won't stop me from speculating! The invisible turning point to me is the “Proof of a Program” chapter, where Blue Miyao tells Miyao that he'll show him someone's face, and that that will activate Miyao's murder program instantly. Miyao first laughs it off, but then the scene brutally cuts to something that might be a flashback, a flash-forward or a nightmare, maybe all of that at once… The most graphically horrifying scene of the entire game, to the point it's almost at odds with the rest. And then… it's never mentioned again. Not even when Miyao meets again with Blue Miyao. Like it never happened. My theory is that everything Miyao experiences from that point onward is some kind of simulation, and that's where the obligatory When They Cry time loop will come from this time. See you in May for the answer?

That is all for today, folks!

[digikate813]

My Little Pony Re-Watch: Episode 25 Party of One

*In my opinion, this feels like the first proper “Pinkie episode”. I know there were episodes like “Feeling Pinkie Keen” and “Griffon the Brush Off” where Pinkie was one of the main players, but this seems like the first time where the focus is entirely on her conflict and pushing her boundaries. And boy did they ever!! I know there’s some really infamous stuff in this episode, but let’s go through in order as usual.

*Pinkie’s birthday song is catchy and cute. Perfect Season 1 Pinkie jingle. And Pinkie can apparently get tired. I did not think that was possible.

*This just in! Pinkie can be a bit much. Putting together a new party the day after a party that went late into the night.

*So when all of her friends come up with really lame excuses not to attend, at first it seems like it’s clear where this episode is going, but unlike the last episode, not only is that not the case, but they make the expected direction this plot would take and make it immensely entertaining.

*From Pinkie putting on disguise on top of disguise to spy on her friends, to Rainbow seeing right through the disguises effortlessly, to kicking off yet another chase scene between Pinkie and Rainbow, there’s always something funny and entertaining to keep your attention.

*Not to mention the dialogue, especially Pinkie’s lines, is some of the funniest in the season. Some of them might be very bad jokes, but Andrea Libman’s delivery makes me laugh every time.

*Because Pinkie can be a bit, much, some episodes have trouble balancing her comedic side so it doesn’t get annoying. This episode pulls that off flawlessly. This is Pinkie at her Pinkie-est so far, and creating a situation one where she’s paranoid that her friends don’t like her anymore, brings out a side of Pinkie we’e never seen before (just wait, we’ll get to it), and blends the idea of doubt and impatience with her usual quirky nature flawlessly.

*Big shock. The Element of Honesty is a bad liar.

*Pinkie interrogating Spike is both hilarious and terrifying. She can be good cop and bad cop at the same time. A dangerous combination to be sure.And again, the dialogue is great, so the back and forth here is so funny!

*And this is it. The moment where Pinkie get so depressed, her hair deflates. The birth of what the fandom has dubbed Pinkamena. The segment that launched many disturbing fanfictions. 

*This look became kind of infamous by the time i joined the fandom, so I was kind of nervous going into this one. And while it wasn’t as bad as Pinkie chopping up innocent ponies to make cupcakes (duh), for a Y rated cartoon called My Little Pony: Friendship is Magic, it’s easy to see why people found this so disturbing.

*I have seen this episode multiple times, and this still gives me the creeps! The way she creates new “friends” out of rocks, a flour bag and lint, giving them all voices, having arguments and agreements with them, that twitch! *shudders* (actually is that twitch a part of her Pinkie Sense? to let her know when someone in Ponyville has completely lost it?)

*It is genuinely unsettling, but not in a way that, inappropriate. If that makes sense. Some kids shows have been known to go too far with dark humor, but almost every cartoon in the last 25 years has that one episode that’ll scar a kid for life, but still keep them tuning in next week. And i am willing ot bet you that there are many young adults out there who were disturbed by the transformation of the peppy pink pony as a little kid, and still remember it. It certainly stuck with the adult viewers.

*But just how, crazy Pinkie got, is also part of the comedy. Just how far Pinkie goes off the deep end somehow makes it funnier. It’s not an unheard of form of comedy, but one difficult to pull off for all audiences. So kudos to the writers and the animators.

*And this seems like as good as time as any o bring up that the animation is great here to. Once again something that as a bi step up from the last episode. But it probably had to be for an episode that has to keep up with Pinkie Pie. The reaction timing, the character animation in general, and the “crazy facial expressions, keeps up with the comedic ambition of the story. Right down to stuff like the lighting during the interrogation scene and the way Pinkie’s color is a little duller when she goes off the deep end. It really makes this episode pop.

*Again this episode does the “Misunderstanding that leads to a friend feeling hurt” thing waaaay better and more believably. Her friends were sneaking around, lying to her, and avoiding her, but it was to do something nice for Pinkie!

*Although how Pinkie forgot her own birthday is anyone’s guess. But it’s a small hole in an otherwise solid episode.

*Plus a good message of expecting the best from your friends, and not to assume the worst without knowing the whole story.

But that’s not what we all care about, this episode messed up so many fans! I don’t even know what else I can say at this point. At the very least it did show that Pinkie can have an, interesting approach to character conflict and development, beyond just being the comic relief. And I think we can all agree, this was a memorable story. Next Time: Best Night Ever!