#sees is so incredibly evil in the way they operate

[mymp3]

oh btw p3 update, i think im a little over half ways through.

[liulith]

We as a fandom need to open our hearts to the insane comedic potential of Sir Pentious being included as a background character in stories taking place in the "old days" before Vox and Alastor's falling out. AND the comedic potential of one-sided Sir Pentious -> Vox.

Why?

Canon!Sir Pentious is attached to his era's aesthetics but he also wants to be "hip and cool" (see pilot episode; Sir Pentious as the how do you do fellow kids meme) and join the "Almighty Vees". When did he start wanting that? He's not a media demon trying to keep up with his audience and be a likeable public figure. He's a mechanic trying to conquer Hell by force thanks to his machines and obviously relishes in acting like a villain (fear me! I'm so evil! I'm the architect of destruction! etc. etc).

This is very different from the Vees' approach - maintaining a perfect public image, insidious manipulation tactics... Vox threatens Alastor in the show, but the Vees clearly haven't built their power through turf wars, which is and has always been Pentious' one and only strategy. All the machines we've seen him make are war weapons (+ the Egg Boyz who do his bidding, and help him operate those very weapons). Voxtek probably sells weaponry too but that is more Camilla's domain, so it would be more logical for Pentious to try and join her.

Pentious' and the Vees agenda and interests aren't aligned, so why is Pentious so desperate to join the Vees?

there are many reasons why Pentious could want to be part of the Vees besides the one I'm gonna talk about but you know what MY agenda is:

Vox is Pentious' idol. Pentious is an inventor, an innovator. He would have loved waking up in Hell with a mechanical body he can upgrade however he wants and finds the whole concept fascinating.

He's not against new technology, as his creations clearly go beyond what people could have had invented in his time despite their "steampunk" aesthetic (see: the effing death ray). So I think his current "limitations" are more a matter of him having to stick with what he knows best because it's hard to keep up with the constant stream of new tech. This is why he's more than impressed with Vox's extraordinary ability to adapt to change and master new technologies again and again. He's a fellow innovator! That's one reason for Pentious to be obsessed with the guy.

And if you think obsessed isn't the right word, think about this: Sir Pentious repeatedly challenges Alastor to fights even though he's clearly outmatched and it's an incredible risk to take considering what Alastor does. Pentious is OLDER than Alastor, he was there when he broadcast the most powerful Overlords' scream all over Hell. Plus, losing always leaves him in a very vulnerable position (without his best weapons). Is it madness? Hubris? An obsession for Alastor? No!

Sir Pentious to Alastor: Silence! Now Cower! For when I've slain you, the Almighty Vees will finally acknowledge me!

Sir Pentious thinks defeating Alastor is the only way the Vees will finally acknowledge him. No matter how dangerous it is, he has to try, for the Vees (Vox). Just like he took the risk of angering the Princess of Hell to get in Vox's good graces. This says a lot, for someone as paranoid as him, who doesn't trust anyone who is "too nice" to him.

If Hazbin had more episodes there should have been one about Pentious struggling with the fact he disappointed his idol and told to KHS 👀

(btw this is old news but we know that one of the Hazbin episodes that Viv originally pitched was about a science contest organized by Voxtek in which Pentious and Baxter competed against each other! Pentious could have done that after ep2!)

Anyway, back to the comedic potential of it all & Vox's arrival in Hell. Can you imagine his reaction as a newly fallen Sinner, when he's hanging out with Alastor (aka following him like a lost puppy?) and he meets Sir Pentious for the first time? Like sure, Hell is full of insane people but Alastor obviously has a Reputation and no one ever challenges him. And suddenly... Hm... Alastor?? There's an airship with a giant cannon pointed right as us?? Firing a DEATH RAY?!

It's also so funny to imagine Sir Pentious being obsessed with Alastor and considering him his archnemesis back in the day, only to slowly become obsessed with Vox instead and only caring about defeating Alastor because he thinks Vox will like it. It starts with Sir Pentious trying to "gather intel" on Alastor's new "ally", spying on them or sending his Egg Boyz to do so (and we already know great he is at spying so you can guess how that goes lol), and the rest is history.

Alastor loves attention so he probably let Pentious spy on him behind bushes from time to time if only because it's very entertaining to watch him try to be discrete and make his shadow tap on his shoulder. How hilarious would it be if Alastor noticed Sir Pentious' growing crush on Vox but not Vox's crush on him? Also, Vox misunderstanding Pentious and Alastor's relationship and thinking Pentious is a weird obsessive ex... The world is a stage and the stage is a world of entertainment!

[kanonavi]

Spoilers for Simulanka Day 3

There's a conversation that I've had with friends from time to time about the fact that the world of Teyvat is, at its core, incredibly kind. Shockingly so, even for most fictional stories that aren't directed towards children. Even though the traveler has faced many antagonists on their journey, the people around them have always banded together to overcome those challenges. Even when people are hurt it's very rare for anyone to die, and many of the antagonists in question aren't pure evil and have their own reasons for taking the actions they take. They may not always operate on the same morality as the traveler or the player, and they might not be "good people", but they still believe that what they have to do is right, or at the very least necessary.

To put it more simply, Genshin is filled with characters that are made to be liked. Not every player will like every character, but very few of them are actively trying to work against you, and even when they do there's still something there to like. Except for like, Il Dottore, but he's likable for how unlikable he is (I have to say that or my Dottore enjoying friend will be sad lmao).

I got to thinking about this when playing the last part of Simulanka because it was a reminder of how, despite the kindness that they've been shown by Teyvat for the past three and a half years, the traveler's morality is still shockingly black and white in many situations.

We see this the most in how they interact with the Fatui. The Fatui, particularly the Harbingers, have cause a lot of damage in the past, but a lot of the grunts are just ordinary people following orders. the commission line in Mondstadt with Viktor, Golden Apple Archipelago 2 and The Chasm come to mind for times when we've interacted with Fatui grunts in a way that really humanizes them and shows that a lot of them really are just people doing a job. Some of them have just been surveyors or low-level guards, but the traveler and Paimon treat them like they're cartoon villains until proven otherwise (and sometimes even after proven otherwise).

The way that they acted towards Simulanka Durin before the party gave him their blessings also seemed to reflect this, especially in comparison to the other party members. Wanderer was obviously the most sympathetic to Durin, since his memories were like looking into a mirror for him, but Nilou, Navia, and Kirara all stepped forward to give Durin their support while the traveler was still showing doubts. They were thinking about how the residents of Simulanka might not forgive Durin, or how his form was too big and scary to coexist with everyone, which was an incredibly unsympathetic outlook even though they were ultimately able to change Durin's form.

