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#queer rep is important
poisonheiress · 4 months
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Vivziepop and Queer Rep
As we all know, many fans and media reps alike have commented on the apparent "queer rep" seen in both Helluva Boss and Hazbin Hotel with many sighting their MLM relationships and use of Sallie May as proof of Vivzie's dedication to queer rep. Yet for how much this idea is spouted across social media, I cannot say that Viv truly cares about Queer Representation in her shows. The apex of this disagreement comes from phrase that man people seem to not remember when it comes down to queer rep: Representation for one is not Representation for all.
In her hyperfocus on thin, cis mlm relationships, Vivzie creates rep for only those relationships, leaving behind countless other queer identities and relationships that also heavily need queer rep. The largest dismissal of queer individuals/relationships in HH or HB appears in characters that fall into one of three categories, The Fat, Sapphic, and The Nonbinary.
The Fat
When some of you look at this, you may be confused as to what fatness has to do with queer rep, I would tell you that it has a lot to do with it. Fat people are not inherently removed from queerness and have been there since the beginning, the creation of the term Bear is proof of that. This is the first strike on HH and HB's records.
As many other creators have thoroughly pointed out, fat representation is abysmal in both HH and HB with either shows either lacking fat rep completely or having fat characters made using more fatphobic stereotypes than I could count. With this poor managing of fat representation, its no surprise that Vivzie pop ignores all possible avenues of queer rep with fat people involved. This also impacts her presentation of mlm ships with all those in these ships only appear as thin cis men, not a single bear or trans man in sight.
The Sapphic
The second largest and arguably most obvious strike against Viv comes in her disturbing lack of sapphic relationships in both shows. While HH has at least one sapphic ship (Charlie and Vaggie), HH has none to speak of. As a result, Viv's ratio of Sapphic to Achillean relationships is heavily one-sided.
It shouldn't take me having to say this for many of you to realize that you cannot claim to have true or complete queer representation when you ignore a whole side of the queer community. While this issue in sapphic relationships likely tied to Vivzie's smaller amount of women in her stories, this does not excuse it. Having one or two of these secondary characters be in a sapphic relationship (especially Sallie May) be shown or even mentioned in passing (not random background shoots) has having a girlfriend would fix this issue, but we cannot even get that.
The Nonbinary
The final strike against Vivzie's queer rep comes in both shows ignoring the existence of nonbinary characters as a whole. While we get some presentation for the binary trans community (even though most are background characters never seen again besides Sallie May), we have yet to see a single nonbinary character in either show's canon.
This is honestly fucking ridiculous. To ignore an entire gender identity because its easier or you simply don't want to is ridiculous and should strip any claimed queer rep media from their title. Nonbinary people have always existed throughout time in different countries and cultures. To think that they're wouldn't be a single nonbinary sinner or demon in hell after all this time does not make sense.
Trans people on the binary and nonbinary side have the right to representation equally, and even if we were to ignore the concerns about Viv's current trans rep, trans people deserve more rep than random background characters and a one dimensional trans woman.
The Finale
As I end this essay, I do want to say that I wanted to discuss HH and HB's treatment and ignorance of asexuality and aromanticism as they are both highly relevant to the discussion. However, I need to do more digging on Alastor and his ace situation first before I do so in order to prevent spreading misinformation.
But even without this section, I still stand on my belief that neither of Viv's shows should be paraded around as good queer media or as truly supporting queer rep. While HH has a little more leeway with Viv's only sapphic ship, HH and HB still ignore large sections of the queer community. It feels more like Viv is picking at the parts of the community she likes more, grabbing at the more marketable identities and appearances until she has enough to call her show queer.
I hope one day Viv will listen to her fans and critiques about this lack of other queer identities but I will not hold my breath. All that is left to say is that queer people deserve better especially in adult shows and in animation. Picking and choose what queer people you include in your media simply because you like one more is the farthest thing from queer rep.
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yrsonpurpose · 4 months
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I love that representation because I don't think anybody is just one thing, especially in 2024.
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jesncin · 3 months
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Happy Pride! Now that Lunar Boy (our middle grade graphic novel) is out, we wanted to share our thought process behind queer vocabulary in media. The constant censorship, imposed western biases on queer culture, and what it means to introduce queer vocabulary to a young audience.
Check out Lunar Boy wherever american graphic novels are sold, or check it out at a library!
