“Listen to me, girl, you have castles inside your bones, coronets in your heart, if he threatens you with battle, you raise him a whole war, the last time I checked, Queens cower before no man.”
This quote Queens II by Nikita Gill hits even harder today.
To all the people whose lives are now at risk due to the unjust ruling by the Supreme Court, and to those fighting against it.
We are with you. We will not back down. We will not be silent. We will win back what is rightfully ours.
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wip wednesday (early cause im offline tmrw)
When the dust settles, Obi-Wan is surprised to find himself still standing.
It takes all of him, he thinks, the end of the war. It takes everything he has.
He used to wonder, in a distant, nebulous way, what it would feel like in the aftermath. How his life would return to the routines he held before Geonosis, if the cadence of Temple life would feel strange and unfamiliar to him after so long spent in the trenches. If he would miss the sound of his men behind and around him, the steady stream of words and laughter and presence of others, at all times, surrounding him.
It’s only when the dust settles, when the first grains of sand whip through the arid desert air to sting his eyes, that he realizes that every time he ever allowed himself to think about the end of the war, he’d always assumed that they would win. He had never truly thought they would be defeated. That the Jedi Order, the Temple itself, so strongly entrenched in the galaxy and in Coruscant and in Obi-Wan’s world view, were capable of falling.
He had cautioned others against the same assumptions the moment he heard them. He had warned his own padawan to not look too far into the future, to not plan too much for the war’s end. He had told many people—clones, civilians, holonet reporters, other Jedi—that it was dangerous to think of the war as something they would inevitably win. Nothing was inevitable, especially not victory.
But he realizes now, only now, only as he traverses the desert on the back of a stolen eopie, wearing robes still smelling so strongly of volcanic sulfur that his eyes are stinging with reactionary tears, that he’d thought. He’d always thought.
He’d never really considered…this.
This aftermath, where he is still standing on shaking legs and everything that he has ever cared for in the world has become ash, has become the dust settling around him.
Everything he has ever known and loved and fought for has slipped through his fingers. When the dust settles, when he looks down at his hands, he expects to find them empty.
Instead, there is a baby in his arms.
And he knows—he knows intimately how much damage these hands are capable of. What hurt these hands can inflict even on those he loves. Loved.
He knows, as the homestead rises up in the fading light of the two suns, that these hands should not cradle this baby. Not the son of the man he has murdered. Not his brother’s son. Not his padawan’s. Not Anakin’s.
He knows the babe is safest here on this farm in the care of this couple. He knows he must leave the child with them, to raise and love a thousand times better than he is capable of. He has tried before. He has failed one Skywalker already.
He knows.
And he can’t. He cannot let him go.
While the Galactic empire rises on one side of the galaxy, the dust settles on the other and Obi-Wan Kenobi looks down at the babe in his hands and realizes that he cannot let him go.
Not another Skywalker.
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I didn't get a chance to vote on the poll, but also noticed what would have been my answer wasn't there so I'm writing it in now- I personally see it as he's their CREATOR first, manager second. They don't call him manager in a lot of materials, and they also don't call him father, they call him "Captain" or "sir," (this being pulled from largely the additional voice actor's portrayals at least, which I think are worth at least considering in a wider scope of interpretation)
That feels like the title or nickname he'd prefer they use, hence programming them TO use it for him- and that betrays neither fatherly intent nor producer intent, but pre-existing intent he didn't change (lifting from prior coding) or that he preferred. Beyond that he definitely refers to them as troops- it is their aesthetic, but it's more impersonal
the items you get for the lore on 1010 are toys, and while it's not stated, I've always thought there was an implication that he had made them- His relationship then isn't one of a father to sons, but of a creator about his creations, which IS different. It's why he's as willing to literally throw them at you in combat and, simultaneously, seemingly instinctively, puts a hand out in front of himself to protect them when the final attack is coming- even if they are tools to some degree, he MADE them what they are and he's PROUD of that- He doesn't want to see his work destroyed
Obviously this gets increasingly more complicated if you believe that 1010 gain sapience of some degree, but I still think the relationship isn't quite what I'd call fatherhood. He is simultaneously all the family they have and deeply, inherently unlike them- yet there is undeniably pieces of him and influences from him present in them, because every creation will reflect its creator in some way, in ways they can't even predict
Then, y'know, yeah, it's being a manager time. Ultimately he's gotta organize them and tell them what to do- how he feels about that could be a variety of ways, but he is doing it nonetheless, so something about it matters to him as well- likely the vow to serve the city thing, if leading a boyband is the way to ensure the lights stay on, then he's going to do it 'till his heart gives out.
