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#re logging this version because it needs to be said
jmdbjk · 1 year
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This week's ... Bangtan report...
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Anyone feel the need to come up for air? Me too...
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These two... just acting like they can go anywhere here in peace.
I can't believe they ate reheated grocery store deli pizza. At first I was like I CAN'T BELIEVE THEY ATE GAS STATION CONVENIENCE STORE PIZZA but then I learned it was a whole grocery store. On a scale of 1 to 10, grocery store deli pizza would be a 4.
I'm still speechless. The longer I think about it the more I can't believe what we've seen these past 4 days. After all this time of hoping they are living easily at home they come over here and turn the bucket over on us. Total chaos.
Aside from boat captains being dickwads (that Miss Karma wasted no time on that loser) and radio show hosts being embarrassing ignoramuses... the LUCKIEST regular people are experiencing encounters with JIMIN and JUNGKOOK in the WILD!!
We all know how excited we get just meeting other Armys in the wild but imagine being at work trying to get the soft serve ice cream machine working and you turn around and Jimin and Jungkook are standing there ready to order some greasy-ass pizza.
I'M SO HAPPY FOR THESE ARMYS WHO GOT TO EXPERIENCE THIS!
But we're still trying to decipher JK's similarities in his Seven concept styling. His hair that's reminiscent of Jimin's in his Face era... The both of them wearing a lot of similar things or even just their street clothes that are from the same designer... all of that making me ...
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This trip that looks like all intents and purposes of being a weekend getaway... reserving a whole floor of the restaurant. AND TOGETHER ON SILVER DAY.... Going to a brewery. An outing on a boat. Basically roaming the back roads in New England. And JK headed to Old England.
But we might see it at some point in the future BECAUSE THEY HAD CAMERAS????
They spent all day Sunday .... doing what? Every hour, every minute, every second, you know night after night ...
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Anyway...
Hobi's master plan is being revealed finally. At least that's what the twitter streets are saying. Those images were created last summer. He's had this in the works.
I love love love the two characters and the styling of this go-round of Jack in the Box.
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I watched Namjoon's recent live and he said things like:
..."everyone is doing their thing and the team is being talked about" which he thinks is great... "let's each do well in our places and meet again looking good." All team members doing good.
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He always looks great in his lives and now I'm convinced JK's got a potato phone with a crap camera because ALL of his lives are 360p no matter the lighting situation.
TMI warning...
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Koo's got a little bit of an upper respiratory cold. It's no fun flying when your sinuses are inflamed. Give that boy some Dayquil/Nyquil. And YES I sympathy yawned with him! hahahahahahahaaa.
Watching this live... how can you be a straight up goofball doofus and also be the same JK dancing and singing "I'll be fuckin you right Monday, Tuesday, Wednesday..."?
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I wonder if the slow jam version of Seven was a preview of what's forthcoming?
Jimin got a new phone. I think that's why he had trouble logging into In🌟 (so cute, in-sta). When you move your shit over to your new phone you have to re-login to all your apps.
So let me guess who's gonna turn up with the head cold in a few days? I hope Jimin doesn't have any important schedules coming up in the next week or so.
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sen-no-kotowari · 1 year
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PGR S Fire Lee Character Profile
Good day! I hope everyone's enjoying the Spiral of Chronos Patch over on JP Servers (*‘ω‘ *) There's so much Lee content popping given that it's July so in a way the Lee enthusiasts are having a buffet field day! (≧▽≦) That said, here is S Fire Lee's Character Profile! I will be posting the translation his Character Version Image Song some time this week as I'm working with a personal project that I may possibly post as well so look forward to it if you're interested. In comparison to the inital release in the CN servers, they re-recorded most of Lee's lines so what you hear on the video link may not necessarily reflect what you hear in-game as of late in the JP servers. You can learn more about the expanded lore on Lee on the cut down below!
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Voice Line Data
Motion Voice Lines
Lobby Voice 1
Lee: (Checks gun) ...Can't I stay here even if I don't have any other business with you? I wish to do my gun maintenance in a quiet place. The maintenance room's too crowded.
Lobby Voice 2
Lee: I was worried when I heard that Murray became the Cerberus Unit's leader if he could ever manage those rowdy bunch and all... But it seems like I was worried over nothing. He's all grown up now. However, I think the Gray Raven Unit is okay the way it is. Heh, it's because you won't do a break dance while there's an ongoing meeting... You won't, right...?
Lobby Voice 3
Lee: Humans have long since used an hourglass to measure time. While I can't say it's accurate, it was, however, the most optimal way of showing how time cannot be reversed―that's right, we, who exist in a three-dimensional plane, can't wind back time. Humans can't alter the past even if we come to regret it. ...What about me, you ask? I don't have any regrets. Even if there are countless branch points in each moment, I will surely find my way back to your side.
Raise Affection Level
Lee: Thank you, this is just what I need right now. With this, I can also complete that support robot I promised to finish― ...Huh? This is a present for me? So there's even a fine distinction made when it comes to gifts, huh...
Repetitive Taps
Lee: ...What the- ...To think there's this fully grown troublemaker inside the Raven Unit's base huh. Shall I drag you to the juvenile detention center then?
Log-In
Lee: You're here now. ...If I can never meet you again at some point in the future, I might feel sad from loneliness. ...Forget it. We have a mission to accomplish, let's get going.
Online for a Long Time
Lee: I'll do the remaining ones left, just go rest. Now! I've had enough of looking at how you look like a loitering zombie, you're spoiling the pleasant scene around us.
AFK
Lee: ...Commander, commander? ...(Sigh) You actually fell asleep from exhaustion, huh. You left your combat terminal open, guess you can't settle down without it... Really, I ought to tuck you in somewhere quiet. ...You lost some weight again... How much work did you take on this time...
Shake
Lee: ...Wha— Commander! ...Heh, you sure don't get tired of this same old trick.
Offline for a Long Time
Lee: Where have you been until now?! ...If you had made up your mind to walk out from here, I wish you could've at least said a proper goodbye then. ...No, it doesn't matter now, since you returned here in the end.
Introduction and Formation
Structure Acquired
Lee: Lee of the Gray Raven Unit, reporting. Yes, I'm back now. Other than needing to get along with each other, let's skip the unnecessary greetings and get right down to business, Commander.
Level Up
Lee: What accumulated was just the combat data itself, so I can't say for sure if I've improved. This is still nowhere near the model's limit.
Advancement
Lee: If it's a rise in rank from you, then its meaning also changes. ...Understood, I'll work hard to keep your expectations in check.
Model Improvement
Lee: The peak of evolution means breaking through one's limits as well as knowing there's a realm ahead of us we neither can understand nor have yet to encounter. ...Although taking a step inside that realm would require a significant sacrifice to be paid, I have the determination to see through it all.
Skill Upgrade
Lee: How about giving me some credit? The thrusters are now more responsive and more efficient because of this process. Seems like I'm quite accustomed to this model more than I thought.
Equipment
Lee: Testing auto preset rate, all-green. Measuring microwave distance, all-green. Since this is a highly precise piece of equipment, it's important to check that each module is working fine.
Add in Team
Lee: If you notice some sort of cue mid-battle, get away from my projectile's trajectory ASAP. Don't say I didn't warn you.
Assign as Captain
Lee: Calm down, it's okay to leave everything to me. I'll protect you guys.
Mission Accomplished
Lee: Not bad. You're becoming more efficient.
Daily Small Talks
Voice Line 1
Lee: No, I'm not mad or anything. This is how I usually am.
Voice Line 2
Lee: Rather than forcing them to cooperate, wouldn't it be more efficient to assign people to what they're good at?
Voice Line 3
Lee: ...Excuse me? I don't think it's my fault that the atmosphere became awkward. ...There's something you want to talk about? If it's about the issue on the Science Council's IUO Standard No. 9, I'd oblige to discuss it with you at great lengths though.
Voice Line 4
Lee: I promised that I'd never keep secrets from you ever again so if there's something you want to ask me, feel free to ask me anything.
Voice Line 5
Lee: (Checks gun) ...Can't I stay here even if I don't have any other business with you? I wish to do my gun maintenance in a quiet place. The maintenance room's too crowded.
Voice Line 6
Lee: You want to see the non-combat functions added to the weapon I've modified? Why do you— ...Guess it can't be helped then. I'll only show it to you once so keep your eyes peeled.
Voice Line 7
Lee: If we have nothing else to do today, want to train with me at the base? I still need to make some adjustments to this model, but it'd be challenging to adjust the result calculations without your cooperation.
Voice Line 8
Lee: I knew this part is... it'd be faster if I disassemble it once and reassemble it... Hm? Well, I'm currently doing maintenance on your powered suit. I should just let the guys at the Cosmos Engineer Union handle that...? It's fine if it's just regular maintenance, but they don't know your movement habits. Whenever you draw out your tactical knife from your left side, there's some kind of resistance around this part, right? I've already adjusted that problem.
Voice Line 9
Lee: Even if all of creation would continue to evolve, the collective matter of space will never change for all time—death follows life, and energy is concurrently generated from annihilation. If one wishes to obtain something, one must pay the price for it one day, without exceptions... Commander, behind every "miracle" that happens... correspond a sacrifice greater than you could imagine.
Voice Line 10
Lee: I was worried when I heard that Murray became the Cerberus Unit's leader if he could ever manage those rowdy bunch and all... But it seems like I was worried over nothing. He's all grown up now. However, I think the Gray Raven Unit is okay the way it is. Heh, it's because you won't do a break dance while there's an ongoing meeting... You won't, right...?
Voice Line 11
Lee: Updating the existing tactics, thinking outside the box, and even complying and sympathizing with the enemies... If I'm being honest, I couldn't understand your style of leading us at first. But now, I can have complete faith in all your decisions.
Voice Line 12
Lee: Humans have long since used an hourglass to measure time. While I can't say it's accurate, it was, however, the most optimal way of showing how time cannot be reversed―that's right, we, who exist in a three-dimensional plane, can't wind back time. Humans can't alter the past even if we come to regret it. ...What about me, you ask? I don't have any regrets. Even if there are countless branch points in each moment, I will surely find my way back to your side.
Voice Line 13
Lee: You saw what my real name was in a file? ...Oh, well, it's not something confidential anyway. Besides, I am Lee of the Gray Raven Unit now. What I thought was a temporary code name given to me became a part of who I am today and is something I take great pride in. I plan to fight as "Lee" right until the very end.
Voice Line 14
Lee: Tactical cooperation, huh... That kind of thing doesn't exist back where I used to live. There was only constant betrayal and plunder at that place. Everyone became desperate to cross over that infernal sea, so they pushed others off to the edge and used them as their bridge... But now I don't have to think about it. Even though I repeatedly told myself I don't believe in things like luck, I could say that joining the Gray Raven Unit and crossing paths with you... was the most fortunate thing that ever happened to me.
Voice Line 15
Lee: "You're never alone," huh? ...I think those words are indeed solemn. No... It's exactly because they are important that I don't want to see the person who said those words to me suffer. So "it'd be a lot better than trying to bear everything by myself," hmm... I used to think that way before, but in the end, only an even more tragic end awaits. I get what you're trying to tell me. Commander, we'll support each other from now on and get through this, no matter what.
Raise Affection Level
Voice Line 1
Lee: Since we're all on the same team, there's no need to personally hand out resources to every single member.
Voice Line 2
Lee: Why are you suddenly... Don't you have anything better to do?
Voice Line 3
Lee: Equivalent exchange... I'll never forget the principle behind it. All of the things I've received from you are engraved in my heart.
Voice Line 4
Lee: You're giving this to me? ...Uh, thanks...I guess.
Voice Line 5
Lee: Here, I finished fixing your mini robot. While I'm at it, I've also added a voice memo function to it. Huh? You...want to change the default voice data to my voice? S-stop thinking about those kinds of ideas!
Voice Line 6
Lee: ...Did you give this to other people too?
Voice Line 7
Lee: You've always remained the same even from way back then... Ah, no. I'm not complaining about it. It's... fine for you to stay the same for who you are.
Voice Line 8
Lee: Where the heck do you find these things... Wait a minute, I never said I don't need this, right? The things I've already received are mine now.
Voice Line 9
Lee: You want to try out the new weapon I use? Well, it's still in its prototype stage, so I don't think it's at a level that can be mass-produced though. There's sort of a trick in each of its module settings, do you want me to teach you those tricks? It's complex, but it's quite remarkable as a weapon. I'm the only one who currently has mastered it anyhow.
Voice Line 10
Lee: You don't need to go out of your way... I'll respond to your expectations. ...So long as it's not relatively unreasonable, that is.
Voice Line 11
Lee: So long as I'm here, you don't have to worry. Everything's going to be all right.
Voice Line 12
Lee: Thank you, this is just what I need right now. With this, I can also complete that support robot I promised to finish― ...Huh? This is a present for me? So there's even a fine distinction made when it comes to gifts, huh...
Voice Line 13
Lee: You're expecting me to spew some affectionate words? You better stop expecting then. Well if you're that desperate, let's see what kind of stereotypical lines you'll show me. ...Ack! O-okay, that's enough...! That's plenty enough for an example!
Voice Line 14
Lee: (Sigh) ...Hm? Is there something troubling me, you ask? Not really. The cost of sealed warehouses is currently on the rise, so I'm thinking about what's the best way to store your belongings. ...I-it's nothing, forget it!
Voice Line 15
Lee: While I'm not a person who'd easily make promises, from the very beginning until this day... Rather, until the lasting future ahead of us, I'll live up to my promise that I'd always stay by your side no matter what.
Voice Line 16
Lee: Here you go, my gift in return for everything. It's a mini locator made from the old power core that was extracted when my model was undergoing maintenance. So long as you always have this, you can know my location even if comms get cut off. If you push the button, I'd also know where you are. If you wish for me to be by your side, I'll absolutely come running to your side, no matter how far apart we are from each other. I promise.
AFK
Voice Line 1
Lee: Why are you staring at me? Is the strategic report written on my face or something?
Voice Line 2
Lee: When we were kids, I made this toy called "Sippy Chicken"[1] so I could explain to Murray the principles behind heat energy. ...Why am I suddenly talking about it? That's because you were frequently nodding your head low enough to hit the desk, just like that toy bird.
Voice Line 3
Lee: Commander, about the result of that experiment we did the other day-... Commander? No one's here, huh... Quite likely, considering they're the type of person who can't stay still. ...I guess I should wait for a while then.
Voice Line 4
Lee: Be good and go to sleep already if you're feeling drowsy. ...There aren't any emergency missions right now so it's fine if you don't push yourself too much. ...Just relax and close your eyes now, will you. I'll wake you up when needed.
Voice Line 5
Lee: ...Commander, commander? ...(Sigh) You actually fell asleep from exhaustion, huh. You left your combat terminal open, guess you can't settle down without it... Really, I ought to tuck you in somewhere quiet. ...You lost some weight again... How much work did you take on this time...
Online for a Long Time
Voice Line 1
Lee: Are you attached to that chair or something?
Voice Line 2
Lee: Sure is nice if you could remember one good way to shirk off work.