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wingsofhcpe · 1 year
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actually there's a huge difference between queerbaiting/"Hey guys look how gay these two are haha they're definitely gonna end up together, give us views uwu oh- never mind oops they're going to superhell" and "Hey it's 2004-2012 and there's no way we can get away with having our protags/main couple be two gay men but we really want to show these two are soulmates so we'll do it through subtext and underlying messages and by literally telling you over and over again their relationship is the most stable and important in the entire show, and the ending will imply they lived and died together", and it's insane that some of yall don't see how these two are not the same fucking thing.
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picnokinesis · 4 months
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Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)
So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.
But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.
So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!
So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.
So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:
Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.
They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?
And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.
I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?
We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."
Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.
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boyquiet · 10 months
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i think that we need to get over the narrative that you can’t have gay villains because that’s a harmful stereotype because there’s a huge difference between “this character is gay and a bad person” and “this character was written specifically to equate being gay and being evil/depraved/degenerate”. it’s just such a narrow minded view of fiction that leads to people afraid to write queer characters as anything less than morally perfect and then to a bunch of palatable but bland and boring queer characters that are arguably worse representation than a gay villain because they are not allowed to do anything wrong. while it is important to write all types of gay characters a work isn’t instantly “problematic” because the villain is queer and the hero isn’t. I think this is also related to the idea of subtext vs text in gay media and how I see a lot of people get mad bc the homoerotic subtext isn’t made canon without considering the context of it at all—sometimes creators make artistic decisions for reasons other than that they didn’t want the gay people to kiss because they’re homophobic. well written queer subtext can be better than a canon gay couple with no personality or relevance and a queer villain can be a better queer character than a gay hero because the characters in-universe morality isn’t inherently tied to how much care they are written with and the quality of “queer representation” isn’t determined by the amount of times they kiss on screen.
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raayllum · 4 months
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Trans and nonbinary characters in The Dragon Prince / The Mystery of Aaravos!
Terry (he/him), an Earthblood elf and main character from S4 onwards who is transgender. He has a coming out scene and is dating another main character, Claudia (she/her). He has a sunny and easygoing disposition but can sometimes be a bit too supportive/accepting of people's darker sides than he should be.
Kazi (they/them), a Sunfire sign language interpreter with a passion for research and linguistics. They work for the royal family and sub in as an interpreter for Amaya when her personal attendant isn't there.
The Merciful One (they/them), a mysterious figure with an unknown but seemingly sympathetic connection to Aaravos, at least on their end. They are the only other Startouch elf we know of at this point, as their kind are incredibly rare and not much is known about them.
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ryansjane · 6 months
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the fucking hypocrisy that gl fans have tho, when geminifourth got announced to be in 23.5 everyone and their fcking mother was hating on them, tagging them to get out of the show and calling them ugly and shit like that, and now that there is gonna be a bl side pair everyone suddenly silent and like nothing happened, side eye.
I mean... I didn't see this unfurl so I won't comment much on it & of course no one deserves this kind of hate at all, but I'm gonna be honest... I can see where the root of it is coming. we've waited literal YEARS to get gl shows, and they're still like 1% of what bl shows are. especially since geminifourth went from unknown to huge in between the announcement of the show & its start of production, I understand milklove & gl fans who were worried they would steal their thunder when we all know pretty much ONLY male actors at gmmtv get any type of attention. the difference with the nawintinh side ship is HUGE imo tho. firstly they're not even the secondary ship, they're the third one after aylinluna so there's a lot less chance of stealing any thunder, and, as I've mentioned in my text posts on the topic, nawin being a queer plus size person getting a love storyline is literally REVOLUTIONARY. yes, the bar is low, but that's what us fat people have to beg for. you do not realize how much since nawin got his ep 3 storyline I've been thinking about him, I finally feel represented in a thai drama. so I understand people cheering this bl side ship more than the first one, and I think the situations are wildly different. however I don't think generalizing all gl fans as bullies like you did in your ask is right, I would've been happy with geminifourth as a side ship but I'm happier with juneview & euroford as side ships bc they're more pressing representation imo. the vocal minority of haters will always be the loudest, but thinking the ENTIRE 23.5 fandom bullied geminifourth & are hypocrites is a bit insane to me, as if bl fans aren't even more toxic (I would know, I've been in both fandoms lol...)
xxx
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drbtinglecannon · 2 years
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The nb rep in TOH is incredible
Nonbinary is so often treated like "female light" in both media & irl, and to see the two characters that are nb look like This
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Is awesome!
Those are vastly different looking chars, and further they're vastly different ages! The queer rep isn't just given to the younger chars and the queer adults have active roles in the story!
I just think it's so cool how Raine is more androgenous/masc, and Masha is pretty feminine, but they're both nonbinary with they/them pronouns and it's presented just as fact, no questions or conflicts, just. Here they are.
