#pantalone layouts

[nynfas]

♟️ the harbingers.

[dilfiesz]

till you made up your mind.

[sonizitos]

   ♱   キャンドルが消えるまで 涙がかれるまで 

[latimeria-fell-from-heaven]

⠀⠀and with a crescendo, i welcome you to this cold heart of mine

like or reblog if you use/save !

[fatuizitos]

𝅼     ׁ     𝅼      ꒰͡   𖹭   ͡꒱     𝅼      ׁ    𝅼͏͏ ͏ ͏ ͏͏͏͏ ͏ ͏ ͏͏

[vilunae]

Tevyat Chapter Interlude Teaser: A Winter Night's Lazzo

[xuanen-haha]

| Actually I realised that I'm really tired of making complex arts (or any art honestly). After semester in university when for like one week (or sometimes less) you need to make full art, ten different sketches, animation and also in the same time fix your other arts, layouts ect |

| I were thinking about making beautiful fanart (even in boundaries of portrait) with complex idea but from the start of the process realised that I just don't have any ideas. My head were literally so empty (the most horrible feeling in the world). |

| Maybe I need some rest from drawing but actually I can't afford it because only one week till start of the new semester left so I need to at least try to draw something that I like and not something that is part of some task. So the only option that have left (besides keep trying draw something complex and then don't draw at all for like month lol) is drawing something simple something where you don't need to think much while drawing |

| Anyway ✶ Pantalone is my beautiful princess ✾ and I can't describe or fully show how beautiful he looks in my head so I just hope that looking on this art you could feel at least part of my admiration towards this man |

[sl33py-day]

Guide to Teyvat University!

This is a guide to the Modern AU of Genshin Impact so people don’t get confused and so I won’t forget. I’m posting a lot I know, writing is the way for me to get my mind of things and I don’t sleep much. Also note that the layout of the school is heavily based on my school, the different buildings and classes.

⚠️!THIS GUIDE WILL BE UPDATED WHENEVER GENSHIN IMPACT UPDATES TO! ⚠️

CHARACTER INFO

Let’s start off with the dead people. For example, Himmel Venti’s dead friend.

Himmel is Alive and well he just doesn’t go to Teyvat Uni cause he didn’t get excepted into the school. Though he does go to Celestial College that’s a few hours away from Teyvat.

Same goes for Tomo, didn’t get excepted into the school so he went to another. Both do visit their friends pretty often, Himmel visits more than Tomo. I would like to say that Tomo is the reason why Kazuha has an obsession with y/n. Can’t really say the same with Himmel as he thinks Y/n is also cute. Causing Venti and him to have some fights every now and then.

Baal (is that how you spell it?) is the mother of scaramouche, Kunikuzushi, Raiden and the other person. She works at Teyvat Uni as a history teacher.

I said scaramouche and Kunikuzushi. Now I hear you say ‘Bitch they’re the same person.’ Not in my AU they’re not! Scaramouche and Kunikuzushi are Identical twins with different personalities. Kuni is the youngest out of the two and also the most naive. Scaramouche is the rebel one and the oldest. Scaramouche is protective of Kuni but still has that same attitude. Wanderer is not a person in this AU

The unknown god is the principal of the school. Heavenly principals, you can not expect me to not make her the principal of Teyvat Uni. She’s the type of person who doesn’t leave her office unless it’s time to go home. Not many people know her or her name so around school they call her ‘Unknown Principal’

Onto the kids of the game! The kids such as Klee, QiQi, YaoYao, and Sayu. They all go to Tevyat daycare that’s across of the university.

Klee is Albedos sister, QiQi is Hu Tao’s sister, YaoYao is Al-Haitham’s adoptive sister, Sayu is the Kamisato siblings adoptive sister. Paimon is the twins adoptive sister. Yeah a lot of Adoptions but I wanna give the kids a brother/sister. Also can’t forget the cat child that i totally didn’t forget the name. I don’t know who should be her sister/brother. I wanna make it Keaya and Diluc and have her not like them. I don’t know honestly.