To start, I do think you're getting a little caught up in the semantics of the poll, but since you're making the case that "creator" is different from "father," I'll hear you out.
And tbh, I really like that interpretation. It's a little more nuanced from what I'm used to seeing, and it is giving me something to sink my teeth into.
I do differ in that I don't think Neon J. personally made the toys or the base 1010: I felt like the implication of the MKI - MKIII standee was that 1010 has actually been around since the wartime era, since MKI 1010 are build more similarly to the recycled battlebots in the Metro Division. Parallel to that, I think it's implied that Neon J. is a cyborg due to suffering injuries in the war. Since they appeared to exist at the same time, it seemed more likely to me that 1010 and NJ's body originated from the same source, but not that NJ was necessarily the direct creator of either them or the toys. (Though, I will admit that knowing that the toy company is called "J-1" does imply that he has something to do with it. But to rectify that, I'm gonna say that he just bought out the company/factory, but he didn't start them.)
But that's just an argument of history. Both interpretations can still lead to the "creator" theory in the sense that NJ still views 1010 impersonally, but still fondly. Even if he didn't make the base, he still turned them into what they are today, which is still a lot of hard work and dedication to the craft.
It's not making him out to be this overly sentimental guy (which is ultimately what I dislike about most "father first" interpretations), but he's also not heartless, and I like that. It's retaining what many interpretations (including mine, sadly) sometimes miss out on, and that's that he's an artist, just like all the other stars. He values his craft, and 1010 are the result of that, for better or worse.
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History Channel guys: So glad to have you onboard for our docudrama. Here's the script telling you everything you need to know to play Ulysses S. Grant.
Actor: This just says, "Stare off into the distance and take a long drag on a cigar."
History Channel guys: Yeah, we're pretty sure he ended 75% of his conversations that way, so this show is going to reflect that.
Actor: Okay, then. Throat cancer, here I come!
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Fellas — is it gay to realize how beautiful your best friend is while he’s staring at the sunset ? 🤔 ( WIP )
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I believe this arc reveals a little too much about Sidious hand and future plans and I don´t think is quite ic for him to do so, he made Cad Bane kidnap those kids to raise them as sith acolytes but this revealed too much his influence on the clone wars given he keep the babies at Mustafar to raise them but I loved seeing Ahsoka and Anakin team up to rescue them.
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You know, I genuinely think Isshin is a really interesting character, especially as far as “shounen dads” go. He’s set up just the same as all of them, dead wife, secret involvement with all the supernatural shit his kids eventually get dragged into, but the big difference with him is he genuinely… tried?
Like don’t get me wrong, he was a horrible parent and absolutely kind of sucked with the way he did parent his kids, especially Ichigo. But you can’t deny that he genuinely loved Ichigo, Karin, and Yuzu. Keeping them in the dark and telling them nothing was kind of the best he could do, not just for giving them a normal life, but trying to keep them safe regarding their Quincy heritage (again, especially Ichigo considering Aizen wanted to use him for experiments)
Like I dunno! Should he have told his kids everything? Yeah probably, he definitely should have once Ichigo met Rukia and shouldn’t have let him run around and not really ever check up on him, but for the most part, he tried to do right by them, and didn’t just fuck off into oblivion once his wife died which is such a common trope
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Hi! Been thinking about Luke and Vader. How do you think Luke went from wanting to die to believing there was good in Vader? What caused that change/acceptance?
