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#peter weir films
pynkhues · 1 year
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Hi, for the movie asks 🍿 21 22 23 🙂
Hi! Thank you!
21. A director you think is underrated
Oh, man, so many, but I've been working my way through Peter Weir's filmography again, and I can't believe his oeuvre isn't talked about more in its entirety. Like, yeah, people will talk about Dead Poet's Society and The Truman Show, but to look at the 15 feature films he made and his evolution from formative Australian cinema like Picnic at Hanging Rock, Gallipoli and The Cars that Ate Paris through to his American work like the movies I listed above plus Witness, Green Card and Master and Commander is truly pretty spectacular. There was no genre that he couldn't do, and I think he was a master of tone and atmosphere and it's a shame people will talk about his iconic films really as one offs instead of seeing them as parts of a body of work of probably one of the most influential directors in modern cinema.
22. A director you think is overrated
Also a lot, haha, but I'd say especially Christopher Nolan right now. I enjoyed Oppenheimer a lot, but I think overall his films have a lot of issues and are generally a lot shallower than people acknowledge. He also can't write or direct women at all and that always makes me a bit insane.
23. An animated movie you like
I adore animation, so I could rec so many! I watched Satoshi Kon's Millennium Actress for the first time recently though, and that's just been such a standout. It's kind of a fictionalised, fantasy bio pic in some ways of the life and career of Setsuko Hara (incredible actress! Tokyo Story should be essential viewing!) but really uses her story as an entry point to create a love song to Japanese cinema and the relationship between art and escapism. It's just magic.
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Ask me about movies
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davidhudson · 1 month
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Polish poster for Peter Weir’s Picnic at Hanging Rock (1975).
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#197
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humanoidhistory · 9 months
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The Truman Show (1998)
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filmreveries · 10 months
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“Poetry, beauty, romance, love… these are what we stay alive for.”
Dead Poets Society (1989) dir. Peter Weir
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merchantphoto · 3 months
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outdoor shots in Dead Poets Society (1989)
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(these have all been enhanced and upscaled, so they're higher resolution than the actual movie)
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iconsfinder · 11 months
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vampyr-bite · 2 years
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[it - stephen king // blood brothers - bruce springsteen // dead poets society (1989), dir. peter weir // maurice - e.m. forster // stand by me (1986), dir. rob reiner // bobby jean - bruce springsteen // no surrender - bruce springsteen // the body - stephen king]
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filmap · 18 days
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The Cars That Ate Paris Peter Weir. 1974
Opening titles 3817 Sofala Rd, Wattle Flat NSW 2795, Australia See in map
See in imdb
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misandriste · 2 years
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picnic at hanging rock (1975)
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yesimtrashforit · 4 months
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Film quotes I love/that changed my life
Dead Poets Society (1989)
• John Keating: "We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play goes on and you may contribute a verse. What will your verse be?"
• Neil Perry: "I was good. I was really good."
• John Keating: "There's a time for daring and there's a time for caution and a wise man understands which is called for."
Everything Everywhere All At Once (2022)
• CEO Waymond: "When I choose to see the good side of things, I'm not being naive. It is strategic and necessary. It's how I've learned to survive through everything."
• Alpha Waymond: "Every rejection, every disappointment has led you to this moment. Don't let anything distract you from it."
• Waymond: "The only thing I do know... is that we have to be kind. Please, be kind. Especially when we don't know what's going on."
• Jobu Tupaki: "I wasn't looking for you so I could kill you. I was just looking for someone who could see what I see, feel what I feel."
Little Women (2019)
• Jo March: "Women, they have minds, and they have souls, as well as just hearts. And they've got ambition, and they've got talent, as well as just beauty. I'm so sick of people saying that love is just all a woman is fit for. I'm so sick of it.
But I'm so lonely..."
• Amy March: "Well, I believe we have some power over who we love, it isn't something that just happens to a person."