The fatui, they are like the teachers. Except Scaramouche and Childe cause I say so. Dottore is the science teacher who people either love or hate no in between. Dottore also is the Teacher of Medical Science class. It’s a class where all they learn are medical stuff and stuff……I don’t want to say what they do since I’m traumatized by it. Pantalone is the Business and Management teacher (I have on in my school so imma add it). Sandrone is the art teacher, Columbina is the Drama teacher. That’s all I can think of right now.

SCHOOL LAYOUT

Different nations are just different buildings of the college. Mondstadt, Liyue, Inazuma, and Sumeru are the ones that are already built with the Fontaine building being built. The one big building is the actual school where they go to class.

There’s a whole other building that’s just the lunch room and the library. The library is on the second floor of the building. Even though there’s small library’s in each dorm it’s more of a study area than a library.

Once again there’s another building for the theater and a small cafe in the same building.

It’s a huge school what do you expect?

OTHER INFO

Of course this is a yandere blog so things are gonna be yandere.

Why am I doing this? I may or may not make a full fanfic that’s in the modern AU and wanted to clear stuff up before I do. Also because I will Do more modern AU stuff.

Request are open until I say so

[atomic-taco-muffin]

I thought the layout looked familiar!

The fatui harbengers being a big family au:

Luna: ! *puts a hand on the year of the bull*

Pantalone: what do you see little one

[kilysia]

May I request Pantalone { Genshin Impact } layouts? If requests are open, of course !

Going to deny because The Young Wolf is unable to find enough official content ( - - ) 💧

[decthe-a]

I’m ready to lowkey sleep. I’ve sorted the muse nav layout to contain muses I want to write/will write in the image below. I just need to move the info I have wrote for Zhongli over first and I think get some basic information out for Pantalone first before tackling Fatui!Zhonglis altered info. It’s easy to tell who has psds done though and who doesn’t :sobs: 

I’m diving to bed to lurk! I’ll be playing the update tomorrow so I probably won’t be here much unless it’s to cry over the Archon quest!

[latimeria-fell-from-heaven]

icons / layouts masterlist...!

✎ ー requested

GENSHIN IMPACT。。。!

AETHER ⋮ ➮ ❛ traveler from afar ❜

AL-HAITHAM ⋮ ➮ ❛ brushing my hair back, feeling your lips on my cold neck ❜

BAIZHU ⋮ ➮ ❛ atractylodes macrocephala ❜

COLLEI ⋮ ➮ ❛ the sun will shine on us again, and it'll be okay to breathe. ❜

DAINSLEIF ⋮ ➮ ❛ forgotten dreams ❜ ❛ bough keeper ❜

HEIZOU ⋮ ➮ ❛ analytical harmony ❜

HU TAO ⋮ ➮ ❛ fragrance in thaw ❜

KAMISATO AYAKA ⋮ ➮ ❛ my hat won't get blown away... right? ❜

KAMISATO AYATO ⋮ ➮ ❛ pillar of fortitude ❜

PANTALONE ⋮ ➮ ❛ and with a crescendo, i welcome you to this cold heart of mine ❜

SCARAMOUCHE / WANDERER ⋮ ➮ ❛ balladeer ❜

SHENHE ⋮ ➮ ❛ lonesome transcendence ❜

THOMA ⋮ ➮ ❛ colorful days ❜ ❛ protector from afar ❜

YUN JIN ⋮ ➮ ❛ stage lucida ❜

ZHONGLI ⋮ ➮ ❛ vintage memories ❜

LOVE NIKKI / SHINING NIKKI。。。!

AEON ⋮ ➮ ❛ you are my sun, moon, sky and all that i am ❜

ASHLEY ⋮ ➮ ❛ right in between heaven and earth i'm there floating quietly ❜

LOEN ⋮ ➮ ❛ you are my sun, moon, sky and all that i am ❜

MERCURY ⋮ ➮ ❛ roses of love bloomed again, tough and pure ❜

MODRIC ⋮ ➮ ❛ the life of an artist belongs to the night ❜

NIDHOGG ⋮ ➮ ❛ the black dragon of the frozen abyss ❜

NIKKI ⋮ ➮ ❛ if this life is only pain, i'll run far away with you ❜

QIN YI ⋮ ➮ ❛ behind this mask, can you promise to love the real me ❜

REID MERCURY ⋮ ➮ ❛ starry writer ❜

SHADE ⋮ ➮ ❛ secret sniper ❜

XIAO ZONG ⋮ ➮ ❛ towering figure with a sword in hand ❜

ZHU YUXIAN ⋮ ➮ ❛ king of the south ❜

MANHWA。。。!