It honestly reminds me a lot of how the traveler treated Scaramouche/Wanderer in Inversion of Genesis, like he was a person to be kept the company of only out of necessity as a means to keep him under control, even after Nahida said that she trusted him. Even though something did go wrong at the time, it still showed that the traveler's suspicion and distrust of Scaramouche was strong enough to outweigh their trust of Nahida, despite Nahida having proved herself many times to be wise and worthy of trust in the past. That mistrust and even disdain for him even carried over into when he reappeared with no memories, as the traveler was forcefully adamant that he needed to reclaim his memories and atone, to the point that it seemed like they were being a little bit mean about it.

It's arguable that Scaramouche deserved that treatment, since he was kind of a little shithead who caused a lot of harm in the past, but the traveler was also witness to how deeply he was hurt and manipulated in the past, and therefore would have some kind of understanding of why he turned out the way that he did.

Despite the traveler's usual helpfulness in Simulanka, Nilou, Navia, and Kirara all feel like contrasts to them. Nilou's whimsical outlook and positive mindset allowed her to grasp the magic of creation and even gave her the initiative to try and change Durin's form with magic in the first place. Navia is used to taking care of "the little guy", as it were, through the Spina, and was therefore willing to listen and empathize with the toy people who didn't want to undo the power of prophecy. (With those guys also being called "conservatives" or a "conservative radical" in English, that doesn't really have a good connotation depending on your political leaning, but Navia listened to them anyway). And with Kirara, while I haven't played her little sidequest yet, the description of her outfit described how the little cat burglar stole and returned the emotions of the cats that they hadn't been given when they were created, casting her in the role of someone who can understand the balance that anger, sadness, and pain bring to happiness.

The three of them, as well as the Wanderer, all carry Teyvat's fundamental kindness with them, and it was then coaxed out of the traveler only when all of them had already stepped forward.

It made me wonder if this is some kind of lesson that the traveler has to learn before reuniting with their sibling, that they need to be more willing to put their trust in people, or at least be more understanding of others. While the abyss twin hasn't divulged too much of what they've learned yet, they've made it clear that there are lessons that the traveler needs to learn about the world before they reunite. While that likely has a lot to do with various truths about Celestia and the sky being fake and all that, perhaps they're hoping for their sibling to learn that at least in Teyvat, sometimes people who cause harm to others are simply trying (or have tried and failed and lost hope) to find a path towards co-existing with others.

Since the abyss twin is supposedly born of Teyvat as well, perhaps they've already understood that part of this world from the very beginning and are waiting for their sibling to catch up.

[remembrancer-of-heresy]

Conversations on Love

Summary: You catch Fulgrim's attention and you both start talking about perfection.

Fulgrim/fem!Reader

Warnings: light angst and obsession

Word count: 1614

Author's note: he's so delulu, love him

Song: Depeche Mode - World in my eyes

You were one of many remembrancers who had benefited from Fulgrim's favor. A talented individual with a unique style. And yet there were many such talented people on the Emperor's Pride. Each one was determined to prove themselves and meet the Phoenician. How did you manage to do this?

Probably because you did not seek to meet him.

The Pride of Emperor kept a strict record of remembrancers. Not one of you sat idle. All your achievements were known to the leadership. Not to mention the desire to visit this or that hall. Or requests to meet Fulgrim. Of course, all the remembrancers expressed a desire to meet the primarch.

But not you. And in truth, you were surprised by this outcome. And in some ways, you even envied your colleagues. They are not afraid to take steps and are ready to try their luck in their endeavors. You did not consider yourself important enough to personally meet the primarch. Not to mention that you didn't want to distract him.

Besides, you are the remembrancer of the 28th expedition first and foremost. You must record the greatness of the entire Legion. The Space Marines, the soldiers, even the serfs. Each of them contributed to the Crusade. You were just finishing writing about the workers when you were scheduled to meet with the Primarch himself.

You did not feel any deep joy. Rather, a feeling of anxiety and tension. Lord Fulgrim was in the middle of cleaning Laeran. And you were sure that despite the Space Marines' assurances about the ease of the operation, it must have been difficult. But still, the Primarch decided to make time for you.

Perhaps to look into the eyes of a girl who decided that records of the work of cleaners were more important than an opus about the Phoenician. Right now, he was reading your notes. With an incredibly noble and refined, but still cold face. Only a raised eyebrow betrayed his surprise at your choice of topic.

“It’s a rather unusual topic, but I must admit your talent. However,” the man carefully places your notes on the table. You were one of the few remembrancers who still preferred paper. “You can use your skills in another field. Why don’t you write about the exploits of my sons?”

“Thank you for this honour. And yet,” you swallow, rubbing yourself under the beautiful violet gaze. “I’m sure other remembrancers can do a better job than I can. I’m much better at writing about simple, yet important, topics. The serfs make a huge contribution to the expedition. So do the Space Marines… Especially the Emperor’s Children! B-but…”

“But?”

Oh Terra, are you really going to refuse the Primarch? He will laugh at your choice. He probably already despises you, and you will soon be returning to your home world. But since you’ve already started, there is no point in stopping. If you’re going to disgrace yourself, then go all the way.

“I’m a little afraid of war. N-no, I’m downright afraid of it. Bloodshed and all that cruelty are not for me.” you swallow, fiddling with your hands. “I prefer to write about peace. A-and so I joined your expedition, my lord. To show the Legion not only from the point of view known to all. But other sides as well…”

You don’t know what to do with yourself. It would be easier to fall into the ground. However, looking at the primarch, it seems to you that you would rather soar. He was smiling. Not the charming noble smile that he usually gave to mortals. Not the mocking and evil one that you were afraid to see. No, it was a calm and peaceful smile… filled with sadness.

“Peace, that is what we strive for. However, we cannot achieve it without war.” - the man leans back in his chair, relaxing from talking to you. The high spirits suddenly evaporated and you wonder. Are you talking to the primarch or his double. Or is this the real Fulgrim. - “I realized that back on Chemos.”

“Your home world?”

“Yes. Now it is a fragrant land, full of abundance and beauty. But before it was a desert, where every worker was exhausted from labor. A world where parents abandoned their children too early.” - the man speaks more and more quietly, immersed in memories. You can't help but admire this spectacle.

“It was necessary to wage wars to unite Chemos. I am a warrior and strive for perfection in this art. However, I was not delighted to spill the blood of the human race. But sometimes it was necessary. Fortunately, there were other ways. Trading resources, providing protection, political marriages-”

Your mouth falls open in surprise and Fulgrim falls silent. Chuckling at your astonished look, the man smiles. For a moment, you again see the same perfect primarch that millions see.

“Surprised? Yes, I have been married several times. A very effective way to unite cities.”

“Oh. I would never have guessed. Where are -” You pull yourself back, realizing how many years have passed since the Primarch was found.

A feeling of sadness and tenderness grows in your chest. You are just a mortal girl, you should silently assent. But you cannot shake the thought that the Primarch turned out to be much more human than you thought.

“Do you miss them?”

The man smiles, almost patronizingly. His posture and voice are relaxed. But you see how his eyes turn into ice. Usually people close themselves off from their pain, just not to feel it again. But Fulgrim is not an ordinary man, he is a Primarch. Isn’t he?