Voice Line 3
Lee: Seems like I need to attach a system that could pick up mental fatigue from the brain wave activity on that chair, but... If the numbers reach a dangerously low range, it'd immediately force you to sleep― ...hm? You'd like to work for just a bit longer? I trust you know what'd happen if you lied through your teeth then.
Voice Line 4
Lee: I'll do the remaining ones left, just go rest. Now! I've had enough of looking at how you look like a loitering zombie, you're spoiling the pleasant scene around us.
Voice Line 5
Lee: Is this some kind of revenge plan against everyone in the Gray Raven Unit? ...What am I insinuating, you ask? Hah. Are you trying to prove your point that humans could also work for three days straight without any rest like us Structures? ...We promised that we both won't work ourselves to death ever again, so you should also get some rest now.
Log-In
Voice Line 1
Lee: Good morning, you awake now?
Voice Line 2
Lee: That's good, the time you arrived sure is on point. Keep up with that. What time did I arrive? Just a few minutes earlier than you.
Voice Line 3
Lee: I thought I heard a loud, boisterous voice from afar but, don't tell me Kamui dropped by again, did he?
Voice Line 4
Lee: Commander, you came just at the right time. About those prospective experiments I mentioned yesterday, I just thought of one more idea for that.
Voice Line 5
Lee: You're here now. ...If I can never meet you again at some point in the future, I might feel sad from loneliness. ...Forget it. We have a mission to accomplish, let's get going.
Voice Line 6
Lee: I'm not spacing out, I'm just thinking about the Monty Hall problem[2]. If I eliminate the doors that haven't been opened, which of the remaining doors will you show up on... Hm? There's only one door in this room...? .......(clears throat)......
Voice Line 7
Lee: Last night, did you stay up late again? Taking good care of yourself is also one of your responsibilities to your team. I'm sure you know that better since you were an honor student, right? Your average sleeping time as of late is just― ...Huh? Why do I know, you ask? ...Obviously, I learned about it from Laplace's demon[3].
Voice Line 8
Lee: Good morning, did you have a good night's sleep? ...Yeah. Should we try a different greeting for tomorrow since today's greeting was okay? Since I have to greet you every day starting today, I wonder if it'd be better if we decide together on which greeting we both like. So tell me, which do you prefer?
Offline for a Long Time
Lee: Where have you been until now?! ...If you had made up your mind to walk out from here, I wish you could've at least said a proper goodbye then. ...No, it doesn't matter now, since you returned here in the end.
Shake
Voice Line 1
Lee: Graagh... ...No, it's not your fault. My Sea of Consciousness just suddenly went into an overload state. There's no need for you to worry about it... Stay still... Yeah, I'll recover from this in a minute.
Voice Line 2
Lee: ...Wha— Commander! ...Heh, you sure don't get tired of this same old trick.
Voice Line 3
Lee: If you get thrown off balance, I'll reflexively catch you and act as your cushion. ...As if. I'm kidding, let's stop this conversation. Please be more careful so you won't get hurt in the future.
Repetitive Taps
Voice Line 1
Lee: ...What the- ...To think there's this fully grown troublemaker inside the Raven Unit's base huh. Shall I drag you to the juvenile detention center then?
Voice Line 2
Lee: You think I won't fight back from this?
Voice Line 3
Lee: For the times you've poked me, I'll be repaying you exponentially. ...Hmm, so it's at a total number of 133637 times then. Now then, are you prepared to accept some "repayment?"
Activity Task Full
Lee: Activity level's reached the maximum level. We should leave our work progress here for now.
Battle Dialogues
Battle Start/Character Switch
Lee: Simulation complete. Commander, we'll emerge as the victors here.
Voice Line 1
Lee: I'll be the one to reign over your time!
Voice Line 2
Lee: There's no escape from my line of sight!
Voice Line 3
Lee: Your survivability rate's hit zero!
Voice Line 4
Lee: You can't escape now!
Voice Line 5
Lee: This is the end!
Ultimate Skill
Lee: Perish... for all time!
Light Damage
Lee: It's nothing serious, let's stay focused.
Heavy Damage
Lee: Graagh... I won't let it end, not here, not this moment.
Incapacitated
Lee: I'll stand back up if I have to... No matter what...
Friend Support
Lee: You did well holding out, leave the rest to me.
QTE
Lee: Target locked on, fire at max power!
Battle End
Lee: Guh! It's too early to let up your nerves, Commander.
Structure Documentation
Document Detail 1
BPN-06, Attacker-type, Model Name: Hyperreal―an Omega-type Specialized Structure model developed by the Science Council based on Kurono's Inverse Device research as well as the meager information deciphered from the polymerized fragment. All of its functions are fine-tuned to the model's stability, making it impervious to the Punishing's side effects.
Document Detail 2
Both the model's energy distribution capability and the computational capacity modulator are strengthened, allowing the model to perform numerous computations. In addition, to ensure the model's stability, all its external equipment uses synthetic nano-carbon metal tubes, and their thermal conductivity is increased to make the equipment lightweight.
Document Detail 3
Only a person who extensively understands small arms could utilize sophisticated and complex heavy artillery like Lee's composite armament. Although it could adapt to every battlefield, it's difficult to operate and warrants a highly stable model, currently making the Hyperreal model the only one capable of wielding this weapon.
Document Detail 4
Although this model that takes pride in its peerless computational abilities can execute multiple simultaneous high-precision computations, the burden on Lee's Sea of Consciousness constantly reaches its critical point. However, nobody knows the actual situation behind it since Lee never reports it, persuading himself that "the data deviation in his Sea of Consciousness doesn't trigger so it won't cause any impediments to my day-to-day operation."
Document Detail 5
While the development of the Omega-type Specialized Models that centered around Liv progressed, Lee willingly volunteered to participate since Liv's Sea of Consciousness was damaged during the Solaeter's development, stating that his Sea of Consciousness was "far more stable." The first time he learned that he was originally the first choice for the Omega-type Specialized Models was after he had formally participated.
Document Detail 6
Lee couldn't remember the whispers he hears in his dreams or the confusing sceneries he sees. However, if one were to ask him if he could feel the fear and worries looming when one fights alone, he would calmly deny it―because he knows for a fact that there would always be someone who'd light the beacon behind him and illuminate the way back to where he belongs, no matter how far away he is.
Rumors and Secrets
Secret 1 The exterior appearance of Lee's new model is quite different thus far, so several people talked about how the Hyperreal model looks. However, Lee himself never once noticed that he became a hot topic of conversation around him.
Secret 2 Since Lee used to often work late at night back when he was with Kurono, he still has the habit of burning the midnight oil. When he first arrived in Eden, there used to be a rumor circulating that a ghost would appear in the maintenance room when the clock strikes at midnight.
Secret 3 Even though he didn't have any interest in philosophy at first, Lee started reading books about "the concept of time" and "time and sentience" and seems to have been taking notes on the topic ever since he changed to his Hyperreal model.
Secret 4 During his spare time, Lee adjusts the weapons and exoskeleton of the other members of the Gray Raven Unit to match each of their habits. He voluntarily does this kind of work because previously "our equipment's weapon alignment was off-point and because of that, the Commander had a dislocation injury during our practical combat training."
Secret 5 Lee tried to modify his model and hide one reflective part as he failed to understand the design intent behind it. However, one researcher told him "that part regulates heat circulation" and gave up on the idea.
Secret 6 His hobbies are solving numerical puzzle games. Everyone in the Gray Raven Unit tried it once, but the only person who understood the fun behind these logical games is the Commander.
Secret 7 He dislikes having Kurono as the conversation topic. Even though he seemed to just lightly sweep Vera's badgers under the rug, Lee feels bitter about the fact he used to work for them in the past.
Secret 8 He added the Gray Raven's logo on the inner side of the model's coat himself. He hasn't told anyone about it, but everyone noticed the addition when his model underwent modification enhancement.
Secret 9 Even though he preferred his old hair color, the development staff from the Arts Association told him that "they don't have the material for that particular color in stock." Left with the choice of either choosing a different hair color or, as suggested by Asimov, "make a hat-type Inverse Device," Lee chose the former.
Secret 10 Lee modified his right arm to attune himself with his new weapon, but it became difficult for his arm to pass through the right sleeve of his coat post-modification. He had accidentally torn the sleeve apart thrice just by putting strength in his arm, and when he finally had enough, Lee decided to wear the right side over his shoulder instead.
Secret 11 When they were little, he and Murray made a "secret code" only they know about that the two of them use during their transmission with each other. Although Lee hasn't used their secret code in a while, it appears that he used it again in a recent transmission he received from Murray.
Secret 12 The reason why Lee seldom cooks is that the moment he acquires condiments and spices, the whole kitchen turns into a large-scale laboratory―he will only season the food if the condiment is weighed in milligrams. Surprisingly enough, however, it did make him good at brewing coffee because the Commander drinks coffee every morning.
水飲み鳥 (Lit TL: Water Drinking Bird) or Drinking Bird/Dippy Bird/Sippy Chicken is a toy heat engine mimicking the motion of birds drinking from a water source.
The Monty Hall problem is a probability puzzle type of brain teaser named after the host of an old game show titled "Let's Make a Deal."
Laplace's demon is a notable published articulation of causal determinism on a scientific basis written by French scholar Pierre-Simon de Laplace in the 19th Century.
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I work for an organization with an IT department, which means we have to go through them for all our computer update needs. Today I went to join a webinar and got a popup saying zoom was out of date. I in theory cannot update zoom without an admin password, so i put in a ticket and watched the webinar in the browser.
It was about disaster recovery in Vermont and it was fascinating.
When I finished I saw that I had an email from IT saying they could update whenever I was free to let them remote in to my laptop. I say whenever works for them. This is about noon.
The following series of events occurs:
The IT guy calls. He has googled "how do you update zoom" and is ready. He tells me to log into the zoom app.
I remember my password on the second try and navigate 2fa like a champ. I feel very proud of myself.
My zoom is too out of date to even log in. This stumps the IT man, because google said to click the update button once you're logged in.
He tries to run zoom as an administrator. I log in again. It is still too out of date to log in.
He googles how to update zoom again.
He goes into the control panel and tries to update from there. There is not an option to update. He is confused.
He goes to the zoom website. There are many possible versions to download. He scrolls all the way to the bottom before realizing we need the top one.
He downloads the .exe and runs it as an administrator.
Nothing happens.
He does this about 8 times.
Nothing happens.
He tells me to log in again. I point out that we haven't updated the app so it still won't let me in. He says try anyway.
It doesn't let me in.
He decides to fully delete zoom and re-download from scratch. He doesn't notice that he needs his admin password to finish the deletion until I point it out. We have been on the phone for 20 minutes.
He attempts to run the new download as an administrator. Nothing happens.
We restart my computer.
My computer does not want to restart. My computer freezes on a loading screen. I kill it manually and start it up again.
It freezes on the same screen. The IT guy says to hold down the power button for 30 seconds.
My computer decides there has been far too much nonsense and it now needs to auto repair.
I let the IT guy go to lunch. It has been nearly 40 minutes.
My computer gets itself sorted, eventually. When i log in, zoom is still not re-downloaded.
On a hunch, I go to the website and download the installer. I run it normally.
Zoom installs on my laptop. It does not ask for an admin password. It takes 2 minutes.
Moral of the story: just bypass the IT guys completely next time.
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thegeminisage · 6 months
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as someone who wasn't around in 2014....can you tell me what it was like? (stucky) can you give me a taste of the gardens of babylon etc
what was it like...this is such a fun question i want you to know i gave serious thought to my answer and also discussed it at length with my 2014 friend last night and i know already it's gonna be so long. sorry that i answered your ask at fuck o clock in the morning i am scheduling it to go up later and also at the time you sent the ask in to make sure you see it
ok so like. i mean, you're on the fandom website, right, so i assume youve been in fandoms. idk if youve ever been in a really, REALLY big fandom, at the same time that said fandom was also producing content (even if the source material was not). think d*stiel post nov 5, or undert*le circa late 2015/early 2016, or z*lda after totk came out, or h*rry p*tter as the seventh book was being released. (i'm censoring to avoid a false positive of anybody's blacklist except in the case of the last one, which i am censoring out of <3 disrespect.) like there's something REALLY luxurious about being in ANY large and active fandom and it's mostly the power of crowdsourcing. st*r tr*k 2009's tarsus iv headcanons. the storm trooper lore re: the f*rce awakens before the second two movies came out. everyone just kind of agreeing that dean w*nchester was a teenage hooker. you know?
like, that's "just fanon," sure, but part of the beauty of it is that no one person makes up fanon, we all gather in the biggest writing group in the world and collectively go insane and bat ideas back and forth. there are a hundred THOUSAND fics about bucky barnes on ao3 and that's just the people who were writing, not even counting artists and gifmakers and meta-writers and people who just reblog stuff. i can't possibly begin to put an accurate number to how many people are in any given fandom at any given time, but imagine (on the low end, i'm sure) there are THOUSANDS, perhaps tens of thousands, of people going nuts about stevebucky at all times. tens of THOUSANDS people doing "yes and" with each other on the internet 24 hours a day seven days a week. it's just like being in any fandom, you log on to your dash and see what the mewchies posted while you were gone, but in a fandom so huge and so active you were getting bombarded with idea after idea after idea every single second, so if you don't like one you're spoiled for choice in what you engage with next. it didn't even matter that cap3 was two years away or that it sucked when it finally got here because we collectively wrote cap3 a million times over. like, genuinely, it was a mass creative exercise. it's the biggest writing group in the world. for better or worse, we were shaping our own version of that universe, without any input from or regard to the people who actually created the characters and movie, in a way that compelled most strongly to our own tastes and demographic.
what made this particular movie/fandom special though was a few things. firstly i still genuinely believe it was ahead of its time...marvel shit pre disney was allowed to be political in ways it is ABSOLUTELY not now. like, cap2 could say "the government is secretly full of nazis and they all need to burn" in 2014 two years before the 2016 election and 7 years before jan 6. like you just couldn't say that now. "war bad" is an oldie but goodie, but "our entire government is corrupt and needs to be torn into flaming pieces and cast into the potomac" is um. pretty radical. so is, by the way, "men as victims" and "men having emotions" etcetc. like, not in fandom, fandom all but invented that shit, but as far as dumb superhero movies go. i can't tell you the number of metas i read AND WROTE discussing steve rogers and masculinity and how all that was portrayed, intentionally or not, in that fucking film. i had entire separate universes built up in my head for steve who was born a cis girl and steve who decided later in life that "nonbinary" or "trans woman" was a better fit and then steve who was born as a cis boy and remained a man his whole life but felt weird and different ways about being queer which clashed with the weird and different ways BARNES felt about being queer. i'm not saying the film (or the fandom! good lord) was perfect, it was a product of its time, but it was also WAY ahead of its time too. it was weird to expect the next film to come out and actually, like, be good. it wasnt, but we fully believed it would be and that wasn't delusional behavior because the last one had been. i would never have that kind of faith in a marvel project now because they've been bought by disney.