CHAERIN EUN ⋮ ➮ ❛ the thing you regret the most... i know what it is ❜

SAINTESS ESTELLA / JUWEL GARNET ⋮ ➮ ❛ evil, we've come to tell you that she's evil, most definitely ❜

[cornyregans]

A Monty Marriage

Intro Word Count: 222 words Essay Word Count: 1,828 words Thank You Word Count: 62 words Total Word Count: 2,112 words

We are gathered here today for two reasons: to celebrate the fifteenth anniversary of TS2′s release, as well as to add another entry into the Veronaville Vault. 

It’s been a few months since I last put anything up here, and I’m sorry about that. My life has been a bit hectic, mostly because of mental health things and family emergencies, but also because I’ve been busy playing Fire Emblem: Three Houses (I’m on my second playthrough). Also, I am currently taking some classes, so odds are things will be a bit calm in the coming months. That said, I do plan on posting and checking in from time to time.

That’s not to say that I haven’t been working on more entries for the Veronaville Vault. Even though I haven't been active on here for a few months, I have been working on several outlines and creating more headcanons and going further into world-building. As such, I’ve come up with some new ideas that I am looking forward to sharing with all of you in the future.

But enough about that, there’s a wedding to analyze! 

Should you be interested in having a visual reference going forward, you can find one here. If you’re not familiar with the image itself, I would highly recommend looking at it to follow along.

The Couple

Anyone familiar with the modern-day premades will likely be able to identify the couple under the arch as Claudio and Olivia Monty. That said, there are some additional elements I want to point out. First of all, the plumbob above his head shows that Claudio meant to be the active sim. While this might not seem like much, the presence of our little green friend could be alluding to two things in particular.

Anyone who has played TS2 likely knows how weddings work in the game. Much like most interactions, weddings must be initiated by one half of the couple before one can occur. Also, the sim who initiates the action is the one who keeps their last name. With this in mind, the plumbob could very well be indicating that Claudio, as the active sim, was the one to initiate the marriage between the two. As such, both Claudio and Olivia would take the Monty name as opposed to the Dottore name (which is reflected in the game itself).

As I mentioned when talking about the last name mechanic above, a wedding occurs in-game after the player has one sim initiate the action. This means that the other sim could be uncontrollable on that particular lot and the wedding would still go off without a hitch. As a result, this could also indicate that Claudio and Olivia did not live together before getting married.

Outside of Mr. Plumbob, the thought-bubble above Olivia's head shows a sim with dark hair and a medium skin tone. Given the hair and complexion of the individual that she is marrying, the sim in the thought bubble is most likely Claudio.

The Room Layout

Now that we’ve looked at the couple, it is now time to look at the venue. When it comes to the location, the windows in the room, combined with the fact that this is a Monty wedding, would place the event as occurring on Veronaville’s west side. That said, since there is no such location to be found in Veronaville, odds are that the developers created it as a one-time thing and either bulldozed or deleted it afterward.  

The wedding guests are all seated on 1x2 benches, which could easily be seen as makeshift pews if the developers intended for the venue to be a church. From what we are shown, there are five benches in this particular storytelling image, three on the left and two on the right. Though, given the angle of the shot, there could very well be an additional bench on the right side that is invisible to us.

The Guests

Most weddings today (at least where I’m from) seem to have many guests. While the number can vary, there are quite a few individuals in a bride or groom’s life that will more likely be included on the guestlist than others.

Known Guests

Let’s start with the guests we are already familiar with. Patrizio and Isabella, Claudio’s parents, are seated on the front left bench. This is pretty easy to figure out since the old lady has the same hairstyle as Isabella; whereas the old man has the same bald spot as Patrizio. 