I have a lot of sympathy for Anakin/Darth Vader, and I don’t think it’s fair to place blame on just him for becoming such a deeply dysfunctional and horrifying human disaster as an adult, considering how deeply compromised his agency was his entire life under a series of abusive, hypocritical, and oppressive authority figures within a dystopian galaxy’s fucked up institutions. However, that doesn’t mean Luke wouldn’t have still had absolutely every right to hate his father for hurting him, his friends, and the many other people throughout the galaxy either.
Yet, ultimately Luke didn’t hate his father, even after Darth Vader reached out to him through the force by torturing his son’s friends, stalking him, abducting him, terrorizing him, threatening him, and cutting off his hand to try to coerce him to join the dark side in Empire Strikes Back.
Why?
I think the most obvious reason is that, with a little space and time to recover from the trauma that his father put him through in his efforts to find him and recruit him to the dark side, Luke ultimately sensed the good within Anakin beneath the darkness after he revealed that he was doing all this because Luke was his son, his family, who wanted freedom from Sidious and someone better to bond with than that sadistic asshole his current master was.
Also, in spite of how awful and dangerous it was for Anakin to terrorize Luke, cut off his hand, and threaten him like that on Bespin to try to recruit him to the dark side, he intentionally goes out of his way to avoid outright killing his son by going easy on him battle, giving him chances to escape, and trying to recruit him to the dark side to bond with his son and gain freedom, rather than bringing him to the Emperor.
Yes, he’s being awful, cowardly, and selfish in his methods, but Anakin is also trying to more easily avoid the possibility of one of them getting killed by Palpatine or one another by going after his son to try to recruit him to the dark side to overthrow the Emperor because he knows his master will do worse to Luke and/or himself if he finds out the truth about his son still being alive and a Jedi.
In Empire Strikes Back, Anakin also tells Luke “Don’t make me destroy you” when his son skitters away from him in terror. Though he went about looking for Luke pretty obsessively to try to recruit him for the dark side, once his son actually refuses to be swayed to the dark side by his father on Bespin after being abducted, terrorized, and amputated by him, Anakin notably doesn’t keep hunting down Luke to try to recruit him to the dark side or personally kill him for refusing after he runs away in terror in the movie. He’s upset about it, sure, but he really never wanted for Luke to be killed or hurt long term either.
Then, you also have to examine the fact that Luke didn’t really ever view Owen and Beru Lars as his parents. Though they loved Luke, and he loved them, Owen and Beru still never encouraged Luke to view them as his parents either. They were Aunt Beru and Uncle Owen to Luke, but never mom and dad to him. Luke really wanted someone to be able to identify as his parents. Anakin, flawed as he was, was the first person in Luke’s life to identify themselves as one his parents he had been missing his whole life, which is also why he was particularly desperate to bond with his father and inspire him to turn back to the light side.
If you guys want to chime in, you can!
@abla-soso
@fanfic-lover-girl
@fanfictasia
@komikbookgeek
@yoghurtconsumer
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Just some examples below of characters at camp in GW not being okay with what Claude does (mainly to reiterate past points I’ve made about him/the route):
Mind you, the game forces all characters to cooperate with Claude in GW, even though a lot of them disagree (Marianne adamantly is against everything Claude is doing and expresses it regularly. Her excuse for not leaving or doing anything about is that she hopes the war ends quickly, but she still repeatedly expresses that she doesn’t believe what they’re doing is the right thing to do).
Lorenz repeatedly questions Claude’s decisions, as he should, but due to it being the GW route, all the characters have to follow what he does and just deal with it. There’s no “hey this is bullshit I’m out”, when realistically at this point a good handful of characters would’ve walked out.
This proves the writer’s are totally aware of what they’re writing and know the nuance to it! It’s just that... because Claude is the main character of this route, he’s swept up in the story and has to be adjusted to fit the story accordingly.
There’s no happy ending for the Kingdom and Alliance unless Sylvain (who is a major player in Faerghus politics) can agree to it, which is highly unlikely after he openly expresses his hatred for Claude/the Alliance (as he puts it, the “invaders”, which... were Claude/the Alliance).
