#pros continue to deliver club bangers

[choosemmorg]

Best way to smoke wax without a torch with a dab rig

#Best way to smoke wax without a torch with a dab rig how to#

You can now shop with confidence knowing that the research has already been done on our end, and all that’s left for you to do is pick from any of our top choices. Typically, you dab with a blow torch, glass pipe, and a nail (a small metal plate connected to the bang of the pipe). If using a blowtorch to get high is too maniacal for you, then the electric nail is the way to go. Cannabis dab wax is a soft, opaque oil that crystallizes and lacks transparency after extraction from the cannabis plant. Electric nails replace the blow torch traditionally used with a dab rig. With that said, we have reached out to other trusted and reliable sources and online headshops such as Daily High Club, Dankstop, Smoke Cartel, and Grasscity in search for the best of the best dab rig selections for all types of users, so that we make sure there is a glass dab rig for everyone. Dabs are a type of cannabis concentrate and one of the most popular ways to consume wax. As someone who is very adamant and particular about quality smoke, I will tell you that investing in a high quality dab rig is worth the investment and for me, one of the best that I’ve made. I can still remember the first time I ever got the pleasure of smoking out of a wax rig, and I have never turned back since.

#Best way to smoke wax without a torch with a dab rig how to#

Click here to skip below and get started and find out which dab rigs we felt was worth the time and spend.Īs your reviewer and researcher, I have had over 15+ years of experience with cannabis, and I can confidently say that dab rigs are one of my favorite methods of smoking. Whether you are new to smoking wax concentrates and want to get familiar with cleaning dab rigs or if youve just never thoroughly cleaned the rig you have, then torch it up with us and continue reading In this article, you will learn the best way to clean your rig, why salt and alcohol is bad, how to collect reclaim, and more. Pro-tip: This article is equipped with Quick Skip function so you can save time and navigate to what section is most helpful. If you find that you are new to dab rigs, then we highly recommend you skip below to learn: what is a dab rig? This is a powerful and intense method of smoking cannabis, and can be quite overwhelming for those who aren’t familiar, so it’s important that you have a strong understanding of how they work and if it is the right choice for your smoking needs. Similar QuestionsCan you smoke cart oil in a bowAre torch lighters hotteHow can I smoke without waCan you use a torch lighter for dabHow do you smoke dab with a spooCan you smoke the wax out of a. We based our final decisions off how harsh or cool smoke was delivered based on the percolation and filtration system, how well the nail or banger withstood heat retention, and lastly how reliable the glass structure and design held up. Here's what you need to take a knife dab: Wax Two metal knives Stove or. The process involves heating metal knives on a stove or with a blow torch until they're red hot, using those knives to vaporize wax, and then inhaling the vapor. We tested 10 glass dab rigs of various designs and styles, from matrix percs to 8 arm tree percs, in order to figure out how well each one served its purpose and how it effected the overall smoking experience. In general, this should be considered a last-ditch effort when you have no other way to dab.

[itsworn]

Traditional Hot Rods Tackle Speed & Elevation at 2018 Hot Rod Hill Climb

Many a hot rodder would rather be no other place on a late summer weekend than in the majestic mountains outside Denver for the annual Hot Rod Hill Climb (HRHC). Now in the sixth year since its rebirth, the show has become a mandatory stop for traditional rodders and jalopy junkies alike who are looking for a weekend of fun and action in the greater Rocky Mountain region.

The HRHC brings in rods and their fans from all across the U.S. and even some countries abroad. This year, participants represented 36 states, with many attendees actually driving their period-correct rides from distant destinations. Hot rods showed up in every form imaginable, from Model Ts to 1950s sedans, just to have the chance to run against one of Colorado’s nastiest inclines.

Mike “Nick” Nicholas has been the mastermind behind the revamped show since 2013. Now with partner Troy Hastings of Roosters Rodz, Nicholas has put together a gathering for the ages. Held in picturesque and historic Central City, the show’s auto-philic aura is multiplied by the village’s antique feel, and also the breathtaking beauty of the surroundings. Add in the Hill Climb course, which rises over 900 feet in just a mile, and, well, you’ve got one tall and picturesque challenge ahead of you.