Claudio’s siblings, Bianca and Antonio are seated behind their parents. Like with Patrizio and Isabella, Bianca and Antonio can be easily identified by their hair. 

On the bench next to Bianca and Antonio, there is a dark-skinned man with red hair in either the closecrop or peak style, a description that does not match any Monty or Dottore. However, given the residents of Veronaville, this man could very well be Oberon Summerdream. If this man is, in fact, Oberon, then it is likely that the small piece of dress to his right belongs to Titania.

Marriage and Memories

Outside of these sims, there aren’t any other familiar faces to be found. While this might sound like an unnecessary statement, it carries more weight when taking Patrizio and Isabella’s memories into account since Patrizio and Isabella cannot agree on which of their sons was the first to tie the knot. Patrizio claims that Antonio got married before Claudio, whereas Isabella claims that Claudio got married before Antonio. By looking at this picture, it would be safe to say that Isabella’s memories are most likely correct due to Hero Monty’s absence at the event.

Unknown Guests

While the Montys and Oberon (and Titania) are pretty easy to identify, four other sims are strangers to us.

The Man and Woman in the Back Left Seat

Given the suit and dress the two are wearing, both sims are most likely adults. The man has blond hair in the messy style. Given the way the picture is angled, it is impossible to determine his skin tone. The woman has brown hair in a ponytail. Unlike the man to her left, it is easy to determine that she has a dark skin tone.

Since these descriptions do not match any modern-day Veronaville premade, perhaps these sims are townies instead. When it comes the male in the suit, Edward Mellon and Adrian Lewis both have the same hair color; however, their hairstyles are different. As for the woman, Carmen Patch is the only adult Veronaville townie who has dark skin and brown hair. That said, similar to Adrian and Edward, her hairstyle differs from the woman’s in the picture.

Since none of the townies are an exact match, it's possible that these two sims were deleted at some point during development. While this might sound farfetched at first, a look in SimPE will show that many Veronaville premades have relationships with unknown sims. As such, it’s not outside the realm of possibility that these two were among that group.

The Man and Woman in the Front Right Seat

The other pair who cannot be easily identified are the couple on the other side of Patrizio and Isabella. When it comes to determining their age, their grey hair practically tells us that they are elders. The man has darker skin than the woman, and his hair looks to be closecrop style. The woman has lighter skin than the man (see her legs for proof), and her hair is in the longsimple style.

I find these two to be far more interesting than the adult couple in the back row. First of all, the fact that they are sitting opposite Patrizio and Isabella shows that they are likely important to either Claudio and/or Olivia. That said, there isn’t any clear-cut answer regarding their identities; however, there are some possibilities we can consider.

Who are these old fogies?

The first possibility is that these two are supposed to be Claudio’s paternal grandparents, Valentine and Silvia Monty. When it comes to anything that might support these claims, Patrizio remembers Silvia dying after Claudio got married. Another element that might offer credence to this theory is that the hairstyle of the old woman is the same as Silvia’s.

That being said, there are some problems. First of all, Patrizio remembers Valentine dying before Claudio got married. A look at the Monty family tree shows that both Valentine and Silvia are shown to have died as adults. Given that Patrizio was an elder when Claudio and Olivia got married, it is highly unlikely that these two would still be alive for their grandson’s wedding. Finally, while there are images of Valentine and Silvia as elders, Silvia’s hairstyle in her elder headshot differs from the one in her adult headshot.

The other possibility is that these two are supposed to be Claudio’s maternal grandparents, Vincentio and Francisca Pantalone. Like with the couple in the picture, Francisca had a lighter skin tone than her husband. Besides, Isabella’s memories state that Vincentio died after Claudio’s wedding. Also, the hairstyle of the man in the picture looks similar to Vincentio’s.

However, like Valentine and Silvia, both Vincentio and Francisca are shown to have died as adults (though there are images of them as elders in SimPE). Given that Isabella was already an elder when this picture was taken, it is highly unlikely they would still be alive for their grandson’s wedding.

Now that we’ve exhausted the only real possibilities on Claudio’s side of the family, perhaps we should take a look at Olivia’s relatives. Since this couple is situated on the bench opposite Claudio’s parents, the most logical conclusion is that these two are supposed to be Olivia’s parents, Holofernes and Judith Dottore. When it comes to anything that might support this theory, the man in the picture seems to have the same hairstyle as Holofernes.