oh yeah and that's the other thing too like. speaking of queer people. gay marriage wasn't legal in the US on a federal level until 2015, and you couldn't just flip on your TV and see them whenever you wanted. ten years doesn't seem like that long ago in the grand scheme of things but like, we lived on glee and cw/mtv queerbait (disclaimer that i personally only participated in cw queerbait) and that was it. we had crumbs. and like when people write gay characters theyre Just Gay, but if you decide to be crazy stupid in a slash fandom you can decide these layered characters are gay and that's even better rep than um whatever was going on in other pieces of media. these guys are both so lonely and out of step with time and lack other people with "shared life experiences" (girl what the hell was that) and their connection w each other keeps them afloat in a world that doesn't want them so like of COURSE it seems like it's supposed to be romantic. and like, i could and did make myself and my tumblr buds crrrazy (and got made crazy by them) thinking about:
how steve's size when small and again when big interacted w his gender identity and his sexuality and how that sexuality manifested. barnes's identity As A Man hinging on his ability to go to war for his country bc Thats What Men Did but now he's no longer fit because theres worms in his brain. loss of bodily autonomy which usually happens to women and natasha being later in that journey than steve and bucky are and so close to being at peace with it but not there yet. stigmatization of seeking treatment for mental health issues lessened by the presence of sam who could have been a Macho Tough Guy but actually gives off strong Talk About Our Feelings And Be Soft vibes. don't even get me started on the relationship (predatory) between steve and rumlow and how it parallels the one between barnes and pierce (and if any of you motherfuckers BREATHE a word of that h*dra tr*sh p*rty shit in my direction i will END you) and the stigma that comes from being preyed on when vulnerable As Men. steve's depression and ptsd and him getting triggered by, yes, the fucking ALS ice bucket challenge. the collective belief that he was conscious when he was frozen even though nobody said that so that he and barnes could have that in common too. the headcanon about barnes having roma heritage - shoutout to not easily conquered my beloved, and the 14k smut coda i wrote for it✌ speaking of smut, i would be remiss also not to mention there was a STRONG element of collective lust involved. i'm immune to 99% of it bc im ace but the winter soldier was uh. VERY graceful. you know? i didn't write 14k of porn because i was uncompelled. we were on one. we went fucking crazy. fandom in general but especially big fandoms have a kind of nonstop endless well of creative energy born from obsession that is the absolute envy of people like my mortal enemy grrm. we NEVER quit.
also, HISTORY (and other vaguely educational subjects). we were all so desperate to know how steve and bucky would have lived in the years we couldn't see them it sparked a sitewide interest in 1940s american history. there was a thing about bananas tasting different now because of a plague. m&ms being invented as wartime candy. stuff about how shoebox apartments looked and how rations worked. 1940s recipes and radio shows. the 1940s queer movement and how it interacted with ballroom dancing and private drag get-togethers. how amputations work and how prosthetic limbs work in real life so we could extrapolate it to fantasy. how to hand-draw that fucking arm in photoshop. why soldiers are trained to say their serial numbers when captured. what ww2 was like. what dog tags are for. what did they get in the ration packs. what brand of cigarettes did they smoke. what brand (and i am being so serious, i STILL own a tube) of LIPSTICK did peggy carter use. caloric intake of someone with a 4x speed metabolism and how much famine peanut butter he'd need to eat daily to keep from starving to death. oppression of irish immigrants and their children/grandchildren back in the 1940s. the difference between conservatives and fascists, back when there was a difference. what activities generally took place on these mysterious but ever-present new york city docks. just exactly HOW many terrible movies and tv shows has sebastian stan been in ranked by his resemblance to james buchanan barnes in each one. (i personally went through his entire imdb list at the time and then made a venn diagram.) electroswing! teachers and professors would have killed for their classes to have the kind of enthusiasm a bunch of mentally ill teenagers and 20-somethings on tunglr dot edu were showing about this one very specific set of subjects. this film also sparked my love of fight scenes. if you've read this fic or this fic and liked the Big Fight Scenes in them, you can thank cap2 for leading me down that path.
and then yes there was also discourse. my personal most hated thing was the above mentioned h*dra tr*sh p*rty (DO NOT GOOGLE THAT, i will just tell you it's nazi rape porn🤢 and i hope everyone involved is having a bad day today) and also the fact that SOME FUCKING PEOPLE can't understand "don't be shitheads about a fanfic where the author can see you doing it." but then ofc people were also sexist about nat and racist about sam and minimalizing those guys (and every other character besides tony really but sometimes him too) for the two white male leads was a whole thing. and on the funnier side of things you had (justifiably, i suppose) bitter st*ny fans who HATED what those two got in avengers and got real mad when stucky started outpacing them on ao3. and people complaining about the characters being too uwu soft. and then other people arguing whether or not barnes counted as disabled when he was missing a Whole arm. and THEN discourse about was it ethical to remove the arm and build him a new one ESPECIALLY without his consent (if people don't know they're being ableist in their fanfics hypothetically is it still ok to kill them with hammers?) and why was tony doing it if that guy killed his parents and is it ok that we keep making tony not that mad about his dead parents is it not enough that barnes stole his limelight as the guy who gets shipped with steve but what if all three of them fucked but can you really fuck the guy who offed your folks but ACTUALLY isn't it cringe to like tony anyway since RDJ and gwenyth paltrow are bad people and who says chris evans are sebastian stan are such good people etcetcetc. and let us not even get started on the plausibility of the avengers tower fanon after age of ultron came out and it turns out nobody became friends and they all still hated and mistrusted each other. and whether or not the avengers could be considered found family if the other characters were constantly getting shafted into being barnes's little support animals. and then ofc every once in awhile one of the actors of people involved creatively would say something ranging from mildly controversial to absolutely horrible on the internet and we'd all fight about THAT for awhile like a dog with a bone. i mean. typical infighting of any fandom tbh.
but i was very happy. it was all the most enormous thought experiment and creative endeavor (and semi-educational adventure??) that we all participated in daily for like two-ish years without stopping ever. i loved doing it. AND, when you click with a piece of media like that, you also click with other people who clicked with that same piece of media, so in addition to the sheer level of dopamine going into my brain at all times i also formed decade-long friendships that will certainly last the entirety of my lifetime, and when we're in our 90s in nursing homes i will be able to say, "we are friends because i wrote 14k of smut for your fanfic" or "we are friends because i couldn't get enough of your gifsets" or whatever because you know, we quite literally went to stucky together.
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Update to Fanfiction Reading Log, version 1.2
Alright, I decided to update here all the update to my Fanfiction Reading Log since I'm really doing something with it all the time and it might be nice to get some knowledge what has been changed so people could know do they want to update their copy, right?
Basic stuff about this you can find from the pinned post!
And what has changed?
Cleaned up the Instructions sheet, easier to see updates, important stuff etc.
Updated how you can update the name of the months you've read the fic.
You can now sort data in statistics! The functions I've used to get all the data from Fics sheet don't accept filters. However, I found a way to sort out the data and made the needed changes and added the instructions how to do it.
Mostly redid some functions to get them neater, added more help tables so handling data would be easier etc.
I'd like to thank everyone who have reblogged the pinned posts. I've had some fun with the tags you've used and I've wanted to thank every one of you, but didn't know how. I've literally used Tumblr last time over 10 years ago and I don't know how this works anymore.
I'm going to try to do bigger changes in one update in the future, but this update was a user request to be able to sort the results in the tag statistics and I decided to do few other changes at the same time.
Next update?
Within next few weeks I'm going to do only bug updates if needed. However, I have some plans for the future and while I continue to write my fics which have been in the back of my mind and almost completely forgotten during the last two to three weeks because of this, I'll start to plan Fandom Statistics. I don't know why I didn't add it from the start, but since it doesn't have it right now, it can wait.
I try to start also some kind of mail list for people who want to get a message when there is update, but yeah, this has consumed too much of my team (my husband literally said tonight that he feels like he's married to Google Sheets & Excel), so I'm going to take it easier from now on.
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Well, here is my top 16 (kind of 15, since Slytherin Harry and Slytherin Harry Potter are literally the same) tags, now that I get them to order. This is… pretty interesting. What tags are your most read ones? :D
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pwblogarchive · 2 months
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March 2005
March 2, 2005
alive and (un)well. just being melodramatic when it's completely unnecessary. got blue pill eyes behind black eyelids. my mind is running but more like in place, kind of how life is. you wouldn't understand what i mean. you and they have been here before but it isn't the same for me. and trying to explain anything is just leaving me with a dry mouth and sore shoulders and you shaking your head (not in disagreement but more like disbelief). "mellow out"- but thats been the problem all along, at least it's eben one of them. i feel like a nocturnal animal in the zoo at 12 noon. me turning away from you so you don't see my eyes when im walking out the door when im waving my hand back and forth and saying "i'm doing so-so" cause thats what i think someone "regular" would say. you saying " shake it off get back in the game kid. we're gonna be okay"- but trailing off in a whisper cause i know you dont even believe yourself. the volume goes with the truth. naivetey feels very strange on me but is as warm as the shyness that comes with it. you'd never guess that. new york transit love affair. the veins going underneath the streets that feel so foreign yet endearing. it's not charm, i just don't get it. trust me (but not really). couch living (dead) has me hanging onto phone lines. darling, i'm not making sense and my throat is sore- maybe at least you know i mean it. dreading when your voicemail as it clicks on. and on and on and on. its me logging off.
see you on tour soon. new clandestine merch over at your local hottopic.
- petey
March 11, 2005
and sometimes all the lit houses i walk by, im just dying to be inside
set this record straight- i've been getting lots of emails lately- the song "dance, dance" out there right now is NOT the version that will be on the record. it is a demo, so take it for what it is.
the song "hand of god" out there will not be on the record. it is NOT because island wouldnt let it be there. but because we thought it wasn't good enough- the line "im sick of always writing songs for you to slit your wrists to" can be taken for how it is- i dont want to just write songs to make one girl miserable anymore.
"sugar we're going down" can currently be heard on 89x and q101 so listen for it there.
keep your eyes on the clock, we're trying to be too predictable.
we have all new merch and we're ready to see you, playing some new songs, i'm so glad to be back and playing shows again, grab tickets before they sell out....
come by the book signings and say hi so i wont be lonely.
we've got some exciting stuff coming up this fall.
sorry for the boring entry. also being back on the road i need some good music to listen to- start a messageboard topic- bands pete needs to hear- and tell me some good unsgined bands i need to hear.
peterabbit
March 13, 2005
love is just going on because. we're trying to get real. my bunk feels like a coffin but my corpse deserves a parade around the country. wearing makeup cause she said i was pretty in it but i know im just d(sh)ying. here's to spring cleaning (up all the messes we made over winter). ive got new habits and loves including: words all over again, bloody lips, and fuck offs. "9 weeks can't change you". but you don't even get it. words just love me more. no worries though. you: "damn kid you just look so sad". me: "....". but im changing. get (re)born. i dont want this anymore.
drive me dead.
get busy living or get busy dying.
peter
- petey
March 21, 2005
come on,save me
why we are where we are. sitting at a hotel in tempe arizona. i havent been able to get on the internet in forever and i lost my sidekick. it's okay to cry for me, there is already a WAAAAHmbulance on the way. my clothes are dirty, so is my body- i havent slept in days but i am the happiest i have been in awhile- being on tour feels so good. shows are at their best. you kids look so goddamned good. i was out of my head for awhile but im back.
i know there are gonna be some growing pains next year- i just wanted to personally thank you guys for sticking with us. it makes us feel so much less awkward. i have been in your position where a band i loved that noone knew about started to get some attention. but i just wanted to let you know that i personally and as a band we focused on writing a record for those who believed in fall out boy from the beginning and not to impress anyone else. we will never bend or do something that we wouldnt do anyway. thats a promise and if you have ever met us you know that it's (we're) true. also, the deal with the signings at the shows- it is something our label does in order to sell records- meeting 2000 kids a night would be impossible but we want to meet and see our friends as much as possible. we still hang around venues and are out behind every venue- come find us and say hi even if you dont pick up the cd. sorry, i will write a better entry later. oh yeah, to all the emailers- to save you the time, yes i am losing it.
all in all. this is the best time of our lives- all thanks only to you. words couldnt explain. thank you so much..
peterpan
basement days
attic nights
its not so much that theres something wrong with me
as there is nothing right
got some books on the floor
they’re holding up my standards
swore myself off of you
but I don’t do too well with ultimatums
March 22, 2005
love doesnt mean a thing if its not leaving us light headed- all my headaches are in my chest for you now.
- petey
March 31, 2005
keep the gossip alive in '05
sometimes doors a closed to keep secrets out not to keep them in.
this tour is the best we have ever been on. its like a family. we were nervous about headlining- thanks for making us feel at home.
ive been thinking lots about people i shouldn't be...
lets move far away from their whispers and looks.
but mostly i heart nick scimeca.
im
(not)
just a boy
with
bad ideas.
peterpan
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fluffy-critter · 9 months
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unlimitedhearts · 3 years
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In re: Apple Frakking Tumblr Over
OKAY So ever since the Tumblr announcement over Apple's TOS for the app staying on the AppStore, I've been seeing so many posts spreading so much information AND misinformation.
If you haven't seen the post, click here, but basically it boils down to Apple's TOS for what Apps can and can't exist on the AppStore are pretty damn draconian. Famously Discord had to disallow ios app users from entering Not Safe For Work/Mature servers. Discord also put in a work-around to this but I'll get to that. Anyway, those TOS Apple's put in place are now affecting tumblr.
Misinfo #1: Tumblr is deliberately making the app experience unusable - False
Tumblr is doing what Apple is telling them to do. Apple is the one making the iOS version of the app unusable. Not tumblr. Although their enforcement of Apple's wants is rather obnoxious this isn't tumblr's fault. It's Apple's. Direct your ire to Apple, not tumblr, because this is directly their doing.
Misinfo #2: Tags have been ganked. - Well yes, but actually no.
It's true tags are borped on the iOs app BUT!!! "Banned tags" work just fine in the web version of tumblr, or the Android app. All the tags I've seen in the "banned tags" lists going around work just fine on my phone (I have android) or on my laptop. THE TAGS ALSO WORK FINE ON THE BROWSER ON MY IPAD. That's right, easy way to get around iOS shennangannery? Use the Tumblr website. It looks (and runs) just like the app. There are even other features on the website that aren't on the app. So if you're an iOS user frustrated by how the tumblr app now works, log in on Safari, Chrome, Firefox, Microsoft Edge, Opera, literally any internet web browser, and boom bam. Your original tumblr experience is back. Original bugs and all. Screenshot below of my android phone, and the tumblr website being able to access "banned tags." Also a screenshot of the post from the wip tumblr saying that experiences on Android and the website will not be affected.
