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123designsrq · 4 years

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AUTOMOTIVE-INSPIRED PRODUCT DESIGNS THAT ARE A MUST HAVE FOR EVERY CAR LOVER!

AUTOMOTIVE-INSPIRED PRODUCT DESIGNS

Automotive Designs are iconic for a reason. Starting with the Jaguar E-type, the most lovely automobile ever made, the Elton John accepted Lamborghini Mura, the Volkswagen Beetle – lovingly named the bug, the Porsche 911 – likely the most recognized sports vehicle within the global to the today's trendsetting Tesla Cybertruck, every automotive aficionado will be able to tell each of those automobiles from their silhouette itself. We recognise it’s almost impossible for every body to very own these motors but why have to that preserve us far from expressing our love for them? Every product in this series pays homage to an iconic car brand, allowing you to uphold your favorite while having it double up as purposeful portions of product design in your space. In the words of Lighting McQueen, its Ka-Chow time! Tesla G

The Tesla G (that’s what designer Prokop Strnka calls it) concept is basically an out of doors garden-trimming Roomba. It runs autonomously, driving in lines around your garden, trimming the grass but keeping off your prize rose shrubbery or your microgreens nursery. The lawnmower is predicated on a model of Tesla’s autopilot set of rules to actively experiment and sense its environments because it drives through tall grass. Sensors at the mower can assist come across the difference between grass and plants, and can actively map out your lawn so the mower doesn’t emerge as crossing over the cobblestone onto the road, or your neighbor’s property. The mower runs on sun power, but whilst it’s low on juice and it’s fairly darkish out, it scoots over to its wireless-charging hub to speedy juice up its battery. Fridge

The VW Fridge (an real fridge!) comes as a collaboration between European appliance large Gorenje and none other than Volkswagen whom we realize too well. The refrigerator (part of Gorenje’s Retro Edition) outwardly is an ideal homage to the surfer/hippie generation with its front facade right away reminding us of the VW Bulli or the Microbus that took the sector by using storm inside the 50-60s. Using the scrumptious coloration palette that VW relied on, the refrigerator comes inspite of the chrome trims, the unmistakable VW logo, and a silhouette that does a exceptional process of juxtaposing a triumphing aesthetic from automotive records onto a kitchen appliance.

For an automobile enthusiast, anything even remotely car-related deserves a place of their home, and this desk clearly earns its proper to emerge as the centerpiece! Based round an authentic 20-inch forged aluminum rim from the pinnacle of the automobile world, Ferrari, the Velocita desk by Alan Liu of Mobellio stylishly captures the speed and drama of the enduring brand. A thin sheet of advanced tempered glass that permits the wheel to be regarded from all angles rests upon the stunning and elegantly shaped wood frame, in which its elongated form artistically portrays the rate and strength that the Italian supercars are renowned for. To balance out this wonderfully crafted piece of furniture, a brake disc sits on an additional platform, which adds to the visual interest of the product! Speaker

A speaker for all of the Porsche aficionados is here! Porsche Design created the 911 speaker that not only looks as if the unique exhaust pipes of the iconic Porsche 911 GT3 however is crafted from them! The high-performance sports automobile has been an final crowd-pleaser due to the fact 1963. Its rear-hooked up flat-six engine and titanium primary tailpipes are the automobile’s most celebrated features. So, of course, Porsche Design utilized the pipes to make the amazing sleek 911 speaker, with an aluminum housing to support them. Espresso

The Espresso Veloce Royale 01 via Super Veloce literally makes the richest cup of espresso ever. Where else could you find a V12 engine getting used to brew espresso? Or rather, a V12 engine crafted from real 18-carat white gold, diamonds, thermoset gold leaf carbon fiber, and two beautiful royal pink amethyst gems. Clearly made for refined tastes (and refined wallets too), the limited edition coffee maker is the contemporary in Super Veloce’s outrageous engine inspired coffee maker arsenal, and to be honest, it outdoes the rest. Writing Desk