While Judith’s hairstyle is different, her hair would likely look like the old woman’s if she let it down. That said, like with the parents of her in-laws, Olivia’s family tree shows that her parents died when they were adults. Unlike the old couple in the picture, Holofernes and Judith have the same skin tone. While images do exist of Holofernes and Judith as elders, Holofernes’ hairstyle in his elder headshot is different from the hairstyle in his adult headshot.

The fourth possibility I can think of is that these two were meant to be Olivia’s paternal grandparents, Dull and Jaquenetta Dottore. Much like the man and woman in the picture, Jaquenetta’s skin tone is lighter than Dull’s. The woman in this picture also has the same hairstyle that Jaquenetta has in her headshot.

However, given Olivia’s age in this picture, it is unlikely that they would still be alive when this picture was taken. Finally, while the hairstyle of the man in this picture is hard to determine from the angle we are given, it does not match Dull’s shortgel hairstyle.

The final possibility I can think of is that, like the man and woman in the back left of the room, these two could also be among the pool of unknown sims. As such, it wouldn’t be outside the realm of possibility to think that perhaps they were meant to be Olivia’s parents earlier in development, only to be replaced with Holofernes and Judith after the picture was taken.

Final Thoughts

While I have mentioned the storytelling images in previous Veronaville Vault entries, this is the first one I’ve written that is completely dedicated to a single picture. Unlike many of the other images, Claudio and Olivia’s wedding picture is full of mysterious sims. Almost all of the sims present in other storytelling images are easily identifiable provided the player is somewhat familiar with the neighborhood lore. This picture, on the other hand, contains sims whose appearances don’t match up with any premades, at least not those who could logically be alive when the game begins.

With all this in mind, I thought it would be interesting to talk about this topic here. Of course, odds are that I’m completely off-base about many things here, but I think some of the possibilities listed here could mean something.

Thank you so much for reading this. I honestly didn’t know if I’d get this up on time for TS2’s fifteenth anniversary since I lost my tablet pen. Luckily I managed to find it, so I was able to post this today. My writing’s probably a little rusty, so I apologize for that, but other than that, I hope you enjoyed.

[s8-ensacf-rampe]

3. Le cadre

Le programme de projet

Le «centre B» pourra accueillir un «centre de revitalisation urbaine», mais pas uniquement ; d’autres fonctions socialement utiles, économiquement soutenables sont prévues dans le programme comme :  

- 1. un «centre de revitalisation urbaine» comprenant à minima, une bibliothèque centre de documentation, une salle de réunion commune, des salles de workshop, plusieurs ateliers équipés en outillages, une cour ouverte pour la fabrication d’éléments à l’échelle 1 / 1 entrant dans la construction

- 2. plusieurs logements de type, «habitat groupé participatif» ou «coopérative d’habitants» avec notamment la question de l’intergénérationnel (lien possible avec des organismes comme « Habicoop » ou « habiter autrement ») ;

- 3. Un espace extérieur qualitatif et ouvert aux habitants et aux visiteurs,

- 4. Un jardin d’agrément et un jardin potager,  

Par la suite, à partir de l’année académique 2020-2021, un chantier-école sera mis en place. Le chantier est finalisé à la progressive restauration et mise en valeur de cette « maison ». Cette maison pourra ainsi devenir le laboratoire du projet « Thiers 2025 ». L’’action pédagogique sera construite au fur et à mesure de l’avancement du chantier.

Livrables

Les étudiants vont travailler par groupe de 3 ou 4 (maximum) pour la partie RAM, pour la partie PE le travail sera individuel.

Le projet sera présenté avec des schémas d’analyse du site, des figures synthétiques comme étant la « r��duction » du projet dans ce qu’il a de plus fondamental (figure, parti, ligne guide, composition). Le projet doit comprendre obligatoirement : les aménagements urbains et paysagers, un plan masse, une maquette de site avec le projet intégré, les plans de chaque niveaux, un plan des toitures, plusieurs coupes, les élévations les plus importantes (éch. 1/100 ème et / ou 1/50ème), une ou deux coupes à de l’échelle du paysage (1/200ème ou 1/500ème) et au moins deux coupes à l’échelle du détail (1/10ème ou 1/20ème), des croquis à la main, une maquette d’un détail type. En plus des planche A1, une petite notice descriptive sur maximum 2 pages A4 (6000 signes espaces compris maximum).