“You could say that. But human life is too short, and I, the Emperor’s son. Must bring the light of enlightenment to all corners of the Galaxy. I cannot… think about the past.” - the Primarch shrugs. - “Besides, love is imperfect, and I”

“I disagree.”

Fulgrim is silent. His violet eyes are filled with a storm of emotions. Anger and resentment that you dared to contradict him, to disagree. And interest from something new.

The Primarch is perfect, he was created by the Emperor of Mankind himself. The greatest creation of science. People like him know better what is needed for mortals. They understand the world as it should be and cannot be wrong.

And yet you did not agree with him.

“I think love is beautiful and it is what continues to move us forward.” - you are embarrassed by your confidence and lower your eyes to the floor. - “Parents and children, siblings and friends support us. We change for the better for their sake and want to make the world happy for their sake.”

Your cheeks warm and you say shyly to yourself. “And romantic love is wonderful. So much of art is dedicated to this side of humanity.” You almost tremble when you dare to look at the Primarch again. “Without love, there would be no humanity.”

You would be lying if you said that time stood still. Like many mortals, your breath was taken away by the sight of the Primarch. But still, you managed to collect your feelings while sitting in his chambers. Now you dared to communicate with him as an equal. You should have felt shame or fear, nervousness.

But instead, a clear certainty settled in your soul like a warm flame. You were right, you did not doubt. Love is an incredible feeling that could not be denied or pretended not to exist. And you would even dare to call it true perfection.

“An interesting observation.” - the man looks at you carefully and you cannot help but notice how much the atmosphere in the room has changed. But it was too difficult for you to grasp what this feeling was. - “I will take it into account. You may go.”

***

You nod, confused by the whole conversation, and quickly leave the chamber. Leaving the man alone with his dark thoughts. Which he desperately wanted to suppress, to master his feelings.

He was a primarch. Above any mortal. And this was not bragging, but a simple fact. Fulgrim was obliged to lead humanity to the stars. To bring knowledge and art to the forgotten corners of the galaxy, to win every battle. To know perfection.

He was irritated by your unwillingness to submit to his will and to know the true nature of things. He could blame it all on the mortal mind. He could come to terms with the fact that you are not ready to understand the universe. But Fulgrim would be a liar if he said that he did not think about your words.

The man's gaze involuntarily touches the busts of his adoptive parents. They loved each other, did they not? Tullea and Corrin were enchanted by the Primarch and yet… it was their love for each other that turned them all into a family. They painted the dark world of Chemos with their feelings while Fulgrim was still a child.

He did not love them, but he pitied them. As he did his wives. It is an imperfect feeling that the Primarch was forced to give up. His path lies among the stars to glory and victory. So why can't he get your image out of his head? Is your faith in love so strong that it could shake his foundations? Nonsense. An imperfect creature, that's what you are.

And yet the Primarch makes another appointment, ignoring a strange premonition. A moment of weakness, nothing more. Fulgrim is still far from perfect. And talking with you should help the Primarch transform this burning impulse that torments his heart. In the end, he is above it.

[txttletale]

Wtf is Lancer and why is it shit (serious question)

lancer is a tabletop roleplaying game made by the guy who drew kill six billion demons and another guy. i wouldn't call it 'shit', necessarily--it's good in a lot of the ways that matter. it's first and foremost a tactical mech combat game and on that level it's incredible. its ruleset is finely tuned, provides great amounts of GM support to make running what might otherwise be overwhelmingly crunchy combat easier, and has a truly stunning and cool level of character customization available. so as a game, i think it's great fun to play and run, genuinely innovative, and a huge step forward for battlemap tactical wargame type TTRPGs in general.

the lore though, kind of sucks. i think it has two clear and overlapping core problems. problem #1 is that it is a utopia as envisioned by a social democrat. it's a world which the text describes as 'post-capitalist' (but there are still evil megacorporations with private armies who own slaves) and 'post-scarcity' (but only in the developed 'core' systems, so. y'know. there's scarcity). at many points in the text they say that Union (the game's main faction) is utopian, throwing around that exact word a bunch of times as well as 'mutual aid' and 'direct action' and the like. but what they describe is just kind of an imperialist Space Sweden with several distinct forms of slavery that constantly expands and uses its Benevolent Imperial Power to intervene on the Backwards Violent Worlds on its outer border but its good because its just trying to bring them UBI.

to show what i mean, here's one of the game's writers¹ talking about how it would be morally wrong for Union to, say, appropriate the property of a private military corporation that also operates as a fascist nation-state:

it's 'revolution' as imagined by the limpest of social democrats. and of course this would honestly be fine, whatever, most sci-fi settings are fundamentally achingly liberal, but the game goes so out of its way to signpost how Radical it is and how Hopeful and Liberationist you're meant to see the setting as

the other core problem is closely related--it feels like the lancer guys put every cool sci-fi idea they had into lancer even when it completely clashes with the core ideas behind it. like, AIs in this settings are callled 'NHPs' (non-human persons) and they're eldritch god-like beings from another dimension who have be kept 'shackled' (lancer's words, not mine!) to keep them as pliant and obedient AI assistants instead of hostile eldritch abominations. this is obviously horrifying and dystopian but it rules, it would be sick fucking worldbuilding for something with the tone of 40k or a one-off doctor who or star trek episode--but as a fundamental technology foundational to what we are supposed to believe is a post-revolutionary society founded on mutual aid and solidarity and blah blah blah it's glaringly dissonant.

bear in mind this is all just going off the rulebook. lancer fans have told me that the supplements and campaign modules fix some of this or contextualise it. but on the other hand communists have told me that they make it worse and i trust the communists more. i leave you with this incredible passage from the game's foreword:

[animebw]

You know, summer usually ends up being the most barren anime season of the year.

That is definitely not the case this time.

MUST-WATCH

Mayonaka Punch: The director of Ya Boi Kongming is back with a show about lesbian vampire Youtubers. Need I say more?

Days With My Stepsister: Don't be fooled by the title: this is actually a very contemplative, serene series exploring the complexities of family. The stuff it's doing with light and shadow has my brain on fire.

Monogatari Series OFF and Monster Season: The ultimate problematic fave is back, and it's just as spectacular as ever.

The Elusive Samurai: Dear lord, this is the most beautiful thing I've ever set my eyes on.

Too Many Losing Heroines: Screwball comedy at its finest. The first episode had me cackling from start to finish.

Shoshimin Series: When a show manages to gut-punch me with strawberry tarts in the very first episode, I know it's operating on another level.

RUNNERS-UP

Oshi no Ko Season 2: god dammit why is this show actually good now

My Deer Friend Nokotan: Shikanoko nokonoko noshikankan shikanoko nokonoko noshikankan shikanoko nokon

Twilight Out of Focus: Always down for more good BL, though be warned it dives headfirst into themes of abuse and pedophilia, so come in prepared.