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Misinfo #3: Tumblr's doing nothing to combat the ultra-censorship on their iOS app - Maybe
In their post, staff said they're working on a work-around. They left details pretty vague, as is staff's wont, but they aren't exactly out of options. This is where I get back to what Discord did when Apple did the same thing to them. Essentially you would have to go onto Discord on your laptop and allow access to not safe for work servers on iOS. It's a setting only found in the laptop/desktop version of discord. (see screenshot for proof) I believe Tumblr is probably working on something similar. To allow users to have the original experience by going through the website. For now you still have the browsers on your phone. Also screenshotted, where staff said in their post they're working on a workaround.
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All this to say, you guys need to stop freaking out. Yes, tumblr is broken, tumblr's been broken for a hot minute, but you know what? This latest censorship dirge is not tumblr's fault. It's apples. And there are workarounds, pretty piss easy workarounds like using your browser instead of your app. It's not even that much more difficult. I know this is frustrating, but being reactionary and spreading misinformation isn't going to do anything but harm people who are looking for solutions.
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felassan · 3 years
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DA4 Lead Producer Scylla Costa’s BIG Festival talk, “Challenges of Dragon Age production during the pandemic”, can currently be rewatched on YouTube here starting roughly at timestamp 8:57:02 after a lil presenter blurb/intro. It’s 1 hour long. When it was streamed live, there was an English translation ‘voiceover’. There isn’t in this vid, however I want to post the link for Portuguese speakers, and also it’s neat for everyone to be able to see all the slides he presented with for themselves in context.
I don’t know if an English-language version will get put up so I’m sharing the notes I took during the talk below, in case anyone’s interested and because I might as well since I wrote them. The rest of this post is under a cut due to length.
Edit: Found a place to re-watch the English version of the talk
(Quick note: I didn’t note down everything, mostly things that caught my interest, so this isn’t exhaustive, and when I was watching I was real tired, so pls bear that in mind and don’t take these notes as bullet-proof 100% accurate gospel or direct quotes. If you watched it and think I’ve written down something wrong/misunderstood, let me know and I’ll fix. Also if you’re a Portuguese speaker and I’ve gotten something incorrect or missed something important etc, again just let me know.) **
** Edit: I’ve now gone through my notes while watching the talk again. I’ve filled in some of the gaps (although they still don’t cover everything said) and so forth, and now I’m no longer worried about there being possible errors in this post.
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For some context, this slide contained the breakdown of the talk’s structure. Bear in mind there are other slides present in the talk than the ones I’ve posted here, I didn’t include caps of all of them, just ones which were of note to me.
In the talk, chief Producer Scylla goes over challenges of DA4 production during the pandemic. He discusses the adaptations - necessary skills and learning from remote work - and he ponders on the future of teamwork.
After the launch of ME3 he became a producer, all his MMO and other experience helped a lot. He was on DAI for 3 years and MEA for 9 months, then Anthem. Today, on DA4, Scylla and another Lead Producer were the heads of the whole project, and there is his boss is the Executive Producer Christian Dailey. 
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^ the usual AAA game development cycle (brief introduction)
AAA games are games that are launched for several platforms simultaneously. 
In BioWare’s case, the pre-production phase of the game development cycle can have from 5 - 30 people, and up to almost 60 people when they’re just about to go through the gate to production. 
In the pre-production phase, they go through the game’s concepts and prototypes and start developing systems. They seek the game’s concept and focus, and its key features. They do lots of market research. In the case of BioWare, all their games are strong in narrative, so they have lots of tools related to game narratives and supporting the development of a narrative (cinematic design, dialogue system etc) that get focused on in this phase. Other parts of the team such as writers and cinematic design need these systems to do their own roles. 
In BioWare’s case, the pre-production phase through to launch can take 4 - 6 years, but it does depend on the size of the team during development.
With regards to Dragon Age 4, they were coming close to the time when they would shift from pre-production to the production stage when the pandemic hit.
During the production phase is when the development of content and features takes place, with the systems mostly already existing from the pre-production phase. A few new systems may be developed in this phase. In the production phase is when things start escalating, and the team really starts growing, to like 2- or 3-fold the prior pre-production phase size. 
(DA4 is currently in the production phase.)
In the alpha phase, features have to be fully implemented and systems all have to be running / working. All the game features should already be in the game by now. They test from pre-production onwards, but this phase is when they run heavy technical tests with lots of players trying to play at the same time. In the beta phase, the idea is that you should now have full content and that now you’re balancing it and running more and lots of different tests with players before launch. There are final tweaks and then the final launch, when in the weeks prior to launch, all the different business units and areas e.g. marketing team, technology team, publishing team, get together once a day and all of the game’s issues are reported and brought to the table to be prioritized. Then they decide the next steps re: these issues (this is known as ‘the war room’).
After the launch there are usually patches like day zero patches and other patches, this being standard industry practise. The last stage is the new content stage where there are DLCs and a game with more content.
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On March 12th 2020, the team gathered to review the DA4 story in the new office. Everyone was very excited. (They had spent over 10 years in their last building and had noticed that with the team growing they needed more space. In August 2019 they found the new studio in the city center.)
Anyway that evening, they got an email from the CEO which contained instructions and said that due to the pandemic, they should from now all start working remotely. They had known that this happening was a possibility so they had been planning on how to have all the devs working from home, but initially less than 50% of the devs were able to work from home successfully/efficiently due to various issues e.g. you need a VPN to be able to log in remotely to do your job normally, varying home office setups. The day after this, the office was basically deserted, except for Scylla, the IT infrastructure people and one or two odd devs.
Scylla was part of the team that was working on allowing the devs to work from home. They first started looking at the short-term changes they needed to make to allow this.
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“First, take care of our developers”. 
When the pandemic first hit, their and Scylla’s [as Lead Producer] first priority was to look after the devs. Many of them are parents (schools and day-cares were shut, children were studying from home), others have relatives living with them, others have other personal circumstances which of course need to be taken into account when it comes to assessing what needs to be taken into consideration for this new scenario. So, they looked at each dev on a case-by-case basis in order to evaluate, speaking to each one and asking them what they could do to support them.
One of the first changes/adaptations they could implement was flexible working hours and flexibility around deadlines. Generally speaking the devs got a lot of support, EA was really good and really supported the devs especially in the first months of the pandemic (and they are still supporting them). Initially not all devs had suitable office spaces at home, some were working from the living room from laptops or at the kitchen table. The whole covid situation basically just happened over night and nobody was really ready to deal with that change. So their first step was to enable their devs to work remotely. As a producer, Scylla’s main task is to communicate with the team such as via a number of daily meetings. He doesn’t depend so much on powerful hardware.
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“Enable developers to work remotely”.
This slide shows some of a BioWare audio team. Different teams have varying and specific needs in order to do their jobs and therefore in order to do them remotely. For example, the audio team need good-quality speakers and amplifiers, while the lighting and art teams need other specific equipment such as tablets and large screens. So there was a lot of work they had to do to go through each dev to understand their individual needs and what needed to be done for them. ‘Could they download the builds? Did they have the right performance [tech-wise]? Could they submit their changelists, their codes to the server?’
Some devs needed a more powerful internet connection as it would take 6-8 hours to download a build (some devs live rurally). Some needed a lot of cable, as they were working far away from their routers (sometimes up to 50m). As time went by things got better and better. 
The chair devs work from is also important; a kitchen able chair etc is not suitable to sit in for long-term desk work, possibly leading to health issues like back ache and blood circulation problems in the legs.
Every 3 months they had money given to help devs buy new mice, keyboards, monitors - anything they needed really in order for their office setting at home to be improved. For a while, because lots of people [generally, in society] were needing and buying them, it was quite hard to buy things like webcams and microphones.
On mid- and long-term changes:
In terms of DA, we have to look at this from 2 perspectives, the change in the personal and the professional environments. 
As a consequence of working from home, people tend to be less active during the day (even in an office, you go between meeting rooms, up and down stairs etc). Physical activity supports life quality and therefore work quality. Scylla noticed that he began to feel listless and such, and found that he needed to change his routine that he had initially developed when he started working from home, for example; having a normal start time (as in, have a semblance of structure in your day as if you were still working in the office site), get dressed at the normal time, not having meetings over lunch etc. This wasn’t just him, lots of other devs encountered this and had this experience too. Devs which adapted faster had better productivity and became more productive faster.
Scylla bought a stand-up desk which he can raise up and down, and at meetings he would be delivering a talk while standing or even while walking on a treadmill. Other devs also got stand-up desks. He tracked his body’s data on a Fitbit. These sorts of things helped improve physical and mental wellbeing. Other devs did similar things, like starting going out for jogs or began practising yoga. Essentially, everyone needed to make changes to their daily routine in comparison to what they had been doing prior to the pandemic. 
The pandemic has been a thing for over a year now. In their location, every couple of weeks a new restriction is put into place or a rule is changed, and every two weeks there’s a new thing that you can and can’t do. Scylla also started moving around his property. He worked on his desk, fixed it up and painted - taking up a new hobby. Other devs picked up new hobbies too. These are good ways to be active and also to be somewhere else, i.e. to break up the working day and not be spending it all in one home office-type location. Scylla found that when he made these sorts of changes to his routine to improve his lifestyle, the data output by his Fitbit as indicators of his health/wellbeing etc improved, e.g. number of steps taken in a day, heartbeats per minute while at rest. As stated many of the other devs went through a similar process.
On the professional side of things:
They had to improve remote delivery of builds. Accessing things from home as a dev requires a VPN. They need to download a build every day and then upload it to the server after making their changes to the game. They had to work with infrastructure and research other tech, such as streaming tech to allow remote console access, in order to better facilitate this process. For remote access, they also had to work on adapting communications channels.
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“Adapting channels of communication.”
In this slide, the team are working on the storyboards. Before you can implement motion capture & performance capture, you have to ‘run the storyboards’ like this. These are small illustrating drawings which reflect the drafts and are meant to quickly reflect the intention of the scenes that are to be built. Before the pandemic, the team would go to meeting rooms like this, sit down, talk and interact in person. After the pandemic, the question became ‘How do you do this over Zoom?’ You can, but it’s not quite the same; it’s harder to see peoples’ expressions, some people are embarrassed speaking over Zoom etc. Therefore they had to adapt their communications systems, and unlearn the ways in which they developed before in order to relearn and learn new ways of communicating.
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Slack was a tool that they adopted on this front. Communications channels can be confusing on Slack, so there was a need to develop structure. For example, how quickly should someone reply (as a recommended convention for the purposes of work)? They had to define the process/procedures for the channels so it was clear for the team as a whole how it would all flow (this is important especially if you have a team with say 30 people or as a whole hundreds of people). Before the pandemic, they had stand-up meetings where they’d go around in a circle every morning and talk about their activities - what they’re going to be working on, any roadblocks they had encountered etc. The question arose ‘How do you replace these?’ They ended up doing Slack messages at a certain time of day and updating their statuses with some details on what they’re working on and color-coding (green - fine, yellow - need help, red - busy/blocked out).
Another issue that they faced was unforeseen - the number of meetings that devs were having really shot through the roof. When there wasn’t a good structure of communications channels, any conversation would become a meeting. Everybody began scheduling meetings left and right, and at the end of the day they would have little time left in which to actually work on their to-do lists. Hence, they had to work with the team to really analyze and be very pragmatic. ‘Which meetings needed to happen? Which didn’t? Is a specific meeting really necessary? Which meetings should be recurring? What can be done over Slack?’ This guideline had to be given to the team to help, and it improved things a lot. The number of meetings decreased a lot and they got more effective. For example, by making sure to set an agenda for meetings beforehand, and by having meeting notes (then a dev who didn’t really need to be at a meeting could skip attending and just quickly review the notes output after instead). They also decreased the standard length of meeting times from the default Outlook blocks of 1 hour and 30 mins to 55 mins and 25 mins respectively. This 5 minute change gave devs time for things like bio breaks (also 4 hours in a row at a computer in a home office with one meeting after another just isn’t good for a person).
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“Adapting p-cap and mocap”.
On content:
From a content point of view, the most difficult thing in terms of the pandemic was adapting p-cap and mocap (performance capture and motion capture). They hire actors and it’s a large studio. The pandemic meant big limits to what they could and couldn’t do. The actors had to be masked and 5 meters apart in distance (although it doesn’t look like it in some of these shots due to angles). Also there could be no other person around in the studio - only the actors. The directors instead would ‘patch’ in remotely on big screens (you can see this in the second photo in the top right). 
Before the pandemic, they felt that they wouldn’t be able to do p-cap or mocap properly remotely, as the directors would usually stand right next to actors giving guidance on their performance. The techs would also usually be near. But they adapted! The keyword is adapting, changing process. It’s harder and it’s different, but it is possible, and people start rethinking what is possible. What was said to be impossible before now is possible.
P-cap differs to mocap in that it also captures voice and facial expressions.
On the future of work after covid:
There will probably be more working from home and more flexibility for workers e.g. being able to work say 3 out of 5 days from home. It does depend on what a dev’s specific job is however. For example, the audio engineers require lots of specialist equipment and said equipment is of higher quality and quantity in the office. So, depending on role, devs might be working more often or less often from home.
Another development is that lots of devs are moving house. In lockdown etc people started reassessing what’s most important in life. Some are moving further away from the studio to get a cheaper rent or for example couples who both needed an office space to work from home from but their current place only had one area. Others are moving closer to nature for a better quality of life, and still others have other different reasons for doing so. Over 10 devs that he knows in fact have recently moved, including Scylla himself.
The pandemic changed certain skills being used by people on a daily basis. Scylla used as an example of this one of his soft skills, being able to tell from looking/interacting in-person with someone if they are stressed out. Obviously it’s less easy to tell if someone is stressed out when you’re remote, so you adapt different ways of checking in with people in the new situation. To continue carrying out his role as Lead Producer, he began checking in with his team pro-actively on the new comms channels and asking how they were doing.
Also, now that companies are more open to working remotely, there is going to be increased competition for hiring devs. They saw both sides of this coin at BioWare. They were able to hire devs from many places that they couldn’t hire from before e.g. Montreal, Vancouver, the US, as there’s less need for devs to relocate to Edmonton or Austin. This opens up opportunities to hire really intelligent and skilled people that they would not have had access to before.
Question and answer segment:
The pre-production phase has been concluded. They’re in the production phase.
They are not giving out a lot of details yet but Scylla is really excited as a big fan of the whole series. He thinks that with DA4, they will have the opportunity/possibility to launch the best story out of all DA games. He feels that the characters they’re making are amazing. He’s dying to say more but can’t. 
When you work from home you need to keep your team as productive as possible. During the pandemic, when people started working from home, they noticed that some people became more productive and some people became less productive. They were analyzing it on a case-by-case basis so as not to make assumptions. They were interested in seeing what they could do to help. At the beginning of the pandemic, they were looking at the devs as people and seeing what they needed.
Production of DA4 still needed to continue during the pandemic because they want to be able to launch the game.
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This slide shows a writer. Writing is an example of a role which is more able to work from home easily.
Their productivity did go down in the first month of the pandemic. After adaptations, some people then became more productive than they were before (this was role and personal situation-dependent, examples of this being artists and coders who were able to art and code at home without being interrupted, thereby being able to produce more). Covid has affected productivity in general, but this is part of our new reality. They have adapted and adjusted some deadlines. They have enough data (Scylla LOVES data) now to understand how long it will take them/how long they’ll need to launch the game. They have always had historical data for this purpose, but they’re doing more of this sort of thing now to ensure that they are doing things at the right time.