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genderkoolaid · 2 years
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tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.
while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.
thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."
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bisexualfagdyke · 10 months
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People only care about character's implied sexualities if they're implied to be lesbian / gay . As soon as a character is implied to be bisexual (e.g. explicitly attracted to / involved with both men and women) suddenly they're "lesbian / gay with comphet" .... what if I killed you with a rock 🩷
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trans-seraphim · 1 year
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if i see one more person in this tag mention that hunter and willow is a "straight-passing relationship" when talking about their bi and pansexuality, i will come to your house and remove all the doors from your cabinets
edit: y'all i like the fucking ship, i am complaining about people saying "straight-passing" like that's an appropriate term to use when discussing representation
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soulless-bex · 2 years
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it’s so painfully hard to get actually good aroace representation in media, because those characters, whether it be by the writers or the fandom, always get their identity erased.
jughead is a prime example of that. we could have had such an important character to represent us, but noooo
wednesday could have been perfect as aroace (especially with how she said she’d pity any man who fell in love with her in the old movies), but that would be too much too ask for
and i’ve seen too many fans asking for yelena belova and kate bishop to be made into a couple for my taste. THATS LITERALLY HER CANON SEXUALITY IN THE COMICS
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bohemian-nights · 3 months
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your attitude towards Black queer women is nasty and there's nothing stereotypical about a Black (possibly) lesbian character. on top of that, yall was on here the other day talm bout some "taking stuff from black men" but who woulda been seated for a yet another Black man chasing after a yt woman anyway and tryna use sex to control her??? franchaela are going to have a happy ending even if a little bit unconventional (we literally don't know how bridgerton's societal landscape will change by then) but what's the difference between them already living out quiet lives away from the ton and.....continuing to do that? it wouldn't be out of shame but out of what they want while it just so happens to protect them? what exactly would be different than what benophie woulda had to do??? who also had to go to the country to limit the risk of folks inquiring about sophie. it's the same thing and yet your issue seems to be that it's not a Black woman with a white man who harassed her to be his mistress and refused to see her as anything but that. i have no doubt the show will change that part of their dynamic but that seems to be something you want to stay in tact and you need to unpack that cause it's pathetic. you should want better.
They aren’t going to change shit because their MO isn’t to uplift Black women of any kind. So what you really want me to do is cheer on what will be a promiscuous Black woman chasing after or romancing a married white woman(her cousin-in-law) who will have to end up hiding out in the country for the rest of her life to escape persecution. You want me to pretend like it’s somehow the same/a better story than a Black woman being chased after, who gets the marriage, the adoring spouse, the children, doesn’t have to live in hiding or else she’ll be jailed, etc.
You don't care that they also ruined a Black man’s image too? Fine, but this isn't being done for us. We keep getting handed the “unconventional” which is why our image is always a fucking mess in the media.
If you want to play stupid play stupid, but I'm not playing dumb with you.
I’m not happy that they made Marina half-Black when they know she has to die to give Eloise a happily ever after. I’m not happy that they had Lady Danbury get raped every five seconds in Queen Charlotte and tried to play it off for laughs. Or that she remained alone with her children hating her. I wont even mention Guinevere, who is only there either to be a sexual experimentation or a side kick to the non-Blacks. Not to mention she like Lady Danbury is just another iteration of the strong independent woman who doesn’t need a man.
Alice is another side character so I'm not happy that the best we’ll get in terms of a Black-ish main character is Queen Charlotte who unlike the Bridgertons doesn't exactly have a fully functioning marriage. Lastly I’m not happy that they pulled this stunt after pulling the other fifty eleven stunts when it comes to their Blackish female characters. They do the bar minimum and give us the worst shit so no I’m not going to pretend like it’s all hunky dory.
I’m absolutely disgusted by the treatment we have received by this show. I’m tired of the disrespect. It’s one thing to add drama it’s another to add unnecessary trauma which is all they have given us.
I’m sorry, but it should tell you everything that they refuse to show a Black woman in a loving relationship with a man where shes desired and wanted. Every woman is afforded that but us? No ma’am I’m not falling for this bs.
Sophie should've been Black and this character they've created should’ve stayed in the rough drafts. No ifs ands or buts about it.
Actually read the books and pay attention to this show rather than listening to a bunch of psychotic racist ass non-Black women who are trying to sell you shit on a platter cause they don’t really give a damn since they have and will continue to get theirs.