The festivities started Friday with a 58-mile Reliability Run through the mountains outside town. The weather cooperated with blue skies on Friday and throughout the weekend. The run started at the Wooly Mammoth lot just off Interstate 70, where drivers were greeted by the crew at Precision Designs. Once they got their maps from Precision, they were off and running. Drivers hit stops along the way during the twisty run, which were manned by several car clubs from the area, including the Deton8tors, and the Deluxe Speed Shop from nearby Commerce City.

On Saturday morning throngs of spectators poured into Central City to witness the Hill Climb. Mike Nicholas’ son Foster ripped through a killer rendition of the National Anthem, and the festivities were officially underway. Cal Kennedy’s T-33 Chevy roadster made the first run up the hill, starting a reverse-avalanche of hot rods running up the course, which continued almost nonstop for the next seven hours. Lovely barefoot flag girl Amy Nicholas didn’t miss a beat or step, flagging at the starting line for the entire day.

Some top-notch rides joined the fun. Mike Panos from Lawrence, Kansas, brought his killer “Craigslist find” ’31 roadster that had sat dormant for more than four decades. Brian Bass from Bass Kustoms came in from Texas in a brilliant ’32 roadster. The Elmer crew out of Salt Lake brought a helping of healthy hot rods. And, of course, no Hill Climb would be complete without 90-year-old Cal Kennedy joining in the fun with his Chevy T-33 roadster, complete with its Wayne 12-port Chevy six-banger.

The weekend just couldn’t have been better, and it sets the table for a return appearance next year in Central City. If you have never been to the HRHC we think it’s about time you pay a visit. While you’re at it, check out its sister show, the Hot Rod Dirt Drags, held every June in beautiful Monte Vista, Colorado. Learn more at hotrodhillclimb.com and hotroddirtdrags.com.

Flag Start Flag girl supreme Amy Nicholas gets some height as she summons Mike Panos and his killer ’31 roadster to hit the pavement at the 2018 Hot Rod Hill Climb.

Scene Stealer The Hot Rod Hill Climb has found a new home in Central City, after a short but sweet stint in nearby Georgetown. The old mining town has welcomed the event with open arms, and the spectators have responded, flocking to Central City in droves on event weekend.

Reliable Runners Doug Drake from Reno, Nevada, leads the way from Echo Lake in his salt-lake–inspired ’32 three-window coupe. The chopped, all-steel car is powered by a 1950s OHV Cadillac motor and has a quick-change rear. A healthy set of louvers and an aluminum-riveted interior add to the go-fast theme.

Sedans Delivered At any given time, downtown Central City had a great cross-section of hot rides parked on the street. This selection of rides is waiting for a chance at the hill on Saturday morning.

Perfect Pickup It was hard to get a shot of this stunning ’28 roadster pickup because it was always surrounded by admirers. Brett Plue of Denver owns this black beauty.

Cragar Conversion The Plue pickup is stuffed with a stout B-block that features a Dan Price–built Cragar four-port head conversion. A ’39 transmission feeds a Columbia two-speed rearend.

Host With the Most Hill Climb organizer Mike Nicholas takes a few minutes to address the drivers before the race. Due to the speed and elevation, safety is preached with a heavy hand, knowing that issues could arise if rules are not followed. Like each climb before it, this one went off without a hitch.

Jersey Boys Hailing from Point Pleasant, New Jersey, Jim Bobowski takes off from the ramp in his ’32 roadster. “I’m pretty much a purist, and I love the historical aspect of the hobby,” he says. His original lakes-built racer is equipped with a 59A flathead topped with Cyclone heads and a Thickstun 2×2 intake. The hot engine is thumped by an Isky 400 Jr. cam.