The Porsche 911 Writing Desk by using 3 GJB 17 gives you one more motive and possibility to correct those commoners who pronounce it “Porsh” via telling them it is, in fact, “Por-shuh”… Made from original Porsche 911 body parts, coated in Arctic Silver automobile paint, and finished with Custom Made American Walnut attachments that supplement the car’s contours beautifully, the 911 Writing Desk takes the long-lasting car’s rear end, changing its boot hood right into a writing surface that doubles up as a cupboard for storing your stationery (using a spring-loaded hinge that lifts the boot lid up)

Most take a look at the 1964 Porsche 911 and go “Wow, what a conventional”… Designer Minseop Woo looked at the 911 and got inspired to AUTOMOTIVE-INSPIRED PRODUCT DESIGNS furniture! The Stool 911 captures the maximum iconic hood element of the vintage Porsche. With the manner the stool’s front legs arch upwards, mimicking the headlamps of the 911 coupe. When compared in side-view, the info look without a doubt identical. However, one is a classic automobile, and the other is a seating device! The Stool 911 doesn’t fail to affect as a chair either. It capabilities an easy to carry layout that’s additionally stackable, making it a winner chair, in addition to an ode to a mythical car! EarBuds

Created as a concept by means of designer Yonghwan Kim. The Audi Hear is a set of really wi-fi earbuds designed for the automobile aficionado. They are available a first-rate compact layout that take a seat neatly in the ear. Displaying the Audi branding to passers-by. What’s more, is that they even come with a rather rushing looking charging dock. That takes direct proposal from a car’s form. Wouldn’t it be pretty first rate if you may use those to authenticate your car. Using voice instructions to get it to start, stop. Or seamlessly shift into self-using mode??

The Barista Beetle is a Volkswagen stimulating coffee system designed by means of Jarim Koo. Klaus Bischoff – Volkswagen’s Head of AUTOMOTIVE-INSPIRED PRODUCT DESIGNS. Describes the brand’s design philosophy in 3 words: “Simple, sophisticated, and different.” Koo has undoubtedly followed this philosophy throughout the Barista Beetle. Koo has embodied the brand’s unique photograph and identification here that is synonymous with the VW Beetle. Smartly detailed, the Barista Beetle has subtle layout alternatives like; The embodiment of the lid and the body. It connected with out a smash in curvature. Or the chrome bezels on the dials which add a timeless detail to this cautiously thought out the semantic fusion among motor and device. Watches

The 901 Collection watch by way of Etienne Melaerts. It contains 52 years of Porsche’s iconic car legacy within its metal construction. Made from salvaged elements of the Porsche 911 series, and featuring many diffused references to the car’s iconic design. The 901 Collection pays a fitting tribute to Porsche’s timeless motors through respiratory new existence into it. Not best does it lessen waste with the aid of recycling material. However it also guarantees that a legendary classic isn’t positione to relaxation in a junkyard. Maintaining Porsche’s spirit going for walks for essentially every other lifetime. The AUTOMOTIVE-INSPIRED PRODUCT DESIGNS of the watch balances itself between taking pictures the vintage/undying spirit of the Porsche automobile. However also at the identical time being a beautiful country of the artwork watch. Each watch dial is unique, showcasing the grain sample of the refurbished metallic taken from the car. Each and each detail suggestions a hat to Porsche’s layout language. Be it from the dashboard to the rims. To the seat trim detail, to even the Porsche font that functions at the numbers on the dial. Speakers

Waterproof as well as dustproof. The Outdoor Bluetooth Speaker through Yubin Choi. Ilhyun Kwon is guarantee to stand robust and stout in any situation. Shaped like the front stop of a Jeep, AUTOMOTIVE-INSPIRED PRODUCT DESIGNS possess an implementing and rugged appearance. Boasting an aluminum frame, the speaker is surrounding by using a hardy bumper. Which presents full protection to the product in opposition to major factors which include dust, sand, and splashes. Two round headlamps, imitating the headlights of the Jeep. Maintain integrated LED lighting fixtures that can mild up even the darkest of paths. Making sure that the users can challenge into the outdoors comfortably. The clips at the top of the product allow it to be easily located. Or latched onto any garb item, backpack, or tent. Much just like the Jeep in which it’s character elements just like the doors. The sunroof may be easily remove. Components of the speaker can be changing if they go through any harm or scratches Espresso Maker