Remote hiring opens up the door to more talent joining, so if someone has talent geography will hold them back less. Some companies though may choose not to hire people from other countries due to labor issues, cumbersome legal aspects, time zones. But even in such cases there are activities for example that can be carried out while the rest of the team is asleep such as testing or working on the build, or there are cases where those companies still will want to hire a specifically/highly talented person even in spite of the potential legal aspects and so on.
On mental health: People were affected. There is the mental, physical and social impacts of the pandemic situation on people. EA supported them during the pandemic in terms of their mental wellbeing, there are specific companies (services offered, speaking to a therapist) that they can contact if they need something or help. EA had always been good at supporting them with this sort of thing but this has improved further during the pandemic. Another change was that they could/can take a couple of days off if they needed/need to because of the pandemic e.g. to take care of children, who were obviously not at school at the time. As a producer he had to be very mindful of all of this. How much they were monitoring peoples’ wellbeing really went up during the pandemic.
A question that was asked - in terms of DA4′s storybeats, is there anything in there that they decided to change due to the pandemic as it wouldn’t be sensitive or appropriate to include anymore, for example a plague plotline or something? Scylla’s answer is that DA and ME are games in which they try to have narratives that are relatable, which include things which people will identify with, so that players understand what characters are going through etc. Nothing in DA4′s plotline/storybeats has been changed (in the frame of this question, relating to the pandemic), as it didn’t have anything in it that could be specifically or a directly connected to a pandemic-type situation or anything. Of course the DA story has Blights and the Taint, but these are different & fantastical things and existed long before the pandemic situation. So this wasn’t the case with DA4 and there was no need to change anything, but this has happened to other games where they decided to change a storyline due to a strong correlation with something in the real world.
There were then concluding/closing remarks. The message he wants to send is that a crisis will always spark opportunities. Look at a crisis and try to see how you can grow.
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[☕ found this post interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]
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vanillann · 4 years
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real or not real? (natasha romanoff x reader)
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a/n: this is based off the hunger games because i just finished reading the books!! also a little badass woman fic because of international woman’s day!! love all woman, I MEAN ALL WOMAN!!
word count: 1.6k
natasha romanoff masterlist
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As I finally landed, I watched everyone face drop once they recognized who I was. My brain felt like static as I took the steps to where the team was camped out.
I watched Steve Rogers, I think that’s what the file I was given said, stand up and look at the other members of the squad. As he approached I felt flashes of memories, or maybe memories, flood me.
“(Y/N)? What are you doing here?” The blond approached me but stopped a few feet away. He tried to keep his voice clear of emotion but it was useless, I couldn’t be trusted yet.
“I was told you needed back-up,” I didn’t bring up how the nice blonde woman, I think she said her name was Pepper, argued with Mr. Fury for days about me re-joining the team.
“Well you came just in time.”
By the look in his eye, I didn't want what he wanted in the slightest.
I followed him to the tents that were hidden among the trees, a shiver going up my spine when I made eye contact with any members of the team.
I could see old versions of myself interacting with each, but some felt so real and some felt so fake I couldn’t put them right in my mind.
One I caught the red head, Natasha, eye I felt my body grow stiff. She was common in my memories, some of her gentle and meaningful and some of her enraged with bullets flying at me. Tony had informed me that most of the bad memories are Hydra’s doing, that they were never real. I couldn’t help but wonder how true that was as she backed away from me when I walked past her.
“(Y/N) was dropped off for back-up,” Mr. Rogers spoke from behind me, taking the seat next to the brunette with the metal arm. I had spoken to him twice when I was in the hospital, apparently he had something to do with my capture and refused to see me more after that.
“Um, Cap?” Clint, or was it Carl, spoke up. He gave me a few side glances but said nothing else until he was pulled aside.
As soon as they were out of ear shot I watched them go at each other, arguing about who knew what, most likely me. I did my best to ignore the eyes on me, but I couldn’t help but snap.
“Have something to say?”
All eyes flooded off me, except for Natasha who crossed her arms and stared me down.
“You aren’t going to try and kill me again, are you?”
Her question enraged me, but I had no reason to be mad. I was the one who attacked, but I swore she was after me.
“I thought you were a threat,” my words felt icy as they hung in the air.
“I wasn’t before and I’m not now,” her words were just as cold, running in my blood like a river in December. 
“Look I’m sorry, okay? I have all these memories and I can’t tell what’s real or not, so yes I attacked you,” I sat against the log farthest from anyone, so I couldn’t hurt someone.
“Then ask.”
Mr. Rogers came back, taking the seat he took seconds ago and watched me closely. He looked more opened to talking then the C man that came back with him.
“Will that work?” I looked to Banner, the doctor who checks on me often when I was strapped to the hospital bed.
“It can’t hurt,” he shrugged his shoulder and continued to look around the group. They spoke with their eyes and I couldn’t help but wonder would the old me under their silent conversation.
“I was a part of your group, real or not real?”
“Real,” Rogers spoke up, nodding to each member as if to tell them it was okay, but I couldn’t be sure of that.
I nodded, letting the fake and real memories flood me within every inch of my brain. I had enough questions to keep them up all night.
“I was kidnapped in my sleep by Hydra, real or not real?”
“Real,” the man with the metal arm spoke this time, giving me the nod this time and I felt as if he was letting me join their secret conversation.
“It was a few months ago, we couldn’t get to you in time,” Banner filled me in more.
I could vaguely remember the screaming and the way my bed-sheets felt that night, but everything else was slightly blurry.
“Natasha tried to kill me, real or not real?”
“Not real,” she was quick to set me straight, giving me a look I couldn’t read but I didn’t mind it, not when it was coming from her.
She was the only person being straight with me, not jumping around the conversation that I needed to have for my sake.
“You’re favorite color is Orange, real or not real?” I didn’t take my eyes off her, the conversation felt so intimate even if everyone was watching.
“Yes, and yours in red because you say it reminds you of my hair,” she looked to her hands, rubbing them up and down the side of her thighs.
“Okay,” I nodded as I absorbed the information about myself, the first piece of information I’ve heard that wasn’t in a file.
“I think we should start getting some sleep, we have a long day ahead,” Rogers pointed to his tent, his voice soft yet firm.
Nobody disagrees, each telling the other goodnight while I got head titles and I'm waves. The only people to tell me goodnight were Rogers and his friend, who I think was named James but I remembered his face clearly now.
I was once his friend too.
I didn’t move from my log, I couldn’t sleep much anyways and I couldn’t be shoved into a tent alone and expected not to go crazy. I said nothing as Natasha moved a few logs closer to me, staring at the ground as she waited.
“Anymore questions?”
“Plenty, but do you have the answers?” I ducked my head, hoping to get a glimpse of her eyes but I was memorized when I did.
Her face flashed over my brain, the same red but straighter and her eye shined under a street lamp. Her lips were as soft as hotel pillows and her touch was like magic as it ghosted over my shoulder.
She looked like magic before the sight was gone and I watched her slightly dirty hair hang in her eye, that wasn't as bright, and the memories started to fog again.
“You kissed me, real or not real?”
The silent felt like screaming as she chewed on her bottom lip, waiting for her words to work.
“Real.”
It wasn’t as confident as her words before, but it felt so much more honest than anything I remembered.
“How did I think you wanted to kill me then?”
“Hydra turned all your memories of me to shit, all the ones they knew about,” she rolled something in-between her finger and I wanted to ask but I couldn't bring myself to do it.
“Do you remember any good ones?”
She held back a laugh, finally looking up from the ground to me with a sad smile stretch on her lips.
“Plenty,” she nodded, going back to the object in her hand.
“Tell me about them, please?”
The ‘please’ sounded so desperate in my head, but it seemed to bring her ease as she moved her body to face me.
“We used to window shop like crazy together,” she looked up at my confused face and continued, “it’s like walking around and looking at stuff you’ll never buy.”
The memories of walking on a sidewalk with her filled me up, the feeling of gentle flowers brushed against my skin filled me.
“Then one time, after we kissed, you pulled me into this antique store and told me to pick something. We argued about it for ten minutes before you gave me this look I could never say no to, so I grabbed the closet thing and told you it’s what I wanted. It was the locket, I hate wearing it because it's so big so I keep it in my pocket,” she held out the locket in question, waiting for me to draw closer and once I did she opened it.
Inside was a photo of me, rolling my eyes at the camera but a hint of a smile on my lips. I looked so content for someone rolling their eyes, I wonder if I always like that.
“You were, never took many things seriously,” I didn’t realize I spoke out loud, but I was glad I did when she almost laughed at the memories.
That when it started to really hit me, not just the memories but the feelings. They laughs and the jokes, and all the inbetweens. I didn’t really know what I was saying, not for a while, but I couldn’t stop myself.
“You love me, real or not real?”
Her answer wasn’t hesitate, even with the same pause, she knew as soon as I asked she just wasn’t ready to say it.
“Real,” her voice was barely above a whisper but I heard it.
I wanted to respond with ‘me too’ or something along the lines, but my answer was much more complex and I couldn’t only hope she understood.
“I think the old me loved you back, from how I feel when I think of the little things, and I can only hope the new me can remember why.”
I was scared when she said nothing, as if I made an impossible situation worse, but when she looked up at me her eyes twinkled again and her hair appeared redder.
“Let me know when you do?”
“You’ll be the first to know, Nat.”
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lawyerd · 3 years
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Bar Prep Tips from a 2020 Taker
My instagram feed has officially switched from graduation photos to bar exam stress posts, so I thought I’d step in and share some tips and tricks I was too tired to share last year  
Firstly: A seemingly counter-intuitive piece of advice. Ignore everyone’s advice on how to study. This post is intended to help you study the best way you can for yourself, not to tell you what to do. When I was studying for the bar, the bar prep coordinator at my school would send us these horrifying emails every day - “you should be doing at least 50 multiple choice questions a day” in the first week, “you should be done with your lectures now” with a month left, and “you should be taking at least one full length exam a week” by the last week. My friends and I would stress together about how we weren’t doing nearly as much as she was telling us too and we felt behind because of it, despite being up to date with our individual programs. Ignoring her advice and focusing on what I needed to do was significantly less stressful and got me to where I needed to be!  
Trust your bar prep program, but also recognize when you can skip or rearrange tasks. Following the program should get you across the finish line, but some of the tasks they’ll assign are just not going to be useful to you as an individual and you can skip them without guilt. I tried to be a completionist, but for the last two weeks of studying, all Barbri wanted me to do was write MEE essays over and over again and that simply wasn’t effective for me at that stage. I needed to be doing more MBE practice and reviewing outlines, not spending four hours a day IRAC niche topics. I also took the giant Barbri MBE practice test early in the summer when the program said I should, but I was VERY unprepared for it and performed VERY poorly, which I regretted when I heard how many of my friends pushed it back by several weeks - I was so unprepared that it wasn’t a particularly useful tool for figuring out my weaknesses, and they didn’t have any other comparably sized MBE practices for me to take once I ultimately did feel prepared.
Definitely do some timed practice, particularly with the MEE essays. Can’t tell you how many people told me they ran out of time writing their essay section. Writing a well-structured and argued essay in 30 minutes is difficult, writing several back to back is freaking killer. Practice the timing so you’re ready for it on the test and can throw out a lightening speed IRAC.  
If you’re taking a virtual bar this summer, take the opportunity they give you to learn how the technology works. Maybe actually take the practice MPT that they put up on your screen. I legitimately lost like 10 minutes of writing time trying to figure out where to move and how to position the pop-out MPT files and navigate between those files and my own notes, and the body of my essay. So take the opportunity to learn how to do that so you don’t do the same. 
I worked throughout bar prep, so I wasn’t really able to develop any kind of routine for myself, and those “set a schedule for yourself” tips never worked for me. But I did make a point of setting goals for the day and then telling myself I would log off after I reached a certain point. On the few days when I pushed it and did like, a crazy 12 hours of barbri or something, I’d find I was less motivated the next day, to the point where I effectively lost any studying “lead” I might’ve given myself and only did like two hours of work. It just wasn’t worth it to burn myself out. The last two weeks or so before the exam might be a different story (crunch time and all that), but remember, it’s a ~marathon and not a sprint~
I said I wasn’t going to tell you how to study, but I will share one technique that worked for me that I thought was clever - I recorded myself reading various outlines (shorter versions, each recording was like 15-20 mins) and then whenever my bar prep company would say “review your outline,” I would take a walk or go for a drive and listen to the recording rather than sitting at my desk. Getting away from my desk was CLUTCH and god, this was just such a good idea. Sometimes I’d run errands while listening to the recordings too, which was some much needed multi-tasking. As we got closer and closer to the bar, I listened to this audio so constantly I could effectively recite it and I felt it was just way easier to take in than reading and re-reading the same the same passage. Did it feel strange listening to my own voice on loop? I mean yes lmao but it worked and it got me away from my laptop for a while when I really needed that! 
Good luck everyone! Just a few months to go. Feel free to ask me if you have any kind of specific questions, I love answering questions! 
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clichesadmusic · 3 years
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Ranboo Lore Recap May 22nd
This was so good man, I was on the literal edge of my seat the entire time, I could barley keep up with my notes lmao. (For the record most of the quotes, especially the long ones are not exact, I took out some of the stuff Ranboo repeated just for ease of typing it out as he said it)
Ranboo opens the stream with new music (chat said that it was from Night in the Woods)
Ranboo decides that today he is going to be moving all of his “lab equipment” to the “table”. (but that he is not going to lick the table). He says that with it moved he will be able to do so much more with it.
Ranboo says that he went back and explored the library a little bit, saying that he looked at it a bit but that he can’t read some of it.
Ranboo mines a block behind one of his chests revealing another chest that contains a book and quill named “experiment log” in ender.
Ranboo says that the particles don’t have to worry about what is in the experiment log.
There is also a chest beside Ranboos door that says “Mail For Ranboo From Foolish”. Inside the chest is a signed book (by FoolishG) named “HELP RANBOO”. The book contains a complaint from Foolish about the enderment “littering” around his summer home (probably placing blocks in places) and a request for Ranboo to ask them to stop.
Ranboo says “I have no control over those guys Foolish”.
Ranboo brings a bunch of iron blocks, coal, a dispenser, arrows, glass, the experiment log, his trident and brewing stands.
Ranboo looks for the coordinates of the “table” and checks his memory book to see what he wrote yesterday. (He then almost left without the brewing stands and had to go back to get those as well as glass bottles, saying that he didn't need to get anything to put in them because “we don’t use potions”.)
Ranboo says that he will maybe show the particles the book later saying he doubts they could even understand what is in the book. (potentially written in ender in which case, check-mate Mr Boo, I know how to read that :P)
Ranboo decides to disclose parts about the experiments that he want to do saying that “this table is different from the other table, so I’m not gonna try to touch the table that much but the area around it I’m going to kinda move and transform”. He then mentions that he knows there are “different things” about him being an enderman (“that’s what it’s called here right?” implying that there is a different name for them that Ranboo remembers).
