#probably-a-mermaid

[jonathanssweatercollection]

If you like cheesy romance with good messages, the Red, White, and Royal Blue movie will be good for you. These are some not plot important things I loved: Uma Thurman has a conversation about gay sex, a wonderful interpretation of how to feels to be on a long phonecall with someone you're crushing on/love, that awkward moment you don't know a song the whole party is doing a dance to, Stephen Fry, inappropriate use of a polo shed, implications that the secret service beat up a child, and mocking as a form of flirtation. I've had the book in my stack of unread books for a while now, and now I'm gonna read to compare and get more details. I think I would've liked more rivalry and depth to the beginning, but it was a cute time with way more in-depth sex scenes than I was expecting for how everything started

Hope that helps, love your blog!

!!!! SOUNDS FUN thank u for this list also i did nort know stephen fry was in it that is Another big bonus

[baltharino]

Enchanted (2007) + References

[robocatfan]

I won’t be the only person in this hellsite who is obsessed over horror killer mermaid stories and then constantly die inside when not only there is a severe lack of that sub genre, but also when amongst those few these two mfs are one of the few ones that actually have good compelling stories, and I’ll make sure of that!

[bogleech]

hey these little sea creature charms are so cute and what the hell is that

?????????

[mossymandibles]

During one of their more pleasant research expeditions, divers would report gatherings of large manta ray-like creatures. They glided and danced effortlessly, with constellations speckled across their undersides.

Ending the year with some rough art of my manta folk creatures.

[norry-yippee]

“Naur, Kreacher the condensation” -Regulus Black 1979

[victarin]

i fucking love people here you guys see this dinnerplate-faced daycare animatronic and go "what if they were detectives" and you make all this amazing astounding art and writing and concepts and designs like yeah . sure . im going to be normal abt this and im not going to think about the incredible levels of creativity involved im not gointg to think about how much i love seeing beginner artists using the dca as a way to learn new skills in art and character design Im not going to think about how much joy is in all those AUs and how much artists and writers put aspects of whatever they enjoy in those stupid ass clowns to make these incredible inspired stories and artworks absolutely Brimming with love for what they created &how much i love seeing people in the community huddling around those AUs and hyping them up and making More Art from those yeah im normal. whatever

[mayahawkeswife]

i think people really do lack the understanding of just how much representation matters.

like, chappell roan. not only is she an out and proud LESBIAN, but i just saw a interview where she opens up about how she is also demisexual. that truly struck a chord with me personally, because i’ve been struggling with figuring myself out in those terms and just hearing someone talk about it, knowing i’m not alone in my feelings and that it’s okay, really does help.

representation MATTERS. DIVERSE representation matters.

[dykelizard]

asl fry cuddle pile

[delphinidin4]

The first time I read Jane Austen's novels, I was about the age of most of the heroines. A year or two younger than confident Elizabeth Bennet, a few years older than naive Catherine Morland, etc. For the most part, I didn't even think about it.

I vividly remember re-reading Persuasion when I was the precise age of Anne Eliot. She was even born in '87 (1787), while I was born in '86 (1986), so whenever they mentioned years in the past, I knew just how old she was at that time and just where I had been in life at the same age. (She and Wentworth broke up in '06, for instance, which was my sophomore year of college.) It was a fascinating experience, especially considering how much of that book is specifically ABOUT her age and her point in life.

....I am now rereading Sense and Sensibility at the age of 38, which means I am the age of Colonel Brandon and Mrs. Dashwood, rather than Elinor and Marianne and I CANNOT stop thinking about it.

[theminecraftbee]

The thing in her cargo hold is looking at her again.

Really, Gem should have sold it by now. If the fishmonger had refused to take it--and really, it seems unlikely, Gem thinks, that the fishmonger would refuse to take it; he has taken and carved up and made meals of far stranger fish than one with a human face and hands and torso--she could have easily sold it to the man on the train, who takes exotic catches for his zoo. She could have even taken it to Grian; it's not a mending book, but it's the sort of thing he'd like to make fun of her for catching, instead of anything she's after.

Really, she should have. The longer she keeps the thing in her cargo hold, the more it starts to look properly human to her. She should know better. She has caught far stranger fish, and none of them have been human. It's another trick these seas have been playing on her, she thinks.

Long nights alone do that to a woman.

She ignores it. Instead, she opens the lid of the tank and starts depositing salmon. "It's a really weird request, that I keep them alive the whole time. You won't eat them, right?" Gem says, knowing the thing in her cargo hold can't answer. "Because if you eat them, this time, I really am going to sell you to the fishmonger. Or maybe I can figure out how to get fillets from you on my own? I've certainly eaten weirder fish..."

The thing in the cargo hold continues to stare. It has eyes that look like little moons, and brown hair, and it is smiling for some reason. Gem huffs.

"Don't give me that look! You are a fish. I am a fisherman. If mere human faces stopped me from doing my job, I would have gone mad a long time ago."