The Aviatore Veloce is a quarter-scaled endeavor of a jet engine. That still makes espresso! Slide open the top, location your coffee grounds, and water in their respective regions, and power the gadget, and the Aviatore Veloce uses its high-stress brewing device to prepare single servings of espresso (or maybe tea if you switch the coffee grounds for tea leaves). The Aviatore Veloce is even from aerospace-grade aluminum alloy, stainless steel, and aluminum bronze to offer it its actual feel. Limited to just 100 pieces, I believe the Avaitore Veloce is best for boardrooms at Boeing and Airbus. For a person who truely desires a jet-engine coffee maker to ‘turbocharge’ their morning! Read the full article

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tintguidepage · 5 years

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Tint World Dubai Tour & Explanation of our International Franchise Program

(upbeat instrumental music) – So we're at the Tint World; UAE, Dubai, Al Ain And we're so excited to be here

And part of becoming a master franchise or in another country, it's really important how we work together with our partners We have to make sure that it's a good fit for us and a good fit for them 'Cause we wanna produce the same type of experience that we have in the United States here in another country So let me take you through a tour through our new location that we've just opened up Of course, you see all these beautiful cars in all these candy colors

I mean, it's just amazing And we didn't even get the doors open while we were under construction and we're building it out, and people are just coming and flocking to try to find out what is this all about? How is this? And we find that in the United States when we open up a new store in a new state, it's the same thing Well, we were wondering, how is it really gonna work in the UAE? Well, we found out now, 'cause we opened this store, and as you can see, the whole community is coming down to see what's going on in our store It's really important not only to just have the right partner with the same mindset that we have not only a business relationship, but a personal relationship Because we have to think alike

We understand that every culture is gonna be a little different, but we have to make sure that the experience that we produce inside of Tint World is gonna be the same quality experience in every single location, no matter what country in the world And to do this, we've sent our whole entire team, well, I shouldn't say the whole, key people in our team we send down over here for over two weeks to make sure everything is just right Tweaked The staff is trained, the management is well-understood of all our products and service How we've actually built this brand, and what we expect

And really, what the customer expects, and what they expect from Tint World is the best products, the best service, and an experience like they can get nowhere else It's so important to us to make sure that everything is just right, and that's why we spend so much time So I'm so proud to have come here myself to make sure that I'm here to join Khalil and his whole entire team to make sure everything is just right Our international master franchise program allows entrepreneurs in other countries be able to see our business model, take it and adapt it to their country and quickly launch it without having all the research that's gotta go behind it We actually adapt to their country so they can launch it and be successful very quickly in their own country

The first thing we do is we listen We listen to our international franchise partner and they tell us what is going on in their country? What type of other businesses are similar to what our business is, and how did they work? And then we go back and we propose to them how we think it could really transform over into their country and work really well And then we work together and collaborate It's not very different from what we actually do in the United States It's just a matter of certain things have to be tailored

Our first master franchise was in Saudi Arabia And in Saudi Arabia, it's a very different culture from it is in the United States, so we had to work with our Saudi Arabian partner to figure out how best to serve his community How does he present the services in his community? And what's the expectation of our brand in that country? I mean, American brands are really well-respected in international countries, but they also wanna tailor it to their own language and their own style, and what they fit, so there's definitely a blend that we have to work with them to make sure it's presented really well So we'll take our level of standards and adapt it Maybe the way the business is laid out

The biggest reason why international companies wanna adopt our business models: Now, first, they love franchising And franchising is mainly based in the US So a lot of the US brands get migrated over to those other countries They like them, they adapt them; they wanna live that But our particular model is, of course, they're car enthusiasts, and they don't have anything like Tint World there

So when they see Tint World, they see a turnkey package that they can actually get ahold of our brands, our products and services, and then our training and support and then they can implement that over there much quicker So they can scale quickly And because we are a unique company, it allows them to really not have to look anywhere else They bring it over there, and they can launch it very quickly – I search, I search, I search; there's no one

There's literally no one worldwide who has the one-stop shop They don't just sell products They have the whole thing; the whole package They have the products, the training, the marketing They have everything I need