Senpai is an Otokonoko: Really with the production was better on this was cause the trans narrative at its core is so fucking good so far.

Bye Bye Earth: Thank the gods for classic anime fantasy.

Arti- My Dear Moments: An actual good Key adaptation in this day and age? I never thought the day would come again...

WORTH A LOOK

Narenare: Cheer For You: Incredibly vapid first episode, though the art direction is unique enough I'll probably stick with it a little longer to see if it gets better.

Sakuna: Of Rice and Ruin: This would be an easy recommend in a less packed season, but if you must let one good show slip through the cracks, make it this one.

ON THIN ICE

Tower of God Season 2: I'm willing to give it another shot, we'll see how long that lasts.

The Magical Girl and Evil Lieutenant Used to be Arch Enemies: The story behind this anime's existence is way more interesting than the anime itself.

Suicide Squad Isekai: Tappei Nagatsuki, my guy, what are you even doing?

[sevilynne]

Sorry in advance, I'm going to rant here a bit.

Why do 80% of Snaters have to bring his looks into the discussion? Like, the way he looks has nothing to do with his character! I just saw another post calling him a "disgusting, oily, ugly man" in their rant on how he is an evil person, like... I look, apart from being a woman, exactly like him. Like, I 100% match the book description. Crooked teeth, shoulder long hair that gets greasy way to quickly, big, hooked nose, dark eyes, too skinny, walks in a "gliding" way: that's me! Why do the marauders fans have to do this?! Don't they realize that there are people, who will look like the charakter they hate on? This fucking fandom made me so insecure about my nose, that I am considering an operation at 19 years old! I just cried for half an hour after seeing jet another post about how ugly Snape is and no wonder he never found love! It just causes so much pain. If they want to hate on Snape's character, fine by me! But why can't they leave the way he looks out of it? Why?

Sorry for freaking out here, but you are one of the few pro Snape accounts one can write to anonymously and I don't want them to be able to figure out who I am. Thank you for reading this messy thing i wrote, it just needed to be said.

I must offer my deepest, sincerest apologies for posts you’ve seen. Alas, Marauder Stans possess a troubling insensitivity and thoughtless disregard for the nuances of character and narrative. In Sev V. S Marauders arguments, when they find themselves cornered without a coherent defense for their beloved quartet, rather than talk about the substantive truths about Sev, they instead throw callous, almost vulgar fixations on his appearance.

Marauder Stans, as fervent as they may be, are often proved problematic. Their disdain for Sev runs so deep that they not only dismiss his importance and erase him from his own circle but also stoop so low to attacking his appearance and ridiculing his poverty.

Marauder Stans seem to revel in disparaging Sev, often going out of their way to strip him of any redeeming qualities. It's that they take pleasure in rewriting his narrative, erasing his virtues and amplifying his flaws, making a one-dimensional caricature that serves their biases. It's a weird thing, revealing more about their own prejudices than about Sev himself.

Your appearance is a distinctive and beautiful part of who you are, but it does not, in any way, define your value or your capacity to be loved and cherished. Those who resort to attacking someone’s looks often do so because it’s the quickest, most mindless way to inflict pain. It says more about their own insecurities than it does about you. You deserve to be appreciated for the incredible person you are, far beyond the surface.

Please remember that you are so much more than any fictional character, you have your own unique story, rich with experiences and emotions that are entirely your own. Here, you are loved and valued for who you are, regardless of how you look or the way you express your personality.

You can always try to block every Marauders Stan who spews negativity about Severus’s appearance. Hypocrisy is those are often the same people who accuse him of bullying, completely oblivious to the irony of their own actions. They fail to recognize that by mocking an 11-year-old who grew up in the grip of poverty and isolation, they are perpetuating the very behavior they 'condemn'.

Have a pleasant day! (Apologies, I'm bad at comfort. And in summary, they hate Severus's character by itself and it's appearance and NOT because he bullied kids, and people like spewing insults at Severus because he is conventionally unattractive, unlike Potter and Black.)

[nilboxes]

I didn't know who to say this too but i was about to explode thinking about this and you are one of the few people in hsr fandom that i trust to understand ratio so my apologies to be dumping this on you all of a sudden but... I think Ratio's technique is so interesting in a way and speaks more about him than people give it credit for. Like...creating a fake version of himself that aggros the enemy is already very meta of how hsr fandom tends to see him, esp with the number of people that started hating him after that "betrayal" scene in 2.1 xD And it makes me wonder about his voiceline where he says something like "im fine with showing my true self if it helps me teach students/cures patients but i find that doing so is counterproductive most of the time"...wdym "true self" sir...and why are your character details completely devoid of any details from your own pov...and why do you get so evasive when anyone tries to ask about your past (going by that one interview when someone asked him what he was like as a child and he's just like "what a silly question, i was a normal boy")...it seems to me the princess is hiding something...

Thank you for your ask OP! It's really interesting to think about your question, and I'm humbled by your trust! I hope whatever I cook can satisfy you in some way. It's going to be a bit long!!

Let's start by saying I do operate under the belief that we know a lot about Dr Ratio and at the same time we only know what he wants us to know, which I find incredibly interesting to his character.

It can go many different ways. A lot of people use this mysteriousness to hint at the following:

1. something sinister (I am not necessarily saying you are doing this)

2. suggesting that he is more than who he is, like he may be more than who he presents to be (may or may not be evil in alignment but just more)

3. he really just thinks divulging further personal information about him is pointless and he values his privacy as an individual rather than a prominent figure

Let me now unpack the most wrongest [sic] take, number 1, which I find to be antithetical to his character, because Dr Ratio has always been aligned with doing good. He isn't your typical good person, but he is morally pushing for good (eradication of ignorance, people finding and reaching their potential etc), and he rather he reminds me of a very stern but nonetheless kind educator who genuinely demands good be brought into the world through one's aptitude and ability (just like himself) and not relying on others to solve problems for you

Number 2 is a little tricky, since we cannot really confirm nor deny that Ratio is no longer truly following Nous after he realizes he will never be acknowledged, he may be aligned to another Aeon or none entirely! I personally dislike the Mythus/Fictionologist take, because again it is antithetical to who he is as a character. Fictionologists will rewrite history and twists facts in order to create the possibility of uncovering more, but this is akin to something called accelerationism, which is in plain words to incite chaos (bad) in the slim chances that from the chaos a great good might emerge/ be produced/discovered etc, a practice and ideology I feel Dr Ratio as he is characterized now would be extremely against. Now I do subscribe to the fact that Dr Ratio may not be following an Aeon at all or we aren't privy to who they are yet, but this is a possibility that there is a facet to Dr Ratio we have not seen yet and will down the line so...