Cal Can It wouldn’t be the Hot Rod Hill Climb without 90-year-old hot rod legend Cal Kennedy taking a stab at the course. He is seen here piloting his favorite ride, the T-33 Chevy roadster, powered by the same Wayne-headed straight-six that he ran in the 1953 and 1954 Hill Climb events.

Feeding the Frenzy The starting line had a constant stream of hot rods ready to make a pass. The crew did a great job keeping things moving, as some Hill Climb drivers made nine passes up the mountain.

Don’t Look Back John Barnes from Orange, California, crests the top of the first rise in his ’32 three-window coupe. It features a S.Co.T.-blown flatty for ample motorvation to help it beat the hefty incline. This was Barnes’ first appearance at the Hot Rod Hill Climb.

Roadster Ramble Speeding into Turn 2 is Heath Pinter’s ’29 Ford roadster. The low-slung Model A hails from Buellton, California, and is pushed by a strong Ford flatty.

Climbing High Again Coming hot into Turn 2 is Destin Pewitt out of Alto, Michigan, in his Alto Special ’29 Ford roadster. The hot rod is built on an original ’32 chassis and powered by a 276ci Mercury flathead, built with a Thickstun intake and Harrell heads.

In With the Olds One of the standout drivers of the weekend was 78-years-young Greg White from Spencer, Iowa. He is a lifelong hot rodder, souping up cars and building racers since he was a kid. This ’30 Ford roadster is propelled by a healthy ’52 303ci Olds complete with 1950s speed parts. His parts list is long, but on it are a W&H Ducoil dizzy, Mallory Magspark coil, cloth wiring, an Isky cam, and Hildebrandt valve covers. The body is an all steel ’30 built on a ’32 frame and lit by a pair of E&J headlights.

Something New in Blue This neat hot rod is an amalgamation of old and newer parts. Robert Danielson of Brush, Colorado, built this sleek ride starting with a ’26 Tudor cowl and B pillars and then hand-fabricated the custom shape. Pete and Jakes wishbones and ladder bars are installed, along with vintage Budd artillery wheels and Firestone rubber. Motorvation is supplied by a Ford 302 backed by a TCI C4 transmission.

Rub a Tub Randy Gribble of Lake City Rod and Custom in Watertown, South Dakota, cuts Turn 2 tight in his ’28 Ford phaeton. Keith Tardel of RexRods built the Offenhauser-equipped 276ci flathead, which is backed by a ’39 trans and ’40 rear.

No Trailer Young gun Erik Hansen drove this bitchin’ ’31 Ford with its 4-71-blown flathead all the way from Valley, Nebraska. He says, “No trailer, no support vehicle. I eat, drink, and sleep traditional hot rods.”

Blown in the Wind The 276ci flathead in Erik Hansen’s coupe was built by the owner, complete with 9.5:1 Sharp heads, an Isky Jr. cam, and Arias forged pistons. The nasty rod is backed by a T5 trans, which feeds a Ford 9-inch rear.

Black Heap of the Family One of the surprise hot rods of the weekend was the banger sedan driven by Brian Wilson of Elk River, Minnesota. The Heap is built around a stroker 226ci engine, done up with a Winfield Redhead, dual 81s, and a Mallory tach drive. This burly sedan ripped up the Hill Climb course, showing it really wasn’t much of a heap after all.

Daily Driver No one looked like they were having more fun than Carolyn Sheer of Mesa, Arizona. After attending the 2017 HRHC and Hot Rod Dirt Drags events with her husband Russ, she decided she needed her own hot rod. Her ’31 coupe was built with a Chevy 350 and backed by a TH350 trans. “It ain’t no street rod—it’s my daily driver,” Carolyn insists.

Bass Pro Hot rod builder Brian Bass of Bass Kustoms in Dallas showed up with a beautiful roadster to take on the course. It’s a ’32 roadster built with a S.Co.T.-blown 245ci Merc flatty. The car has been a hot rod since 1947, and Bass obtained the body back in 2014 to which he built a chassis based on an original ’32 frame.

