#princess tutu thoughts

[lesbianfakir]

HE FELL IN LOVE WITH HER AFTER LEARNING SHE WAS JUST A BIRD

The whole show. The whole show. We have this long running character beat of Duck beloved she, as she truly is, is unloveable and once people see her to her very core they will abandon her. But simultaneously!!!!! We have this subtle plot building of fakir, fully aware the girl has feathers, falling in love with her! And it’s so slow it doesn’t come to the forefront until the very end and AAAAAAAAA the amount of times Duck laments how no one would care about her as a bird meanwhile fakir looks at her with the most adoring eyes shut up!! Shut up literally shut up!!!! People will love you for the things you hate about yourself and you’ll have no goddamn idea because you’re so wrapped up in how YOU see yourself!!!!! HE LOVED THAT LITTLE BIRD MORE THAN SHE HATED HERSELF

[frobby]

welcome to venn diagram hell

[unfilteredflare]

So like. I had a lot of time to think today at work. Doing monotonous stuff for hours caused my mind to drift. And I ended up thinking about Princess Tutu just because

And now I think I have figured out something about the character Princess Tutu herself.

Let me explain: so we all know that Duck and Rue are the princesses in Swan Lake. The symbolizim so obviously makes us see Duck as the True Princess / the White Swan / Odette and we see Rue has the False Princess / the Black Swan / Odile.

And I admit, the first time I watched the series back in 2012 or so, I thought the message at the end was the Prince choosing Odile over Odette. Years of rewatching the series over and over and analyzing it and interacting with the fandom has led to a different outlook very quickly. Which is that Rue is actually Odette all along and Duck was Odile from the beginning.

Which I know all of this has been discussed to death. But I just want to reiterate why we believe Rue is the real Odette because this has led me to another conclusion that I have never seen discussed. Specifically about Princess Tutu. But first we need to establish that Rue actually IS Odette and not Odile.

Siegfried is destined to love Odette, but he ends up tricked into confessing his love for Odile, who is transformed to look like Odette. Only love can break Odette's curse and turn her back into a human. But because Siegfried pledged his love to another, Odette dies.

And then we have Duck and Rue. In the finale of season 1, episode 12 Swan Lake, both Duck and Rue fight for Mytho's love. Mytho's heartshard that IS his actual feeling of Love, picks Rue. In this scene, Mytho loves Rue. But the mostly heartless and loveless Mytho, picks Duck. When this happens, Rue leaves, ashamed and defeated. In fact, that is how every battle involving Princes Kreahe in season 1 ends. Nobody ever defeats her in battle. She is defeated by the Prince picking Tutu or turning against her or even by being shocked by her "true self" the Black Swan.

This very much follows the pattern in Swan Lake. Mytho loves Rue but picks Duck in this scene. Or how, confessing his love for Odette is supposed to transform her into her true self. And Mytho confessing to Rue at the end causes her to transform into a white feathered dress that clearly symbolizes the White Swan. Or how their carriage is pulled by more White Swans.

Rue was always the White Swan, destined to love and be loved by the Prince. And Duck was always the Black Swan, destined to trick the Prince by pretending to be the White Swan. Of course, Its not like ours girls did any of this on purpose. Duck believed she was the White Swan until Mytho chose Rue. Duck, the real Odile, really did love the Prince. But had to give up on him because he never loved her back.

We are led to believe through all of season 1 that Duck = Princess Tutu = White Swan = Odette. But at the end of season 2, we discover that she was never actually Princess Tutu either. Her powers came from the heartshard of Hope. She is not using Princess Tutu's powers through the series but actually Mytho's. As evidenced in the finale as Mytho's flower powers, flying, dancing while fighting, transforming his clothes to his real outfit. She was never Princess Tutu but just an illusion of her.

Fakir mentions that Mytho was obsessed with the story of Princess Tutu in the original book. I believe Siegfried loved Princess Tutu based on this fact. because Mytho was always going through the motions of feelings without actually feeling anything. Like, how he would risk himself to save people and animals. Something Siegfried would do, and so Mytho does it because its habit. Siegfried's love of ballet that Mytho copies without feeling. So Mytho being obsessed with the Princess Tutu in the book means he actually had feelings for her as Siegfried. So his Love for Princess Tutu and his Hope of one day having his heart returned manifested as an illusion of Princess Tutu.