Number 3 is where I am at now, I really, genuinely think Dr Ratio just thinks of himself as some guy who was gifted with the equivalent of 8 genius brains but it isn't anything exceptional. From how he acts, he feels like some guy who had a rather normal childhood (if not really lonely, which I talk about in my twitter thread here) and grew up to be exceptional except in all the ways he wanted/was taught to want/thought he might want.

So I operate on several headcanons about Ratio just genuinely being so smart in a planet that is presumably the remnants of the civilization in the Laurel Wreath Galaxy where a Philosopher King/Philosopher Union was mentioned. This headcanon is heavily colored by this excellent theory a fellow fan made and I have to admit I can scarcely distinguish between mine and theirs while I turn him around in my brain so do give them/their thread a read too when you can, but I do also subscribe to how Ratio must have been exceptional in a civilization that prizes scholarship and enlightenment.

Knowing this, I presume he grew up with a lot of expectations placed upon him, particularly that of gaining the gaze or glance of Nous and ascending as a genius society member or more! That is a lot to place on an individual, especially someone like Ratio who is very much hinted to have grown up very fast due to his vast knowledge and while it's a stretch to say he was forced into growing up fast, because he def wasn't, he was nevertheless seemingly not really given much opportunities to be a child, as the push for him to start university very early could suggest that his aptitude and potential were so valued that it overridden any other needs he may have. If we wanted to ask about his childhood, he would have very dull things to say too, so to speak. I imagine it wasn't eventful at all, but filled with just studies.

Where am I going with this about his statues? They are called Mold of Idolatry! Idolatry meaning the extreme adoration or love of someone. That Dr Ratio makes the statues of himself never seems like the narcissistic sort, that would imply he holds himself in an extremely high regard to the detriment of others, but Dr Ratio isn't narcissistic, he would be a vastly different character if he was. The key to narcissism is that there is a great need, to the point of detriment, for admiration.

Now, look over to how Dr Ratio presents himself to us in his 1.6 quests. He wears his plaster head as not to be recognized by others, to remain incognito if you will, and is content to sit at the sidelines nudging things along in the background rather than swoop in and take the credit as the hero when Duke Inferno was trying to wreak havoc on the Space Station. His heroic deeds are never realized by the people he saved from being spaced, that is not an action of a narcissistic man who would gloat about saving other people. No, he sees his job is done and he walks away without fanfare, without even so much as seeking a thank you from the people he saved. That's one of the clearest and most well-thought of character introductions/demonstrations in the game and a solid proof that he isn't a narcissist (again self-centeredness is different!)

With that in mind, what does the statue imply?

Dr Ratio operates by redirecting attention not to himself so he can freely move in the background. That it looks like him in funny poses speaks to a silliness I feel he never really gets a chance to let loose too often, so his "art" is his outlet. That it directs enemies to attack that instead of him, I can't help but feel like there's a sense of "look at this 'image of me' others have built up, pour your love/expectations/wants/aspirations (and the extreme opposite of that maybe?) to that likeness of me instead, and let me be free from that to be who I could be without all of that baggage"

tl;dr -- it's not that deep but it is?? I feel like Ratio just wants to be left alone to do his thing and that's what the Mold of Idolatry represents.

I hope that satisfies you, anon! Thank you for your question, since I do have more insights to Dr Ratio now. I think I'll also find a way to condense this into a Twitter thread sometime.

[wickjump]

I heard thoe like Hypersomnia? Could that be true?

*quietly slides a yapping card across the table

takes your yapping card and adds it to my probably not all that legal collection of yapping cards. pleasure doing business

that it IS!!!!!!!!! (for those who don’t know, hypersomnia is ink x error x dream poly). anyway I LOVE HYPERSOMNIA. so much so that i was the one to coin the ship name hypersomnia and then became incredibly obnoxious about it ever since.

i think theyre perfect in every way. to me the initial appeal came from loving drink and errorink equally and being a fan of insomnia so why not smash em together? and then i looked deeper into it and Yes i love them.

my biggest propaganda for them is the fact that with hypersomnia, palette, pj, and gradient can exist as siblings without ink being divorced or a shitty dad, both of which im not a fan of. but then we go outside of ship kid territory and think about them and they work SO WELL THERE TOO.

the dynamic feels equal. dream and ink provide physical touch for each other so error doesn’t feel pressured, dream and error provide the romantic feelings for each other while ink is aro, and ink and error both can’t be read feelings-wise because ink has no soul and while not canon I like to think error’s soul is to corrupted for Dream to get a read on, so he feels that they’re not dating him for his aura and rather for him as a person.

and they’re FUN. and lowkey domestic in a sense too like. dream and error bond over spanish tv while ink draws them both so he keeps quiet during the show and doesn’t ramble on. dream listening to both his partners rant on about things they like while he just sits and listens with a genuine smile. movie nights? all the time. they share a big bed, but error’s part is sectioned off with pillows so he feels comfortable, though on days it feels too suffocating he sleeps in a hammock in the room. dream is injured in battle? don’t worry his husbands are the protector of universes and destroyer of worlds. ink is canonically a pretty lonely character—and while he doesn’t mind it per se, nobody ever sees his art. but now he’s got not one but TWO partners to look at his drawings!!!

AND INKS DADS!!!!!!! ASTER AND TOP HAVE TWO SONS IN LAWS!!!!!!!!! and they are SO supportive and they love dream and error and are very happy ink found people that love him for his weirdness and not ‘in spite of it’.

truce or modern au? nightmare does Not Like Them, on the contrary. and it’s funny. hijinks ensue. passive/uncorrupted or otherwise, he does not like them for one reason or another. thinks they have bad intentions, just doesn’t think they’re right, bad influences, or maybe he’s just scared he’ll lose dream and be alone. NIGHTMARE ANGST. YOU GUYS LIKE THAT RIGHT???????

need more appeal? just take whatever you like about drink, errorink, and insomnia and mash it together CAUSE THATS WHAT THEY ARE!!!!!! they are SOULMATES. TRUST ME they said so themselves.

literally any au version or interpretation only furthers the appeal. dream has wings? error uses his feathers in his dolls to make doll-dream’s wings ‘accurate’, and ink uses them in art (plus group preening, and error likes touching Dream’s fallen feathers bc he sorta knows how Dream feels now even if they’ve never/hardly touched).

fgod error/fgoc ink? dream is supportive of both of them and sympathizes with their roles (iirc dreamtale operates in a world where error’s job is necessary and not out of insanity so this is accurate too).

shattered dream and emotionless ink? great they can be 3 evil fucked up boyfriends because error is flexible like that and i like a bit of evil every so often.

it’s all great. they’re perfect. and they’re SO sweet to each other and they absolutely garden together. and every day past 6pm they sit down in the living area and error crochets/sews while ink draws and dream. aw fuck i forgot what dream does but he does some creative thing. whatever. and they take care of their kids together and they’re the BEST dads to EVER EXIST!!!!!!!! and they’re perfect and they love each other and they have rings with gems that they picked out cause they’re married. ok i know you wanted me to yap but this is too long SORRY!!!!!!!!HOPE U ENJOYED IG??