Want-Ad Wonder Mike Panos proved that there are still plenty of great cars to discover out there, even in popular classified pages. He just happened to be looking on Craigslist when this beauty came up for sale, and he quickly nabbed it. Built in Salina, Kansas, in the late 1950s the ’31 roadster sports an Olds 303ci engine topped with a trio of Strombergs. The engine is backed by a ’39 transmission, and the car rides on a full, custom- built tube chassis!

Bowtie Blur Nobody was faster on the course this year than HRHC stalwart Dave Overholt, the master lashing the curves with his trusty Chevy roadster. The primer gray rod is motivated by a built-to-the-hilt Chevy 292ci straight-six. Riding shotgun and holding on for dear life is his brother Jay.

Top Cat Waiting his turn to run is 74-year-old Jim Bringhurst of Nevada City, California. “I’ve been into hot rods since I could walk and grew up a mile from Pomona dragstrip,” he says. His ride is a beauty, built with a S.Co.T.-supercharged Ferguson aluminum Ardun flathead. A Richmond four-speed rows through the gears. Out back a Halibrand quick-change 101 gets the power to the rear meats. Magnesium smoothie sprint car wheels finish off the look.

Hitchin’ a Ride Amy Nicholas decides she is going to take matters into her own hands to make sure Dean Burling gets set in the correct spot at the starting line. Burling hails from Lincoln, Nebraska, and brought a gnarly ’40 Ford coupe to run the course. It’s powered by a flathead built with a Scat crank and rods, and topped with three 97 Strombergs.

Family Guy Pachi Bengochea of Winnemucca, Nevada, made it out to the Reliability Run a few years back, but this was the first year he got a chance to take his ’29 roadster up the Hill Climb course. The busy family man built his hot rod to log long miles, sporting a Chevy small-block backed by a Tremec transmission and quick-change rear.

Heart and Soul Back on the main thoroughfare, hot rods continued to draw attention. Doug Siemen of West Liberty, Iowa, fabricated this beautiful roadster, based on a ’25 Model T design. It drew a crowd all day long and was well deserving of the attention. The car will be auctioned off in the spring for the Helping Hannah’s Heart Foundation.

Long Distance Deuce Plenty of awards were given out at the end of the Hill Climb challenge. Here Cory Taulbert receives the Long Haul award from the Throttlers Hot Rod Club out of Salt Lake City. Taulbert drove his Deuce hot rod from Clarkston, Michigan, to the event. But that was only a stop on his way to California. Great job!

The post Traditional Hot Rods Tackle Speed & Elevation at 2018 Hot Rod Hill Climb appeared first on Hot Rod Network.

from Hot Rod Network https://www.hotrod.com/articles/traditional-hot-rods-tackle-speed-elevation-2018-hot-rod-hill-climb/ via IFTTT

[disndatradio]

It’s A Good Time To Be Bad Bunny

The name Ocasio derives from the Spanish “ocasión,” which means what you think it means: an occasion, a time. According to Ancestry.com, most people named Ocasio are Puerto Rican, in heritage if not in residence, and the word’s “meaning as a surname” is unclear.

What is clear is Puerto Ricans named Ocasio are living up to their names by having a moment in 2018 — or at least two of them are. There is Alexandria Ocasio-Cortez, the 28-year-old Democratic socialist who upended the incumbent in the New York primary this past spring and appears to be a lock to win a Congressional seat next week. When you Google “Ocasio,” the results are all about her. But another Ocasio is taking the world by storm this year, maybe even more so than the presumptive Congresswoman from New York’s 14th. His name is Benito Antonio Martínez Ocasio, but the world knows him as Bad Bunny.