Ranboo goes to describe what the experiments are going to be but quickly backtracks, instead explaining what he is going to be making for the experiments.
A water tank. The ‘potions’. And something else that involves the dispenser.
Based on his theories he believes that doing these experiments could be ‘different’. (either make a difference or have different results than they did before because of him being near the ‘table’).
Ranboo explains that he has to mine the room, re-build it and that he wants to make sure that he doesn’t want to change the ‘table’ that much.
The particles talk quite a bit about how the water is bad/how they don’t like the idea of the water tank but Ranboo continuously explains that they don’t know what it’s for, that it’s not what they think it is.
Ranboo says that he has hit a wall with the experiments but that it could be different by the table. He theorizes this partially because of his axe acting differently.
“I know exactly what experiments I’m going to do. It’s gonna be perfect.”
Ranboo reassures the particles that none of the experiments actually hurt, saying that the only way water could really hurt him would be if he was fully submerged with no armor on (“when am I ever in a situation like that” 0_0) but besides that it just makes him a little scared.
A particle asks (via dono) if they can stay during the experiments this time and Ranboo reluctantly agrees but says that he is still not showing them the inside of the book.
A different particle says (via dono) that they don’t really like the enderwalk that much, that it scares them, and Ranboo respons that he has kind of changed his attitude towards the enderwalk after the experiments and his findings, saying that it doesn’t seem that bad, once again stating that it is because of the enderwalk and the experiments that he is able to understand and talk to the particles.
Ranboo explains that he started the experiments in an effort to stop the enderwalk but then he realised what it could do, that it is “incredible”. “The stuff that it can actually do...it's good. It could help me out a ton”.
(Ranboo cuts the music here) “I honestly think that if this goes well it could get rid of my memory problems. Cause I've been able to remember a little bit more. I was able to remember an entire language after it (the ender language), so honestly, I think it will be good. I think it can help with that. And that means I won’t have to worry about remembering all the time. I still don’t know what exactly I do...but I mean I dont think it’s as bad as we initially thought at all, I think that it can be a good thing. I think it’s changed. I’ve been able to figure out a bit of what it was and it's really interesting. I think it’ll be fine because even if what I remember is bad at least I’ll know. I’d prefer to know and feel guilty about it than not know and feel guilty about something I don’t know if it happened. I don't think anything too bad could happen. I think understanding what I do and how I work is the good part. I want to understand everything that I do”
Ranboo finally reaches the hole he dug to get out of the ‘table room’ the day before. He proceeds to mine out the walls and floor (leaving the staircase up to the portal and the blocks surrounding the pools of lava in the corners and the pool of lava under the portal alone) and replaces them with iron blocks “because it’s a strong material”. He also leaves the iron bars in the wall as well as the ceiling but cites this as being more for conservation of time and materials rather than for the same reason he is leaving the other sections alone.
“I think that after today I might be able to remember everything.”
He creates a 3 tall, 1 wide water tank out of glass in the corner with stairs leading up to it. He places the brewing stands beside one of the smaller lava pools and places water bottles in them though he doesn’t have any gunpowder to make splash water.
Ranboo says that while the room looks bad now he plans to make it look better as time goes on, talking about how the room is so interesting, specifically looking at the endstone underneath the portal blocks.
He goes to grab redstone, saying that he has a theory and that if this works it will be “really really cool”.
Ranboo begins to set up a dispenser saything that “what they call enderman here cannot be damaged by arrows.” He sets up a lever a couple blocks away that will trigger the dispenser to shoot an arrow while he is standing in front of it. Ranboo theorizes that he might be able to “get out of the way of them in time” citing that fact that he became able to pick up grass blocks and talk to the particles.
Ranboo examines the eye of ender for a moment, questioning why it is inside the block and why it is only in that one and none of the others.
Ranboo reassures the chat that all of these experiments are 100% harmless and that he is doing this because he believes that the enderwalk has unseen pros. Once again mentioning that he got some enderman powers like picking up grass.
Ranboo says that he was reaching a barrier with his other experiments but believes the ‘table’ to be the key to breaking through that wall.
Ranboo grabs a chest and places a bunch of random things in it (iron blocks, glass, etc.) as well as the experimentation log.
Ranboo hesitates….”is this the right decision though? I do want to be able to remember,,,but at the same time I’m also very tired about just like… Is this a good idea? On one hand it can help me remember, it can help me do other things…You know what I realised, something very scary is that the enderwalk isn’t a different version of me, it’s still me, but from what I gathered it’s me with all of my memories, every single one. So who knows what could have happened, there could have been an entire other story that I’m not aware of *thunder crash*.”
Ranboo thinks that there is the potential to get rid of the enderwalk completely but isn’t sure. He explains that it pains him to think about, that he can either live the way he is now (not knowing anything about his past etc.) or he can live knowing everything. “Do I want to keep living this way, in a way that’s blissful ignorance, or do I want to know everything that’s happened?” Ultimately, he doesn’t know what to do.
“I don’t have to, I could just stop doing the experiments and just live normally.”
Ranboo grans the experiment log and holds it in his hand for a moment before opening it to the first page of forty-three, it reads (in ender) (timestamp 57:18):
Purpose of Experimentation:
-To understand
-To learn
-To remember
For a moment he contemplates signing it but ultimately closes the book, unsigned and places it back in the chest.
“In those 43 pages one of the pages does have, has had, the solution. *thunder*. But the thing is...I don’t know what it could do. On one hand it could get rid of it [the enderwalk] completely, that means I would lose all of what I didn’t know before but the other ending would be that the enderwalk is the only thing. I don't know which one it will be. I’ve had the solution for a while now, but it could either be good or unknown and that’s the thing…”
Ranboo then reveals that he has tricked the particles. That these were not just random experiments. Today Ranboo was planning on solving it, he thought that he needed the particles there to do it. He didn’t need gunpowder to create splash potions because he didn’t need to splash it. He was going to use the arrow then walk into the water tank and doing that would be the solution. But he doesn’t know what the outcome will be.
Ranboo knows what he has to do. He leaves the room, blocking it up with stone saying that he will only use this as a last resort if something happens. He begins to walk up the tunnel to the surface but pauses, reiterating that if something happens he will “use the solution. But only if something happens”.
He makes his way up to the surface, staring out over the horizon. “Only if something happens”.
Ranboo says “welp”, claps, and the stream ends. (He did not do an outro saying goodbye, on his twitter he explained that this is canonical what actual happens to the particles, they are just suddenly sent away)
(Ranboo never turned the music back on).
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hypo-critic-al · 4 years
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Korean Frankenstein musical: every subtitled song I could find
Because not many English-speaking people share my madness, my obsession for countless days whose name is Frankenstein musical or 프랑켄슈타인 뮤지컬 to be correct, I have decided to make yet another post about this Frankenstein adaptation.
After my boring and long review from last week, I said to myself: what if I try to find more subtitled songs from this? There isn’t much musical content apart from press conference recordings (and I can’t find bootlegs either) and even though not many people know about this show, there are some subbed vids! So thank you, sweet people from the internet, for putting subtitles on these clips, I can at least understand what’s going on in them.
(For further context of these songs, plot or whatever else go read my older post, I don’t know how to put a link of post here, I posted it not so long ago :) )
The Only Future
youtube
Victor tries to convince Henry to make a better race of humans with him, Henry doesn’t want to play God at first, later agrees. And an epic singing happens.
This song is very good. I seriously want their voices, acting skills and everything. And Victor’s statement about God is interesting. I mean, from a theological POV you are not correct, but you got the spirit. It’s a great song, Henry/Victor song, epic start to this play, what else do we need.
In Your Dream
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I’m not gonna lie. I cry everytime.
This is a song from almost end of Act 1, however, I find it the most emotional in a terms of love from the whole play. Henry loves Victor so much that he sacrifices himself, falsely confesses of a murder that was a Victor’s crime, and dies so Victor can live and continue his experiment. They two are as close as they can be, yet Vic is dumb and Henry voluntarily takes the blame.
And the later part of this song is a heaven. Just listen to this song, even if you don’t care and just pass by, go watch it.
The Great History of The Creation of Life Begins
youtube
First of all, the title lenght. Second of all, this is as good as Birth to my Creation. But more twisted and Victor wants to fist-fight with the God. And "God bless me or rather hurl down your curse," sentence is so good.
For a bit of context, Victor reanimates the creature and uses Henry’s head to finish the creature. The thing Víc is holding in the beginning is Henry’s head. He just sews it to a rest of a body. Are you sane Victor? I knew you are capable of a lot of dumb stuff, but now you crossed a line...
The previous three songs + Monologue + Troubled Friend
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There are previous three songs in this video plus another two. I just had to put those three songs before, because they have better translation and that previous version of In Your Dream is my favourite.
So we get a Monologue. It’s fine, it’s a love ballad, something like a Once Upon a Dream from J&H musical, however, they went Frankenstein: a new musical road, so it’s a Victor’s cousin singing a lovesong about him :-| ...
But Troubled Friend, DEAR MY! It’s like the tavern scene from the Frankenstein ballet but this time Victor and Henry are taking all the spotlight, and are the stars of that evening. Seriously, I didn’t know and I didn’t even think that Henry and Victor have THAT level dance moves. They are drunk, but hey! Go listen to it, they make me happy, Victor and Henry are happy.
But somebody tell Henry he shouldn’t joke about death like that. Little does he know, he will die in like next two songs.
The World of Men
youtube
Second Act starts and things start to go very far from the original source material. The Creature escapes Vic (who wants to kill him, btw) and finds himself lost. His strenght is noticed by an Eva, owner of a fighting arena and Creature voluntarily/involuntarily ends up as one of the gladiators.
I thought only Linda Eder can sing "bad wh*re" songs the best, this singer is very good too, I want her talent, I am jealous.
You Are a Monster
youtube
I don’t know if to like Jacques or utterly despise him.
Jacques, a husband of Eva, makes a deal with one of arena investors: if the Creature wins a fight against the investor’s fighter, the investor will forget their debt. And Jacques does not prepare the Creature, or does nothing, he simply slaps Creature and hits him with his cane a several times while making fun of him. That’s not how encouragement works...
In case you don’t know, this musical has double-roles. There are 22 characters in this musical and they are played by only 11 actors. The actors of characters from the first act are now another ones with a nice sybolics. The characters who abuse the Creature are later the characters whom Creature kills. Henry’s actor plays Creature, Victor’s one plays Jacques and later he plays Victor again, and so on. And I love double-cated musicals, look a Hamilton for example.
But the way Jacques says: "Victor Frankenstein’s experiment log," is so funny to me for some reason.
—————
That was all from subtitled songs, I shall continue more about other things.
Another thing I learned, is that this musical is the most popular original Korean musical (so like an original thing, no Broadway production, no West-End, no Wildhorn) and it had very good revenue as well (and although the first production premiered in like 2013 it has it’s fandom to this day), but the most shocking thing for me is that they are planning to go on a Broadway with it!
However, I feel like this performance won’t appeal to western audiences as much as to Korean one. I have a bad gut feeling, that this will either be a total disaster (monsters tend to not do very well on Broadway, see Dracula, Lestat, or even Frankenstein: a new musical) or it will pleasantly surprise us. Either way, I hope they won’t change the story and songs too much because this musical has it’s original charm like no other musical produced in West. It sounds more magical, emotional, foreign-like. I hope it will have it’s essense even on Broadway.
See, even though I sometimes feel like this musical was made by a Wildhorn fan who wanted to do their own Jekyll & Hyde musical but with Frankenstein, it’s kinda a good thing. If we forget Wildhorn-ish love ballads and Wildhorn J&H tropes here and there, we get a brilliant play with a great soundtrack. I mean, The Great History of a Creation of Life Begins, In your dream, I’m a Monster are so good! The chills every time...
I felt inspired by @dragonheadskilax ’es post about obscure Frankenstein adaptations and decided to make a post about another one myself. His posts about those adaptations made me curious, and I searched on my own as well. Which resulted in finding of this musical. So thank you if you are reading this :)
Okay, I think this post is way too long. If you want to know more about this musical, I made it’s small review with a plot summary before, you can check it out on my blog.
That’s all about this musical for today. See you :)
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shefanispeculator · 3 years
Link
I'm slightly disappointed to log onto Zoom and find Gwen Stefani in Los Angeles. I wanted to see the ranch. Stefani spent most of the pandemic in Oklahoma with her fiancé and fellow The Voice coach Blake Shelton, with whom she has recently collaborated on a string of country radio hits, alongside a kitsch Christmas song. For a ska-pop superstar, it's a pivot, but Stefani and Shelton are cute together — picture-perfect in their opposite attraction.
Country Gwen exists, her urban counterpart assures me, but on this particular MacBook she's nowhere to be seen. I'm not sure what crude regional stereotypes I was expecting (Stefani spitting sunflower seeds? Shelton line dancing in the background?) but I get Californian sunshine instead, illuminating a version of Stefani more familiar from my teenage years, when Love. Angel. Music. Baby and its follow-up The Sweet Escape spawned millions of fans, haters and imitators. She's platinum blonde, red lipsticked and wearing a black-and-white outfit that matches the decor. The checkerboard pattern can be traced back to an even earlier era, when Stefani and her No Doubt bandmates were '80s teenagers obsessed with two-tone acts like Madness and The Specials.
Cowboy boots wouldn't fit this picture, and nor would Stefani's glitzy showgirl outfits from The Voice, where she just wrapped another season as a celebrity coach. As she prepares to release her fourth solo record, and enters the fifth decade of an extraordinarily successful music career, Gwen Stefani is re-re-branding as... Gwen Stefani.
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Top: Local Boogeyman, Pants: GCDS, Shoes: Valentino, Earrings, bracelets and rings: Dena Kemp (The Residency Experience), Necklaces: Gwen's own, Engagement ring: Gwen's own
"But what is that?" Stefani asks with seriousness, as we consider the possibility of some essential, inherent Gwen. "Everyone's interpretation of what I am and how I sing, I mean, that's what this era is about for me."
Said era kicked off late last year, with the music video for "Let Me Reintroduce Myself." It saw Stefani playfully revisit the wardrobes of album cycles past, from the ab-bearing tomboy tank tops of "Hollaback Girl" to the club kid blue hair mascara of '90s No Doubt. Her Harajuku Girls also make a return. The entire visual is a huge flex, not only for the sheer volume of iconic career moments recreated in dutiful detail, but the fact Stefani can still fit into the clothes originally worn during all of them. She looks eerily the same, frighteningly good, ageing in reverse at the same pace as her frequent collaborator Pharrell.
"It's really a blessing to be able to have such a long career, where there really is nothing to prove anymore."
Pop stars are expected to be young forever, in looks but also in their capacity to innovate new trends. Which makes the nostalgic music video a curious choice. Doesn't Stefani know by now that the cardinal rule of pop is to avoid repeating yourself? That even the hottest artists in the world are basically required by law to create completely new eras from scratch every six months in order to appease fans and maintain maximum TikTok-ready relevance?
