#paid app reviews

[onlinevideoentertainment]

Best IPTV service provider 2023. Best iptv 2023. IPTV provider 2023. IPTV service 2023

Best reasonably cheapest price IPTV service provider in the world is IPTVTops. IPTV stands for Internet Protocal Service Provider. It is a entertainment provider service. This will help you to enjoy unlimited streaming services, videos, movies, TV shows, etc. at a very cheapest price. 

For cost-effectiv entertainment service, try the best reasonably cheapest price IPTV service. 

What is IPTV? 

IPTV is a medium which uses internet for providing streaming services, Video on Demand, and other video services. If you take an IPTV service, it will allow you to enjoy the geo-blocked streaming services. This will help you to save your money on streaming services, cable and satellite television. It is a tool that is widely getting popularity. Try the best reasonably cheapest price IPTV service provider to get the quality services at a low cost expenditure. The best reasonably cheapest price  IPTV service is IPTV Tops.   

IPTV is not like the downloaded media. Moreover, it is an internet-based entertainment service. So, you can save the cost on satellite television. Best IPTV service provider can help you to enjoy unlimited channels. 

Is IPTV legal? 

Now, you may concern about the legal status of an IPTV service. Yes, IPTV is legal in most of the countries. But some IPTV service may not be legal.  Unusual cheapest price IPTV service may not have the legal identity. Because, IPTVs are legal if they can have the license of their streaming services. 

The free and low-price IPTV service can not able to provide legal IPTV services. Because, if a provider buys the licenses, it will incur cost to the channel. So, it is not possible to get legal IPTV service at a free or unusual low price. Rather you can try the best reasonably cheapest price IPTV service provider. IPTVtops tries to provide the services with high quality and stable connection at a reasonable price. 

Best reasonably cheapest price IPTV service 

IPTVTops is the best reasonably cheapest price IPTV service. It will help you to save your money. The best service will help you to enjoy many benefit features. 

40000 channels are available

150000 movies and TV shows are available. 

99.99% uptime. 

Reliable and secure IPTV service. 

IPTV service reddit is the best IPTV service. 

It is  the best reasonably cheapest price IPTV service. 

IPTVTops has antifreeze technology. 

So, try the best cheapest IPTV service and enhance your entertainment skills. 

IPTVTops Pricing. 

Monthly package - 15 US dollars.

Three months packages - 30 US dollars.

Half-yearly packages - 45 US dollars.

Yearly packages - 80 US dollars.

With this price, you will get the following benefits. 40000 channels. 150000 movies and TV shows are best features of IPTVTops.

[precious-blossom]

🎮💸 Earn $150+ by Playing Games Online?! | Free Cash Review 2024 | Minimu...

[bunnyb34r]

Man I hate the new scheduling app for work. They updated it to add all these "helpful" features, and they're cool and helpful... but they take too long to load IF they load at all, and it's always buggy. You can scroll up the screen and down the screen, god help you if you actually wanted to check your schedule, put in time off, or check your pay stub.

The old app was like one big screen that had your past schedules and your current to two weeks out schedule. You swiped left and you could put time off requests or check the status of em. Swipe right, check your availability and how long you've worked there AND your worker ID that you need to type in when you call out.

This one it's like good fucking luck even signing in. It asks for a pin and takes at least 2 tries and 5 min to get in. Then the homepage just let's you scroll up and down. Wonderful. Thanks. Love it. -5/5 stars.

[selfmadebd]

YoutubeJacker Ai Review | Earn $346.34 per day on autopilot

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[thedavidmcilroy]

Make $25 - $50 Per Hour Writing Reviews Of Apps On Your Phone Or Tablet. 💰

Check it out.

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[saintedbythestorm]

I just got a reply on a negative review I left on an app in 2018!!!! 🤣

[lawaghar]

WriteAppReviews is a brand new "Get Paid to Test Apps" site.

Here, we have a network of thousands of software companies that frequently need a large number of app testers.

Those companies launch new apps and need ordinary people to use and test them. This way, they get to know how their apps are performing.

You just need an internet connection, a smartphone, and a few minutes of your time to get started. and nothing else.

Much of the heavy lifting will be done by us and the companies; you just need to download and use their apps.

and write your honest opinions about your experience using them. That's it. 

And those companies will compensate you for your candid feedback.

Click Now, and apply for this position today.

[mostlysignssomeportents]

“Humans in the loop” must detect the hardest-to-spot errors, at superhuman speed

I'm touring my new, nationally bestselling novel The Bezzle! Catch me SATURDAY (Apr 27) in MARIN COUNTY, then Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

If AI has a future (a big if), it will have to be economically viable. An industry can't spend 1,700% more on Nvidia chips than it earns indefinitely – not even with Nvidia being a principle investor in its largest customers:

https://news.ycombinator.com/item?id=39883571

A company that pays 0.36-1 cents/query for electricity and (scarce, fresh) water can't indefinitely give those queries away by the millions to people who are expected to revise those queries dozens of times before eliciting the perfect botshit rendition of "instructions for removing a grilled cheese sandwich from a VCR in the style of the King James Bible":

https://www.semianalysis.com/p/the-inference-cost-of-search-disruption

Eventually, the industry will have to uncover some mix of applications that will cover its operating costs, if only to keep the lights on in the face of investor disillusionment (this isn't optional – investor disillusionment is an inevitable part of every bubble).

Now, there are lots of low-stakes applications for AI that can run just fine on the current AI technology, despite its many – and seemingly inescapable - errors ("hallucinations"). People who use AI to generate illustrations of their D&D characters engaged in epic adventures from their previous gaming session don't care about the odd extra finger. If the chatbot powering a tourist's automatic text-to-translation-to-speech phone tool gets a few words wrong, it's still much better than the alternative of speaking slowly and loudly in your own language while making emphatic hand-gestures.

There are lots of these applications, and many of the people who benefit from them would doubtless pay something for them. The problem – from an AI company's perspective – is that these aren't just low-stakes, they're also low-value. Their users would pay something for them, but not very much.

For AI to keep its servers on through the coming trough of disillusionment, it will have to locate high-value applications, too. Economically speaking, the function of low-value applications is to soak up excess capacity and produce value at the margins after the high-value applications pay the bills. Low-value applications are a side-dish, like the coach seats on an airplane whose total operating expenses are paid by the business class passengers up front. Without the principle income from high-value applications, the servers shut down, and the low-value applications disappear:

https://locusmag.com/2023/12/commentary-cory-doctorow-what-kind-of-bubble-is-ai/

Now, there are lots of high-value applications the AI industry has identified for its products. Broadly speaking, these high-value applications share the same problem: they are all high-stakes, which means they are very sensitive to errors. Mistakes made by apps that produce code, drive cars, or identify cancerous masses on chest X-rays are extremely consequential.

