Are y'all ready for Book 3? No? Well, I dont care, do I now. You're already reading, its too late for you to leave now.
The Villains of Skulduggery Pleasant 3 - Batu
We arrive in the third book, The Faceless Ones, which seamlessly incorporates the consequences of everyones actions into even worse mayhem.
Following Vengous almost succesful attempt at opening the rift, a mysterious man named Batu (who is also the guy dealing with Sanguine at the end of Book 2 being all ominous) is behind the kidnapping (and murder, lest I forget) of all remaining Teleporters. Because he needs someone to teleport something through a portal in a different dimension.
(Tangent: Im sure Shunters didnt exist yet in Book 3. I feel like this should have been a Shunter thing and I can neither remember nor bother to find proof why the Anchor needs a Teleporter instead of a Shunter. In Book 8, Crayfon Signate quite literally does something similar with the Sceptre of the Ancients, looking for a Signature and then finding the correct dimension. Im pretty sure its about it all being a gateway instead of a direct transferal. If anyone knows, do tell.)
Alright, so. We have Batu/Paddy as our main villain and he is a brilliant and excellent one. But lets get the honorable mentions out of the way, so no villains feel ignored.
Our boy Billy-Ray Sanguine is of course part of Batus Squad, but so are the remains of the the Diablerie with Jaron Gallow, Murder Rose and Gruesome Krav. I honestly admit that I feel they are caricatures and the screentime they have is sufficient not to make them boring. They all die in the end anyways and its a shame that it reflects in the way they are so very one note and almost ridiculously "evil". On top of that, we also have a Seahag (in a lake. With corpses. I do love how dumb that is). Then theres Scapegrace and the second buildup for Thurid Guild.
I will be honest with you: Batu is an exceptional villain in terms of motivation, speech and arc. His surrounding villains are sadly one note caricatures, besides those that get to live into the next book (mainly Guild, Scapegrace and Sanguine). The others are often played for jokes or just to make a point on how cruel, wicked and horrendous the Diablerie and the worshippers of the Faceless Ones truly are. Which, yeah. Thats fair. But I always love myself some three dimensional side characters, so let me be a little sad.
Now, lets think about why Batu actually works:
Hes mortal. Evil, yes. But mortal. But he could have been magic. Technically, its his birthright.
And thats all, really. Its man grasping for something he could have never had and that he could have never been gifted. Its another case of fanaticism. Fruitless, sad and deadly.
Now, the SPU has a long history of ignoring of belittling mortals in the way that they are and who they are. This becomes more apparent in later books (the xenophobia/eugenics in Phase 2 for example) but its also pretty evident here:
Batu uses his mortality, his frailness and his visual weakness as a shield. If, for example, Batu was young and fit, it wouldnt quite work the same way. His age and behaviour is a smokescreen.
Funnily enough, he even points it out in his first interaction with Skulduggery and Valkyrie:
"Reach a certain age and suddenly, you're a nobody, suddenly you're not even worth counting." - Book 3, Chapter 13
That combined with his somewhat senile mannerisms, the whole old-man schtick is so very stereotypical. Because of course it is. Both readers and heroes alike are blinded by how much of a an old man™ Paddy really is.
Contrast this with Batus first appearance in Chapter 7 and 14. The way he speaks ist fundamentally different.
"You failed me, Mr Sanguine. I paid you to do a job and you failed me. [...] You will have a chance to redeem yourself."
Paddy doesnt hold power in conversation, hes a silly little man. Its on purpose, of course. Authenticity breeds trust and everyone can relate to an old cynical man, stuck in his ways. Batu on the other hand commands a room. Speaks with a high tongue, with precision. Short and accurate, no breath wasted. Naturally.
When you read the books and you are aware of the twist, there are a lot of things, behaviours and sentences that could make you raise an eyebrow. But our heroes dont have the time to question anything, so they dont. They willingly accept that this man owns the land with the rift, that he doesnt panic at the explanation of magic, that his questions are a little suspicious. Because then they would need to stop. And neither Skulduggery nor Valkyrie do such a thing. They are cocksure of themselves, remember? And Batu knows. Batu even bets on that, as all sorcerers he has met have been equally cocksure. And all his henchmen are too. He's playing all of them, simply because he knows how they work. He has weaseled his way into their homes, has fed their cats (s. Chapter 36), has seen their arrogance and sadly his cynicism proves right at every turn. He really is invisible to them. A mortal obstacle, to be dealt with to safe the world. Always the roadstop, never the destination.
In Chapter 20, Paddys reaction to magic is a smile, not fear. He knows magic exists. It entices him. The shock he displays is - of course - an act, but a very believable one. Sure, yeah, the old man doesnt mind anymore. Hes too old, he has seen too much. Magic might as well exist to him. And he was horribly stubborn this whole time, so it makes sense that he would have an equally spiteful response to magic.
We even come full circle: Paddy asks Valkyrie if she despises mortals for what they are.
"Someone who can run fast dismisses the people slower than he is. What if its someone who can run really fast? Then the slower people become little more than an annoyance, and then an irritation. Superiority breeds contempt." - Book 3, Chapter 20
(Quick sidenote: Its like he wants to be caught when you start looking for it? He himself is the one who runs fast. He himself sees the others as annoyance, as irritation. What a beautifully wretched thing to say.)