Of course she does, but that doesn't mean she has to participate. Stefani isn't trying to chase down her contemporaries, despite clearly possessing the physical fitness required. "It's really a blessing to be able to have such a long career, where there really is nothing to prove anymore," she says. "It's a different energy. You know, it's really just about doing it to do it, as opposed to trying to make a statement or make a mark."
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Corset: Ronald van der Kemp, Bracelets: Dena Kemp (The Residency Experience), Earrings: Lana Jewelry (The Residency Experience), Engagement ring: Gwen's own
Even the Saweetie remix of her latest single "Slow Clap" happened on a whim, after the younger artist happened to post a video of herself vibing to Stefani's 2004 single "Luxurious" on Instagram Stories. They knocked out the song and accompanying video in a day. Neither seems bothered by the Old Navy meme. "It was just this little video that we did on the fly," Stefani says. "It just happened. It just feels good to put new stuff out there."
Stefani completed a two-year Vegas greatest hits residency in 2019, which gave her a sense of perspective on her own legacy. "You make a new record because that's what is exciting for you," she says. "But people really just want to hear the records after a while that were the backdrop to their lives, a 'Don't Speak' or a 'Just a Girl' or a 'Hollaback Girl,' or whatever it was for them. So, you know, it's hard — you can only be new when you're new, and that's just the truth, and I know that."
She says she was pleasantly surprised that "Let Me Reintroduce Myself" charted at all, and that she only found out it did when Shelton walked into the kitchen to show her the iTunes numbers. "I burst out crying with joy, because it was like, 'Whoa, really?' I think I'd set myself up to be quite realistic about where I'm at."
Stefani, endlessly polite and self-deprecating in conversation, which on her end mostly consists of endearingly earnest run-on monologues, says she still has "tons" of insecurities. I get the impression she has been trying harder to give herself credit lately. She recalls recently hearing Cyndi Lauper's "Girls Just Want to Have Fun" on the car radio and finding herself in awe of the song's timeless catchiness.
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Suit: Balmain, Earrings and choker: Lana Jewelry (The Residency Experience), Necklaces: Gwen's own
"But then I started thinking," she says, in a goofy Cher Horowitz tone. "Like, I have a few of those myself." She talks of this realization as a genuine breakthrough, which is a little worrying for a woman who has sold 40 million records. No shit, she has a "few of those." More of them than Lauper, actually.
More new music is coming along slowly, but I've caught Stefani on a day when the horizon looks closer than usual, and while things haven't quite fallen into place yet, she's feeling more confident that they eventually will. "I'm at the end," she declares. "The idea of going for a session and not being with my kids or the idea of taking time away from Blake doesn't fuel my fire like it did two months ago. I need to decide, wrap it up, put out the project."
Crucially, there's no rush. The album will simply arrive sometime this year, tracklist and title currently undecided.
"You're talking to me at a weird transitional time," Stefani says repeatedly throughout our conversation, which sometimes takes on the cathartic tone of therapy. But having time in the first place is a new feeling.
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Bracelet and choker: Dana Kemp (The Residency Experience), Obsession necklace: Lidow Archive, Gold necklaces: Gwen's own, Clothing: Blumarine, Boots: Philipp Plein
NO DOUBT WERE A BAND for nine years before getting on the radio. Enough time for Stefani and bassist Tony Kanal to be in a long term relationship then break up and write a whole hit album about it. All of the Fleetwood Mac drama was resolved pre-fame, which enabled the group to capitalize on the surprise success of Tragic Kingdom singles like "Don't Speak" and "Just a Girl" with a world tour that lasted almost three years. Three more albums followed, and Stefani has reinforced her household name status in every decade since, launching a solo career and multiple fashion lines while never totally cutting the cord from her original musical project.
In other words, record executives have been dictating Stefani's schedule since the mid-'90s. She even sings about it on Love. Angel. Music. Baby opener "What You Waiting For," in which her biological clock ticks like a metronome. Interscope Co-Founder Jimmy Iovine, who discovered No Doubt and continued to work with Stefani on her solo output, was quick to point out that his client's prime childbearing years were also her last opportunity to cross over into pop stardom. And after her first record went number one, it only made sense to lay down some new tracks straight away.
"Whether or not I get the response that I would hope to get — because that's what I'm used to, because I'm so damn spoiled and I've tasted the blood of success — I still got to do the creative journey."
"I had the baby, the first one, and it was only like eight weeks after I had him, that Jimmy was calling me saying, you've got to go in the studio with Akon," Stefani recalls cheerfully. "Like, Akon wants to work with you. Like, no, I'm nursing my baby. But then I couldn't say no." And then? "We wrote 'Sweet Escape.'" And then? "I went on a world tour." And then? "In the month that I got home from that one hundred and whatever shows it was, I got pregnant with Zuma. So then that was that." (It wasn't. Admittedly: "Then it was like, No Doubt, let's do another record.")
Things are different now: "You can just drop singles and you don't have to put a record out. But if you want to put a record out, you can work on it slowly." But even as she talks of slowing down, speculating that she might not even go on tour after the pandemic ends, in the next sentence Stefani's back to admitting that there's more work to be done, that she wants to write a couple more songs for her new record, "just to make sure."
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Earrings: Lana Jewelry (The Residency Experience) Choker: Chanel, Necklaces: Gwen's own, Gloves: Laurel DeWitt, Top: Local Boogeyman
"The creation is the thing that fuels me so much," she says. "Whether or not I get the response that I would hope to get — because that's what I'm used to, because I'm so damn spoiled and I've tasted the blood of success — I still got to do the creative journey."
Like any good lyricist, she reaches out to her listener, hoping to convey a more universal point. "It's just probably the same for you as a writer," she guesses. "You know, it's the anticipation. You're in it now. You're getting the information. This is what you live for. You're doing the interview and then you're going to write it. And that's going to be the challenge."
GWEN STEFANI WAS PUTTING out diary entry pop when Olivia Rodrigo was still in diapers and Taylor Swift was but a humble Pennsylvania Christmas tree heiress. She struggles to pen lyrics that aren't confessional ("I'm not a creative writer when it comes to like, 'Oh, let's just write a sad song about something that didn't happen to me'"), and occasionally re-traumatizes herself when performing old hits. Return of Saturn deep cut "Dark Blue" triggers "crazy, just horrible" recollections of a past relationship. Even "Don't Speak" felt emotional onstage in Vegas.
But after releasing an excruciating divorce album, This Is What the Truth Feels Like, in 2016, Stefani is back to writing happy songs only. She's getting married, after all. She won't be releasing any of her trademark breakup anthems anytime soon. "Girl," she laughs, "I think I've had my fair share."
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Bow: Laurel DeWitt, Earrings: Lana Jewelry (The Residency Experience), Bracelets: Dena Kemp (The Residency Experience), Shirt: Vintage Archive, Dress: Erdem, Tights: Capezio, Shoes: Marc Jacobs (Lidow Archive)
Stefani and Shelton's relationship has puzzled some fans. Shelton, a country radio phenomenon, never endorsed Trump in the 2016 election, but he did come close. Earlier this year, he was criticized for releasing a song called "Minimum Wage," about finding small joys during periods of economic struggle, at the peak of a recession.
Is Gwen Stefani a Republican now? She's not offended by the question, or really anything I have to ask. She has been famous for so long that she expects and even embraces scrutiny. "If you're going to be a star, that's what you get," she says. "You know what I mean? You get what you get, and you don't get upset, at all."
As for her politics, it's read-between-the-lines."I can see how people would be curious, but I think it's pretty obvious who I am," she says. "I've been around forever. I started my band because we were really influenced by ska, which was a movement that happened in the late '70s, and it was really all about people coming together. The first song I ever wrote was a song called 'Different People,' which was on the Obama playlist, you know, a song about everyone being different and being the same and loving each other. The very first song I wrote."
One of very few multi-racial bands playing stadium shows for hoardes of American teenangers in the 1990s, No Doubt did very literally embody those second-wave ska principles of inclusion. Stefani even wore bindis and saris on stage as a symbol of cultural exchange with Kanal, who is Indian-American, briefly kickstarting a white girl facial jewelry trend that it's safe to say would not fly in 2021.
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Rings (left): Dena Kemp (The Residency Experience)
"The Specials and The Selecter and all those groups, and what they were doing in the late '70s was this whole kind of anti-racism, we come together, Black and white ska movement," Stefani elaborates on the band's founding principles. "And we were sort of echoing that in the '80s when we did it, we were like the third generation of ska."
Ska she's always happy to discuss, but Stefani was brought up to keep her electoral preferences personal, and that rule has held for her entire career. "The whole point of voting, is you have this personal space to feel how you feel," she explains. "I use my platform to share my life story and to engage with people and to exchange whatever gift I was giving. I'm not a political science major. I am not that person. Everyone knows that. So why would I even talk about it?"
"I don't need to go on Instagram and say 'girl power.' I just need to live and be a good person and leave a trail of greatness behind me."
It never has been. Looking back, it's weird that "Just a Girl" is so integral to Gwen Stefani's brand. She's never written anything else with remotely the same message, and or publicly identified as a feminist. To Stefani, it's just a song about growing up, and "all of a sudden you realize your gender." It wasn't meant as a protest or anthem: in fact, being her breakout hit, she didn't think anyone other than her bandmates and some local fans would ever hear it.
"I don't even know if I knew what feminist at that time was," she says. "I was very sheltered growing up with my family. I wasn't political. I wasn't angry." Even now: "I don't need to go on Instagram and say 'girl power.' I just need to live and be a good person and leave a trail of greatness behind me. Stop talking about it and stop trying to bully everybody about it. Just do it. And that's how I feel like I've lived my life."
WHEN STEFANI WAS GROWING up in 1970s Anaheim, her father got a job doing market research for Yamaha, which required frequent business trips to Japan. He'd bring home Sanrio toys, as well as anecdotes about the Tokyo district of Harajuku, where teenagers were dressing like Elvis, and "taking all these American things and making them Japanese." His daughter was entranced. "He would be telling me these things my whole life, like my whole life. I had a deep fascination."
So when No Doubt played Japan in 1996, Stefani describes, "It was a pretty big deal for me." The tour was the first time she'd traveled outside of the United states, save one trip to Italy when she was 21. "I just was inspired," she recalls. "It's a world away. And at that time it was even further, because you couldn't see it on the internet. I don't think a younger generation can even imagine what it's like to not have access to the world."
From then on, Japan became one of Stefani's biggest career motivations, especially when it came to her solo albums. If she could just write more hits, she'd get to tour there again, see the street style, visit the vintage stores. "If you read the actual lyrics [in 'What You Waiting For?'], it talks about being a fan of Japan and how if I do good, I get to go back there," she says.
In the meantime, she decided she'd bring Japan to Los Angeles. "I never got to have dancers with No Doubt. I never got to change costumes. I never got to do all of those fun girl things that I always love to do. So I had this idea that I would have a posse of girls — because I never got to hang with girls — and they would be Japanese, Harajuku girls, because those are the girls that I love. Those are my homies. That's where I would be if I had my dream come true, I could go live there and I could go hang out in Harajuku."
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Earrings, bracelets and rings: Dena Kemp (The Residency Experience, Gold Necklaces: Gwen's own, Top: Local Boogeyman, Pants: GCDS, Shoes: Valentino
Dancers Maya Chino ("Love"), Jennifer Kita ("Angel"), Rino Nakasone ("Music") and Mayuko Kitayama ("Baby") would go on to accompany Stefani for her next two album cycles, dancing on stage and in her videos while also making silent, but very well-dressed, awards show appearances. Kita, who'd grown up in LA, visited Japan for the first time on Stefani's tour.
In a 2006 interview with Blender magazine, comedian Margaret Cho compared the Harajuku Girls to a minstrel show. The backlash against them has been consistent ever since. Stefani, to this day, disagrees.
"If we didn't buy and sell and trade our cultures in, we wouldn't have so much beauty, you know?" she says. "We learn from each other, we share from each other, we grow from each other. And all these rules are just dividing us more and more."
Hello Kitty merch was harder to come by when she was a kid, but in other ways, life felt easier. "I think that we grew up in a time where we didn't have so many rules. We didn't have to follow a narrative that was being edited for us through social media, we just had so much more freedom."
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Earrings, bracelets and rings: Dena Kemp (The Residency Experience), Necklaces: Gwen's own, Dress: GCDS, Shirt: Faith Connexion, Tights: Capezio, Shoes: Marc Jacobs (Lidow Archive)
Stefani's penchant for rule breaking has always been apparent in her music as much as her aesthetic. Genre-wise, she's a randomista. The chart success of No Doubt's bouncing ska beats felt like an accidental post-grunge-era glitch in the matrix, and it's insane to this day that one of Stefani's biggest solo hits samples "If I Were a Rich Man" from Fiddler on the Roof, by way of '90s British dancehall duo Louchie Lou & Michie One. That another, "Wind It Up," features earnest Sound of Music yodeling.
"I just make up whatever comes out," Stefani says of her songwriting process. "I don't even know where it comes from. I feel like it just comes from the source. It's not trained, and it's not perfect, it's just real."
She looks back on the Love.Angel.Music.Baby era as unusually experimental and artistically fulfilling. "It was just a really incredible time, and a very creative time. I feel like it was just a really creative project."
STEFANI VIEWS HER CAREER success as mostly a matter of luck. Pop stardom is God-given and mysterious."Because the fact I made it, it doesn't make any sense," she reflects. "It's written in the stars. You know what I'm saying? I'm not the most talented. I'm not the most pretty. I'm not the most smart. None of those things. But I made it, right?"
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Clothing: Blumarine, Bracelet and choker: Dena Kemp (The Residency Experience), Obsession necklace: Lidow Archive, Gold necklaces: Gwen's Own
Every week on The Voice she watches objectively gifted musicians fail at becoming artists. "I watched people that went through that without seeing their faces, without knowing what color they are. And I chose the ones that pulled my heartstrings. And even though they were so talented, none of them have had careers. It's made me look at myself and even feel even more amazed by the fact that anyone cared or cares."
If all of this is actually so out of her control, then Stefani feels safe stepping back a little bit. "I don't have that fuel in me like I used to, because I already won," she says. And now she has other victories in mind. "Being a good human, a good mother. I want to have a good marriage. I want to be a good wife. I want to win at finding peace. I want to win at finding other hobbies that I'm good at."
But at the same time? "If I'm inspired, I'm going to try to do something with that inspiration." That's the most fun part: whatever else comes after has always been an amazing bonus.
The "Let Me Reintroduce Myself" era, whatever form it may eventually take, isn't a desperate grab at former glory. It's Stefani refusing to evolve for the sake of it. She's poking fun at the whole idea of having to compete with past personas alongside current ones, while acknowledging the fact she's grateful to still be in the game at all.
"You don't know what you're doing," she says, somehow both confident and resigned. "You're a cartoon of yourself at this point, and you don't know what people are thinking. They're wondering, what? Why are you still here? And I'm like, I don't know. They said I could be here. So I'm here!"