Everything is built and ready for me to go Just to make money from day one – Typically when someone contacts our franchise development team, we would send them a download kit or information about our franchise, and they would learn the many things that we do, how it works, what the cost of opening up a master franchise was We do analysis of how many franchise can fit in those areas, in those territories, in their region and that would allow them to figure out where their growth model is And depending on the size of the country, they may want to purchase the whole country or a part of the country depending on how big it is

And at that point they could be a master developer in that country And they would be a sub-franchiser of Tint World in their country The first thing you wanna do is make sure we get their flagship store opened, and that's gotta be perfect We have to make sure that we're well-represented with that first store that's there and it makes a spark, and it gets everybody ignited onto that brand So we work really hard to make sure that that's right

That becomes the focal point So other franchise operations that open up, they take the lead of that store That's where we work so hard upfront to make sure that when we open, it's exactly what that region needs Once they have that mix working right and set up and going, then we would train them how to actually acquire franchise prospects and how to help them franchise in their country with their franchisees In each country we try to tailor our franchise to make sure that we're focusing on what's most desirable there; what works well

In Canada, certain services are very popular there They wanna do remote starts because it's cold in the winter They wanna do other services that might really appeal to Canadians It doesn't mean that our other services aren't going to be accepted as well Maybe they're just not used to it

Maybe they're newer services in Canada and they hadn't really seen regularly But once we get them open, we focus on what's the strength of their services that are well-respected and appreciated, and then from that point we broaden the service offerings so at that point, then we become the lead in that country In other countries, we wanna focus on making sure we bring American values in the way we operate our products, our sales and our operation So when we deal with customer service over here in the United States, sometimes in these other countries, they're not used to that And they actually want it, and they yearn for it, but they're not used to it, so it's really part of our training to make sure that they deliver our products and services to the customers in their country so they're really received well

And so we focus on the customer service aspect, making sure we have the right products, the right services We train their staff to make sure that they're operating efficiently, and they appreciate it so well because they usually don't get that type of full business model in those countries Our company has been offering services since 1982 So we've really adapted our program to many different states in the United States and many different countries around the world So we know what it takes to expand internationally

We know how to work with each region, and what it takes to be successful on the very first store My advice to new international franchise owners is to follow the system We will make sure that we give you all the tools to be able to run the system, but follow the system Everything from the sales, operations, & marketing support, we will be there every step of the way I can tell you that I'm very passionate about this business and it's one thing to grow the business in the United States but to see the success that they have around the world, that just, it amazes me

It's also really nice that, once we get this store open and they're operating, and they're efficient, the bond that we create with our international masters, we're like family I mean, they get it now They know we really care about their success, just as much as they do, and that's something I don't think you see every day Depending on the country, the culture and the region, we have to make sure that we adapt to providing the opening operations in the manner that they need it So we'll adapt our program

Whether they're gonna come and train in the United States, and sometimes we'll send a whole team out there to actually set up their business It just depends on what their needs and requirements are And again, it's not just automotive Automotive is why people attract to us, because they love the love of cars They have that love affair

But really, they expand into residential, commercial, and sometimes marine services that really allow them to really fire on all cylinders and make money in all these different categories And a lot of these categories are not offered in their country right now, so they're well-received when they start to offer those products Additionally, I have franchise master license who just recently have called me up and said I also wanna offer these products and services And could you find out how you can get these here? It's not something you offer so much in the US, but it's important to us to expand So we'll do the research and find out how we can get those products and services

And even though we might not be big in those services here, we'll figure out a way that we can fulfill their desires and their needs over there and immediately start doing it So we'll support them in any growth way that they can through the franchise model – You guys have so many products that I can add It's not just tints Yes, it's called Tint World

People might think that we also only sell tint, but no, we're not only about tint We sell tint, we can sell PPF, we can sell wraps, we can sell audio, video We can go all the way Whatever a customer needs when it comes to cars, it's literally under one roof – We have Russia, we have the UK, we have Europe, Germany

We also have Australia I mean, we have China, Brazil I mean, there's a lot of different countries that would really accept our brand and grow really quickly And we know that there's nothing like us out there There's maybe some little mom and pop shops, but no major recognizable brand that offers all the services that Tint World offers

The post Tint World Dubai Tour & Explanation of our International Franchise Program appeared first on tintguide.