Many English speakers had their proper introduction to Bad Bunny this past spring, when he featured alongside Cardi B and J Balvin on “I Like It,” a song from Cardi’s Invasion Of Privacy that flipped Pete Rodriguez’s Nuyorican boogaloo classic “I Like It Like That” into an unstoppable hip-hop club crusher. “I Like It” went to #1 on the Hot 100 and was deemed by many (including the readers of this website) the song of the summer. It also, in the wake of hits like “Despacito” and “Mi Gente,” continued to firm up a lane for Spanish language in the American pop mainstream, with both Bad Bunny and Balvin, from Colombia, delivering their verses in their native tongues as usual.

Since then Bad Bunny has popped up on a brisk reggaeton-house banger called “Está Rico” alongside Marc Anthony and Will Smith and released “Mia,” a Drake duet on which Drake performs entirely in Spanish. Now, Drake is a champion wave-rider who will seemingly hop on a song with any rising star he thinks will score him some cool points. I’m sure he’s accomplishing some serious brand expansion with his turn on “Mia.” Although I must admit he sounds quite fluent, hearing him rap and sing in Spanish on a Latin trap star’s song gives me the same awkward feeling of watching white American tourists attempt to show off by speaking the local language in a foreign country. On the other hand, imagine the triumph for Bad Bunny: The biggest star in music is guesting on your song, and he’s the one caught in your gravitational pull.

Bad Bunny, 24, grew up skateboarding and watching pro wrestling in Almirante Sur, Puerto Rico, the son of a truck driver and a retired schoolteacher. He famously started posting songs to SoundCloud a few years ago while working as a grocery store bagger and studying communications at the University of Puerto Rico at Arecibo. His single “Diles” (“Tell Them”) got him signed in early 2016, and by the end of the year he had a breakout hit with “Soy Peor” (“I’m Worse”). In the ensuing two years, he’s piled up hits and become one of the biggest names in the Spanish-speaking music world. Although he has yet to release an album — his official debut The New Religion is supposedly well underway — the Bad Bunny Essentials playlist on Apple Music is 50 songs long, spanning three hours and 35 minutes.

As one of the defining figures in Latin trap, Bad Bunny operates within a young tradition, combining reggaeton (and its Dominican cousin, dembow) with the Atlanta trap sounds that now rule American hip-hop. In various proportions, hip-swinging Caribbean club beats are paired with moody keyboard patches and heavily Auto-Tuned sing-rapping. The sound is as rampant within the Spanish-speaking diaspora as Migos ripoffs in the English-speaking rap world, and Bad Bunny has mastered it. He deploys his deep baritone with a rapper’s rhythmic mastery and a singer’s ear for melody — repeatedly hammering on one or two notes, suddenly spiking upward in dynamic flourishes, his voice subtly fraying at the edges when he dips into the bottom of his range.

Bad Bunny’s music helped to codify the sound of Latin trap, but he’s also a bit of a wild card within that framework. He’s definitely a live wire on the mic, known for unfiltered emotional outpourings and explicit sexual narratives. Both impulses were on display in his first two big hits: “Diles” errs toward the lascivious, with Bunny instructing his lover to let the people know how effective he is in bed, while “Soy Peor” finds him lashing out against an ex in language that — oblivious English speaker beware — is not so different from Juice WRLD’s toxic emo rap. But what really stands out is his idiosyncratic personal style. If his fluid low-register vocals and tendency toward dark rumination put him in parallel with Future’s digital codeine blues, his colorful visual presence marks him as Latin trap’s answer to Young Thug, Atlanta’s eccentric-in-chief.

This is a man with a personal aesthetic. He refused a stylist for his Fader cover story, dressing himself instead and looking better than most people in a glossy magazine feature. He recently showed up on the American Music Awards red carpet with a third eye painted on his forehead and kept it there during his performance. Like Thugger, he often subverts gender norms in fashion via elaborately painted nails or pink hair. His collection of tiny glasses probably makes Kanye jealous. I can’t wait to see what he looks like at the Macy’s Thanksgiving Day Parade three weeks from now.