Some businesses may be insensitive to those consequences. Air Canada replaced its human customer service staff with chatbots that just lied to passengers, stealing hundreds of dollars from them in the process. But the process for getting your money back after you are defrauded by Air Canada's chatbot is so onerous that only one passenger has bothered to go through it, spending ten weeks exhausting all of Air Canada's internal review mechanisms before fighting his case for weeks more at the regulator:

https://bc.ctvnews.ca/air-canada-s-chatbot-gave-a-b-c-man-the-wrong-information-now-the-airline-has-to-pay-for-the-mistake-1.6769454

There's never just one ant. If this guy was defrauded by an AC chatbot, so were hundreds or thousands of other fliers. Air Canada doesn't have to pay them back. Air Canada is tacitly asserting that, as the country's flagship carrier and near-monopolist, it is too big to fail and too big to jail, which means it's too big to care.

Air Canada shows that for some business customers, AI doesn't need to be able to do a worker's job in order to be a smart purchase: a chatbot can replace a worker, fail to their worker's job, and still save the company money on balance.

I can't predict whether the world's sociopathic monopolists are numerous and powerful enough to keep the lights on for AI companies through leases for automation systems that let them commit consequence-free free fraud by replacing workers with chatbots that serve as moral crumple-zones for furious customers:

https://www.sciencedirect.com/science/article/abs/pii/S0747563219304029

But even stipulating that this is sufficient, it's intrinsically unstable. Anything that can't go on forever eventually stops, and the mass replacement of humans with high-speed fraud software seems likely to stoke the already blazing furnace of modern antitrust:

https://www.eff.org/de/deeplinks/2021/08/party-its-1979-og-antitrust-back-baby

Of course, the AI companies have their own answer to this conundrum. A high-stakes/high-value customer can still fire workers and replace them with AI – they just need to hire fewer, cheaper workers to supervise the AI and monitor it for "hallucinations." This is called the "human in the loop" solution.

The human in the loop story has some glaring holes. From a worker's perspective, serving as the human in the loop in a scheme that cuts wage bills through AI is a nightmare – the worst possible kind of automation.

Let's pause for a little detour through automation theory here. Automation can augment a worker. We can call this a "centaur" – the worker offloads a repetitive task, or one that requires a high degree of vigilance, or (worst of all) both. They're a human head on a robot body (hence "centaur"). Think of the sensor/vision system in your car that beeps if you activate your turn-signal while a car is in your blind spot. You're in charge, but you're getting a second opinion from the robot.

Likewise, consider an AI tool that double-checks a radiologist's diagnosis of your chest X-ray and suggests a second look when its assessment doesn't match the radiologist's. Again, the human is in charge, but the robot is serving as a backstop and helpmeet, using its inexhaustible robotic vigilance to augment human skill.

That's centaurs. They're the good automation. Then there's the bad automation: the reverse-centaur, when the human is used to augment the robot.

Amazon warehouse pickers stand in one place while robotic shelving units trundle up to them at speed; then, the haptic bracelets shackled around their wrists buzz at them, directing them pick up specific items and move them to a basket, while a third automation system penalizes them for taking toilet breaks or even just walking around and shaking out their limbs to avoid a repetitive strain injury. This is a robotic head using a human body – and destroying it in the process.

An AI-assisted radiologist processes fewer chest X-rays every day, costing their employer more, on top of the cost of the AI. That's not what AI companies are selling. They're offering hospitals the power to create reverse centaurs: radiologist-assisted AIs. That's what "human in the loop" means.

This is a problem for workers, but it's also a problem for their bosses (assuming those bosses actually care about correcting AI hallucinations, rather than providing a figleaf that lets them commit fraud or kill people and shift the blame to an unpunishable AI).

Humans are good at a lot of things, but they're not good at eternal, perfect vigilance. Writing code is hard, but performing code-review (where you check someone else's code for errors) is much harder – and it gets even harder if the code you're reviewing is usually fine, because this requires that you maintain your vigilance for something that only occurs at rare and unpredictable intervals:

https://twitter.com/qntm/status/1773779967521780169

But for a coding shop to make the cost of an AI pencil out, the human in the loop needs to be able to process a lot of AI-generated code. Replacing a human with an AI doesn't produce any savings if you need to hire two more humans to take turns doing close reads of the AI's code.

This is the fatal flaw in robo-taxi schemes. The "human in the loop" who is supposed to keep the murderbot from smashing into other cars, steering into oncoming traffic, or running down pedestrians isn't a driver, they're a driving instructor. This is a much harder job than being a driver, even when the student driver you're monitoring is a human, making human mistakes at human speed. It's even harder when the student driver is a robot, making errors at computer speed:

https://pluralistic.net/2024/04/01/human-in-the-loop/#monkey-in-the-middle

This is why the doomed robo-taxi company Cruise had to deploy 1.5 skilled, high-paid human monitors to oversee each of its murderbots, while traditional taxis operate at a fraction of the cost with a single, precaratized, low-paid human driver:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

The vigilance problem is pretty fatal for the human-in-the-loop gambit, but there's another problem that is, if anything, even more fatal: the kinds of errors that AIs make.

Foundationally, AI is applied statistics. An AI company trains its AI by feeding it a lot of data about the real world. The program processes this data, looking for statistical correlations in that data, and makes a model of the world based on those correlations. A chatbot is a next-word-guessing program, and an AI "art" generator is a next-pixel-guessing program. They're drawing on billions of documents to find the most statistically likely way of finishing a sentence or a line of pixels in a bitmap:

https://dl.acm.org/doi/10.1145/3442188.3445922

This means that AI doesn't just make errors – it makes subtle errors, the kinds of errors that are the hardest for a human in the loop to spot, because they are the most statistically probable ways of being wrong. Sure, we notice the gross errors in AI output, like confidently claiming that a living human is dead:

https://www.tomsguide.com/opinion/according-to-chatgpt-im-dead

But the most common errors that AIs make are the ones we don't notice, because they're perfectly camouflaged as the truth. Think of the recurring AI programming error that inserts a call to a nonexistent library called "huggingface-cli," which is what the library would be called if developers reliably followed naming conventions. But due to a human inconsistency, the real library has a slightly different name. The fact that AIs repeatedly inserted references to the nonexistent library opened up a vulnerability – a security researcher created a (inert) malicious library with that name and tricked numerous companies into compiling it into their code because their human reviewers missed the chatbot's (statistically indistinguishable from the the truth) lie:

https://www.theregister.com/2024/03/28/ai_bots_hallucinate_software_packages/

For a driving instructor or a code reviewer overseeing a human subject, the majority of errors are comparatively easy to spot, because they're the kinds of errors that lead to inconsistent library naming – places where a human behaved erratically or irregularly. But when reality is irregular or erratic, the AI will make errors by presuming that things are statistically normal.