Photography: Jamie Nelson Styling: Nicola Formichetti Hair: Sami Knight Makeup: Michael Anthony Nails: Carolyn Orellana Wardrobe director: Marta Del Rio Production: Katrina Kudlick Digitatech: Sean MacGillivray Logo design: Luca Devinu Story: Kat Gillespie
FROM YOUR SITE ARTICLES
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putschki1969 · 4 years
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My Experience with Japanese Online Shops, International Shipping and Proxy Services
In the last few months I have ordered from many different Japanese online stores and I have made use of a bunch of new international shipping and proxy services so I thought it would be a good idea to sum up my experiences and write a little review so everyone knows what to expect. Without further ado, let’s get to it.
Content
tenso
Buyee
WorldShopping
HMV International Shipping
CDJapan
Amazon.co.jp
1. tenso.com
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A staple for everyone who wants to register for various Japanese services (e.g. fan clubs, streaming platforms, etc) or enjoys shopping in Japanese online shops. It cannot be said often or loud enough how indispensable tenso is for fans of anything Japanese, their service is a true lifesaver! The H-el-ical// Online store even recommends using them! These days many Japanese sites accept foreign payment methods but one thing that’s still almost always required is a Japanese address. And that’s where tenso comes in. They will provide you for free with a Japanese address and phone number which you can use to register on almost any site. You can have your fan club stuff and purchased items sent to that address (the tenso warehouse) and they will then ship it to you. There are not a whole lot of shipping options available but that’s fine. Air Mail is definitely their best offer but if your package is too big you will end up having to choose EMS (which is quite pricey but typically very fast - not during the pandemic tho, at least not for Austria). A big advantage is the possibility to edit the package description. You can lower the value of your items to avoid import taxes and custom fees in your country. Please note that tenso does require an identity verification which might act as a deterrent but I can assure you, they are totally trust-worthy and reliable. I get a LOT of use out of them. Of course I have all my FC related stuff sent to their warehouse but tenso also came in handy for my orders on Tower Records Online, Animate Online and the Universal Shop/H-el-ical Shop/mu-mo Shop.
※ With the exception of the Universal Shop, I was able to pay at all the above mentioned stores with my foreign VISA.
2. Buyee
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Another staple and the very first proxy service I ever used. You will need them in all those places that do not accept foreign payment methods (there are still too many out there unfortunately). Their customer service is impeccable and I have never had issues with them. They have gone as far as to contact Japanese stores on my behalf even though it is not part of their usual service. They offer a very wide range of features and shipping options, their service fees are also not too high (although I will admit that they have slightly increased throughout the years). They operate on so many different Japanese online shops, it’s rare to find a big store that does not collaborate with them. Also, if you want to thrift Kalafina related items, THIS is your go-to service. Be it Yahoo Auctions, Mercari or Suruga-ya, you can use Buyee on all those sites. They even have their own English user-interface for some of the major Japanese online stores and you can take advantage of their browser add-on which makes shopping a lot easier. The only downside is that they will not allow edits to the package value so if you live in a bureaucratic country like myself with very strict tax and custom regulations, you will have to make sure to send your packages wisely or just expect to pay quite a lot of fees. This time I used them to order my Wakana cover album copies from Rakuten Books (I REALLY wanted their tokuten). Since Buyee offers the biggest variety of shipping options, I got these copies before anything else, they were here super fast.
※ It’s funny how I am able to register my credit card for Rakuten Pay in order to purchase music on mora.jp but I cannot use that very same credit card to actually buy stuff on Rakuten.
3. WorldShopping
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A fairly new service as far as I know but it seems like they are quickly expanding and trying to give Buyee a run for their money. Their banner has been popping up on almost all Japanese sites I have visited in the past few months but up until recently I wasn’t really feeling like trying a new service (I am always hesitant when it comes to new stuff). At least until I found myself in dire need of the Sofmap store specific tokuten for Wakana’s cover album XD. Unfortunately Sofmap does not accept foreign payment methods and Buyee also does not operate on their site so I took a leap of faith and made my purchase through WorldShopping since their banner looked so inviting. It was surprisingly straighforward since they are providing their own interface on the Japanese sites. I didn’t even have to go to the WorldShopping main page to register or anything before using the service. Their fees are acceptable but not exactly low. I was a little wary because I didn’t have a proper account but they did provide a link in the initial email where I could more or less keep track of everything. It took VERY long for my purchased item to be registered at their warehouse (for tenso and Buyee it takes around 1 day) and I didn’t get a notification email that it had arrived so those are not the best aspects of their service. The only shipping method they seem to offer is EMS (which again, is very pricey). Anyways, at the end of the day, my package arrived unscathed in Austria (including the tokuten) so I am a happy camper. While I will probably not be using their service regularly in the future I can still recommend WorldShopping to you with a clear conscience. But please keep in mind to check your status link regularly!
※ Please note that the WorldShipping interface in Japanese online shops overrides the site’s very own purchasing option so if you want to make an order using your own account with your tenso address and a domestic shipping method (let’s say in the mu-mo shop for example) you will have to deactive all WorldShopping services on the page.
4. HMV & BOOKS Online International Shipping
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Another first for me. I had no idea they offered international shipping so when I saw the little button on KEIKO’s Lantana page, I couldn’t resist. Since Amazon.co.jp is no longer an option for me, I was desperate to find other stores that offered international shipping and tokutens. Unfortunately, their international shipping service is not a very good replacement for Amazon.co.jp since it takes VERY long. I registered as a guest and made my order without any trouble. I expected them to ship the item on the release day (or the day prior) but that was not the case. I am almost entirely sure that they use a “hidden” proxy service but still promote it as direct shipping. Which is why the process is taking so long. I think it wasn’t until the fifth day after the release date that I finally received the shipping confirmation. Also, don’t get thrown off by weird phrasing in their e-mails. They kept saying that they had shipped “the first part of my order” when in fact there was only one part. Since they only offered EMS as shipping option it once again took quite a while for the package to get to me even though the shipping fee was very high (please note that EMS is typically very fast but as I mentioned earlier, COVID-19 has changed everything). Overall, I can’t really complain about their service, if you are willing to wait a while, HMV International Shipping is definitely worth a try. HMV always have some of the best tokutens so be sure to check it out.
※ I originally tried to register properly but that turned out to be quite complicated so I recommend registering as a guest just like I did.
5. CDJapan
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The first site I ever used to order Kalafina-items. I have never had issues with them. They are very reliable and of course the best thing is that they ship directly to your country. However, these days I hardly ever shop at CDJapan anymore because they rarely have tokutens. Also, items you purchase on their site will not be calculated into the daily and weekly sales data for Oricon music charts so that sucks. As you know, I want to support my girls as best as possible (and that means contributing to their chart numbers). Sometimes CDJapan do offer tokutens so they are definitely a viable option for foreign fans. They have lots of payment and shipping methods to choose from and typically their packages arrive very quickly. I bought Hikaru’s RE of “disclose” (only the LE came with tokutens) and one of my “Lantana” copies (CDJapan did in fact have a tokuten for that. YAY).
※ If for some reason, CDJapan isn’t your cup of tea or doesn’t work for you I think YESASIA is a good alternative. However, I haven’t used their service yet so I am not sure how reliable they are. They offer free shipping if your order total exceeds a certain amount so that’s definitely pretty neat!
6. Amazon.co.jp
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Amazon.co.jp has been very reliable for the past few years but this year they have really let me down. Just like HMV they do offer an international shipping service but theirs is actually a DIRECT shipping service and it’s SUPER fast. Also they estimate the import/customs fees of your respective country and they charge a deposit which they can use to pay the customs office to speed up the shipping procedure. If this doesn’t happen, packages will usually end up being stuck at customs for a very long time until they have been processed. Last but not least, they often have some of the coolest and most unique tokutens. These are all reasons why I loved to use them but it seems like the pandemic screwed things up for many foreign fans. When I was logged in and checking the product pages of the Kala-solo-releases, they would either show me that everything was out of stock from the get-go or no longer shippable to my country. However, when I wasn’t logged in and checked the Japanese version of the product page I saw that there were in fact still copies available. Now that the pre-order period is over they seem to have restocked a little bit and some versions have finally become available again for foreigners. For example, I could now technically order the LE of “Lantana” with a tokuten. I really wonder why that stuff wasn’t there when I needed it *grumbles*
※ I am not 100% sure if the pandemic caused all these issues but I kinda hope that was the reason because that would mean that next year things will hopefully work fine again. Let’s keep our fingers crossed.
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Fic Writer Questions
I was tagged by @mcfiddlestan so yay! Fic-y question thingies.
1) How many works do you have on AO3?
57. About to be more than that, though, because I'm working on several next parts to several series, and I assume they count that as individual works.
2) What’s your total AO3 word count?
324,681. Again, that's about to go up several times.
3) How many fandoms have you written for and what are they?
Well, that gets fun because what I have on AO3 is mostly Marvel-related with one tiny Hannibal ficlet, one Bill and Ted, one M*A*S*H (that was by request and likely will never be a repeated fandom as much as I love the show), one Zohra Greenhalgh (Contrarywise and Trickster's Touch). Now, what I've written in the past as a fandom was Jay and Silent Bob, and that will NEVER happen again. But yeah, mostly it's Marvel and mostly these days Avengers-related with some X-Men still thrown in for flavor.
4) What are your Top 5 fics by kudos?
Hey Jealousy 378
Far away you were made in a sea just like me 354
(Mis)Understanding and a No-Good Woman 300
Saving the Future...Again 294
Supernaut 283
Yeah, I'm not that popular.
5) Do you respond to comments, why or why not?
I respond to all comments I get. I know that for some people it takes a lot of guts to comment, and I think that needs to be acknowledged, even if it's a simple thanks.
6) What’s the fic you’ve written with the angstiest ending?
I don't write a lot of angst, and usually by the end of a fic, I prefer to have it happy and not angsty. That said, I'd have to say that it's a toss-up between these small fics:
I know you’ll be a star In somebody else’s sky
Seemed like he knew me, he looked right through me
All the losing and the knowing
Sunset
Time After Time
I have angst in my stories. Some. They mostly seem to be sass and humor and romance and cuddles and sex and making out, but the angst is only a tool to keep the characters fighting and on their toes.
7) What’s the fic you’ve written with the happiest ending?
I've got several series going now, so I won't count them in since technically, none of them have ended yet. I thought about putting that Never Piss Off a Telepath; Or How Logan Opened His Mouth and Said a Stupid Thing just because that's one of my funniest fics, I think, but I would have to say that the happiest ending may be in Two Turtle Doves, which is a Charles Xavier and Raven Darkholme as children/brother and sister at Christmas fic, and the ending still really makes me smile a lot when I re-read it.
8) Do you write crossovers? If so, what is the craziest one you’ve written?
I haven't yet, technically. I started an X-Men/Avengers/Wicker Man (1973 version) one after all of the Brian Michael Bendis AvX bullshit storyline, and I may eventually finish it. I was angry. I wanted Steve Rogers to pay. I lashed out in the fic. Or was going to. The other crossover I'm planning (and even hinted at it in Spinning on that dizzy edge (I kissed his face and kissed his head) will be a Tony Stark/Chris Knight (Real Genius) fic, taking place not long after Chris graduates and is working for Darlington. I've got another one in mind that I've made notes for that's an Avengers/Flash Gordon (1980 version with all the flash and color and Queen songs), and then I just finished watching Boardwalk Empire, so there's a 1920s Marvel'verse AU, though I guess that's not really a crossover.
9) Have you ever received hate on a fic?
Hahahaha! Funny you should ask. I received my first ever hate on To get it right even a little / and that little grudging and awkward the other day. In fact, the hate was the first comments I got. I've deleted it, and I did report it but AO3 couldn't do anything about it because the person who commented used a name but wasn't logged in, so they couldn't have their IP traced. But it was all full of "you should kill yourself" and "I hope you're raped" because they claimed to be a Stucky shipper (in fact their moniker was "stuckygirl") and that Steve and Loki were a horrible ship because Loki is just a nasty greasy villain. Blah blah blah. I was more amused by it than anything, especially since there's a chance that the person who commented was a stalker of one of my besties who keeps trying to lash out at them and may well have decided to lash out at me as well. Who knows? Who cares?
10) Do you write smut?
Oh yes. As much as I can get away with. Smut is life. Smut is harmony in the universe. Smut is KFC's 7 herbs and spices.
11) Have you ever had a fic stolen?
I don't think so. I have no idea how to figure that out.
12) Have you ever had a fic translated?
Again, I don't know. How would I find that out?
13) Have you ever co-written a fic before?
Nope. I've rp-written before, but I've never co-written a fic.
14) What’s your all time favorite ship?
I don't just have one. Sorry. FrostIron, WinterFrost, FrostShield, WinterIron, Stucky, Stony, Scogan, IronDiamond, DiamondFrost, DashingFrost, DiamondClaws, and I may soon get to see how much I love DiamondShield.
15) What’s a WIP that you want to finish but don’t think you ever will?
That may be the X-Men/Avengers/Wicker Man one. I have to feel the anger to finish that one off, I think, and I've pretty much decided that neither Brian Michael Bendis nor AvX exist, so.
16) What are your writing strengths?
I think humor and sarcasm are two of my biggest strengths, to be honest. I didn't realize it till I started adding it in almost organically, and that's pretty much where it is for me. I'd say the ability to convey emotions, expressions, touch, and romance are right up there, too.
17) What are your writing weaknesses?
Well, outside of the writing itself, trying not to be discouraged by people's lack of comments and kudos on my fics to the point of not writing is a writers block-inducing weakness, but I think I'm getting over that mostly these days. Trying to find the right balance between explication, "showing," and description, though I've also recently decided that description is not a weakness because I want to make the settings pretty visual.
18) What are your thoughts on writing dialogue in other languages in a fic?
I think there's a fine line that this concept dances on. I LOVE to do it, but I also now want to make sure that it works smoothly into the story. I try and provide translations in the notes when I do it. I try not to overdo it, but I think it's necessary. It's the same thing as writing in accents. That's also dancing a fine line because you want to give a flavor of the accent, but you don't want to overwhelm the readers with dialect and accent. Not unless you're Stephen King and you've just written Dolores Claiborne.
19) What was the first fandom you wrote for?
Okay, the first fanfiction I ever wrote was when I was about 13, and it was a Children of the Corn Mary Sue. It was in pencil. Wrote it start to finish. And it has since gone to the gods in the circular altar.
The first fandom I consciously wrote for was Jay and Silent Bob, and yes, I still have those stories, but they no longer exist online since @jcrewguy blessedly took down his sites. Those fics will never see the light of day again because I don't like the movies anymore.
20) What’s your favorite fic you’ve written?
Nope. They're all my babies, and I love them equally. I can't pick a favorite.
Tagging: @scottxlogan @elvenferretots @mistressofmuses @izhunny @jcrewguy @chaotic-hypnotic-erotic @kleenexwoman and honestly anyone else who wants to do this.
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