Watching this iconoclastic Puerto Rican superstar waltz into one America’s most sanitized holiday traditions — at a time when the president and his affiliates are working hard to dehumanize and erase Hispanics in this country — will be a trip. It also might generate whiplash when compared with the current predicament of Puerto Rico, which remains in a state of prolonged recovery following last year’s Hurricanes Irma and Maria, partially thanks to that same president’s denial and neglect of the catastrophic damage.

It’s a cruel twist of fate that Bad Bunny’s rise has coincided with a period of deep struggle for his homeland. According to the Fader feature, as of last summer his parents’ home was still without electricity, and he personally showed up back in Almirante Sur to distribute food, water, and generators in the aftermath of the storms. In his celebratory summer hit “Estamos Bien” — which translates loosely to “We Good” — he acknowledges his fortunate circumstances in context. Translated from Spanish to English, the chorus reads, “Don’t worry, we’re fine/ With or without one hundred bills/ But having them is not bad.”

He seems on track to keep piling those dollars up. Continued domination of the Latin trap scene is close to inevitable. Furthermore, “Mia” just debuted at #5 on the Hot 100, a wildly impressive feat for a song performed entirely in Spanish. With a foothold from that song and “I Like It” he may be primed to start landing singles in the American rap mainstream without assists from bulletproof hit-makers like Drake or Cardi. It will be very interesting to see how far Bad Bunny and his Latin trap peers can burrow into pop culture. Lord knows trunk-rattlers like “Chambea” and trap ballads like “Dime Si Te Acuerdas” hold their own against the latest from Tyga or Post Malone. There’s rarely been a better opportunity for a full-fledged crossover, and Bad Bunny is rising to the occasion.

CHART WATCH

For the third week in a row, Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack is the #1 album in America. Per Billboard, it’s the first soundtrack to spend its first three weeks at #1 in 11 years, since High School Musical 2 in 2007. For theatrical movies, you have to go back to Bad Boys II in 2003.

A Star Is Born is now Lady Gaga’s longest-standing #1 album as well, surpassing Born This Way’s two-week run in 2011. The soundtrack can thank strong sales for its continued dominance: Of its 109,000 equivalent album units this week, 61,000 are from people actually buying a copy of the record. By contrast, Future and Juice WRLD’s collaborative album WRLD On Drugs, which enters at #2 with 98,000 units, only did 8,000 in actual sales. It’s Future’s 10th top 10 album and Juice WRLD’s second following this year

Debuting at #3 with 87,000 units/80,000 sales is Anthem Of The Peaceful Army, the debut full-length by Led Zeppelin enthusiasts Greta Van Fleet. It’s followed at #4 by the debut of Disturbed’s Evolution with 71,000 units/65,000 sales. After Lil Wayne, Lil Baby and Gunna, and Drake comes the #8 debut of Khalid’s Suncity EP with 50,000 units/9,000 sales. Travis Scott and Post Malone round out the top 10.

Over on the Hot 100, Maroon 5 and Cardi B’s “Girls Like You” somewhat surprisingly holds on to #1 for a sixth straight week. Here’s a weird stat via Billboard: It’s now the longest-running #1 hit by a group (defined as three or more people) since MAGIC!’s “Rude” lasted six weeks back in summer ’14.

Hopping from #7 to #2 thanks to the release of its music video is Travis Scott’s “Sicko Mode,” which becomes Scott’s highest charting song as a lead artist — this after he went to #2 as a guest on Kodak Black’s “Zeze” last week. “Sicko Mode” also features Drake, who for some reason is not credited as a featured artist on the album but is credited in the video. Juice WRLD’s “Lucid Dreams” remains at #3, followed by Marshmello and Bastille’s “Happier” at a new #4 peak. It’s Marshmello’s biggest US hit to date and ties Bastille’s peak position with 2014’s “Pompeii.” It’s also the first song that has charted on Billboard’s Alternative Songs chart to reach the Hot 100 top five this year.