These are the hardest kinds of errors to spot. They couldn't be harder for a human to detect if they were specifically designed to go undetected. The human in the loop isn't just being asked to spot mistakes – they're being actively deceived. The AI isn't merely wrong, it's constructing a subtle "what's wrong with this picture"-style puzzle. Not just one such puzzle, either: millions of them, at speed, which must be solved by the human in the loop, who must remain perfectly vigilant for things that are, by definition, almost totally unnoticeable.

This is a special new torment for reverse centaurs – and a significant problem for AI companies hoping to accumulate and keep enough high-value, high-stakes customers on their books to weather the coming trough of disillusionment.

This is pretty grim, but it gets grimmer. AI companies have argued that they have a third line of business, a way to make money for their customers beyond automation's gifts to their payrolls: they claim that they can perform difficult scientific tasks at superhuman speed, producing billion-dollar insights (new materials, new drugs, new proteins) at unimaginable speed.

However, these claims – credulously amplified by the non-technical press – keep on shattering when they are tested by experts who understand the esoteric domains in which AI is said to have an unbeatable advantage. For example, Google claimed that its Deepmind AI had discovered "millions of new materials," "equivalent to nearly 800 years’ worth of knowledge," constituting "an order-of-magnitude expansion in stable materials known to humanity":

https://deepmind.google/discover/blog/millions-of-new-materials-discovered-with-deep-learning/

It was a hoax. When independent material scientists reviewed representative samples of these "new materials," they concluded that "no new materials have been discovered" and that not one of these materials was "credible, useful and novel":

https://www.404media.co/google-says-it-discovered-millions-of-new-materials-with-ai-human-researchers/

As Brian Merchant writes, AI claims are eerily similar to "smoke and mirrors" – the dazzling reality-distortion field thrown up by 17th century magic lantern technology, which millions of people ascribed wild capabilities to, thanks to the outlandish claims of the technology's promoters:

https://www.bloodinthemachine.com/p/ai-really-is-smoke-and-mirrors

The fact that we have a four-hundred-year-old name for this phenomenon, and yet we're still falling prey to it is frankly a little depressing. And, unlucky for us, it turns out that AI therapybots can't help us with this – rather, they're apt to literally convince us to kill ourselves:

https://www.vice.com/en/article/pkadgm/man-dies-by-suicide-after-talking-with-ai-chatbot-widow-says

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[ewanmitchellcrumbs]

Who Taught You How to Love Like That? - Chapter One

Pairing: Modern!Aemond Targaryen x female character (third person) Warnings: Sugar daddy/sugar baby dynamics. Word count: ~2.5k Series masterlist

Chapter summary: Desperate to pay off her student loans, she downloads a dating app with a twist, and makes an interesting match.

She sighs, her eyes scanning over the PDF of her payslip for the month, before locking her phone and letting it drop heavily onto the kitchen counter.

“Bad news?” Mysaria quirks an eyebrow, sliding a glass of wine across to her.

“These student loan repayments are fucking killing me. I’ve basically worked an entire week for free this month.” She complains, taking a huge swig from her glass.

“Bummer.” Her flatmate says. “Any way I can help?”

“Unless your mattress is secretly stuffed full of cash, no. Super Noodles for me for the rest of the month, once I’ve paid my share of the rent.”

“You could give being a sugar baby a try?” Mysaria says with a smirk over the rim of her wine glass.

She laughs, rolling her eyes. “Yeah, or take up pole dancing lessons and become a stripper!”

“I’m being serious.” Mysaria, puts her glass down and pulls out her phone, flicking to the App Store and typing. “See? There are loads of apps, why not give it a try?”

“Isn’t that just prostitution?” She wrinkles her nose in disgust.

“Hey!” Mysaria chides. “Sex work is real work, but this isn’t prostitution. Most of these guys are just desperate, lonely guys who earn big bucks and are willing to spoil you in exchange for a conversation or a few selfies. You don’t even have to sleep with any of them…unless you want to.”

“I think I’ll pass, thanks.”

Even if she did go through with it, she was inexperienced, and would surely be a disappointment to any potential sugar daddies she might attract. She’d had one boyfriend in her entire life, it had lasted six months and they’d never gone beyond unsatisfying quickies that focused entirely on his pleasure. The idea of taking money from a stranger in order to pay her bills makes her incredibly uneasy.

They’re half way through their second bottle of wine as she scrolls through her phone. Mysaria is snoring softly on the sofa next to her, while an episode of some trashy reality TV show plays away to itself in the background.

Her thoughts keep drifting back to her flatmate’s mention earlier in the evening of sugar babies. She knows it’s likely the wine inspiring her actions, but she finds herself scrolling through the same apps they’d looked at previously.

Seeing one with particularly good reviews, she presses download before she’s had a chance to think twice about it and then goes through the process of setting up a profile, picking the best photo she has of herself on her camera roll.

Her heart races as she swipes with shaky fingers through photos of a myriad of men. She stops when she sees the look of one she likes.

Larys, 45. Tell me all your secrets.

His curly brown hair and piercing blue eyes immediately capture her attention, and she enjoys the flirtatious nature of his tagline. She swipes right and is stunned when she gets an “It’s a match!” notification. Wow, that was fast.

Instantly a message pops up from him.

Hello beautiful. How are you this evening?

She smiles, this seems harmless enough.

I’m fine, thanks. Just watching TV. How are you?

Her eyes linger on the screen as she awaits his reply.

I’d be better if I could get a look at your pretty feet. How much?

Bile rises in her throat and she throws the phone away from her in disgust. The worst possible start she could have asked for. She silently curses Mysaria’s stupid idea and vows never to open the app again.

Three weeks later and she is thoroughly fed up. She’s tired of never going out or doing anything, sick of existing on instant noodles. When she receives another payslip and sees yet another loan repayment has eaten away at her earnings, she reaches breaking point. She considers looking for another job, but she currently doesn’t qualify for anything beyond an entry level position in her field, and the pay everywhere else is no better than what she’s already on.