So Duck was never the real Princess Tutu. Which also means she was never the real White Swan or the real Odette. Just a little duck that tricked everyone into believing her lies. But that's ok. She never meant to deceive. She never meant any harm. She just wanted to be happy. And in the end, she was happy. By embracing her true self.

And all of that leads back to: Rue was the real Odette all along, like in the original story. Odette was kidnapped by the villian, Rothbart. In this series Rothbart seems to be the Raven. Rue was kidnapped by the Raven. Rothbart put a curse on Odette, transforming her from a human into an animal. The Raven "curses" Rue and turns her from a normal human into a "crow". Rothbart then transforms the Black Swan, Odile, to look like Odette and deceive the Princess. Now there are actually 2 villians in Princess Tutu. The first 1 we learn of is the Raven and the 2nd turns out to be Drosselmeyer. The villian, Drosselmeyer, transforms a normal duck into Princess Tutu that he knows Prince Siegfried loves. That was the brilliance of it. The White Swan and Black Swan swapped colors in the anime. Because it was the only way to mislead us, the audience. We already knew the story of Swan Lake and the Prince being tricked by Odile dressed up as Odette. The only way to mislead both the characters and the audience was to swap the colors and make Odette the Black Swan and Odile the White Swan. Otherwise, the trick would have never worked.

I know there is way more evidence proving the Oedette = Rue and Odile = Duck stuff. But that isn't really what I even wanted to talk about today.

I wanted to talk about Princess Tutu. The original from the book. Not the illusory one that Duck pretends to be.

Because, we still don't know where she is. What never made sense to me was how she never appeared in the anime. Like, the Knight gets reincarnated. And the original Prince and Raven are still here. But Princess Tutu never actually shows up. Why was she never reincarnated too?

And that is where my theory begins. Because I think I know what happened to her and where she ended up.

I believe that Rue actually IS Princess Tutu's reincarnation.

I have a lot of thoughts about this so buckle up.

My theory started with the Odette/Odile confusion. We believed Duck was Odette BECAUSE she was Princess Tutu. Of course she was fated to love and be loved by the Prince. She was THE Princess from the story. But she never really was. If she was never Princess Tutu, then she couldn't have been the White Swan or Odette.

So I believe that Because Rue was always Odette, she was also always Princess Tutu.

One thing that stood out to me from my original viewings of the anime was this: we have 4 main characters but only 3 have anything to do with the original story. Mytho is the Prince. Fakir is the Knight. Duck is Princess Tutu. So what about Rue? We are led to believe she is the Black Swan but the Black Swan was never a character in the original Prince and the Raven story. But if she was Princess Tutu the whole time, things make more sense. Duck enters the story as an outsider right from the beginning. She never really belonged. But Rue did. She found the Prince on her own. She fell in love with the Prince on her own. She belonged to the story way before Duck appeared. And yet, her supposed "character" wasn't in the original.

Siegfried loved Princess Tutu. Mytho Loves Princess Tutu. Mytho Loves Rue. All of these things make perfect sense when you view Rue as Tutu from the start. It even makes sense of WHY the Raven picked her. The Knight AND Princess Tutu had just been reincarnated within the same year so the story could start again. The Raven saw a perfect opportunity to use Siegfried's True Love against him. By Kidnapping the real Princess Tutu, aka Odette aka Rue, and corrupting her to his side. Disguising her and using her. He KNEW she was destined to fall in love with the Prince. He KNEW the Prince was destined to fall in love with her and used that against her. Dangling a partial truth in front of her to make her work for him.

Drosselmeyer saw the real Princess Tutu become cursed into the corrupted Princess Kreahe. He needed someone to get the story moving again. Which is why he chooses an Odile to fill in for Princess Tutu.

We don't know what the real Princess Tutu is supposed to look like. But we also don't know what Rue would have grown up to look like before she was cursed either. We only have an illusion to base our opinions off of. Also, I would like to point out, that most people just see a White Swan and not a human when looking at Duck transformed into Princess Tutu. So trying to argue that Princess Kreahe and Princess Tutu look nothing alike doesn't feel like a valid argument for me. Since we don't know what they are supposed too look like before all the switching.

So my theory started with because Rue = Odette and Odette = Princess Tutu, then Princess Tutu = Rue. And then the more I thought about it, the more evidence I found.

What do we know about the original Princess Tutu?