Also, I have another post with the camp part of Hapi saying that it’s scummy of the Alliance/Federation that the only reason she and Constance are alive is because they surrendered. In other words, she finds the “surrender or die” thing to be scummy. Then we have Yuri, who notices the same issue:
This point proves that Claude is pretty cold hearted in this route. He not only forces Ashe to surrender (or die, as is implied by his dialogue when he says “Dimitri would be sad if you died” and thus urging him to surrender), but then he even has Ashe fight against his own people.
While this is a recruit mechanic issue and is a problem in all routes generally speaking, it’s not highlighted upon by other characters about other characters. That is to say, Petra for example in AG will express relief that they didn’t have to kill Dorothea, but she doesn’t mention anything about Dimitri forcing them to fight the Empire (which Petra decides to do entirely by her own will). Dorothea expresses some reluctance at first in her own camp dialogue, but it’s never mentioned that Dimitri is forcing anyone to fight against their will.
The fact that other characters are commenting on it means other characters are seeing and understanding what’s going on (which is more than a lot of players can say apparently, like the ones who blindly send hate to people who didn’t enjoy GW/SB lol). They recognize that everything Claude is doing is just shitty and shouldn’t be what they’re doing.
So... why do they keep fighting with him? Because... bad writing. That’s honestly it. Because they’re all forced, by the writing and route’s story, to keep fighting for Claude even though probably a good half of his camp doesn’t agree with his actions. Even though, if this were a better story even somewhat, and if Claude still did what he’s been doing here in this somewhat better story, the story would be made better by the disagreeing characters defecting to the Kingdom. Mind you, three background lords did try to defect to the Kingdom... and were promptly shut down from defecting.
If this were a good story, Claude wouldn’t have had his morals flipped on their head. If this were a decentish story, Claude would have lost a good chunk of his allies who defected after being fed up with his behavior and decisions. If this were a bad and lazily written story, it would look like it does.
ALSO I ran out of tags to explain my last point BUT
the irony of all this is that when he killed Shahid, he was trying not to cry and got drunk over it. This guy who had been trying to kill him and would’ve done so without batting an eye (and probably would’ve told everyone and bragged about it), this guy who has been presumably among his siblings trying to kill him his entire life, and this is who he feels guilty about killing. Then he goes marching to Faerghus, invades them and says he just wants to talk while forcing one of their royal knights to surrender or die.
Apparently Claude would rather feel sad about the brother of his that tried to murder him than the innocent people who never wronged him.
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I am This Close to watching the untamed
So if you want to perhaps yell about it or something (since you’ve gotten me into stuff that way before) that could be cool idk
OH MY GOD PLEASE WATCH IT
okay to start with. the live action show is very good and a great place to start but it has some important differences from the novel and the donghua (animated show). i personally prefer a combination of cql (the untamed/the live action, that's the acronym i'll be using for it from now on) and the donghua; the novel suffers a lot of lost in translation effect and whatnot and i personally dislike the way the relationship is built in several places in it as opposed to how the adaptations do it, but it's definitely still worth reading. (dm me on discord if you want a copy of a pretty good fan translation of the novel and also like, a link to a place you can watch the donghua, btw.) other problems with cql: censorship hits the live action the hardest and their budget was i'm pretty sure basically nonexistent (they very clearly spent most of it on the costumes and the props, which you know what, the costumes are fucking stunning so great choice). so they changed the worldbuilding some and like.... the fight scenes? are really not good. they're really not good. also the special effects are universally pretty bad. it can make watching some parts of it difficult to get through, and there are some plot elements that are changed as well that i dislike, and a lot of the moral greyness of the original story had to get removed because again, censorship issues (if you want the most accurate, non-morally-whitewashed take first, you'll want to start with the novel, which is also what has the explicitly gay stuff). it's also not explicitly gay - but the actors played it as gay and there are multiple marriage metaphors and holy fuck like. honestly. there doesn't need to be a kiss or a confession or anything it's REALLY FUCKING GAY.