Her thumb lingers over the app that she hasn’t touched for weeks, too scarred by having such an awful first encounter to bother with it again. However, she’s desperate and willing to try anything - not with Larys though. She’s quick to unmatch with him, eager to forget his disgusting request.

She swipes mindlessly for a few minutes, not finding anyone attractive, until she happens across a photo that stops her in her tracks.

The man in question has sharp features - an aquiline nose, an impossibly chiseled jawline and sculpted cheekbones. His long white blonde hair frames his face elegantly, his only imperfection is the scar that runs across his left eye, a slightly duller blue than the right. She wonders if he’s still able to see out of it.

Aemond, 35.

No tagline, no other photos, save the one of him staring directly into the camera. He seems intense and mysterious. She swipes right, unable to fight the disappointment she feels when it’s not an instant match.

She closes the app, her desire to look at anyone else has been thwarted by how ridiculously good looking he is.

She has nearly forgotten about him when her phone buzzes the next day. He’s matched with her. She unlocks her phone, her palms sweaty with nerves, and looks at his message.

Hello.

Simple, to the point, possibly the words of a serial killer? She pushes the thought away and types out a response.

Hi. How are you?

She almost gives up and puts her phone away in the time it takes for him to reply, but eventually he does.

I don’t do small talk. Tell me about yourself.

Her eyes widen as she reads the message. He’s either incredibly rude or just not used to interacting with other people. She decides to give him the benefit of the doubt. She tells him about her history degree, about her museum job, about her living situation and her aspirations to one day become a curator of historical artifacts. He is unsurprisingly evasive when she attempts to ask about him.

So, what brings you to the app?

She decides there’s no point in hiding the fact that she’s strapped for cash, she wouldn’t be using an app that matches sugar babies with sugar daddies if that weren’t the case. She explains that her student loan repayments are crippling her, half expecting not to hear from him again. His next message is much quicker to arrive.

How much? And are you free Saturday night?

Dread gnaws at her stomach. Oh god, what does he expect of her? Hesitantly, she types out the remaining balance she has on her student loan and asks what he has in mind for Saturday. Again, he replies straight away.

Give me your bank details. I need a date for my nephew’s engagement party.

Her eyes widen. This cannot be real, and yet it’s happening. Dazed by his forwardness she sends across her account number and sort code, and tells him she’s free on Saturday.

Her mouth runs dry when after a few minutes her banking app pings with a notification of a deposit. The full amount she owes on her student loan has been transferred to her under the name ‘A. Targaryen.” 

Aemond has transferred her thousands of pounds as if it were nothing more than pocket change, and all under the loose agreement that she’ll attend a party with him. This man has to be obscenely wealthy, or insane, perhaps both.

Her phone vibrates again. Another message from him.

Transferred. Give me your number, I hate the messaging interface on this app.

With clammy hands and a pounding heart she types out an entirely too long, rambled message of thanks, along with her number.

She wonders if she’s blown it when she doesn’t hear from him again, yet the money still sits in her bank account, feeling as though it’s burning a hole in it. She hasn’t exactly played it cool, most sugar babies probably accept money with cool sophistication, not simpering words of gratitude.

She feels like she’s forgotten how to breathe when he texts her on Friday.

Tell me your address and dress size.

Once more, she’s taken aback by how blunt he is, yet she complies and provides both. 

When she arrives home from work later that evening, there is a package waiting for her. She opens it to reveal a black silk gown. The cut of the fabric is beautiful. Her jaw drops when she sees the Chanel label. This likely cost more than the entirety of the clothing she owns put together.

There’s a note that simply reads: Wear this tomorrow - A.

She smiles at the neatness of his handwriting. Aemond is a strange man, and yet she can’t help the intrigue she feels towards him. This is his second act of generosity towards her in the space of a week and they’ve yet to even meet.

She spends all of Saturday ensuring she is waxed, exfoliated and moisturised all over, before carefully styling her hair and applying make-up that she feels will do the eye-wateringly expensive dress she’s been given to wear justice. 

She is jittery with nerves when a sleek, black sports car pulls up outside the block of flats. She can just tell it’s Aemond, nothing that costs that much has any business being on this side of town otherwise.

She hurries downstairs to meet him, eager to avoid the embarrassment of him seeing the mess that is the inside of the pokey, little flat she shares with Mysaria.

He steps out of the car and she inhales sharply at the sight of him. He is tall, at least six foot easily, despite her wearing heels he still towers over her. A well tailored, black suit clings to his long, lithe form and his white hair is pulled back neatly into a bun that sits at the nape of his neck.

“You must be Aemond.” She says, praying her make-up is enough to hide the evidence of how hot her face currently feels.

“Mmm. Yes, I must. You look good.” His right eye rakes appreciatively over her form, and when his left doesn’t follow the motion, she realises it’s a prosthetic. “Shall we go?”

He gestures towards the car, walking around to the passenger’s side to open the door for her.

He fills her in on what’s expected of her as he drives. His nephew, Jace, has gotten engaged to his longtime girlfriend, Baela. He is sick of fending off questions around why he’s not with anyone yet, especially from that side of the family. He expects her to stick by his side for the evening and he’ll deal with any awkward questions that may arise.

They arrive and Aemond is ever the gentleman, quickly stepping out of the car to open the door for her and offer her a hand out. 

She shivers at the feel of his hand against hers and is stunned further still when he interlocks their fingers, keeping a firm hold of her hand as they enter the house.

“Just play along.” He whispers.

She is immediately struck by the opulence of it all as they walk through the foyer. This is a family that comes from old money. It was clear from the antique furnishings and vaulted ceilings that the Targaryens had always had money and always would.

She balks a little, unsure of if she will fit in, suddenly self conscious. Aemond seems to pick up on this.

“Relax.” He whispers to her. “Everyone here looks like shit compared to you.”

His words, combined with the tickle of his breath against the shell of her ear sends a shiver down her spine.

True to his word, he doesn’t let her stray from his side the entire evening. The tension between family members is unmistakable. The sneers with which a trio of dark haired young men regard Aemond is incredibly off putting.

She is informed by Aemond that the eldest of them is Jace, whose engagement they are here to celebrate. She meets Aemond’s mother, the doe eyed, auburn haired woman is pretty and seems shocked but delighted at the sight of her son with an actual date on his arm.

The lies that flow from his mouth are effortless. He had met her at the museum she works at when he’d come in to browse an exhibition. They’d hit it off instantly and been inseparable ever since.

Every touch of his hand at the small of her back feels like a brand and as the night goes on, and the champagne continues to flow freely, she finds herself eagerly playing up to the part of dutiful girlfriend. She leans into every touch, her eyes fluttering closed at the gentle press of his lips to her hairline. He is respectful, too respectful, never getting handsy or going for a full on the lips kiss.