Post Malone’s “Better Now,” Kodak Black/Travis Scott/Offset’s “Zeze,” 5 Seconds Of Summer’s “Youngblood,” and Lil Baby and Gunna’s “Drip Too Hard” are #5 through #8. Another Post Malone song, the Swae Lee duet “Sunflower (Spider-Man: Into The Spider-Verse)” debuts at #9. It’s Post’s fifth top 10 hit and Swae’s second following the French Montana collab “Unforgettable.” Khalid and Normani’s “Love Lies” rounds out the top 10.

POP FIVE

Carly Rae Jepsen – “Party For One” “Run Away With Me” this is not, but it’s good! Good enough that I’m not panicking about the long-awaited follow-up to E*MO*TION. It sounds like CRJ might be angling for radio play, like she did with “I Really Like You” ahead of the last album, before settling into her well-established role as a critically acclaimed underdog-juggernaut. Then again, will radio play a song about “making love to myself” at this point in history? I can’t tell anymore.

Mariah Carey – “A No No” All these new Mariah Carey singles have been fantastic. This one effortlessly infuses its late ’90s R&B core with jittery trap programming and brisk diva house without ever coming close to sounding like “trap house.” It slaps.

Imagine Dragons – “Machine” Coming from arguably the most consistent pop hit-makers in rock, “I’m not a part of your machine, I am the machine” is some kind of twisted spin on Jay-Z’s immortal “I’m not a businessman, I’m a business, man.” As a longtime Imagine Dragons antagonist, I gotta admit, these guys are finding stranger and more inventive ways to be infectiously obnoxious. In this case it’s kinda like “We Will Rock You” crossed with Mr. Big’s “Be With You,” but with an ambiguous message about being your own person, or something.

Mumford & Sons – “If I Say” I feel like Mumford & Sons are getting better at being Coldplay — or, like, Damien Rice fronting Coldplay. Whether I could withstand a whole album of this much melodrama remains to be seen, but this song really goes for it with the orchestration and it pays off.

Kiiara – “L*** Is A Bad Word” Kiiara was a bad word for a while there during her ill-advised post-Iggy rap phase, but this pop move is doing it for me big time. It sounds like they threw everything at the wall, it all stuck, and then they meticulously carved it from there. It sounds like wearing three or four clashing patterns that somehow cohere into a surprisingly pleasing aesthetic. I think the understated vocal amidst so much noise is what seals it.

NEWS IN BRIEF

That viral photo of “Justin Bieber” eating a burrito sideways was a prank. [Newsweek]

Here’s Ariana Grande singing “The Wizard And I” from NBC’s A Very Wicked Halloween. [YouTube]

And here’s Ariana Grande singing “God Is A Woman” backed by an orchestra and choir for her BBC Music special. [YouTube]

Iggy Azalea tweeted than she wants to leave Island (“I feel I would be better off if I could make my own timeline etc choices and I have the funds to do it”) but then she deleted it. [SOHH]

Panic! At The Disco covered Outkast’s “Hey Ya!” for Spotify. [Spotify]

Shawn Mendes remade Lost In Translation in the video for his Zedd collab “Lost In Japan.” [YouTube]

Alessia Cara revealed the cover and tracklist of new album The Pains Of Growing, out 11/30 via Def Jam. [Twitter]

5 Seconds Of Summer released a cover of “Killer Queen.” [YouTube]

Little Mix and Nicki Minaj released a video for “Woman Like Me.” [YouTube

Halsey released a video for “Without Me.” [YouTube]

2 Chainz launched his own weed brand, Gas Cannabis Co. [High Snobriety]

Clean Bandit’s “Baby,” featuring Luis Fonsi & Marina, is out tonight. [Instagram]

So is Katy Perry’s cover of “Waving Through A Window” from Dear Evan Hansen. [Billboard]

Diana Ross, John Legend, Bad Bunny, Kane Brown, Sugarland, and Ella Mai will be part of this month’s Macy’s Thanksgiving Day Parade in New York City. [Business Insider]

HOLD ON, WE’RE GOING HOME

What they don’t tell you is that they were rated out of a Maroon 10

— Julian McCullough (@julezmac) October 30, 2018

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