She loved the Prince. She was cursed to "turn into a speck of light and vanish" if she ever confessed her love to the Prince. She was a "pathetic existence who was discarded by the story". And, by my theory at least, Prince Siegfried loved her.

I feel like Rue fits all of these categories. Allow me to explain. I have already discussed the 1st and last points.

So next let me tackle how both Princess Tutu and Rue were "discarded by the story".

Princess Kreahe was the primary antagonist of season 1. She helped drive the plot by giving Duck someone to challenge her ideas. After losing the Prince's Love in the season 1 finale, Swan Lake, Rue stops mattering to the story. She doesn't do anything of any significance until right at the end when she saves Mytho. She doesn't push the plot anymore. She gets a couple scenes of her going thru her own character arc and regretting what she has done. But Mytho is the one going out and trying to release the Raven by stealing hearts. Not Rue. Duck and Fakir are trying to find a way to save Mytho. The only thing Rue does is attempt and then fail to steal Autor's heart. But even the protagonists don't even know she did that. They didn't come in to save the day there, because everything she was doing was inconsequential to the story. I am arguing that Rue, like Princess Tutu, was abandoned by the story in season 2 until she defied her fate and save Mytho at the end. Making her relevant again.

Finally, we have the curse. I know this is where my theory is weakest and has the biggest hole. But let me attempt to address it anyway.

Duck never confesses her love to Mytho, or anyone for that matter. So she never "turns into a speck of light and vanishes". I believe she never had that curse to begin with. Nobody can prove she really was cursed. She was told she was cursed by Drosselmeyer, and because she really believed she was the real Princess Tutu and the curse is mentioned in the book. But she was never the real Tutu. And Drosselmeyer has proven to be an unreliable narrator. He could have very easily have lied to her to convince her that she was real. Or, he even could have actually cursed her. He is the author. He can do literally anything he wants. But I don't think she was really cursed. Unfortunately, this can never be proven or unproven.

But what about Rue? I can hear you asking. If she was Princess Tutu, then she should have vanished at the end when she saved Mytho by confessing to him.

And yes, that is the biggest hole in my theory. But I don't think that necessarily means I'm wrong.

((Sorry everyone. I've been working on writing this essay for months as I was rewatching Princess Tutu again. And I don't remember what my original point was about the curse. I just don't remember where I was going with that particular point. God dammit it. But I want to post this now because otherwise, I will never finish this and it will never see the light of day.))

The last thing I want to address is the ending. Everyone is supposed to return to being their True Selves. Which is why Duck returns to being a duck. Fakir, through the course of the story, had realized his True Self was an author, not a Knight in service to the Prince. So he stays in the "real world" to be an author. Mytho is the Prince from the Story so he must return to it. But what about Rue? Wasn't her True Self a normal human that the Raven kidnapped? Why would she arbitrarily go into the Story with Mytho when she never came from it? I know them being together is an important plot point. But it doesn't fully make sense to me why she "returns" to the Story as her True Self if she never came from there in the first place. But of course, if she actually was Princess Tutu, then it would make sense.

Note to self: The reason this is never addressed is because ptt was abandoned by the story ((I also don't remember where I was going with this either.))

tl:dr

I believe that Rue was the reincarnated Princess Tutu all along. And both the Raven and Drosselmayer conspired to conceal this.

I wrote most of this months ago. I don't remember some of my original arguments and I could very well be wrong. But I had never seen that particular take being discussed before when the idea has some merit. Sorry for the length and rambling and how long it took to post.

Idk how to end this. So, if you read the whole thing, thank you for your time

[thehylianidiot]

If I had a nickel for every ballet-themed character whose story thematically revolved around defying a set narrative, I'd have two nickels.

[diathadevil]

Day 5 - Spy

This was way too obvious, no one is surprised.