When the evening draws to a close and he escorts her back to the passenger side of his car, she feels bereft at the loss of his touch as he moves around to the driver’s seat.

“You did well this evening.” He tells her as she starts the engine. “We put on quite the show.”

Remembering that none of this was real, that she’d been paid to be here startles her out of her tipsy fantasy that this is an actual relationship and her mouth presses into a tight line as she nods.

They drive in silence for a while before Aemond speaks again.

“If you’re up for it, my mother is having a birthday meal this Wednesday. She mentioned tonight she’d love for you to come. Are you available? I’ll pay you, obviously.”

So much for this not feeling like prostitution. She’s already paid off her student loan, she could just say no, but then she wouldn’t get to see him again.

“Y-yeah, sounds good.” She says meekly.

They pull up outside the block of flats and, right on cue, Aemond is striding around the car to get her door. She wobbles on her heels as she climbs out, the effects of the evening’s alcohol getting the better of her, and falls against his chest.

His large hands move to steady her by the shoulders and as she looks up into his face she is struck by how gorgeous he really is. 

Her eyes slowly close, as she leans in, her lips pressing towards his.

His grip on her shoulders tightens, pushing her back ever-so gently. “You don’t need to do that.”

Her eyes snap back open, shame coursing through her like liquid fire. “Oh…”

“I’ll text you the details about Wednesday. Thanks again for tonight.”

He gets back into the car, driving away as she stands on the kerbside, feeling thoroughly embarrassed.

[leonardcohenofficial]

vinyl + turntable basic info / general tips

while i am by no means a real audiophile or vinyl expert here are some tips that have worked for me over my almost two decades of collecting!

turntables + speakers

do not buy suitcase players. i cannot overstate this enough. do not buy suitcase players. the all-in-one players are generally cheaper, but there isn't enough support from the platter because they are smaller than 12 inch LPs. this can lead to shitty sound quality, the needle can fall out of the groove, and you can actually break your records. save up and pay a little more and get a proper turntable

there is a lot of debate about belt vs. direct drive turntables (belt drive turntables use a belt to spin the turntable while direct drive turntables have the motor directly under the platter) and which is better. very generally speaking if you want better sound quality, belt drive is the way to go; if you want a player that's a little easier to use that's also a little more durable, direct drive is a better option (most DJ turntables are also direct drive, as a side note)

i currently have three turntables and they are all audio-technica, which is a well respected brand (especially for beginners)—i have an AT-LP60X ($149) which is a belt driven player, as well as two AT-LP120XUSB ($349 each) which i use for practicing DJing/selecting. i also have a stanton M.203 mixer (insane to me that it's listed for $350 on amazon, i paid eighty bucks for mine on ebay), audio-technica ATH-M20x headphones (they were a gift but are listed for $49 on amazon) and a set of edifier R1280DB bluetooth speakers ($149). the speakers are hooked up directly into my mixer, but because both the speakers and the AT-LP60X are bluetooth, i can also play records on that turntable too

change your needle! general rule of thumb is to replace your needle every thousand hours of listening; for the average person if you change it once a year you should be good, i'm on the cautious side and change them every six months

i really like my setup; it's on the cheaper side when it comes to "grownup" gear but true audiophiles would probably scoff at my basics. regardless of what you end up getting, a decent turntable that doesn't have the speakers built in that fits within your budget and a good set of speaker or headphones is all you need

buying records

any time that you can, i recommend buying vinyl directly from the artist! whether it's through bandcamp their website or at a show i think it's better to buy direct when you can (and often times it's cheaper than buying through a third party)

when you can, buy local. not only is it good to support independently owned shops, developing a relationship with local music people is great and if they're good they'll start to know you/your tastes. it also allows you to get good at crate digging, because you never know what you're going to find in a dollar section

utilize listening stations if the store has them! people can be pretty fast and loose with grading used records, so it's better to listen to it and see if the audio quality corresponds with the price (i don't always buy mint/nearly mint records and can tolerate a fair amount of noise but not if i'm being ripped off lmfao)

look things up on discogs to see if you're getting ripped off. not only is discogs great for keeping track of your collection (also you can friend me here!), the online marketplace is great for checking average sale prices for a given release. also handy for seeing how rare a release is!

buying records on discogs can be a crapshoot, ebay even more so. read seller's reviews; if there's feedback that they generally grade conservatively, that's a good thing

i have such a large collection that maintaining a record of what i have is really necessary; discogs is really fantastic for this. you can even scan barcodes on specific releases to find them through the discogs app! it's super handy for me as sometimes i forget that i have certain albums already and end up buying multiple copies and having to get rid of them (i need to get better at cataloguing immediately after i get new stuff, i currently have about forty five records i still need to add lmfao)

storing + maintaining records

keep your records clean! get a good cleaning kit and have microfiber cloths on hand to keep your vinyl as dust free as possible. also use those storage sleeves, it makes a different in keeping your records cleaner longer

a general rule of vinyl storage that i learned from the owner of the shop that i've been going to since i was nine years old is to store them in less than 70 degrees F environments with less than 70% humidity (funnily enough this is apparently the same rule for cigars)

i recommend those ikea square storage bookcases, as they're generally study, aren't too expensive, are pretty easy to put together, and hold a lot of records (do not store your records in milk crates long term)

actually listen to your records! there are very few releases i keep sealed for the sake of keeping them in mint condition. vinyl can be a very expensive habit (800+ records later i am living proof lol) but it's no fun to keep them sitting around. have fun collecting and play your music!

[orion-my-rion]

i cannot keep quiet about this anymore.

if you're in the US or Canada and interested in learning a language using a free app please get a library card and download MANGO. it's very good and extremely free with a library card (there are many public libraries and universities using the service, so make an account and use the search feature here to find out if there's one near you).

mango currently has 72 available languages and dialects (that's right! different courses for french or canadian french! spanish or latam spanish!). it's set up basically like an audiobook with text. the idea is that the narrator explains the words while you read, and you repeat after them or say the translation out loud when prompted. there's a daily review where you go through flashcards. you can also use the flashcards at your leisure and create your own. at the end of each chapter there's a listening comprehension quiz and a reading comprehension quiz. i cannot emphasize how effective this all is. and it's free with a card.

if you're not in the US or Canada and/or looking for something more like duolingo (don't use duolingo btw tldr they fired translators and replaced them with "ai"), then try BUSUU! it only has 14 languages atm but the lessons are really descriptive and effective. it also has a feature where you can correct other people's open-ended speaking/typing exercises. you set your fluent languages, and exercises by people learning those languages will appear in your feed for you to correct. you can even add others as friends! and, much like duolingo, it has a streak and leaderboard system for you to strive for, minus the guilt-tripping owl.

busuu is free (you watch ads to unlock lessons and they're all skippable after like five seconds), although it also has paid premium/plus versions (i don't use the paid version—the language courses are available for free, and the ad system is Really unobtrusive).

so that's my wisdom for the day. mango and busuu. please check them out :)

[beespaceprogram]

Sticker Cutter Research

I was looking into getting a sticker cutting machine, and I decided to start by looking into cricut which is a well known brand. I had a look at what models they had than their feature etc, but what I was most concerned about was their software. Printer companies like to lock you into a defacto subscription to support hardware you don't really own, and as I was to discover, cricut are operating in a similar way.

