guys Sasha is not the responsible one in the archives. She saw a weird guy with fucked up hands and an uncanny laugh and immediately followed him to several secondary locations. I’m SO sorry to say this but the only og archives crew member with self-preservation instincts is Tim
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goncharov is actually such a cool thing, not only because of its lore and motifs and its complex character creation, but because it allows people to engage in the tumblr community's favorite hobby, which is lying
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Samwell Tarly is objectively the best character in ASoIaF. Genuinely tries to be a good person at every step of the journey, only member of the Night's Watch to even try to help a single one of Craster's daughters (Jon Snow could never), literally has the highest kill ratio of Others for any single man at the Wall, also a nerd. He even invented voter fraud.
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I keep seeing posts about Jon saying he and Martin wouldn't love each other in another universe but I'm pretty sure it was Martin who said all that?? Kind of?
Irrc Jon said he often imagines what things would have been like if they met and been together without all the institute stuff and Martin says "me too but we wouldn't have, would we?" And goes on his whole spiel about how Jon hated him at first and the horrors changed them both so much it made them compatible, to which Jon doesn't seem to entirely agree. And that convo wasn't really about other universes it was about Jon's daydreams. I'm not trying to be a pedant rn I just keep seeing references to this conversation and I remember it happening a very different way.
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Kinda obsessed with the difference between Martin's perspective during the apocalypse and Jon’s.
It's the difference between "I know you might hate me right now" and "I love you, I always will, and I know you love me"
It's the difference between Jon not being able to trust anyone, not even himself, but never for a second doubting that Martin loves him and Martin never being sure Jon’s feelings for him won't change.
It's the difference between Jon not always being loved perfectly and Martin having never been loved before.
It's Jon spending the entire apocalypse telling every monster they come across that Martin is his boyfriend, have you met Martin, this is his boyfriend Martin, his anchor, his last tie to humanity, his reason to still be hoping for a better ending. It's Martin telling his Lonely-self that if it comes down to it he'll ask Jon to destroy him and not being sure whether Jon will say no.
Even the jealousy, which is slightly played for laughs, still comes down to Jon being like "aw my boyfriend's getting all possessive 🥰" whereas deep down Martin has never let go of the idea that under different circumstances Jon could do better.
They're more emotionally open with each other during the apocalypse than they are for the years leading up to it, and they still don't stop misunderstanding each other.
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One of the weirdest things I love about TMA is how embarrassing it all is. Like, romanticism is fun sometimes, but embarrassment equally so.
If you've ever meaningfully interacted with the supernatural, you know that shit can be awkward. If you've ever had an office job, you know how embarrassing it can be! Pretty much if you've ever experienced any form of life, you know how embarrassing a day of existence is.
And my god Jon's life is embarrassing! He can't stop getting kidnapped, he doesn't have any friends, he can't even get his job done due to infinite supernatural interruptions. That's really embarrassing.
He's an adult who effectively has to relive being a child because he's thrust into a world that no longer makes sense, and that vulnerability is so real!
But Jon's not the only one who's going through embarrassing stuff, oh no! Martin is hopelessly in love with his cruel boss who barely looks at him; Tim and Sasha hooked up only for Sasha to break it off against Tim's wishes; and hell, Melanie literally got laughed off of YouTube and BECAME A MEME.
These people are going through awful, otherworldly terrors, but not once is it ignored that they must still suffer through painstakingly awkward everyday moments too.
I suppose it comes down to realism. Understanding that the supernatural can become just another part of life in an annoying way, and letting the characters be normal fumbling people makes it hit so much closer to home.
I think all this is why The Magnus Archives is popular not only as horror, but as an explanation of human relationships; the everyday realism is so deeply entwined with the otherworldly but both exist in their own right. And this in itself is realistic, as how far away is horror from your daily life, really? And how different is fear to embarrassment?
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