Spy x Family AU with Fakiru in a fake marriage and baby Uzura as their adoptive daughter. 🥺💗

[raccoon-smiles]

Edel dying and becoming Uzura is one of the most powerful things to me in Princess Tutu to me. She is a great parallel to Mytho. Mytho loses his emotions. He lives without them, and he has to learn how to deal with them again when he get's them back. Edel never had feelings. She never got to learn. She had to be reborn to properly learn her emotions. Some day I want to do a breakdown of this because Edel and Uzura are the same but different. I think Uzura joining Drosselmeyer at the end is also really important. She fulfills the same job as Edel, but now she is her own person. Unlike Edel who was always told she is a puppet without emotions and had come to "pretend" to have emotions, Uzura is a girl with emotions first and informed she's a puppet second. I truly believe Edel had emotions because she has no logical reason to do what she did if she didn't care for the main cast. She even died expressing a want to see Mytho and Princess Tutu dance together. Wanting something is an emotion even if Edel says it is all pretend. I believe Edel was compartmentalizing her feelings because of her identity as "just a puppet." Uzura is a second chance. Uzura gets to feel freely. Being a puppet isn't something to hold her back. She loves. She's curious. She's a person.

As someone who has highly compartmentalized their emotions to the point where they have trouble identifying that they have emotions, Edel and Uzura are so special to me. When I have tried to start feeling again, I often get called childish and told I'm overreacting. This has led me to stop trying to feel and go back to compartmentalizing. I think this is why Edel had to die for Uzura to get to feel. Because only a child is allowed to deconstruct emotion like that. I love the little wooden dolls. They are everything to me.

[tomtefairytaleblog]

Diamonds, Toads, and Dark Magical Girls

According to Bill Ellis in "The Fairy-Telling Craft of Princess Tutu: Meta-Commentary and the Folkloresque," the fairy tale of Cinderella can be seen as one of the earliest examples of the transformation sequences/henshin seen in magical girl anime, particularly in how the title character is given items that help her achieve a goal, usually given to her by a magical being (her mother's spirit in a tree, a fairy godmother, etc.).

Thinking again about the connection between magical girls and fairy tales--even if they aren't as meta as Tutu, many magical girls do use imagery and ideas from European fairy tales (Sailor Moon alone has references to Hans Christian Andersen and Charles Perrault)--I wondered what other character types from the genre may have some precedent in fairy tales. Then I started thinking about the Dark Magical Girl character.

Not every magical girl story has a Dark Magical Girl, but they do crop up in a lot of works. To name a few, there's Fate Testarossa from Magical Girl Lyrical Nanoha, Homura Akemi from Puella Magi Madoka Magica, Rue/Kraehe from Princess Tutu, and countless others that would be too numerous to name. In general they tend to be more cynical, darker counterparts to the main protagonists, who tend to come from relatively more stable environments. Whatever magic they possess also may be more sinister, at least initially.

Tying in somewhat to the story of Cinderella is the Aarne-Thompson-Uther Index fairy tale type "The Kind and Unkind Girls" (ATU 480). Many of the stories of this type involve a rivalry between two stepsisters, one being favored by the stepmother due to being the latter's biological daughter. The general idea in most versions of the tale is that both girls encounter a magical being at separate points in time. The kind girl helps the magical being in some way, at which point the magical being gives her a magical ability or magical presents. Meanwhile, the unkind girl refuses to help the magical being and is cursed in some fashion, or, worse, killed. The kind girl meanwhile usually ends up marrying a prince, or a similar character. One of the more popular versions of this story, "Diamonds and Toads," has the kind girl gain the ability to have a jewel or flower fall from her mouth when she speaks, while the unkind girl is cursed to have toads and snakes fall from hers. And while the kind girl does marry a prince, the unkind one is kicked out of her house and dies alone in the woods. (Insert something about Revolutionary Girl Utena's comment about how a girl who cannot become a princess is doomed to be a witch.)

Typically in these fairy tales, the unkind girl is never shown to be a real threat to the kind one; the ultimate threat is the stepmother, who uses her daughter as a means to an end. In contrast, Dark Magical Girls tend to have, well, magic that helps them attack the magical girl protagonist. In this regard, they're the Heavy in the plot, while the witch/mother-like figure/real enemy waits in the background (as is the case in a lot of magical girl shows--the Raven and Rue, Precia and Fate, Fine and Chris in Symphogear etc.). Sometimes the Dark Magical Girl will be a major threat, though--like the Princess of Disaster in Pretear (who is loosely-inspired by the Evil Queen in Snow White).

In The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976), Bruno Bettelheim argues that the stepmother as a character is a way for children to process the negative traits of their own mothers, while still idealizing the good qualities of them. With that in mind, the unkind sister and the Dark Magical Girl can be viewed as a way of processing/externalizing the negative traits that a girl can have, being cruel, rebellious, and uncaring. They also embody their fears, too--the fear of being alone, rejected, and doomed to fail.