Theodore 'Laurie' Laurence: "I think the poets might disagree."
Amy March: "Well, I'm not a poet, I'm just a woman. And as a woman I have no way to make money, not enough to earn a living and support my family. Even if I had my own money, which I don't, it would belong to my husband the minute we were married. If we had children they would belong to him, not me. They would be his property. So don't sit there and tell me that marriage isn't an economic proposition, because it is. It may not be for you but it most certainly is for me."
• Jo March: "If I were a girl in a book, this would all be so easy."
• Meg March: "Just because my dreams are different than yours doesn't mean they're unimportant."
The Perks of Being a Wallflower (2012)
• Charlie: "I don't know if I will have the time to write any more letters because I might be too busy trying to participate. So if this does end up being the last letter, I just want you to know that I was in a bad place before I started high school, and you helped me. Even if you didn't know what I was talking about or know someone who's gone through it, you made me not feel alone. Because I know there are people who say all these things don't happen. And there are people who forget what it's like to be 16 when they turn 17. I know these will all be stories someday. And our pictures will become old photographs. We'll all become somebody's mom or dad. But right now these moments are not stories. This is happening. I am here and I am looking at her. And she is so beautiful. I can see it. This one moment when you know you're not a sad story. You are alive, and you stand up and see the lights on the buildings and everything that makes you wonder. And you're listening to that song and that drive with the people you love most in this world. And in this moment I swear, we are infinite."
• Patrick: "You see things and you understand. You're a wallflower."
Donnie Darko (2001)
• Dr. Lilian Thurman: "Do you feel alone right now?"
Donnie: "Oh, I don't know. I mean, I'd like to believe I'm not, but I just... I've just never seen any proof, so I... I just don't debate it anymore, you know? It's like I could spend my whole life debating it over and over again, weighing the pros and cons. And in the end, I still wouldn't have any proof. So I just... I just don't debate it anymore. It's absurd."
Dr. Lilian Thurman: "The search for God is absurd?"
Donnie: "It is if everyone dies alone."
Dr. Lilian Thurman: "Does that scare you?"
Donnie: "I don't want to be alone."
• Donnie: "How's it feel to have a wacko for a son?"
Rose Darko: "It feels wonderful."
• Donnie to Cherita Chen: "One day everything will be better for you."
10 Things I Hate About You (1999)
• Kat: "You don't always have to be who they want you to be, you know?"
• Kat: "Why should I live up to other people's expectations instead of my own?"
The Holdovers (2023)
• Paul Hunham: "There's nothing new in human experience, Mr. Tully. Each generation thinks it invented debauchery or suffering or rebellion, but man's every impulse and appetite from the disgusting to the sublime is on display right here all around you. So, before you dismiss something as boring or irrelevant, remember, if you truly want to understand the present or yourself, you must begin in the past. You see, history is not simply the study of the past. It is an explanation of the present."
• Angus Tully: "He used to be fine. He was better than fine. He was great. He was my dad. Then about four years ago, he... started acting strange. Erratic, forgetful, saying all this weird shit. My mom took him to a bunch of doctors, and they put him on medication. But that just made it worse. He got more confused. Then he got angry. And then he got... physical. That was it. That was the last straw. They put him away. And she divorced him... without him even realizing it. That's why she wants a whole new life. And it's easy to just stash me away in boarding school. Like half of us are just stashed away there. And I get it. She never has to look at me. Because maybe when she looks at me, she... she sees him. Maybe she's right. I can't keep it together. I lie. I steal. I piss people off. I don't have any friends, real friends. I'll probably get kicked out of Barton too. And when I do, it'll be my own fault. Get sent to Fork Union and maybe to youknowwhere. And nobody will care. The funny thing is... I wanted to see him so bad this whole time. But I also didn't, you know? Because I'm afraid that's what's going to happen to me one day."
Paul Hunham: "You're not your father."
Angus Tully: "How do you know?"