Essentially, Paddy is justifying himself here, but, again, reader and heroes are caught up in this very relevant question that plagues Valkyrie: Being detached from Humanity, from Family. Once again, Batu is using his understanding of the magical world against them. He is one step ahead. He recognises Valkyries youth and asks her specifically. Not Skulduggery, who would dismiss it. Her. Even further, he points out the massive flaws in the systems to her, as one of the first in the whole bookseries:
"So magic people view themselves as mages and everyone else as mortals. And that doesnt sound like a group of people elevating themselves to godhood to you?" [...] "... They have the power of gods, dont they? They have magic at their fingertips. Their affairs affect the world. [...] You hold the fate of the world in your hands. If thats not godlike, I dont know what is."
Now the avid reader might have noticed that once Paddy speaks about sorcerers and magic users, his whole old man™ act falls away. His speech becomes more like Batus, because he is Batu in this moment. He isnt acting here.
And why does no one recognise it? Because its a justified question. Again and again, Batus line of logic proves true: All sorcerers are playing god to an extend. A theme that will be picked up far more heavily between Book 7-9 and the entirety of Phase 2. So, as readers, its enticing to see someone challenge the presented Status Quo and as Valkyrie, this direct confrontation helps settle her own views as a growing Teenager into this magical world of god-pretenders. Batu fulfills both the role of a mentor and a villain, pointing out the straw that will break the camels back again and again and again in the following books.
He himself fights like a mortal: There are no fancy gadgets in the big fight. There are machine guns and grenades, painfully mortal weapons. Painful is literal in this sense. Batu chooses reliable weapons of war and not unpredictable gods. At least, in the beginning. There are also the Hollow Men, a whole artifical army of them. Which, broken down, is hilarious. The sorcerers, capable of destructive magic and definitely murder, are using the mortal weapons against the heroes. The army that is there to support them is one of magical stupidity, literal child friendly canon fodder. His army of magic men is one without mind, without question. And his Diablerie, despite actually having a brain, never question him either. They're all hollow men, one way or another. Some of them by power of creation and some of them simply because they are blinded by their own fanaticism, blinded by Batu and the true fight. So, he doesnt fight like a mortal at all. He fights like a mortal that knows the sorcerers. Using the best of both worlds, the most potent startegies each side has to offer. Additionally, there is also the implication of him commanding a massive army without even being there, which does underline his godlike aspirations as well.
Finally, when its revealed that he is indeed Batu, he declares himself "not a mindless drone" and "someone with a vision" (Chapter 36). But what is the root of all his evil?
"Magic." He said. "My father was a sorcerer. So was my brother. But not me. I just didnt have the spark, you know? But now, its finally my turn."
Batu feels robbed of godhood. And that is precisely why he is summoning gods to overtake the world. If he cant reach for divinity, everyone else who can needs to suffer for it.
[Val] "You're going to let a Faceless One take you over."
[Batu] "And then I'll be brimming with magic that ordinary sorcerers would never even dream about. They're not gods, Valkyrie. They're as pathetic as the people you left behind in your old life. But me? I'll be a true god."
But that isnt everything. Despite how much his mortality annoys him, he sees it as the one defining strength that seperates him from sorcerers. His mortality makes him powerful.
[...] "I was born without magic. Ive had to be strong. My will is iron. Im not going to be simply erased - not like the others."
His mortality makes him so powerful that he will rise above the mortals, above the godlike sorcerers and be able to Neon Genesis Evangelion Pilot his way through the world as a Faceless Ones vessel.
So now everyone can agree that Batu is another insane man in a series of insane villains, right? I dont need to spell that out. But before I go and give you a nice little ribbonbow for the ending, lets look at Batus death and how its described.
"Batu turned, spread his arms and raised his eyes to his god, and as it rushed to fill him, he screamed with terror and exultation. And then Batu was gone." - Chapter 42
The Faceless One described here is the one that is responsible for all the mayhem at the end of the book. Its by far the strongest from the bunch. So maybe some part of Batus willpower speech is true. But the written text makes it very clear that this is not the case. Batu is an excellent vessel for the strongest Faceless One. But nothing more than that.
Which is horribly ironic. The man that gained the trust of dozens of sorcerers, has perfected being a non-threat to anyone but believes himself to be worthy of the power of a literal god vanishes instantly. Just like everyone else.
But I love Batu as a villain. Waving all the weirdness aside. He is compelling because in the few moments that he is actually authentic, he is terrifying.
Not to mention he actually achieved what The Diablerie and Baron Vengous couldnt. He manipulated Skulduggery into revealing where the gate was. He used the ressources of the enemy to his own gain. The saddest thing about Batu is, that if he had put his mind to anything but godhood, he would have ascended anyway. He has all the ressources: smarts, wit, the ability to plan longterm, not to mention charisma and leadership skills.
He would have made a magnificent sorcerer. And thats just... incredibly compelling. Batu isnt strong with magic. He doesnt throw flames around, he isnt a walking skeleton. He is a cynical, old man that despises the hand he has been dealt and instead of accepting what is, he cuts from the world the pieces he thinks he deserves. And in this incredible determination blossoms a man that could have been anything. That had the skills, the mind, the speech to become something wonderful, something progressive, a change bringer.
Instead of recognising the talents he possesed, he focused merely on what he didnt have. Turned to evil, to spite. To bitterness and cynicism. He almost became the downfall of the entire world in his quest to prove that he was, indeed, as godlike as the rest of them.
9/10. Go Paddy.
Wanna read more of my breakdowns?
Here is Part 1: Nefarian Serpine and Part 2: Baron Vengous for you!
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Welcome Post
Hello and welcome! I've been here a few months now and am getting a steady trickle of followers, so I thought I'd have a go at introducing myself. I'm happy to be called seahag, salthag, starhag - you get the idea. I'm a woman in my late fifties, newly retired because of health stuff. I'm based in the UK.
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