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starthelostboys · 1 year
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no the lost boys or sam aren’t “canonically gay” in that there’s never a scene where they outright state their sexuality, but the subtext is there, down to the end of the movie and the themes of the entire film centering around the perceived threat of a group of gay men, when in actuality the threat is a conservative man causing harm in the name of the nuclear family model. to me that’s as canon as a scene where they say that they’re gay.
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hexelein · 5 months
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Little rant about biphobia in fandoms and the possibility of Eddie being bi below. You think Eddie is gay ? Perfectly fine but don't start arguing with me in the notes about it, especially if you haven't actually read what I said here.
Look I have nothing against gay Eddie but I think it's super weird how people insist he has to be gay. He's not even confirmed queer yet, and people already come at bi blogs for hc him as bi... Unless he is confirmed gay in the show or by the writers outside of it can you just leave bi people alone ? It's always like this when gay hc get popular in fandoms, and I'd like to remind all of you that bi people can have complex relationships with the opposite gender, and that up until now Eddies issues with relationships were all related to Shannon and the trauma he's had from how their relationship ended, and him wanting so badly to recreate what they had before their problems started. That's pretty much canon as of now and everything else is your personal interpretation. If he had relationships with other men he'd probably have the same issues. Hell even if he ends up with Buck he'd struggle a bit at first if these issues don't get resolved beforehand. I genuinely do get why people hc him as gay, but I also think it's extremely biphobic to say he can't be bi at all and that reducing and resolving the problems he has as just related to his sexuality wouldn't fit how his story was written before and would simplify it too much. Even if he was gay that point would still stand but a lot of you don't seem to treat it this way.
What bothers me most about this is the reactions of the fandom, and also the fact we already had a gay and married to a woman storyline with Micheal. And besides Buck pretty much everyone that is queer on the show is monosexual. Like all of that is once again a reminder how bisexuality is often treated in shows and fandoms: the last resort kind of queerness and less queer than monosexuality. Better not have too many bi people on a show, too complicated for people to understand how not every bi experience is the same. People have such a problem with the concept of bisexuality, the reactions to bi Buck also show that: we've had queer characters on the show, but when Buck came out a lot of people said they'd stop watching. This was specifically biphobia, not just homophobia. Buck also fits the bisexual stereotype so well, he's a womanizer, he's been very promiscuous in the past. He hasn't actually talked about his label either or specifically called himself bi in the show yet. People had hc him as bi right away, but with Eddie who has never shown any interest is other men it's he's gay cause he has problems with commitment and forming lasting relationships. It's just very disheartening to see even other queer people follow this weird pattern of who can be bi and who can't, mostly based on stereotypes and who was more promiscuous (this is also often the case in other fandoms ). Despite Eddies romantic relationships not working out we see him being intimate with woman, having interest in them and never any direct indication that it's genuinely his sexuality that is the problem here. Again I can see why people hc Eddie as gay as well, but to say he can't be bi is just denying that bisexuality can be complicated too. I've also seen a lot of people hc him as demi, which is also fitting but often enough it was demi and gay. Why can't he be demi and bi ? We've had so many stories about comphet and heteronormativity preventing gay and lesbian people from being true to themselves, and I'm not saying we shouldn't have those stories anymore, but I think fandoms tend to go with monosexuality by default instead of thinking about how bisexual people can also deal with similar issues in relationships, or that not all of our relationships have to be good to count. It's also just very annoying that stuff like that always ends with peoples reasoning for their hc going into biphobic territory... All I ask is until we have a confirmed sexuality for him, if we even get one, stop being so nasty about bi people seeing themselves in Eddie and stop treating your hc as canon. I swear this pattern is so common in fandoms... Maybe you should examine why you feel so threatened by the possibility of more than one bi character in a show that is or would be in a same gender relationship.
Obviously if he ends up actually being confirmed gay I won't argue with that. I guess what I'm saying is that the biphobic views some of you have and the way bisexuality is treated in general everywhere annoys me more than the possibility of Eddie being gay. And no being bi yourself doesn't mean you can't have weird views about bisexuality btw... Bi storylines always have the same mold and that's cause people aren't willing to listen to bi people and their different experiences. I also can't remember lots of shows that have confirmed bi4bi couples, especially not mlm ones. The ones we have people love to erase all the time. His story could fit someone who is bi and demiromantic/arospec very well (though I don't think they'd actually go anywhere in canon that isn't monosexual or bisexual) and we don't have much bi rep in the show, I'm just kinda hurt that this seems hardly an option for anyone....
I just think having Eddie be bi and his issues not being a result of his sexuality would be a break in how bi characters are usually portrayed and also make people realize that maybe there is a lot underlying biphobia in the community and fandoms.
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