The cricut software is online-only*. To cut your own designs you need to use their software to upload your art to their server. There's no way to cut a new design without a logged-in cricut account and an internet connection. At one point in 2021 they flirted with limiting free accounts to 20 uploads/month but backed down after huge community backlash, as far as I can tell.

The incident spawned several community efforts to write open-source firmware for cricut hardware. Some efforts were successful for specific models/serial numbers, but require cracking open the case and hooking in to the debug contacts to flash the chip; not exactly widely accessible. Another project sought to create a python cricut server you can run locally, and then divert the app's calls to the server to your local one.

I restarted my search, this time beginning with looking for extant open-source software for driving cutters, and found this project, which looks a little awkward to use, but functional. They list a bunch of cutter hardwares and whether they're compatible or not. Of those, I recognised the sihouette brand name from other artists talking about them.

I downloaded the silhouette software to try like I did w the cricut software, and immediately it was notable that it didn't try to connect to the internet at all. It's a bit clunky, in that way printer and scanner software tends to be, but I honestly greatly preferred using it to cricut's sluggish electron app⁺. Their software has a few paid tiers above the free one, adding stuff like sgv import/export/and reading cut settings from a barcode on the input material. They're one-off payments, and seem reasonable to me.

This is not so much a review, as sharing some of the research I've done. I haven't yet used either a cricut or a silhouette, and I haven't researched other brands either. But I wanted to talk about this research because to me, cricut's aggressively online nature is a red flag. Software that must connect to a server to run is software that runs only at the whim of the server owner (and only as long as it's profitable to keep the server up). And if that software is the only thing that will make your several hundred dollars worth of plastic and (cheap, according to a teardown I read) servos run, then you have no guarantee you'll be able to run it in the future.

Do you use a desktop cnc cutter? What has your experience been like with the hardware and software? Do you have any experience from home printers with good print quality and user-refillable ink cartridges?

* Cricut's app tried to connect to more than 14 different addresses, including facebook, youtube, google analytics, datadoghq.com, and launchdarkly.com. Launch Darkly are a service provider that help software companies do a whole bunch of things I'm coming to despise, for example, they offer infrastructure for serving different features to different demographics and comparing results to control groups. You know how at various times you've gotten wildly different numbers of ads than your friends on instagram? They were using techniques like this to work out how many ads they could show without affecting their pickup/engagement rates. Scummy stuff.

⁺ Electron apps are web-pages pretending to be applications. They use heaps of ram, tend to have very poor performance, and encourage frustrating UI design that doesn't follow OS conventions. Discord's app is a notable example of an Electron app

[blackmoonlightexpress]

About the mixed response in China & why I think TTEOTM will prevail in the end 💪

Saw the "Badly Received in China?" post earlier and thought to share a longer take on the situation in China, why are there so many antis, and my own predictions on its future.

First, a clarification, TTEOTM has been an massive hit in China. The data speaks for itself in every way you can measure commercial success: viewership, platform membership, app downloads, social media heat index, advertisements, merchandise sales, unintended tourism GDP contribution. The drama has shattered records and outperformed all the recent xianxias, which you'd never dare to expect for a drama with no dingliu (顶流) that airs exclusively in the dead April slot on a platform that's 3rd (sometimes 4th) amongst online streamers. (Some day I'll create a master post just on the stats.)

The only area it falls short on is critical response. It's not just the low Douban rating (opened at 6.x and now dropped to 5.6). The three Bs - Douban, Weibo, and Bilibili (which you can think of as China's IMDB, Twitter, and Youtube) were full of attacks against the show. This included trending topics on how the actors looked (LYX too thin, BL looking old/big/overshadowed by CDL, CDL 照骗 not looking as good as in photo) as well as allegations of plagiarism and drama behind the scenes between cast & crew members. A lot of people watched video edits that twisted the facts and had a poor impression of the drama and even left 1/2-star reviews on Douban without ever watching an episode. (This type of brainwashing is more effective than you'd think. I've been reading a lot of negative posts about the Little Mermaid movie and almost caught myself writing something negative about it without ever watching.)

As all of this unfolded, I kept asking myself, why all the smearing? Who is behind it? And why TTEOTM in particular?

A lot of what appears to be normal user activity is driven by water armies, marketing accounts, and "black" hot search ranking, all paid. This is all backed up by photo evidence captured by netizens. It comes down to commercial interests of rival platforms, productions, actors. This actually happens to every drama that is threatening in some way (almost a proof of success), but TTEOTM attracted more anti $$$. Why? For one, it's seen as the secret weapon that could elevate Youku's status as a 3rd/4th player to a close 2nd to rival and even at times overshadow Tencent. It's no coincidence that, Bilibili, which is owned by Tencent and has way more daily active users than Youku, has promoted hate videos and limited the traffic of fan videos - at some point not even recognizing the drama's Chinese title in search results. (Bilibili used to be a haven for LYX fans and a platform LYX has partnered with extensively. This flipped 180 degrees since he no longer has any unaired dramas with Tencent.)

TTEOTM is also a target for rival productions. It's got big name stars with solid acting reputation, one of the hottest IPs, and high anticipation from all the promotional materials - they've been super loud in letting everyone know that they have better costumes, special effects etc Meanwhile, there's a massive pipeline of unaired xianxia dramas that stick to the old formula and will likely feel dated after people have watched TTEOTM. People even started questioning how some productions with bigger rumored budgets ended up with cheaper-looking promotional materials, costumes, CGI (read: embezzling). So if you've invested in xianxia 101, you'd really want to discredit TTEOTM and stop people from watching it.