[autistichalsin]

I wonder if you have thoughts on like.... the other members of his grove? and halsin relating to them? bc apart from rath and maybe two more, they all seem very dicky to me 🤔 and ya, halsin said it's been a burden, and being a kind-hearted dude like him leading a bunch of bastards that think so highly of themselves could definitely contribute to the stress. I guess i don't get it? the one at the steps by the bear is like 'hold on give them a chance' @ the bear when we come in but then in the same breath is like 'no step further or i show you my claws' and seems like has to be talked down from being hostile by third druid; then later when we stop the ritual she's like 'we stopped the chanting but that doesn't give you the right to be disrespectful to this place' and some rando other druid went something along the lines of 'you're overstaying your welcome' - im just thinking how horrible halsin's life must have been surrounded by pricks like that 😔

Short version: yeah, everyone but Rath, Nettie, and Apikusis suck lol

Long version: everyone but Rath, Nettie, and Apikusis suck, BUT you can see several who are having doubts about what they're doing, and many of them come back to themselves once Halsin returns.

There were, I think, multiple things going on here:

By his own admission, Halsin wasn't a very strong leader. He never had leadership skills taught or modeled for him before becoming Archdruid, and further, his promotion was under incredibly traumatic circumstances. The survivor guilt, the admiration he had towards the previous Archdruid, likely left him not wanting to fully engage with the role out of fear of replacing him or at least seeming to do so.

The refugee situation was noted to be causing stress at the Grove as supplies were dwindling (I guess we're supposed to forget Goodberry is a spell ANY Druid can do, lol). This would have not only sown resentment against Halsin and the refugees for putting them in this situation, but crucially, it would have given an outsider enemy for the Grove. Cults (like the Shadow Druids) operate at their strongest when they have a threat, or appearance of one, to unite members and potential members under. "We are the only ones who can keep you safe from these outsiders who may be from hell itself, who are using all your supplies and contributing nothing, who are the reason you're being attacked by goblins every other day." And Halsin, as much as I love him, showed poor judgment in going with the goblins at that precise moment, and with little explanation to the others. It shows where his heart and priorities are- always with the Shadow-Cursed Lands first- but that would not be an endearing things for his stressed Druids.

Kagha not only fell in with this cult, but unfortunately, she had a lot of what Halsin was lacking as a leader- she just chose to use this skills for evil. She was persuasive (something Halsin admits he wasn't so good at), she presented herself as being concerned with the group's welfare in a way Halsin wasn't quite able to do (since his heart was elsewhere), and her zealotry seemed preferable to the other Druids in contrast to Halsin's mixed attention.

This cannot be understated: the Grove was deliberately targeted by Ketheric Thorm. He knew from experience that the Grove posed a significant threat, and he ordered his underlings to make contact with the Shadow Druids and send them to the Emerald Grove, to either persuade them to carry out the Rite of Thorns or at least cause so much division that the social bonds collapsed entirely and the Grove was left too divided to be able to accomplish anything. Ketheric and the Shadow Druids were able to find all of the above weaknesses and exploit them effortlessly.

So then it became a game of scapegoating, which is a favored recruitment technique of cults. "We're here because of the Other, and because our leader was too weak to fix the problem before it got this bad. We need a new leader; a leader who cares only for us and isn't afraid to tell the truth about these immigrants refugees who want to destroy America our Grove by leading gangsters and drug lords goblins right to us! Build the Wall Perform the Rite of Thorns!"

No one is immune to propaganda and everyone is a potential target for cults. It very well could be that all of the Druids, even Kagha, were once genuinely kind people who were manipulated by the cult into believing their kindnesses would get the Grove destroyed; they took on the "it's us or them" mentality.

For the timeframe to work, it either would have had to be happening in secret before Halsin left, or Halsin would have had to be gone for a while; since we know it wasn't TOO terribly long but hadn't JUST happened either, my guess is that Kagha had been spreading Shadow Druid doctrine in secret for some time, and had been planning to usurp Halsin's position even if he hadn't been kidnapped. That just made it easier once it happened. (There is a formal process within the Druids to challenge an Archdruid for their position; I don't know if Halsin even would have fought Kagha that hard if she kept her true intentions a secret. He had faith in her at this point after all, and didn't want the leadership position. That's a terrifying thought.)

So, then, Halsin comes back, and sees evil ideas spreading in all his Druids, starting with Kagha. Depending on the player's actions, he may or may not know it goes deeper than her. He can also see that his reputation has been severely damaged, if not ruined, in his absence; almost none of the Druids have any respect for him anymore. So he makes the wise decision to bring in Francesca, who they have no choice but to respect, and backs away himself. At this point, he intends to return someday when the Druids have been deprogrammed, but of course, later he decides it's not worth it anyway.

So back to: how bad must his life have been surrounded by that? Well, as mentioned, my headcanon is he wasn't surrounded by it very long, if at all. He thought everything was just normal, until he got back from being kidnapped and quickly found it very much wasn't. Whether that's better or worse, though, is up to interpretation. What's worse- seeing those you love fall victim to a cult, or thinking everything is completely fine, and then one day discovering they've been sucked in deep and there's nothing you can do to persuade them anymore since they've come to see you as The Enemy?

In any case, Halsin deserved much better, and I like to think he keeps in touch with Nettie, Rath, and Apikusis after the epilogue, even if he keeps his distance from the Grove itself.

[glitteringcrab]

Mental restraints of the puppeteered

[or: Frying his backups (part 2)]

Okay so this theory has been sitting in my head for a long while and I had the feeling it might be accurate but I could not find a way to tie it up with the rest of the plot my headcanons...

Until now, when something changed (namely, the possibility that Rick Prime has been puppeteering other Ricks).

So.

1. Let's observe this scene:

I think we can all agree that Evil Rick was having lunch alone (there are a lot of bittersweet fanarts where Eyepatch Morty seeks comfort from post-surgery Evil Rick in some way or another, but if this one scene is typical of their post-surgery interactions, it appears this hypothetical comfort-seeking was not a thing. They did not even eat together). He broke the plate, either accidentally or on purpose. He picked one of the shards up. The rest is history.

So what I'm seeing is that he was not puppeteered 24/24.

In the incredible, gut-wrenching fanfiction "Ghost in the machine" which you should all totally read (in fact, drop this rambling post and go read it now!! Go go go go!!!!! Like, shooo!!! Come back after you've read it, if you still feel like it. Because there will be SPOILERS in the following 2 paragraphs!!!!) Evil Rick was constantly following orders, 24/24. Even when Eyepatch Morty did not puppeteer him directly, he still had orders to follow, like "bring me this object" or "stand there and wait", and the wiggle room for Evil Rick to resist was minimal. Said resisting mostly took the form of twitching (ergo momentarily disrupting whatever he was ordered to do) at crucial moments, maybe kinda like a computer lagging at the worst possible time. Like I said, absolutely incredible fic, go read iiiiiiiiiiit!!!

