Rain falls lightly, pattering in the grass. The misty gloom feels appropriate, Eddie thinks to himself as he plays with the unlit cigarette in his hands.
It's cool out, he thinks. Grey and quiet, mid-morning still by the light.
Eddie doesn't look up as a pair of sneakers enter his peripheral.
Steve sighs and sits down, despite the wet grass, close enough that Eddie feels the slight warmth radiating out from him.
Neither speak for a minute. Both content to watch the rain paint the landscape.
"Talked to your uncle today," Steve blurts out. His voice sounds rough, ragged even, as he sighs.
Eddie turns slightly, taking in the slump of Steve's shoulders, the red rimmed eyes.
"He'll probably be by later I think, same with Dustin," Steve sniffs once and rubs his nose with the back of his hand.
"Max is still in the hospital, but the uh, doc says it's looking like she'll be okay".
Eddie smiles, tucking the cigarette behind his ear.
This is the first time they've heard something definitive about Little Red, a tightness in his chest he hadn't realized was there finally begins to loosen.
"And Dustin's milking his sprain for all its worth, the little asshole knows exactly what he's doing," Steve snorts as he brings his knees up to his chest.
The rain is falling slightly harder now, plastering Steve's hair to his forehead, his grey jacket looks absolutely soaked through, but he doesn't move.
Eddie wishes belatedly that there was a tree nearby, something to shield them from the deluge.
"God," Steve barks out suddenly, "you fucking idiot, I told you, I told you, not to be a hero".
Steve presses the heels of both hands into his eyes roughly and sniffs again before swiping a hand through his wet hair, "the kids are all okay, I just thought you should know, it isn't fair that you didn't get to see the end of it".
Eddie nods, quietly, spinning a ring on his left hand as Steve stands up with a small pained groan. His hands jump to his sides before he's able to stand completely upright once more.
And for just a second Eddie swears that Steve is making eye contact, that a glimmer of recognition appears in his wide brown eyes.
But his gaze moves through Eddie, down to the black plaque embedded in the earth.
"I'll see ya Eds," Steve says softly. He lingers for a moment longer before he turns and makes his way back to the gravel path.
"I'll be here," Eddie whispers quietly after a beat.
Steve can't hear him anyway.
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Im soooooo hungry i neeed.... gaming trivia. tO live 😺
i mostly just have TF2 trivia, as its history has always been something ive always been fascinated with, so i hope these suffice:
The Pyro's Beta Head: While 8 of the 9 classes had their heads redone throughout development (to better show off Valve's new facial flex system), only the Pyro was left untouched, leaving them as the only class to still have their beta head.
Reference Posing Medics: In "Trailer 2", there are two Medics who are in their reference pose, during the first-person sequence of the Scout running through RED's base. While their role isn't clear, one likely theory is that they were meant to be camera positions for shots that were ultimately removed, in favour of the Scouts perspective, and Valve just forgot to remove or hide them. The second Medic even turns to look at the Scout as he runs by, maybe further proving their original purpose.
The Teaser Corkboard: While we don't have a clear idea as to what Valve had been planning with the "Teaser Corkboard", one likely theory is that it was created for the proposed update that would've included both Asteroid and Cactus Canyon, due to the few mentions of "Future", the blueprint of the rocket engine from Half Life 2 Episode 2, and Poopy Joe. Also worth noting, the two posters that were added with the corkboard share similar styles Asteroid and Cactus Canyon.
The Balls of Steel Taunt: Originally, The Love & War update was meant to include a lot more taunts than what ultimately shipped. One of the few to get scrapped is a taunt called "Balls of Steel", where the initiator would dare other players to kick them in the groin. While we don't have footage of this taunt, we do have voiceline files that reference the taunt's intention, as well as the name. The few files that remain were reused for other contexts, such as the Soldiers Conga taunt, where his "Ooh!" and "Ahh!" lines were originally his pain sounds for the taunt.