Paul Hunham: "Because no one is his own father. I'm not my dad. No matter how hard he tried to beat that idea into me. I find the world a bitter and complicated place, and it seems to feel the same way about me. I think you and I have this in common. But don't get me wrong, you have your challenges. You're erratic and belligerant and gigantic pain in the balls, but you're not your father. You're your own man. Man, no. You're just a kid. You're just beginning. And you're smart. You've got time to turn things around. Yes, I know that Greeks had the idea that the steps you take to avoid your fate are the very steps that lead you to it, but that's just a literary conceit. In real life, your history does not have to dictate your destiny."
• Paul Hunham: "You know, Mr. Kountze, for most people, life is like a henhouse ladder: shitty and short. You were born lucky. Maybe someday, you entitled little degenerates will appreciate that. If you don't, I feel sorry for you and we will have failed to do our jobs."
Barbie (2023)
• Ruth: "Humans have only one ending. Ideas live for ever."
• Gloria: "It is literally impossible to be a woman. You are so beautiful and so smart, and it kills me that you don't think you're good enough. Like, we have to always be extraordinary, but somehow we're always doing it wrong. You have to be thin, but not too thin. And you can never say you want to be thin. You have to say you want to be healthy, but also you have to be thin. You have to have money, but you can't ask for money because that's crass. You have to be a boss, but you can't be mean. You have to lead, but you can't squash other people's ideas. You're supposed to love being a mother but don't talk about your kids all the damn time. You have to be a career woman, but also always be looking out for other people. You have to answer for men's bad behavior, which is insane, but if you point that out, you're accused of complaining. You're supposed to stay pretty for men, but not so pretty that you tempt them too much or that you threaten other women because you're supposed to be a part of the sisterhood. But always stand out and always be grateful. But never forget that the system is rigged. So find a way to acknowledge that but also always be grateful. You have to never get old, never be rude, never show off, never be selfish, never fall down, never fail, never show fear, never get out of line. It's too hard! It's too contradictory and nobody gives you a medal or says thank you! And it turns out in fact that not only are you doing everything wrong, but also everything is your fault. I'm just so tired of watching myself and every single other woman tie herself into knots so that people will like us. And if all of that is also true for a doll just representing a woman, then I don't even know."
• Ruth: "We mothers stand still so our daughters can look back and see how far they've come."
• Barbie: "I want to be a part of the people that make meaning. Not the thing that's made. I want to do the imagining. I don't wanna be the idea."
• Ken: "We were only fighting because we didn't know who we were."
• Sasha: "You have to try. Even if... Even if you can't make it perfect, you can make it better."
Her (2013)
• Theodore: "Sometimes I think I have felt everything I'm ever gonna feel. And from here on out, I'm not gonna feel anything new. Just lesser versions of what I've already felt."
• Samantha: "The past is just a story we tell ourselves."
• Amy: "We are only here briefly, and in this moment I want to allow myself joy. So fuck it."
I Saw The TV Glow (2024)
• Maddy: "Time wasn't right. It was moving too fast. And then I was 19. And then I was 20. I felt like one of those dolls asleep in the supermarket. Stuffed. And then I was 21. Like chapters skipped over on a DVD. I told myself, This isn't normal. This isn't normal. This isn't how life is supposed to feel. If you don't think about it, it can't hurt you. I found our hearts and they were still beating. There is still time."
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davidhudson · 1 month
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Happy 80th, Peter Weir.
1974 photo by Gordon Glenn.
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escapismthroughfilm · 2 years
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#94
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y-a-w-p · 4 months
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happy birthday to the movie that changed my life💗
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danielle-b · 1 year
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✧ ᴰᵉᵃᵈ ᴾᵒᵉᵗˢ ˢᵒᶜⁱᵉᵗʸ ✧
DIR: Peter Weir.
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ethanhawke01lover · 24 days
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My heart🥹 This is such a beautiful speech from Ethan to Peter Weir🌸
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