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lastgenpodcast · 7 years

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Melyssa and the Mouse: Summer Adventures at the Museum with Joe Rohde

Recently I was able to enjoy a night at the Orlando Museum of Art and hear one of the most energetic and prolific Imagineers of our time- Mr. Joe Rohde. The museum offered an amazing spread of not only food from Animal Kingdom, including many small versions of things that could be found in Satu'li Canteen, but also music from the park, including the soundtrack of Avatar, as well as the harpist who typically plays in Discovery Island across from Flame Tree BBQ. There was a small exhibit where images from Joe's own sketchbooks were displayed, along with some artwork from around Animal Kingdom. Take a look below for some of the pictures from the exhibit.

But the real heart of the night lay in hearing Joe speak about Pandora and Animal Kingdom. He had mentioned in a tweet that this would be an art history lecture, and let me tell you, that's exactly what this was. Now, being an art history nerd (I mean I spent a month in Florence, Italy just taking 1 art history class for no credit) I can tell you this excited me- not only would I get to hear an art history lecture, it would relate to my favorite park in Walt Disney World and it was to be presented by the man for whom I have the utmost respect and admiration. I will attempt to convey what his lecture was about and how it tied into the place that we know as Animal Kingdom!

So, to jump right into it as Joe did himself, we discuss the fact that the way a theme park is planned and constructed is intentional and has numerous influences in the past, so that most of what has been constructed is not anything new, per se, but perhaps only done in a new way to suit a new purpose.

First- we look at composition and how the layout of an area or scene plays an essential part in artwork. The artists playing a key role here are landscape architects, which draw some of their inspiration from artist Claude Lorrain. Lorrain shows the gently rolling hills and broadness of the landscape- landscape as more than just background-something with purpose. How does this tie into the park- just look at Kilimanjaro Safari and you can see that each slope and rock is placed in such a way as to be appealing to the eye whilst on a moving vehicle, but also functions in a way that ensures both animal and guest safety without obvious lines of viewer/viewee. Often during the ride, vehicles are not seen by the one behind, or at least you may only see the 1 or 2 ahead of you- particularly if you are out on the savanna. But again, the construction of the landscape has been shaped in such a way that the bend of the road helps hide the entire progress of the vehicles in front of yours.

And each aspect of this constructed landscape must be placed in such a way that it looks good not only to the vehicle that passes it on the left, but also the one that is passing it on the right and the entire way around. This is where Charles Bridgman takes his part. He made the Stowe Garden- an English landscape garden where the hills, valleys, and even the very trees were placed in such a way as to be appropriate to the design. Creating places also means creating spaces, which leads to architecture, which has been called the highest form of art as it incorporates a multitude of different art forms into one- sculpture, color, design, movement in space- all come together to create something that is functional yet beautiful at the same time.

When landscape artists build, particularly in Animal Kingdom, and create something out of nothing, we can look at no better beauty that Mt. Everest- home of Expedition Everest. However, for many years, the mountain was a place that inspired fear and reverence. It wasn't until the 1780's and Caspar David Friedrich where we begin having the mountain seen as a mountain of aspiration- representing an idea- a positive symbol of what we aspire to. Everest is very much this invented idea, a crafted idea which stems from the Romantic era, the Picturesque era where the mountain can do more than just invoke terror of the unknown.

If we leave the mountain and start to look at the world around us, we see that currently there is much going on- which is no better time for artists to do what they do best- create! We find this if we wonder into Africa in Animal Kingdom, as many of the fabricated artwork here is influenced by someone in particular who showed how to turn what some would consider junk into art. The idea of things happening in a world of economic pressure, where the focus is on conservation, and where the Imagineers have filtered this world through a lens of brightness and deliberate design- this is Africa in Animal Kingdom and the filter is Robert Rauschenberg. His work of combining elements of refuse and making art out of these elements inspired many corners of Africa, from the posters hanging on the walls to the bicycle wheels that adorn the light posts. Take a look in Tiffins and you will see a Rauschenberg inspired piece hanging on the wall- while it may seem odd to have this canvas covered in wires hanging in a signature restaraunt, it demonstrates the influence of this artist on an entire land in the park.