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More of me running my mouth about music as inspiration except this time its just Dear Wormwood
Prelude. Prelude. PRELUDE. This is probably just a music nerd thing but its so perfect. Despite my horrible understanding of music theory, a prelude is usually the first piece of music that is meant to represent the succeeding and usually longer movements in a single work, but they could also stand alone. The Prelude to Dear Wormwood works as both. It starts out quiet before building up with just absolutely amazing wordless vocals and its just so great folks. Its a summary of the whole album in a minute and nine seconds its amazing folks
Okay Bitter Water. The first time I heard this one I thought oh, its a metaphor for alcoholism. Yes, it can be a metaphor for alcoholism, but it is also so much more. In the broader context of Dear Wormwood its an acknowledgement of how bad a relationship is and that the singer, the victim, feels like they can never escape it, but it can be so much more folks. It can be a about a love lost, with the one who lost the love pining and wasting away without their soulmate. Said soulmate could be a part of the griever themself. It can be so much. Its also a banger but thats a given for the whole album. “terrible fire of old regret is honey on my tongue” is also eternally amazing this whole thing is poetry mates
There Beneath. Calm and flowy and existential kind of but I make a lot of things existential and where were we? But also the line “I saw the morning lead a cavalcade” is bloody amazing. Its such a great and poetic way to describe the breaking dawn, the rising sun, the beginning of a new day and so many other things mates its amazing. Like a veteran adventurer recalling the times when their friends got them out of hard scrapes or something idk
In the Blue Hours of the Morning. It’s a nice waypoint, a chance to catch your breath before the next song which I will go off about but this bit is really just like its title. The time before the cavalcade, when theres still enough light to see by yet its so calm and still and not quite awake yet
Exeunt, which is. It is. Well, exactly what it says on the tin, an exeunt, which is a stage direction for when an actor goes off stage, but its also the most poetry ever. Everyone loves “Fluttering your lashes like ashes and ember” and rightfully so but everything in that song is so bloody strong. “Crocodile eyes I have seen how you hunger”???? “No I cannot trust what you say when youre grieving”????? Like its such a powerful song with all the musicians going ham on the everything and then the lyrics and then the context? Its great its just great
Caesar. A calm follow-up to the headbanger that is Exeunt, but its no less amazing. Im just drowning in symbolism for this one mates. Not only is the morning back and breaking over a palisade but also historical references!?! The backlogs of random anecdotes and stories are tickled awake by the “Look to the sky where the sign will be shown” bit so much like it aint even funny. Its a reference to Constantine the Great, who saw the symbol of the Chi Rho and went on to become roman emperor with it painted on his shields and its so much potential in just three stanzas
This Will End. Fellows this one just hurts. Its so bloody sad and yet such a strangely jaunty tune like the singer has just accepted their sad life and Im always like no! It can get better! You just gotta try a bit! Mates! Im bleeding out!
Pale White Horse. Ohhhhhhhhhh I can get so deep about Pale White Horse but so much of it is about WWI and the Spanish Flu Epidemic and other stuff I do not care to dredge from the depths of my historical brain fluids but its so great as a thing about war and trauma and abuse and so much other stuff just like recognizing someone doing something terrible and that can be either interpreted as oh thats conformation that they were always terrible or oh goodness thats not possible why no why are you like this you are not like this right and there’s no in between. And both hurt!
Where Is Your Rider. Enough metaphors to fill a graveyard (hey Crane Wives fans. Hey. Did you get it? Eh? Idk I thought it was funny) and then some but also oooooh the lines just go so hard sometimes. “But these bones never rested while living / So how can they stand to languish in repose”???????? Like mate youre dead but youre still going to push on and keep on fighting mates it hurts it hurts too much there are too many characters and situations and just stray thoughts I can peg to these two lines alone help
Soldier, Poet, King. Need I say more? Yes, I need to say more. Everyone above and below knows how bloody legendary this song is but take this as a sign to listen to it again. Its just that good. Someone once tired and broken who has found support and is coming back to finish the job they couldnt finish on their own is just oooooooooooooogh mates. Also funny ha ha DND party. Two sides of the same polyhedral dice. Probably a d100 with all the nonsense I can drag out of it at this point.
Dear Wormwood. The album namer. UGH I cannot get enough of this one. Just some of the lines in this one mates. “And in my hour of weakness / You were there to see me fail”???????? “I know who I am now / I know who I wanna be / I wanna be more than / That devil inside of me”??????????????????? Its just so perfect and so amazing and it gives you a warn hug and it punches you in the gut and it helps you up and gives you hot tea and the works mates its just so great
Danse Macabre. One last instrumental. A Danse Macabre was usually a piece of art with people dancing next to skeletons, representing the inevitability of death and the equality in the grave and so many other sad and mopey things but also its just such a fun jig. It really does feel like a bunch of spooky scary skeletons jamming on their graves. And that’s a one liner I never thought Id need to write.
Thus Always to Tyrants. Bloody hell this is the perfect ending song. The singer immediately starting off with “Let me die, let me drown, leave my bones in the ground”, proclaiming themselves free of the worries and pains they started the album with, singing as the blazing sun rises that yes, they are, if not happy now, then at least better now, and that anyone who threatens that will face the new and improved them is just ooooooogh. Mates. If theres one song you need to listen to if you somehow made it to the end of this thingie without also being obsessed with the Oh Hellos, its Thus Always to Tyrants. But please listen to the whole of Dear Wormwood first. It makes the impact so much better.
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