a non-subtext hannibal sex scene would be like: *will in therapy with bedelia, slutty outfit on, recounting the event just to torment her* *tasteful artsy shots of hannigram doing it (flesh sliding against flesh, close-ups of trembling eyelashes, drops of sweat rolling down skin)* *metal pipes tumbling down the stairs dot mp3 gets louder* *alternating shots of them in the kitchen and in the bedroom: a knife cutting into meat, a hand brushing a knife scar. swallowing wine, swallowing bodily fluids. etc.* *will narrating over it like: "to know is to consume and to consume is to become... and hannibal knows me, with all the teeth at his disposal..."* *interspersed shots of them procuring the 'food': knife stab parallels the other kind of penetration, a frightened scream is followed by one of rupture* *"we teach each other to hunger and to yearn, and we feed one another over.. and over.. and over"* *cut to bedelia looking like she will bill him six times her usual fee*
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No but actually I've been really thinking about it and Mihawk just doesn't do shit by halves does he? he's so obsessive.
He doesn't just like red wine it's literally his favorite food
He doesn't just like swords, his is practically his soul made physical. Yoru is so coded in his dna that they literally had to make a replica for his clone.
he isn't just into swordsmanship he literally became the world's best and strongest swordsman
He doesn't just like to duel he's overdone it so much that no one can hold his interest anymore
He didn't just kill marines he was the literal marine hunter.
He doesn't just wait for Zoro at the top he collects every single bounty poster obsessively tracking his rise
He doesn't just let the kids live with him he adopts them, and teaches them how to be stronger. Doesn't let Perona go until he knowns that he can no longer properly guarantee her safety.
He can't just have a garden he has to go full on farmer strawhat and all.
He doesn't just like Shanks he wants to consume him whole he let's the memory of their duel haunt him and even 12 years later he can't fully forgive them. This might be the single most important relationship in his life.
There isn't a moderate bone in his body. He's either making decisions just because or letting them consume him whole.
I bet it's all the Catholicism.
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Tango couldn't remember the last time he slept.
He couldn't remember the last time he'd worked on a redstone project either.
That was irrelevant! He was perfectly fine. There was a reason he was down by Gem's docks. Right?
"Tango?"
Speak of the devil and she shall appear! That was Gem herself, pulling Tango around. He didn't want to, there was something about the--
"Tango. Tango, hey." Gem forced him to meet her eyes, "Don't tell me you've been possessed again. After last time? C'mon man, you said you'd. . . do. . ."
Tango didn't know what Gem was talking about. He wasn't possessed. Tango knew what that felt like and that wasn't this.
Gem got an odd look in her eye, before latching her hand around his wrist and dragging him back up the path towards his house. But--
That wasn't home anymore.
Not when his place was down by the water-- in the water-- he was waiting for someone to come back--
"No-- Tango-! Ugh." Gem planted herself between Tango and the mists over the water-- the place where he had promised to be.
Tango found himself sitting at the edge of the dock. There was something tied around his wrist, but he didn't mind. The tips of his boots were dragging in the foam.
"Tango, homie-buddie. It's freezing out here, you should come inside." Skizz had rested a hand on Tango's shoulder.
"Can't you hear it?" Tango asked, breathless as it came back.
The song was promising him the answers to everything. He just had to be here to hear it. To decipher it's song.
"Hear what?"
Tango was fighting against the pull of hands, trying to take him away. His friends-- not friends anymore-- they wanted to take the music for themselves-- "I promised! I promised--"
His mouth was full of the taste of blood. Blood and cotton and he couldn't hear the rush of the waves anymore. He was too warm. There were voices nearby.
"How is he?" Oh, Tango recognized that voice, that was Xisuma.
"Still unresponsive. Is Ren-?" That sounded like Impulse.
"The same way."
Impulse sighed, "He's too quiet. Tango's never been this quiet."
"I'm listening." Tango had to listen otherwise he might miss the music.
He couldn't remember who the music went to, but-- It was someone he needed to be there for. How long had it been? He needed to get back to the water.
Tango was on his feet, trying to push past the arms holding him back. There was a snarl pooling on his tongue, frustration sparking deep in his bones. He needed to get back to the water.
He yelped as someone slammed into his back, knocking Tango off his feet and into the grass. He writhed, kicking, his tail lashing and sparking as he struggled to get free. There was nothing in his inventory. He had nothing but his hands and his fire and the grass around him and they were closing in--
Tango was floating in the bay, Gem's conduit letting him breathe like he should be able to. His heartbeat was pounding in his ears, his fire was sputtering, angry about being underwater.
Well too bad fire, cause Tango was right where he was supposed to be.
As evidenced by who was in front of him.
The someone, the who he'd promised to be there for when he returned.
The song wrapped around him like a blanket, smothering the chill from the sea and guiding Tango close. He didn't quite remember where he'd met them before but he knew that this was the right thing.
Until he was out of the conduit's range.
Until the water that was so welcoming before now choked at his air and bit at his warmth.
Until the song that'd promised him everything suddenly disappeared.
A hand hauled Tango out of the water by the back of his shirt, dumping him in a sopping heap on the sand. He spit up half the ocean by the time he was able to breathe again.
He was hearing words, but he couldn't figure out what Skizz was saying. Or Impulse for that matter. The music was gone though.
It had abandoned him and now?
Tango didn't know what to do next.
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What did/do you like about Pharah?
Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.
Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).
But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.
There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.
Now Mercy? Mercy is a real complex character.
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