There are some movies out there that should be terrible but simply aren't. They don't make sense, they're written sloppily, and the performances are overexaggerated and melodramatic to the point of ridiculousness. Maybe the effects look fake, maybe the themes are all over the place. It doesn't matter, because everything else about the film rules so hard that what would be a throwaway February release becomes something to sit up and take note of.
Riki Oh: The Story of Ricky is one of these films. A Hong Kong martial arts film about a man who punches holes in people overthrowing the wardens of a dystopian private prison. Nobody needed this to be good, just to provide a good time.
Riki Oh goes above and beyond here, and not only provides ridiculous action with plenty of gore, fake blood, and kickin' but goes on to craft a frankly gorgeous film.
The visuals, cinematography, costuming, and even editing are all phenomenal. You'd never expect to praise the composition of the scene in which a dog gets kicked in half, but it happens and frankly that's probably all you need to know about this movie.
Every action scene is more ridiculously over the top, every scene in which Ricky appears his pecs are completely out, and I frankly can't stress enough how much you need to see this film. None of the character motivations make sense, the 23 year old man child dresses like Tyler the Creator, and you'll love it. Highly suggest, it's the most beautiful martial arts film I've watched in a long time, and the nonsensical quirks of the genre just make it even better.
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Behind the scenes of 'Story of Rikki' (1991)
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The Super Podcast Episode 166 - Movie Swap with The Legend of the 7 Golden Vampires (1974) and Riki-Oh: Story of Ricky (1991)
The Super Podcast Episode 166 - Movie Swap with The Legend of the 7 Golden Vampires (1974) and Riki-Oh: Story of Ricky (1991)
The Super Podcast
Episode 166
Movie Swap with
The Legend of the 7 Golden Vampires (1974) and Riki-Oh: Story of Ricky (1991)
Download HERE
https://supermarcey.files.wordpress.com/2023/05/the-super-podcast-episode-166-movie-swap-with-the-legend-of-the-7-golden-vampires-1974-and-riki-oh-the-story-of-ricky-1991.mp3
Welcome back to The Super Podcast and a Movie Swap episode with your hosts Super…
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Movie Review | Riki-Oh: The Story of Ricky (Lam, 1991)
This movie had been on my radar for years, well before I'd developed any real interest in Hong Kong cinema. Its reputation was based on its numerous scenes of outrageous ultraviolence, the appeal of which could be conveyed easily in gif format. Having seen the whole movie now, I can confirm those gifs did not misrepresent the film. Every few minutes, and sometimes more frequently, there's a scene of violence that seems to defy what should be physically possible. Want to see someone punch through another character's stomach? Want to somebody explode another man's skull with their bare hands? Want to see a character commit seppuku and then try to strangle their opponent with their intestines? You need only wait a few minutes for the next gruesome highlight.
Of course, this means that the violence is set up like a series of gore gags, and likely as a result of the behind the scenes requirements to pull them off, lacks the speed and physicality I associate with Hong Kong action cinema. So it is perhaps not an immediate favourite, but I think the simultaneously more deliberate and punchy delivery of these scenes helps it work on its own terms. This is an adaptation of a manga (which I have not read), and the way the movie stylizes the dramatic qualities of such scenes, having characters stand off and bark out their motivations and then exploding into violence, brings to mind a live action cartoon. The prison environment here is similarly stylized, the guards' uniforms perfectly crisp and colour-coordinated, the interiors like a cartoon rendering of a prison, without the grit a real one would have. (In that respect, the movie stands in stark contrast with another recent viewing, Escape from Alcatraz, which was shot in its namesake and benefits tremendously from the physical reality of its environment.)
That stylization extends to the casting, with a cartoonishly bulked up Fan Siu-Wong in the lead role (a startling sight after seeing him play a scrawny punk in Righting Wrongs earlier this month) and supporting roles primarily cast with grotesque-looking or downright ugly actors. (Sorry, I guess that's mean, but there are a lot of uggos in this, to the movie's benefit.) The movie finds ways to humanize a number of them, giving the proceedings a covert political charge, but the cast member who steals the show is the incorrigibly cruel Yukari Oshima. Oshima has always stood out to me in her girls with guns movies because of her off kilter, androgynous presence (which was even more noticeable when paired with the more overtly girlish Moon Lee), and this movie pushes that even further by casting her as a man, replete with weird male dubbing. Perhaps there is something objectionable here, but you want someone to give off sinister live action anime vibes, with the physicality to back it up? This is your gal.
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Riki-Oh: The Story of Ricky (力王)
Summary: Ricky Ho/Lik Wong (Fan Siu-wong) is a young man with extraordinary fighting abilities. When he winds up in jail for manslaughter, he must do whatever he can to survive.
Campy, silly, fun Hong Kong actioner made for five dollars and some dirt whose dub adds Carpenter-esque dimension, weirdly enough.
Rating: 4/5
Photo credit: Asian Movie Pulse.com
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