what cql excels in is its character interactions. the acting is absolutely stunning, the soundtrack is beautiful, and every single scene is just done with so much heart and emotion in it. so definitely keep that in mind going into it. i've watched it all the way through i think 3 or 4 times and i still keep seeing new fun details in the background that i hadn't noticed before.
the donghua, on the other hand, has an absolutely stunning art style, very very good voice acting, the worldbuilding and plot are more accurate to the book, and the magic and combat scenes are much more realistic for a fantasy and the powers they have. however, it, especially specifically the third and final season, is very rushed (and it has its own plot changes to fit how much they had to condense things, mostly just in the second half of season 3) and excludes some details, so it can be confusing if you don't know what you're seeing first. i recommend either watching cql or reading the novel first, then watching the donghua!
in terms of like, actual fandom stuff! so the main character of mdzs is, obviously, Wei Wuxian. i'm not sure how much you know but he's like. an incredibly ADHD man with horrible self-worth issues (despite being arrogant as hell) and a very strong sense of justice who is extremely brilliant and goes through a shitton of tragedy. he is known for inventing a viable form of necromancy, which is considered incredibly heretical and, among other things, gets him killed, and then gets him resurrected, so you know. pros and cons. he does magic by playing the flute. he is a disaster bisexual and also a bit of an alcoholic (okay a lot of an alcoholic) and i love him. his love interest is stoic and serious and incredibly autistic-coded and has been in love with him since they were teenagers and literally wrote him a love song. the two of them get trapped in a cave together and have to kill an ancient corrupted divine monster without weapons. it's very romantic. wei wuxian as a younger teenager is basically the epitome of a child pulling a girl's pigtails because he has a crush and is desperate for attention.
anyway, i'm not sure how much you know about the plot, but there's two timelines going on - the present and the past. the present is after wei wuxian is resurrected, and he and lan wangji (the love interest, in case you haven't picked up on the names yet - everyone has like two or three names and it can be hard to tell them apart at first) are basically going on a fun little murder mystery quest while also babysitting a bunch of teenagers which then abruptly devolves into politics, murder, more politics, and more murder. the past on the other hand goes from a high school definitely-not-a-romance to a goddamn war drama to politics and back to. hm. not exactly a war drama anymore but i'm really not sure how to describe everything that happens after a certain event. it's all very much a tragedy and the real "villain" of the story (which is less obvious in cql, again because of moral whitewashing due to censorship, though honestly i feel like they did a pretty good job of staying as true to the source material as they could all things considered, a whole lot of the scenes were word for word from the novel just slightly edited to fit the adjusted worldbuilding or plot changes) is the mob mentality, rumors and gossip and hearsay, and society itself!
lastly, because i am trying not to overwhelm you here, i am going to link you a couple great amvs i've found on youtube that will probably not make a lot of sense without context but will at least hopefully intrigue you?
and
and
the other one i really want to link i cannot because it definitely will make absolutely no sense without having watched the show and so you have to come talk to me when you've finished it so i can give it to you. also hey please feel free to come dm me on discord i Will ramble at length about this. especially about wwx he is my BLORBO and currently taking up residence in my brain. and also i need your live reactions if/when you start watching things oh my god
be glad it's almost 2 am and i'm still recovering from my covid booster or this would be even longer
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Looking back on it Finn really should have been the protagonist in the Star Wars sequel trilogy
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I miss my brother :((
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So the third Marvel OC is named Asra Kamal, and she's an Inhuman superhero under the alias of either Mid Nite or Lady Midnight (I still haven't decided c:)
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having.. temeren thoughts..
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What drives my insane about Tusken raider is how George could never ever look past his aggressive racism to realize: Tatooine is a desert -> water is scarce in the desert -> water is a must for all organism -> Tatooine (per his own world building) is so dry that there is no water reserves underground. There is no water for stubborn plants to extend their roots to, there is no water for people to dig and build around. -> Tatooine is so so dry, you need machinery and a certain set of skills so you could gather water from thin air.
And in George's ✨infinite wisdom✨ there is a group that would crawl high and low to antagonize and terrorize water farmers Just Because 💀💀
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