But now that Unmorticken has aired and we saw more of their interactions, if we think about the above scene, I think we can reach the conclusion that that's not how it worked. Evil Rick may have received an order to eat, as well as orders to keep the place neat and tidy (and therefore he began picking up the shards) but actually jamming the shard at his eye is not a matter of twitching nor just barely managing to change the trajectory of a movement at the last possible second. It's a fully deliberate action, from start to finish. He had the agency to do it.

So I think we can reach the conclusion that Evil Rick was technically free to... be himself when not puppeteered.

With some restrictions in place, of course:

I am just spitballing here, but I'm thinking of what kind of other actions Eyepatch Morty may have forbidden Evil Rick to do, such as:

Cannot damage any equipment (duh, otherwise he'd be throwing a massive tantrum, destroying everything Evil Morty is working on)

Cannot attack Eyepatch Morty (duh, otherwise the kid would never get a moment's rest lol)

Cannot escape

Cannot call for help

...and probably a bunch more, such as "cannot speak" because of Evil Rick's lack of words when Evil Morty came to him during his failed suicide attempt... Plus the fact that he has a scar on his mouth, which a couple of amazing fanart and fanfiction made me wonder if Evil Rick said something during his surgery that Evil Morty very much could not stand hearing so he shut him up with a scalpel or whatever he was holding... before shutting him up for good.

What a nightmare, huh?

And that's when he was allowed to be himself. The rest of the time he'd be forced to watch himself kill Ricks, and kidnap and torture a thousand versions of his grandson.

2. Now, if the theory that Evil Morty was once himself puppetered it true...

...wouldn't he also have a similar list of prohibitions restraining his actions? Such as:

Cannot harm Puppetmaster Rick

Cannot escape

Cannot operate a portal gun (we've never seen Evil Morty operate a portal gun made by a Rick, he made his own. Is that a coincidence? Of course, both are "portal guns" so maybe that's a stretch, unless he calls his own portal weapon something else, like the dinosaurs called their own "portal pistol" lol. Or maybe using a portal gun to escape counts as "escaping" and therefore a separate order is not needed)

Cannot reveal to anyone what Puppetmaster Rick has been doing to him (maybe. Is that one even necessary? Would anyone even help him if he did reveal it?)

3. Like I said, I'm just spitballing here, but I think the above stand to reason. I mean they just seem like reasonable precautions. If this assessment is accurate, we can reach the following conclusions:

a) If Evil Rick's puppeteering experience was a nightmare, Evil Morty's was a living hell considering what Puppetmaster Rick was doing to him, especially if he was not allowed to leave the house and ask for help.

b) The fact that Evil Morty managed to free himself while operating under such massive handicups is another testament to his incredible intelligence and resilience.

c) It may be another reason he showed no empathy to other Mortys in his attempt to escape. They've had it easy, they had their chances to leave the Citadel or kill their Ricks, they had a million other ways and opportunities to escape and either never bothered or blew them. Now it's his turn.

4. Okay, now... what do you think happens to all these mental restraints once Evil Morty severed his connection to Puppetmaster Rick by tearing his receiver off???

One scenario is that they all became void. They were cancelled. Evil Morty was free to be himself, however he wanted. This could very much be true, and in that case my rambling ends here, I have nothing more to say.

Another scenario is all the old restrictions were still in place and effective, and he would just receive no new orders nor be directly puppeteered anymore. (I suppose this would make it into a good metaphor about abused people being conditioned to act in certain ways and it being very hard to rebel against them. E.g. imagine Evil Morty being unable to confess to other people about what happened to him because he'd expect pain and failure and no support, similar to actual abuse victims learning to expect accusations and failure and no support) Assuming the second scenario is true, then let's head off to the next points:

5. Depending on the exact extent of Evil Morty's mental restraints, it may be that using Evil Rick as a puppet was not only a clever way to get the upper hand, but that he had literally no other choice. E.g. imagine if he actually was physically incapable of operating a portal gun. He would literally need to hold it via Evil Rick's puppeteered hand. The whole thing would be Eyepatch Morty taking all his mental restraints and turning each and every one of them to his advantage in a convoluted, ingenious way.

6. Judging by Evil Rick's halted suicide attempt, it seems that while he knew that removing the receiver would kill him (I mean... you don't normally die by poking your eye out, so it has to be tearing your receiver off that will kill you, and he knew that) the puppeteered have no knowledge of the restrictions placed on them until they stumble upon them. (That, or Evil Rick knew he was not allowed to commit suicide but was desperate enough to try nonetheless.)

Therefore it's theoretically possible there are still some restrictions employed that Evil Morty is unaware of, which are waiting to spring up on him if the right (wrong) conditions are met.

Personally I think that's unlikely because I'm sure he has studied his own implant extensively since he became president and had access to adequate equipment, but:

7. Even if he studied it, this doesn't mean he was able to alter it nor undo it. From what we've seen it appears that unauthorized removal of part of the puppeteering implant equates with a death sentence. And while Puppetmaster Rick thought it unlikely his scrawny, stupid Morty would ever be able to put together a plan to break free or have the guts to mutilate himself, if the puppeteering equipment was originally, I dunno, a prototype designed by Rick Prime and was intended to be used against Ricks, then it's entirely possible that it is designed to kill the victim both for trying to remove the implant itself and for altering the accompanying code. It's the absolute prison, and despite whatever fast-acting healing equipment Evil Morty successfully used to remove his receiver in the past, it might be that it barely worked and he might not be too keen on trying his luck again.

8. So let's continue this thought experiment and assume that, if not all, at least the core mental restraints of the mind control implant are still very much effective inside Evil Morty's brain.

...Including the "cannot harm Puppetmaster Rick" one.

Now, I don't want to reduce the very important plot point of Evil Morty's mental restraints into semantics of "attack vs hurt vs harm vs kill", but... I'm going to go ahead and assume there are limits, definitions, to these mental restraints, otherwise Evil Morty would never been able to even look at Puppetmaster Rick wrong if there was the tiniest chance of it eventually leading to Puppetmaster Rick getting harmed. So I'm going to assume that the restraint is about something blatant.

Like... shooting Puppetmaster Rick, running him over with a car, poisoning his food, strangling him are all no-go, but aggressively poking him with your finger or not warning him about his impending doom might be okay.

My guess is that restraining Puppetmaster Rick is also okay, because as long as that the "no harm" order is still in action, Puppetmaster Rick would just immediately puppeteer Evil Morty into stopping or freeing him. The puppeteered cannot really get very far with this, especially when they're a child with no equipment of their own... Or that is what Puppetmaster Rick would think.

