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#pre-raphaelism
beatricecenci · 5 months
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John Collier (English, 1850-1934)
The Sleeping Beauty
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William J. Webbe
The White Owl (Alone and warming his five wits, the white owl in the belfry sits). 1856
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the-evil-clergyman · 2 years
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The Siren by John William Waterhouse (1900)
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didoofcarthage · 9 months
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Studies for The Fates Gathering in the Stars by Elihu Vedder
American, c. 1884-1887
charcoal and chalk on wove paper
National Gallery of Art, Washington, D.C. x x
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lionofchaeronea · 10 months
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The Favorites of the Emperor Honorius, John William Waterhouse, 1883
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Interior of Strasbourg Cathedral & St. Peter's Church, Belgium by Wyke Bayliss (1835-1906)
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liturgical-agenda · 1 year
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On the Terrace by Antonio Torres-Fuster
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bradobobearito · 1 year
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You know the pamphlets have paid off when someone finally commissions a stained glass window of you!
A somewhat successful attempt to do Egbert the Careless as a stained glass window (based on one of Burne-Jones’ although I achieve nowhere near that level of goodness).
As ever, thanks @outsidexboxofficial for the very good dragon-man 
See the rest of the Oxventurers here:
Corazon
Prudence
Dob
Merilwen
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maertyrer · 2 years
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John William Waterhouse St. Joan /A Young Saint (propably St. John)
oil on canvas, 55 x 48 cm, early 1870s
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hckat · 2 years
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John Collier, 1897: “Lady Godiva”
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beatricecenci · 5 months
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John William Waterhouse (English, 1849-1917)
Lamia
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William J. Webbe
Chanticleer and the fox. 1857
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the-evil-clergyman · 2 years
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Apollo and Daphne by John William Waterhouse (1908)
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aqua-regia009 · 2 years
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Love and the Pilgrim by Edward Burne-Jones (1833–1898) · Oil on canvas, 1896-97 · Tapestry, 1909 (by William Morris) · Pencil on paper, c.1872
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didoofcarthage · 9 months
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The Fates Gathering in the Stars by Elihu Vedder. American, 1887. Oil on canvas. In the collection of the Art Institute of Chicago.
Description from the Art Institute:
Elihu Vedder depicted the three Fates of Greek mythology working the thread of life: Clotho spins the thread, Lachesis fixes its length, and Atropos cuts it at the appointed time of death. Their symbolic tools—spindle, distaff, and shears—rest in the foreground, emphasizing the Fates’ decisive role in matters of life and death. 
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museum-groupie · 2 years
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Theodor von Holst (1810 - 1844), The Wish, 1840, oil on canvas, Yale Center for British Art (source).
Groupie Fact: It is widely believed that von Holst modeled the woman in this painting after the 20-year-old Amelia Thomasina Symmes-Villard, his then fiancé and favorite model. Symmes-Villard was a sort of femme-fatale and allegedly carried around a small knife within her bodice. Fellow artist William Bell Scott once suggested that if von Holst’s alcoholism did not kill him, Symmes-Villard probably would have done it herself (source). 
For more information on Theodor von Holst and Amelia Thomasina Symmes-Villard, check out “Theodor von Holst; his art and the Pre-Raphaelites” by Simon Poe (linked above). 
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