The thing in the cargo hold smiles wider. The lights flicker. Gem rolls her eyes and finishes putting salmon in the tank. As though to spite her, the thing in the cargo hold immediately lashes out, grabbing one in the claws on her otherwise-human hands and then tearing it apart with razor-sharp teeth. Blood rises on the water. Gem sighs.

"I have a harpoon in here somewhere, or at least a very sharp knife," she says to herself. She doesn't really want to use her nice knife, the one she always keeps on her belt, but she ought to have another knife around with which she can finish the job, right?

The lights flicker and go out. When she looks across at the tank, there are two silvery-moon eyes looking at her.

Gem pulls a wire. Gem turns the lights back on. She takes a deep breath.

"I really should have sold you by now, really. If the fishmonger won't take you, then the zookeeper would love you," Gem says.

The radio crackles. Gem startles. Very, very few people ever contact her on the shipboard radio, but if she's getting a signal, that's more important than a grudge match with a fish. She heads over to answer the call.

An amalgamation of voices responds:

YOU ARE FUNNY. I HAVE A MESSAGE. A DELIVERY. YOU'VE TRAPPED ME THOUGH.

Slowly, Gem turns around to the thing in the cargo hold.

"This won't stop me from treating you like a fish," she says. "If messages from the ocean stopped me--"

A terrible, crackling laugh sounds from the radio.

I AM THE MOON'S PEARL. YOU WILL NOT HOLD ME FOREVER. WE WILL SEE WHO EATS WHO.

Gem wags her finger. "We'll see, for sure, as long as you don't eat my salmon. That man in the fish-scaled suit was VERY insistent, you know."

TELL ME MORE.

"You're tying up my radio. What if there's another ship? What if there's something important?"

OH GEM. YOU KNOW THERE WON'T BE.

Gem swallows.

The thing in the cargo hold is staring at her.

"I need to sleep. I need to go to shore," she says.

YOU WON'T, the radio says.

She won't.

[udonli]

logan in da orgo notes for miami gp tmr 🔥🔥🔥 everyone manifest loints please 🙏🦅🇺🇸

thank u to @disneyprincemuke for the ref !!

also whats the logan version of poorly drawn piastris,,, silly sargeant scribbles? low-quality logans,,, much to consider….

coquette version w/ a bow 🎀🩰

[twst-hottest-takes]

Tweel Anatomy discussion!

Part 1.

(Ask and ye shall recieve! This will be split up into a couple of parts because this could get long and it's easy enough to break up into pieces. [I definitely wasn't putting this off until the cards officially released.])

For starters I have to say again that I just love the twins and their merforms are so cool. I just want an excuse to gush about them. A lot of this discussiom will involve headcanons and hypotheticals and estimations, so there is your warning to not take anything in this post as law. This post, like pretty much all the others is very opinionated. Some of the fun bits about contemplating the anatomy of a fantasy creature involves drawing the imaginary lines between where the fish parts end and the human parts begin, and where the two become a blur and turn into something completely new. I like to think I strike a balance with my hypotheses, but perhaps others might not feel the same way. This is a post meant to start a discussion, not a fight. So let's see how far down the rabbit hole we can go . . .

Starting with a classic: How big are these guys?

Let's answer Ace's question. (While laughing like middle-schoolers about how that question was phrased.)

Now there is no canon answer to my knowledge so I can only give my best estimation. (Corrections welcome!) I firmly believe that they do not change "size" between their land and sea forms. For all intents and purposes, the twins are being treated as though their heads, arms, torsoes, and pelvic regions are the same size between human and merforms.

BECAUSE EVEN WITHOUT CHANGING SIZE THESE GUYS ARE ABSOLUTE MONSTERS IN THEIR MERFORMS.

I have no real proof of my theory. I simply compared the sprites and scaled the chibis until they had the same head size. Forgive me for not having a better method of measurement. I am not going to try and unravel the live 2D mermodels and I think trying to measure their shadows from their intro scene would be even less reliable. The length of the tail is approximately 75% the length of the rest of the body after where his feet theoretically end.

I didn't do the same with Floyd because I feel that it's safe to assume that he's probably a few cm longer (3-5 cm max) due to his 1 cm height difference when they are in human form. I hazard a guess that only the two of them actually care about that difference in length.

332 cm. (Or around 11 ft for those of us stateside.)

We know they're huge, but tying a number to the length REALLY puts things into perspective. Like it's actually a little scary.

Next: Gill placement.

I am a big fan of the gill slits being around the ribs! Not only do they look cool, but I like that it can be read as a combination of human and eel anatomy in their merforms.

Since they have a humanoid chest cavity, it makes sense that even though they don't have lungs, they may have a muscular structure similar to a diaphragm. By having a muscular system that works passively/sympathetically they could have a "breathing" motion similar to humans; but, instead of taking air in, it simply keeps water moving across the gills to maintain gas exchange.