Another influencer in the upcycling of materials into art is that of El Anatsui. We may love the new lion marquee outside of the Lion King theater, but we would not have this without El Anatsui's influence. Here, in Harambe, we see that trash can become more valuable than trash and there is a culture- both fabricated in the park and reflective of real life- where the useless becomes useful and art can be made from anything.

Now, while we discuss how trash and useless things can be turned into new things, we must also acknowledge that the park is replete with many things that look old. And, while it's a very cool aesthetic to have old things in the park, sometimes ruins and broken objects can seem very depressing and sad. Where does one turn to and find that ruination can be crafted to not be depressing and just crumbling facades? Hubert Robert painted many ruins where the feeling of broken but beautiful is clearly demonstrated in the crumbling buildings in his paintings. The imagineers then bring in this idea and show that there is the power of nature absorbing human effort, but still remaining beautiful and giving us a documentarian look at what has happened but through an aesthetic filter.

Now we go into the story behind the things we view- the story that every object that is placed has to tell the viewer if one only looks carefully. This allows the imagineer to make art by following the rules of art, yet provide just a touch more for those who will view this art while waiting on line to experience an attraction or sitting to eat a meal. We look to William Gilpin to see that things can be edifying to look at- that they are not just objects- that they are purposeful, beautiful, and intentional. We also turn to Thomas Cole to see that landscape can be meant to say things- to speak to the viewer. Cole's work offers landscapes that are imbued with spiritual messages- conveyed by light- and are meant to truly mean things. And finally we look to Fredric Edwin Church to show us the vastness of a painting and what experiencing this size and scale can do to a viewer. Church's paintings were often displayed in a theater and were typically shown one at a time as they were so large- thus awing the audience with both size and detail all at once. The message culminates to: Slow down, take your time, and you will be rewarded with the details in inspection. This leads us to Pandora.

Our lead imagineer, the one who spent 6 years from concept to opening day, told us that Pandora is the most artificial and profoundly plastic landscape. While this gave everyone a good chuckle, it's also very accurate. There is little on Pandora (from the film) that would be recognizable to a human. So how do you take this insanely mythical place and create a space for people to walk around and truly feel as if they have been transported to such a space without alienating them with all fake objects surrounding them? The first thing that they did was find an object to instill awe into the viewer and create a space where vastness and small detail play hand in hand. The center of this space is the floating mountains.

The floating mountains were constructed out of steel and concrete, two materials that do not exactly exude the feel of weightlessness and airiness. How does one achieve such feelings from such heavy and weighty materials? We don't need to look anywhere but to the Italian sculptor Gian Lorenzo Bernini. He created my favorite David and, as you can see from the images, turned marble into cloth and imbued the muscles with movement and poise.

The additional inspiration for the floating mountains can be found in places where one is meant to look up and draw inspiration from the beauty- churches- in particular the Gothic style of church. The Gothic style celebrates light and bringing in the "light of God" into a physical space but drawing the eye up towards the heavens by use of columns. In order to draw the eye up, ribbed columns were implemented, which are lighter and thinner than the heaviness of the Romanesque bulky columns as the flying buttresses on the outside of the churches alleviated the need for the internal columns to be weight bearing and could now achieve that light, airy feel. Additionally, these churches let in as much light as possible via stained glass windows and even an oculus near the altar of the church.

The play of light and shadow is also a key element when your "church" is outside. Here, the mountains are influenced by Giovanni Battista Gaulli, who showed that the eye can be tricked to see what it believes is there and not necessarily what is actually there. Also, Piranesi has a heavy influence in the combination of light and shadow and the details going on even to the most remote corner of the piece. So we see through the combination of light and shadow, as well as leading the eye towards the heavens, the floating mountains are sublime- instilling awe and a safe fear in the viewer.

Another place where these themes come together, where the guest is able to have a moment of epiphany, celebration, where everything turns good, is during the Flight of Passage attraction. If you have not been on this attraction, I will not spoil it but will try to be as specific and vague as possible. There is one moment during the thrill of the attraction where the pace is slowed and the viewer is able to breathe and have this moment of amaze. And the influence for the design of this space is clearly the Gothic style church. Now, I do not have the exact name of the church that influenced the attraction (Joe's picture was spot on) but here is a type of Gothic church where you can how the influence was translated into the attraction. The columns are a very similar design to the area in the attraction where there is the pause. So, just as patrons back in the High and Late Middle Ages were invited into the church to pause at the beauty of the Lord, so is the guest invited to pause and absorb the beauty around them during this portion of the attraction.