Of course, nowadays, Dark Magical Girls have a tendency to be redeemed and reconcile with/befriend the main magical girl, something the kind and unkind girls never seem to do in the fairy tales. Maybe it's just emblematic of society deciding that killing a girl off for being a little rude is a bit unfair. She's just a kid trying to find her place in the world, too, after all.

[magicalgirl6]

[zerozeroren]

Lohengrin with 10H >;)

I totally forgot where I was going with this

[marcmorrigan]

finally delivering on the princess tutu headshots i promised... love these dysfunctional teens 🩰💖💕

LOTS of notes about headcanons/design choices under the cut! like. a lot. dont say i didnt warn you

starting with my specialest guy fakir:

i had a suuuper clear vision for fakir, and i couldnt be happier with how he turned out, he looks exactly how i imagine him! trying to translate his Bird-Shaped Hair into my style gave me SERIOUS homestuck flashbacks. my affinity for knights with Problems knows no bounds...

adding the hyperpigmentation around his eyes and his acne scars is what really solidified this for me-- i put those in and was like oh!!! there you are!!! my boy!!! and you can tell because i gave him acne scars + thick eyebrows that he IS my boy... there are very clear trends among my headcanons for my faves lol. big noses, thick eyebrows, skin imperfections, heavy eyebags, long dark hair... and fakir truly has it all 😤 he is so Ideal Character Design to me

i think fakir is actually pretty self-conscious about his appearance tho! we see characters like pike and lilie say hes handsome to ahiru, but i dont know how often he actually hears that? and im sure its hard not to compare himself to mytho, who is straight out of a fairy tale; being a regular teenager dealing with regular teen body stuff is hard enough without your roommate being a magically beautiful eternally youthful storybook hero. i think he probably internalises more that people see him as scary and angry, and that the girls who do have crushes on him always frame it in contrast to mytho, who is Good and Kind and Handsome, implying (or sometimes outright stating!) that fakir is Bad and Mean and... Well...

fakir is very sensitive but quiet about it, so i think its a very private point of self-consciousness. i think he puts a lot of semi-secret effort into his appearance; canonically he has a lot of very funny and clearly customised clothing, and he chooses to keep his hair long and in a very particular style (i have a whole breakdown in my mind of how he achieves that style and it involves a surprising amount of pins and an unsurprising fuckton of teasing. i think his hair is a little fried from heat damage!), and i think that probably extends to other things, too, like manicuring his eyebrows and doing a lot of very Teenage Skincare that doesnt actually help his acne much lol. i think he probably has a lot of self-injurious habits and BFRBs like skin picking and chewing, mostly at his acne and around his nails (both of which he hates, because he knows he shouldnt but does it anyway). i think if he does it enough that theres noticeable evidence it feels, like, world-ending for him, ESPECIALLY if anyone asks what happened lol. do not perceive him except in the very specific ways and contexts he approves of THANKS

on to the narratives favorite princess, mytho:

again, i had a pretty clear idea of the vibe i wanted mytho to have going into this-- i want him to have, like, extreme prince charming vibes, very Classically Handsome without necessarily being 'conventional.' i thought a lot about 'the happy prince' story while i was working on this, and really wanted him to look like a cross between how the prince statue looks in my head and a porcelain doll. and also a cross between jonny brown and brigitte bardot? lots of very direct influences for him lol. so! lots of gold tones, gemmy eye color, cute little tooth gap, quivering wide-eyed thousand-yard-stare doe eyes and big ol dolly anime lashes, which were the very last thing i added because i was NERVOUS about pulling those off lol. they turned out cute tho! ive only done a handful of pieces for this series and i can already tell princess tutu is gonna make me up my lash drawing game considerably, these kids all look like they blink and cause a hurricane from the gale force wind of their falsies

also wait i lied the very last thing i did was add his freckles/beauty marks because he needed that little extra oomph and those were It. i think he probably has some on his hands/wrists too 💕

i was a little unsure if my idea for his hair would translate with this flat-color approach but im pretty happy with it! its supposed to be afrotextured hair (somewhere between 3b and 4c i think? wide range of potential i knowww but im still kind of hammering out my headcanons okay, this is exploratory lol) thats been rolled and finger-styled into his little feather shapes. i think loose, chunky twists would be another fun way to interpret his hair and twists are one of my fave styles to draw do i might draw him like that at some point too...