But there's also rival fandom jealousy, which is almost worse. Someone asked which fandom is behind it, I would say everyone. There are only so many "resources" to go around in the "entertainment winter" and it's a zero sum game. LYX and BL are both already big stars but still not at the top yet. They are big enough to threaten the dinglius, but not big enough to be accepted as having "made it" by other rising stars. E.g. Yang Mi, Yang Zi, Xiao Zhan receive a lot of hate too, but it's less realistic as a prospect to bring them down. In contrast, the smearing of Bai Lu actually kind of worked. (And I'm really talking about the fans. The actors probably leave it to their agencies/companies.)

Other fandoms are especially bitter in this case because TTEOTM really upset the status quo and commonly accepted truths in a way that kind of discredits everyone else. A lot of the below have been used by fans of dinglius as excuses for when a drama doesn't perform:

Youku is a rubbish platform and Youku exclusive web dramas will never have high viewership

It’s impossible for an actor to break out twice within the same genre

An actor can only develop a big dedicated fan base with CP marketing

Breakout hits are always unanticipated dramas that come out of nowhere

Autumn/Spring is a dead slot. Hits can only come out of the summer and winter holidays.

IMHO A lot of the intense hatred comes from long held beliefs being proven wrong. LYX has always been thought of someone who’s borderline A list and B list, yet the opening viewership of TTEOTM is like double that of dramas led by bigger stars. It would have been less threatening if it started low and slowly gained traction because the drama proved to be good. But the initial hype speaks to the market power of a LYX xianxia, so a lot of people wanted to see it fail and looked for faults everywhere.

Moreover, because TTEOTM had an explosive opening, it did not have enough time for word of mouth to develop before people started bashing it. If you look at Douban ratings, shows that fewer people watched tend to have better reviews because only fans bother to rate it. Starry Love and Back from the Brink, both harshly dismissed as flops by the industry, both have >7.0 on Douban. Meanwhile, people love to hate on a show that is receiving a lot of hype - suddenly they are held to completely different standards even if the budget is similar. Why are people more accepting of the rise of Dylan Wang and Esther Yu in LBFAD? In the end because the expectations were pretty low. They were able to build up a fan base while no one was watching.

Finally, TTEOTM does have lots of production problems, some of their own doing and others not their fault. Either way this left the drama less defensible in the face of scrutiny or tucao (吐槽) culture. The production is very ambitious and took risks, but did not deliver everywhere. It's got parts that look like a blockbuster film and parts that look like a B grade TV show. I personally did not like some of the editing, lighting, cinematography, color grading, special effects, makeup. AND this is precisely the type of production details Chinese viewers LOVE to fixate on. Meanwhile, compared to western viewers, they are more forgiving about things like mediocre acting, dubbing, slow pacing, repetitive tropes or storylines, uninteresting characters. (I think this has something to do with cultural differences around rewarding perfect execution over innovation/risk-taking, sum of the parts over parts that carry the sum.)

And then, there are creative choices that are daring and controversial. These are not problems per se - for every viewer that hates it, someone loves it because it's different. But this perhaps explain why its score has dropped further, even in non-Chinese platforms like MDL, even amongst fans of the show. For example... (spoilers ahead)

Opting for a bad/open ending, knowing that it'll upset some fans, but sticking to it because they feel that it protects the overall integrity of the story (no deus ex machina). Of course, most viewers prefer a happy ending. It would have been easy to just give people what they want. The screenwriter doesn't even have to come up with a new ending for god's sake! However, almost every xianxia that has come before has resurrected the lead character after the big climax. Viewers have been making fun of the cop out: What's the significance of life and death if everyone just reincarnates?

Packing lots of details in a fast-paced, highly complicated, non-linear plot, trusting viewers to be engaged enough to use their brain, rewatch, and discuss outside the show (a bit like Christopher Nolan films). The downside of this is that it's hard to edit out a scene. There's also high risk of viewers getting confused and complaining that the plot makes no sense. Even though most things do if you go several layers down, some rightly point out that they just want to be entertained and the drama should stand on its own.

Making this a male lead centric (大男主) drama, which is rare in the xianxia genre that more recently has targeted young women exclusively. The story shifts from focusing on LSS's mission to TTJ overcoming his fate, perhaps at the expense of the romance (a criticism I see a lot from viewers looking for a pure love story). However, for context, viewers in China (including CCTV itself) have been complaining that the xianxia genre has lost the "xia” (heroism). It's gone from Chinese Paladin, which is about ordinary people overcoming odds to become heroes, to stories that are just about pretty people, who happen to be gods, falling in love since the success of Eternal Love and Journey of the Flower. TTEOTM brings the focus back to "zero to hero" character development, so this is also a change that many welcome.

Allocating a crazy portion of budget and screentime to superhero fight sequences. I agree with all the critics who say these scenes don't add much to the story, the B roll looks better without CGI, and they could have kept other scenes instead. BUT guess which scenes I find myself rewatching and showing off to friends the most? Episodes 14, 15, 32. Because it is thrilling and glorious. Plus after enduring so many Marvel films over the years, I'm pleased to see a version that's genuinely Chinese (not some pan-Asian BS), rooted in our philosophy and martial arts tradition, featuring Chinese faces that have real kungfu training.

Going over the top on aesthetics - colorful costumes, hair accessories, and heavy makeup. A violent reaction against the simple pastel aesthetics that have dominated xianxias over the years. Of course, lots of people hated on the eyeliner and found the extravagant visuals distracting.

However, even with all its flaws, I'm glad it aired and did not wait for perfection. (A lot of May dramas did not go live last minute due to "technical problems" i.e. government censorship. These days, airing = success.) In addition, I predict that over time people will come to appreciate TTEOTM more. Here's why:

1) A lot of dramas now widely lauded as classics started out with poor ratings. Over time, the noise will die down and make way for what really matters - compelling acting and story. Empresses in the Palace (2011) opened with a Douban rating of 2.7 out of 10 (yes, this bad). Viewers didn't like the casting choice. They thought the actors looked bad. There were also issues with the costumes. Over time, its rating increased to 9.4. It's now a show rewatched so loyally that data analysts use its viewership to track market size. Similarly, a lot of the issues people have with TTEOTM are superficial. The things that matter most like acting are good, and even if you dislike the story and editing choices, it did manage to keep 70M people watching and engaged till the end, incl. people who don't watch a lot of TV or like this genre.