Before heading out of Flight of Passage, we need to take a look at the queue for this attraction- easily one of the most magnificent and memorable queues in quite some time for Walt Disney World. Here, when guests enter the floating mountains, they are surrounded by a most primitive form of art- cave paintings. Now, the influence here is clear if you open most art history books (and look at the pictures below) but the imagineers were able to do what the men of the caves could not- they were able to ensure that the layout of the cave rock provided the shape they needed so they could, oh I don't know, say paint a huge banshee to encompass 3/4 of a wall.

It should also be noted how the braided sculptures seen throughout the land were not fabricated on what was seen, but actually made by people adept at this weaving tradition. The Javi textile artists (I'm unsure of the spelling but this is how he pronounced it) were the ones who actually wove the pieces you see throughout Pandora. As Joe said, why should they recreate the wheel when these artists have been doing it for so long? Just take a look at the detail in the pictures and you can see, there is just no comparison to true artistry at work.

We cannot mention Pandora without considering how this place takes the ideas of conservation and nature and presenting them to the viewer in a softened way. Again, we see the decay of the "great works of man" and the reclaiming of these objects by the force that is nature; however, we are not depressed by this reclaiming. In Pandora, the artists have filtered this process which could be depressing under the lens of Hubert Robert and Theodore Rousseau and romanticism, as discussed above, and are now showing that the "fantastically aggressive works of man" are succumbing to the forces of nature.

And finally, we cannot leave Pandora without talking about the nighttime spectacular that is the bioluminescence and the influence for some of these plants. We see the influence of Dale Chihuly in his glass sculpture in the giant plants that grace the night.

To close the lecture, Joe discussed how John Ruskin, in his book The Stones of Venice (1851), indicated how it was inevitable that we, as people, pursue our future to living in cities. We have seen that this migration towards cities has been the trend since Ruskin's time. Now, we must look at how these cities are developed and maintained as, particularly for older cities, they were not developed with the idea of beauty and meaning. While cities must tackle the difficulty of containing the density of the population, they could also be places of narrative, meaning, beauty, symbolism, and safety. The ideas that have been placed in the theme parks, where they are both a functioning place for a massive audience, as well as a place that offers beauty and form, must be now utilized to make our outside world just as pleasant a place to be as the theme parks we come to in order to escape real life are. And on that note, my friends, is where Joe ended, and so shall I.

#Joe Rohde #Animal Kingdom #lectures #Art History #Pandora #Orlando Museum of Art

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ges-sa · 7 years

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Cosplayer Of The Month July 2017 | Septik Cosplay

New Post has been published on http://ges-sa.com/cosplayer-of-the-month-july-2017-septik-cosplay/

Cosplayer Of The Month July 2017 | Septik Cosplay

[vc_row][vc_column width=”1/2″][vc_single_image image=”26025″ img_size=”full” alignment=”center” style=”vc_box_circle”][/vc_column][vc_column width=”1/2″][/vc_column][/vc_row][vc_row][vc_column][vc_gallery type=”image_grid” images=”26020,26018,26017,26022″ img_size=”medium”][vc_column_text]Our Cosplayer Of The Month for July 2017 is a Cape Town based cosplayer namely Septik Cosplay. What really caught my eye about her is the awesome armored gaming cosplays that she brings to life and I’m excited to hear more about her cosplay journey and to find out more about the person behind the cosplay persona…[/vc_column_text][vc_column_text]Hello Amoné! Tell us a bit more about the person behind Septik Cosplay?

My name is Amoné, I am a 22 year old female from Cape Town. I work for my father in the construction industry and spend most of my time with my dogs. I am as shy as can be, but I make up for it with my overwhelming sarcasm.

How and when did you get started in Cosplay and why do you enjoy it?

My interest in the idea of cosplay was peaked when I watched Soul Eater and Blair appeared on the screen for the first time. I was captivated! Following a search for a wallpaper of her I stumbled upon Jannet Incosplay’s flawless cosplay of Blair. I was reeled into the cosplay world from that moment on and I have never looked back. I enjoy cosplay because it gives me a sense of social confidence and the ability to practice my favorite ratio of creativity. 90% being alone and crafting/ 10% actually talking to people

Do you have any hobbies or interests outside of cosplaying?

