I've gotten some anons who are upset I'm not blogging about i/p from a different perspective (along with meaner things, of course), but the fact of the matter is I'm an angry american jew and I will continue to talk about this from the perspective of an angry american jew, and if you don't like that I'm not a "good" jew or angry in the "right" way, then block me!! (sorry ab being american tho xo, I mean none of them have mentioned that, but I think it's an important aspect when it comes to my perspective on things in this situation). if you're waiting for me to have a change of heart, if you're waiting for me to say "wait! actually, my people sHouLdN't have a homeland! 🤪🥴" then block me lol. if it's too hard for you to listen to real jewish voices that's not my problem babe </3
6 notes
·
View notes
When I saw car fucker i legit thought its like transformers or sum …. YOU WANNA FUCK LIGHTING MCQUEEN????
WAIT WWAAAAAIT WAIT IAWAIT THIS IS ALL A HUGE MISUNDERSTANDING ALLOW ME TO CLARIFY. I SAID THAT IF HE WERE TO BE A REAL HUMAN GUY HE WOULD BE HOT. I WILL NOT FUCK THE CAR. THERE IS NO CAR FUCKERY HAPPENING HERE.
HEAR ME OUT ON THIS ONE (literally heh) like listen to this DON'T imagine the fucking car just imagine some cocky blonde guy saying all this:
super quick concept doodle of lightning
129 notes
·
View notes
actually i'm still thinking about the moral orel finale.
he has a cross on his wall. do you know how much i think about that bc it's a lot.
a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).
but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.
and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.
he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.
and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal
67 notes
·
View notes
i understand the frustration with “i made this gay pairing cis x trans so they can still have biological babies” with no thought to other methods and how ppl assume thats the case when it comes to mothpool aus where mothwing is also the mother of the three, but also…. idk i kinda dont give a shit if someone wants to do that and i dont really think its inherently transphobic as long as its handled with care and respect.
what really concerns me about this debate is how some people are adamant that you cannot portray trans people having biological children in media or youre being disrespectful. and im gonna say as a nonbinary person who doesnt want children for themself- thats kinda fucking weird? like i understand that for some people, theyre trans themselves and theyre speaking from a place of dysphoria, and i absolutely get that, which is why i think the topic should be handled with nuance and diversity in trans characters, but like…. guys. pregnant trans men exist irl. trans women get people pregnant irl. trans ppl’s ability and right to parent and have biological children are being debated irl. we get denied the opportunity to adopt as well.
in a climate like this, are we SURE we want the stance on rewrites and headcanons in the silly cat books to be “if you portray trans characters having children, especially with a gay couple, youre a transphobic freak no matter what!” does it really matter? especially if its being done by a trans person handling the topic with nuance who has a lot of trans characters with varying perspectives?
obviously yes, remember that thats not the only way certain gay couples can have kids, remember that not every trans person is fully comfortable with it and keep that in mind, remember that surrogacy and adoption are also perfectly valid ways to give fan babies- but remember that there are OPTIONS. not that you need to condemn the idea of transgender parents in the first place unless they fit the very specific criteria of “proper transgender representation” and anything that dares deviate from that is proof the op is a transphobic monster (bonus points if theyre a trans creator bc i mostly see trans people getting shit for this and it kinda pisses me off. although idm if cis people do it either as long as theyre handling it with respect)
26 notes
·
View notes
i think a lot of people don’t always realize the difference between “this is how i interpret canon” and “this is how i want to write it because that’s what’s fun to me”. a lot of times the latter is all headcanons or AUs are, not an indication of what the writer thinks “is” or “should be” canon
more power to those who are super tuned into actual canon and know these details like the back of their hand, but sometimes people just wanna use a series as a sandbox, not a ruleset. genuinely nothing but respect for people who ARE that knowledgeable, but i and a lot of other people are just here to have fun with characters we enjoy—and want to put them in more accessible settings
37 notes
·
View notes
I think its so lame that both the mortal realm and the fairy realm are both just kinda generically medieval european/pseudo-victorian except Prythian has a tiny little bit of funky vaguely magical shit, I know other people have already said this but the human realm should be wayyyy more technologically advanced. like it doesnt have to be modern technology bc at that point I feel like it would clash too severely with the aesthetics of this series, but idk, we could have some steampunk shit methinks
27 notes
·
View notes
with my phantom hourglass replay, there are two things i noticed;
a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.
linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.
15 notes
·
View notes