2) Moreover, when people look back or rewatch, they tend to focus on just the highlights, and TTEOTM is full of memorable scenes. There are also so many standout memes/gags (出圈梗) that will live in our cultural fabric forever. Fans on Douban were surveyed on who they would have chosen as the director instead and still overwhelming "rehired" Kuk Kok Leung. Biases aside, I think people realize that you could have a better executed drama overall - higher production value, greater consistency, more attention to detail, BUT you might also lose a lot of the things we loved. I don't know if another director would have allowed TTJ go full creepy/evil/weak in the first few episodes or filmed all the steamy love scenes without a modesty backlight. TTEOTM feels so different because it breaks ALL the rules (see above) that I'm not sure if dramas in the future will try to replicate. If they do, TTEOTM would have started a trend. If they don't, TTEOTM will remain the only option.

3) Only dramas that inspire passion will stand the test of time. There are plenty of dramas that score well but don't inspire passion - they will fade away over time. The TTEOTM fan community is intense - there's so much discussion and engagement everywhere. Its Douban group is the #3 most active ever (measured by # of comments). Its MDL page has 68K comments, highest of all aired CDrama. Its Douyin topic has close to 29B views, highest of all costume drama. (Interesting to note that TTEOTM has an excellent reputation on Douyin, the platform with the most active users and least amount of toxic fan activity.) Fans have spent >25M RMB on merchandise, an unprecedented amount - 3M RMB on a character that appears for <10 mins (OG Devil God). It's got to have done something right because this is way more buying power than the fans of LYX and BL combined. And in my N=1, I've not been this excited about a franchise since Game of Thrones and then Harry Potter.

Bottom line, you might have liked it, liked it with regrets, hated it... but if you're spending the time to read this post, all the way till the end, you've become a luna-tic (or 烬神病人)!

[retronator]

It's been a while since a new pixel art editor joined the top ranks. Aseprite is the current go-to recommendation for desktops, while Pixaki (now in its 4th iteration) has always been my favorite on the iPad.

It's time to add another worthy alternative for the owners of Apple Pencils, Pixquare, which is probably the closest you will get to Aseprite on iPadOS. Son Nguyen, the app's developer, says he was inspired a lot by Aseprite, both for the UI and functionality. This is perhaps the most evident in the layer/animation system with the cel grid and of course support for importing and exporting .aseprite files.

I reviewed the app on my latest Twitch stream and it's not (yet) as polished as Pixaki (just one example: pixel grid rendering is not pixel-perfect), but it had all the tools that I needed and more. Among unique capabilities are pressure sensitivity (great for more expressive pixel painting) and importing of Lospec color palettes (on the other hand, you can't yet import palette files).

The biggest switching reason for me is the ability to export a timelapse (which I would say is an expected feature of iPad drawing apps at this point—thanks, Procreate!). For those of us who double as artists and content creators, being able to post a timelapse is very useful. This has been on the feature request list of Pixaki at least since 2021, so it's been refreshing to see Son just go ahead and do it based on the beta test feedback. Going forward, now that v1 is fully released in the App Store ($10, or free Lite version that is limited to 2 files) he wants to continue developing the app based on user feedback, so also join his Discord if you decide to give it a chance.

One more timely thing, you have until the end of July to create an artwork in Pixquare (paid or Lite) to get a chance at winning $200 or $100 (plus app codes to share with your friends). Full details on participating in the contest are on Twitter.

[corgitation]

resources I'm using for studying japanese

vocab/kanji:

wanikani: I use daily reviews to learn kanji and vocabulary using the kanji. This resource isn't free, but this has really helped me stay consistent. I like the UI and find the content helpful

renshuu: this is my favorite mobile app, I use this to learn JLPT-specific vocab and kanji. I use the free version

mochi srs: the best flashcard app! The UI is super easy to use and has lots of shortcuts for making and reviewing cards fast. You can easily create and edit templates for cards, and have cards reference other cards. I have a deck for kanji and one for vocab, and my vocab template references any kanji that are used in the vocab tab. There's also super easy furigana, lots of features for japanese.

grammar:

bunpro: really good for grammar, this has lessons for each grammar rule and divides them into groups through popular textbooks and their own groupings for jlpt grammar

genki textbooks: pretty standard textbook for learning vocab, grammar, and kanji

genki study resources: great site with activities for all the genki lessons

tokini andy genki reviews: extra practice for genki lessons, explains some grammar more clearly, introduces new dialogue.

reading:

japanese folktales for language learners and japanese stories for language learners: folktales are a really great way to learn, because these references come up a lot. I've seen references to urashimo taro in evangelion, and the new pokemon dlc is a reference to momotaro. This book has the japanese on one page and english on the other, with vocabulary after the chapter. (here and here on natively)

animal crossing new leaf tobimori: I've recently started playing this and it's so much fun. I'm already really familiar with the game so I don't depend on any of the text for playing, and it's good for more common expressions, differences in speech between polite/casual/male/female etc. I have a post describing how I'm able to play this here. (here on lingotrack)

listening:

japanese with shun: big fan of this podcast, it's free on spotify and youtube, which scripts on patreon. Each podcast is about a short subject, and they're all in japanese. (here on lingotrack)

learn japanese pod: some free podcasts on spotify with more paid content, this one is both about japanese and in japanese. It will teach phrases for specific scenarios, like ordering sushi or refusing situations.

tracking:

lingotrack: I started time tracking a couple of months ago and it's been so helpful! This site is great for quickly logging study activities and seeing how the time stacks up. It helps me identify which areas I'm spending enough time in and which ones are lacking. I also use the library section for keeping track of my japanese native content

toggl: I use this online stopwatch for tracking the time for different study activities so I can log them in lingotrack. It also has a browser extension which I usually use

finding native content:

natively: excellent site for finding comprehensible input content and tracking days read. This site has a lot of reviews for books so it makes it easy to find books that are on level. You can follow me here

lingotrack: collections in lingotrack provides user generated groups of content so that you can create an see groupings of native material content. There aren't as many reviews for material here as there are for natively though, so I find material there and then add them here. You can follow me here

other:

tofugu: this blog has everything. Use it for finding reviews on japanese language resources, learning grammar rules, etc.

jisho: dictionary app, I use it as my source of truth for vocab and kanji meanings

heisig's remembering the kanji: a different approach to learning kanji, this focuses on first teaching the simplest kanji and building from ones you already know. This is different from wanikani, which will make sure you know (its own) particles before introducing the kanji that uses them, but focuses on learning kanji and vocab in priority order. I'm listing it here because I don't use it much anymore

deepl: ai translator, works much better than google translate. You can also put sentences in chatgpt and ask it for broken down explanations. Take any translations from ai with a grain of salt - they are great tools but do not ensure accuracy

edit 3/10/2024: added tracking and native content sections, added links to lingotrack and natively for media