Benefits of this system include: Being able to sleep (as I would assume merfolk do), and being able to stay in one place (most fish need to be moving constantly to keep their gills working). The ability to be stationary isn't necessary for fish, but for merfolk who have social conventions, even being able to sit still to have a conversation is a boon (unless the world of mermen is built around the idea that no one ever sits still, but I feel like the photograph from Book 3 proves otherwise).

Furthermore, having the gills on the ribs as opposed to somewhere farther up--for example, on the neck--the twins can reasonably stick their heads out of the water without fear of limiting their breathing ability. Though these new card illustrations show that they don't seem to have any problem with having their gills exposed to the air (at least as far as being photogenic is concerned), I can see it being convenient for merfolk to be able to poke their head and shoulders above the water and still be able to breath regularly (which definitely doesn't have anything to do with luring unwary travelers to their deaths. . .nope. . .not at all).

I have seen people say they don't like the choice and that the gills should be on their necks. If that's coming from a place of personal preference and is purely aesthetic I guess I can see it. But if anyone tries to tell me that it's not "eel-like" enough and they need to have the gills closer to the mouth, I will fight you. From a design and functionality standpoint the rib gills are fantastic!

For the last bit of this entry, let's talk about the elephant in the room: THE EEL ABS!

I'd say "don't get me started on this one" but I'm already here and we're already too deep in, so here we go.

Things are about to get spicy!

~They're fine.

Like, as a choice, the inclusion of these muscles is likely just for fanservice points, but it's not an anatomically strange thing.

Come here and I will explain to you a thing:

MERFOLK DO NOT SWIM WITH THE SAME MUSCLE GROUPS AS HUMANS DO!

Once upon a time, (this is going somewhere, just stick with me!) people complained that Ariel, the Little Mermaid herself, was too skinny and not built like a swimmer. People insisted that she not have such a tiny waist and her arms should be bigger. Now I, here and now, should not have to tell the reader why this is so ridiculous to say, but I'm going to anyway~ ARIEL DOES NOT USE HER ARMS TO SWIM! Those who have watched the movie may have observed that she swims like an aquatic mammal. All of her momentum comes from the verticle motion of her tail, and to some extent her abdomen, not her arms. When she turns human, Ariel does not even know how she can use her arms to help her swim upwards and out of the ocean. She struggled without her tail so much Sebastian and Flounder basically carried her to the surface.

In this way, merfolk do not need to have the same type of body as a human swimmer because they are functionally different and some people seem to get stuck on that.

Now returning to Jade and Floyd, again, their arms are not "built like a swimmer's." Once again THEY DON'T HAVE TO BE. There is nothing in all of Twisted Wonderland that suggests they swim with their arms at all. These boys have 5 foot long tails that are probably primarily muscle to propel themselves through the water. The arms are not for propulsion. The tails do the grand majority of the work, but this conversation was started about abdominal muscles so we'll circle back to that now. Unlike other merfolk (as exemplified by Ariel) who swim with verticle motions of their tails, eel-based mermen would swim by making horizontal motions, also primarily with their tails. I do say primarily because the idea occurs to me that there may be situations where the limits of their ability to move might be tested. If a merman built like this wanted to go significantly faster than whatever is "normal" for them, muscle groups higher in the body would get used. Essentially, given Jade and Floyd as characters, I don't find it hard to believe that, at the speeds they swim, they would be using their very human-shaped abdomens to increase their speed. That's a workout, especially for the obliques.

So, in conclusion, I don't think the abs are weird. Gratuitous? Absolutely. But they aren't the anatomical monstrosity some people seem to think they are.

Let me say once more, if you simply don't like how it looks, or the fish abs squick you out and you like to headcanon they don't exist--that's fine. But don't argue with me on the basis that it's not realistic. Mermaids are, after all, fictional creatures and depictions of them tend to be fanciful. The tough conversation comes about when we choose to draw the lines with how realistic we actually want them to be, HENCE THIS ENTIRE POST!

(Laughs like a maniac before signing off.)

Thank you for coming to the first part of my rambling. What should I talk about in the next part?

Other than the throat teeth. We've got a miniature essay about the throat teeth just about ready to go.

Also, apologies if there aren't enough visual guides. I really wanted to get this posted, so if anyone wants me to I can doodle up some more stuff to help with things like the image of the breathing aparatus and swimming motions. I have just not had much time this week.

(Going to fall asleep thinking about how sparkly these boys are.)

[glasscitadel]

Atlas

(And a close-up cause I like da fish)

[ichimakesart]

Star Gazer

"...I want to dive...up"

Thinking about a new project. I even started some basic programming. We'll see how it'll go :)

~☆◇Prints◇☆~▪︎~☆◇Commissions◇☆~▪︎~☆◇Kofi◇☆~▪︎~☆◇My Game on Steam◇☆~▪︎~☆◇For inquiries: ichimakes@gmail.com◇☆~

[wtfforged]

tossing these separate op doodles from the same drawpile as far as i can . Go fetch