i guess fakir is the one who styles his hair for him before mytho gets his heart back? i imagine fakir is pretty meticulous about maintaining mythos health and appearance, even at the worst stages of their relationship. i think itd be hard for fakir to frame the way he treats mytho as For Mythos Sake if he wasnt doing some level of actually beneficial care for him, so being really fastidious about things like mythos diet and sleep hygiene and hair care and such gives fakir an outlet for his 'you just have to do what i tell you' thing that helps him convince himself it really is helping, no really, hes doing this for mythos benefit and he just has to be strict with him because mytho doesnt UNDERSTAND he needs PROTECTING and fakir is the ONLY ONE who can do it so mytho HAS to let him because if he doesnt then why does fakir even EXIST, if he cant manage this then what is he good for, and--

yknow. the usual complexes. and their relationship is so complex!!! but also so simple, but like. in a good way. fakirs behavior is complicated but his motivation regarding mytho is SO straightforward which makes that downward spiral into harm really easy to map out... i wont go much into that in this post since this is about visual/appearance-related headcanons but just. augh. i love this show and i love these characters!!! and i hope its apparent in my work that i do love them so <3

im hoping to do a set of these for the girls next!!! i have some other stuff to finish first but hopefully... Soon... Some Birds...

[art-freakazoid2]

Julie as princess tutu!

[lesbianfakir]

Something that is an example of good character writing in Princess Tutu is how Fakir and Duck have little incompatibilities in their personalities (you know. Beyond the obvious). It makes it a little harder for them to get along and understand one another but you get the sense that they’re both putting the effort in. It’s sweet and it makes the relationship feel all the more real.

Fakir is serious, blunt, and he doesn’t sugarcoat things. His words often come across as harsh, even when there’s real care behind them. As a result, Duck—who reads his tone but not always the intentions behind it—doesn’t always pick up on when he’s doing something nice for her. For example, when Duck starts to tell Mytho she’s Princess Tutu, Fakir startles her to interrupt her, causing her to turn back into a duck. She takes offense and only later realizes he did it so she wouldn’t reveal her identity to mytho before she was ready (and even then I don’t think she picks up on the full extent of it). There’s another scene where he tells her point blank if she doesn’t want to fight the raven she needs to stop being princess tutu. It comes across as quite harsh and seems to visibly sadden Duck, though he cares about her deeply and is only trying to keep her safe.

The other “incompatibility” that comes to mind is how Fakir is sensitive and easily offended while Duck tends to blurt out whatever’s on her mind. While there are many scenes where he does get upset (take the scene in the Wandering Knight where he takes her request to stop getting in fights as an attack on his character), there are just as many where he doesn’t take the bait. Watch the show a few times and you’ll notice Fakir has a habit of going silent when Duck says something insensitive. He waits for her to finish speaking and he either ignores her or moves on. In those moments, you can feel the conscious effort he’s making to not lash out. Duck’s earnest naïveté is part of why draws him to her but at the same time it causes friction between then when she’s overly hopeful about something delicate to him, like his writing.

Anyways tldr; Fakir tends to hide what he’s feeling and thinking behind a deadpan demeanor, which sometimes obscures his true intentions from Duck. Meanwhile Duck tends to trample over the things Fakir is sensitive about in conversation, and he often has to stop himself from getting upset. In these moments you see how these characters may not completely understand each other but they care about each other a lot and actively work to smooth out their differences. Also it’s very cute when Duck realizes after the fact Fakir did something nice for her and her face lights up.

These little quirks make room for natural misunderstandings between the characters. Honestly, I like how Princess Tutu doesn’t smooth out compatibility issues or completely rewrite Fakir’s character when he and Duck become friends. The same flaws and tendencies are present, we just see the characters taking more active, conscious steps towards getting along.

[tomnookishot]

i’m so excited for adult swim hatoful boyfriend show im gonna shit my pants

[zmzebra-art]

Princess Tutu Aira

close up on the duck aira that i used in the background

[nyatbinary-81]

@itsthequeercryptid hi i heard u like odette so you get my Doodles of her <3 her design is actually by gris_bear on instagram (thank u king) but these doodles? thats all me, babey!!

[diathadevil]

Fakir is just like me fr fr