Yes, I love to read whenever I get the chance. My guilty hobby pleasure is playing Nancy Drew games! They are amazing.

What was the first Costume you wore for Cosplay and did you make it yourself?

The first real costume was My Syndra Cosplay from League of Legends. I wore it to a Cosplay Picnic. My gran did all the sewing for me, I couldn’t even thread a sewing machine at that point! I made all the armor myself, albeit very poorly. The shading was ridiculously dark, the colors were completely wrong and it was just a huge mess. I was very proud at the time though and diving in head first gave me a lot more courage for future armor cosplays.

What type of genre is your favorite to Cosplay, and why?

I enjoy gaming cosplay because I can relate to it more and the designs tend to be more intricate armor wise.

Every Cosplayer has a favourite part of creating a costume or something they are really good at, what is yours?

It’s tough to say, I don’t think I’m really good at anything quite yet but given the time and money I can work pretty fast. As for my favorite part of a costume, I love when you wear all the pieces together for the first time and everything looks proportionally correct, that’s always my biggest worry.

What is your most difficult challenge in creating a costume?

I despise making patterns. It is very necessary but I am much too inpatient for all that accuracy.

We all know that cosplay has been become a very expensive hobby these days, do you have hints or tips for other cosplayers as far as cutting down expenses etc. are concerned?

My biggest help is a huge bag of foam scraps I keep under my workbench. Every time I cut off a piece that’s even remotely large enough to use again, I keep it. The entirety of trim and scales for my sister’s Deathwing cosplay came out of my bag of scraps!

Tell us about your most epic fail ever whilst creating a costume

I remember it so vividly. I was wearing my Tempest Janna cosplay at Japan Day 2 years ago. I had painted the insides of my foam black but had no knowledge of the appropriate priming, sealing and painting techniques at that time. The day was extremely hot and needless to say my black armor paint melted all over my hands and feet.

Which character do you consider to be your Holy Grail of cosplays?

Primal Kerrigan from StarCraft II! I have actually attempted to start the costume twice but it has not been a success just yet.

What is the one thing that you try and avoid when making a new costume?

I try to avoid sewing in general.

South Africa’s convention scene has been growing leaps and bounds over the last couple of years. Where do you see opportunities for cosplay to grow at local events?

I think a lot of people, enthusiasts and general people, enjoy cosplay a lot at events but very few people in the general public know what it is exactly. I think if people knew what to expect when hearing that the event will be hosting cosplayers there would already be a bigger attraction and also greater opportunities.

Costume crafting can be really hard sometimes, right? Do you have any scars from cosplay related injuries and how did you get them?

Luckily I haven’t suffered anything permanent.

Which international con would you really love to go to and why?

I am a very realistic person so I tend not to dream too big, therefore I haven’t really looked into all the different cons but I have only heard good things about Blizzcon, so my search might start there.[/vc_column_text][vc_single_image image=”26023″ img_size=”large” alignment=”center” onclick=”img_link_large”][vc_single_image image=”26019″ img_size=”large” alignment=”center” onclick=”img_link_large”][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_column_text]

COSPLAYER ROULETTE

Gaming platform of choice – PC / PS4 / Xbox / Board games / Mobile

What was the game that got you hooked to gaming and why?

Tomb Raider: Legend was my eye opener into the gaming world. I just loved the atmosphere and how the story line completely got me enthralled.

Your weapon of choice in a zombie apocalypse – Sonic Screwdriver / Light sabre

Sonic Screwdriver

Why is this your weapon of choice?

Frankly, I’m not sure if I would trust myself with wielding a light sabre. Even in the midst of a zombie apocalypse.[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_single_image image=”26032″ img_size=”large”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Pictures were supplied to GES-SA by the featured Cosplayer. We do not own these pictures so if you do, and you would like to us to add the credit please drop us a mail to [email protected]

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#Cosplay #Cosplayer of the Month #Septik Cosplay #Cosplay Corner #Cosplay Features #News &amp; Chatter

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123designsrq · 4 years

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