- 4 à 6 planches format A1 vertical (60 X 84 cm) par groupe pour la partie relevé / analyse / matériaux,

- 5 à 7 planches format A1 (60 X 84 cm) pour le projet

- une maquette d’ensemble et une maquette de détail

Jury et exposition des projets fin mai début juin 2020 à Thiers, avec deux personnalités extérieurs invitées dans le jury.

Les enseignants, les étudiants, vie du workshop

Cet enseignement sera assuré par Patrick Léaud, Thomas Nouailler et Nicolas Detry, en collaboration avec Jacques Pouillet. Le groupe de master 1 (8.1.) sera composé d’environ 32 étudiants de Clermont-Ferrand (DE « Metaphaur »). D’autres intervenants seront invités, notamment pour les « APP » (approfondissement personnel de projet). Nous allons préciser ultérieurement les noms des intervenants, mais dans un premier temps, il s’agirait de :

- Mathilde Lavenu, Brigitte Floret, Pierre Dufour, Yvon Cottier, Guillaume Munné, Boris Bouchet, Michel Astier, Jean-Philippe Costes, Jean-Louis Coutarel,

- des entreprises, des artisans (liés notamment à la CAPEB…)

- un ou deux doctorants  

Par ailleurs, nous allons tenter d’organiser une journée pédagogique en dehors de Clermont-Ferrand, (en septembre 2020 pour les M1 qui entre en M2 ?), à priori un vendredi, avec :

- 1. Le matin (de 9h30 à 12h30) consacré à une visite de chantier, Ancien couvent franciscain, musée Savoisien à Chambéry : restauration des bâtiments classés MH et nouvelle muséographie. Déjeuner à Chambéry.

- 2. L’après-midi (de 15h30 à 18h00) exemples « de restauration critique », sur des édifices urbains dans le « site historique de Lyon » (site inscrit patrimoine mondial Unesco), site de l’Antiquaille, vieux Lyon, rue Royale.  

Support de cours

Livres et revues (voir bibliographie), dossiers de travaux d’étudiants, dossiers de projets réalisés par des professionnels, présentation orale des problématiques abordées au fur et à mesure du semestre.

Annexe au diplôme

- Maîtriser la greffe sur l’existant.

- Élaborer un programme de réutilisation à partir d’analyses.

- Développer un argumentaire sur la dialectique entre existant et contemporain projeté tenant compte des débats actuels sur le sujet.

- Porter cette réflexion, rupture ou continuité, jusqu’au détail d’assemblage.

Organisation, logistique, matériel

- une caisse / valise de matériel de relevé disponible à l’ENSACF (disto laser, mètres ruban, mètres pliants, une mire pour prendre les niveaux)

- matériel de relevé personnel, impératif pour tous :

- une plaque rigide format A3 (ou carton A3) avec des pinces pour accrocher les feuilles

- un bloc de papier « Layout » A3 de 70 ou 80 grammes, il est impératif de prendre du papier « Layout » semi transparent,

- un porte mine 0,7 mm, des mines HB, H, 2B..

- une gomme, un taille crayon,

- des crayons de couleurs (du rose + au moins 12 autres couleurs)

- un compas (impératif)

- une équerre à 45° « dreieck » avec rapporteur de type TEKA 995 N de Faber Castell ou équivalent (impératif),

- une équerre, à 60 ° + une règle graduée de 30 cm

- une machine à calculer

- facultatif  une chaise pliante légère si vous en avez.

- un appareil photo (au moins 3 par groupe)

- un casque de chantier ou un casque de vélo,

- une lampe frontale type PETZL

- des vêtements chauds, un pantalon solide, un bonnet, une écharpe, des bonnes chaussures de chantier ou de marche, un thermos pour faire du thé / café