9. Anyway, before season 7 we don't see Evil Morty directly kill (or try to kill) another Rick. (It's not his fault the Ricks walked into various deathtraps, occasionally when he even specifically told them not to lol) This observation tipped me off to the possibility that some restrictions might still be in place... Of course, I cannot think on why there'd be a restriction against Evil Morty killing random Ricks, so it might simply be that in his attempts to bypass the restrictions against Puppetmaster Rick Evil Morty has learnt to think outside the box and later fully employed this skill to minimize the risk to himself.

And in season 7, he has no difficulty in killing Nice Rick, nor to shoot and attack Rick Prime during the Prime Fight.

10. BUT THEN WHAT'S THIS ABOUT:

I couldn't stop thinking about this phrase!!! It just doesn't make any sense!! WHY DID RICK PRIME ACT LIKE EYEPATCH MORTY WAS INCAPABLE OF KILLING HIM?!

So I kept thinking on what sort of mental restraints might still be active inside Evil Morty's brain.

Like, what? Is it something like him "not being allowed to kill a Rick who isn't currently posing a threat", so he could shoot Rick Prime in the beginning but not now that he's restrained? (But he shot Nice Rick again with no problem inside the box, when he was down and weaponless and dying...) This didn't really make any sense, like... why??? So I dropped this theory and forgot about it...

... until the theory that Rick Prime has been mind controlling other Ricks came up. By more than one fan!!!! (and we followed different lines of thought to reach it!!!)

SO LET'S PUT EVERYTHING TOGETHER:

(1) Evil Morty absolutely does still have some mental restraints in his brain and has been carefully operating around them this whole time, trying not to trigger them.

(2) One of those mental restraints effectively prevents him from killing Puppetmaster Rick. This would provide an additional explanation about why Eyepatch Morty didn't kill Puppetmaster Rick the moment he realized said Rick was freed by Rick C-137 resetting all portal travelers. Like, I can think of other explanations:

Puppetmaster Rick being terrified of the Citadel and having no idea that it no longer exists and worrying that they'll come get him to throw him in the Machine of Unspeakable Doom again, therefore laying as low as possible, either hiding himself so effectively that even Evil Morty can't find him, or protecting his home base to withstand an attack from the Citadel itself, making it extremely difficult for Evil Morty to defeat him.

Evil Morty being either extremely scared or extremely repulsed by him, simply never wanting to deal with him ever again, and thinking it highly unlikely Puppetmaster Rick would ever be able to successfully track him down as long as Morty took certain precautions...

...But it's also very likely that Evil Morty is physically unable to do it. Like, I doubt Evil Morty is morally above neutrino-bombing an entire planet just to get this one Rick, but maybe he can't do it. Maybe he is not allowed to fire such a weapon.

(3) In fact, the only things Evil Morty can do is hide himself in the fringe between worlds, employ a number of sophisticated shields, and surgically add the mind-cotrol-implant-overriding fingerguns on himself. An attack with these might at worst cause pain for Puppetmaster Rick, but as we've seen the fingerguns don't actually physically harm nor kill their target, they just... override the target's nervous system. So he can use those against Puppetmaster Rick.

(4) Fast forward to the Prime Fight, where Evil Morty uses a gun to try to kill Rick Prime--and why not? Of course he can do it. He also attacks Rick Prime with his bare hands and hijacks one of Prime's Dianebots to pummel him into a pancake. All good.

(5) Eventually, Eyepatch Morty's temporary allies go down, all the weapons and physical attacks he has tried got him no results, there are no more Dianebots for him to hijack and he's about to get shot:

Desperate, he tries one last thing: the finger-gun, which would only work if Rick Prime also has a mind-control-implant in his forehead.

(6) Bingo!!! It works.

(7) ...But this means that Rick Prime is also defined by a "Puppetmaster Rick status". Whatever mental restraint Evil Morty struggled to operate around is updated to extend to Rick Prime.

While the remains of the mind-control implant inside Evil Morty's head did not receive any new orders (as he no longer has a receiver), the old orders are still in place, and the updated knowledge concerning Rick Prime's status as a "Rick who puppeteers others" (or "admin" if you like) firmly slots him inside the "cannot harm" box.

(8) Whatever. Evil Morty is annoyed, but he knows how to work around this. He's unconcerned.

We have no confirmation of this, but it's likely Puppetmaster Rick had a special room and special equipment and used it update or oversee Evil Morty's implant (I mean... we've come up with similar imagery for Evil Morty and Evil Rick). Evil Morty therefore knows Rick Prime should also have something similar, and knows just what to do. He immediately drags him to the control room, where indeed the relevant equipment is waiting for him.

What I find funny is that Evil Morty probably didn't stick himself inside the wall panels to get all those cables out, but puppeteered Rick Prime to do it in his stead.

And this explains why part of the room was wrecked: Evil Morty was unfamiliar with Prime's strength and implants, and as we've seen, when controlling an unfamiliar body with implants, accidents might happen:

Evil Morty then puppeteered Rick Prime into sitting on his chair (aaaaand I assume deactivated his time-healing ability) before holding him still.

(9) Rick Prime woke up, saw/felt the fingergun and cables on his forehead, noticed he was unable to move, saw Evil Morty, remembered Evil Morty shooting him with something... and probably also immediately began employing his own implants and defense systems to get feedback on Evil Morty's fingergun and on how it could be overridden.

Doesn't this line make a lot more sense now???

He really is getting the picture. And in fact he may be getting a much bigger picture than Evil Morty might like; he may be stealthily scanning Evil Morty's brain through some other implant of his; see it full of cables, recognize the similarities to his own handiwork. He might understand that Evil Morty has puppeteered others, might understand that Evil Morty was once puppeteered himself. He might get a feedback on Evil Morty's list of mental restraints.

And he immediately begins stealthily mounting attacks against the fingerguns, which retaliate each and every time, turning red and hurting him. He keeps trying nonetheless, while simultaneously trying to distract Evil Morty by sweet talking to him (which is nothing but a testament about how clever he is and his ability to multitask) but his fate is sealed; maybe he'd be able to override the fingerguns given enough time... But he doesn't have enough time, and Evil Morty has prepared himself for this exact moment moment. His fingerguns are not easy to be overridden.

(10) So Evil Morty successfully fries each and every one of Prime's puppeteered victims (which do not have "Puppetmaster Rick status") and Prime says this:

DOESN'T THIS LINE MAKE A LOT MORE SENSE NOW?

He got feedback on Evil Morty's brain control implant. He knows that from the moment the fingerguns worked Eyepatch Morty could literally not harm him anymore.

(11) Not that this matters, because Eyepatch Morty knows just what to do...

...bring someone who can finish the job:

DOESN'T THE ABOVE LINE ALSO MAKE SENSE NOW?

Evil Morty is not the one harming him!!! I mean if you wanna look at semantics he didn't even tell Rick C-137 to kill him, he said a joke, a pun.

And he has the added bonus of coming out of this looking like a team player (I mean... as much as he ever could) and gaining an enslaved, morally obligated Rick to himself lol (turning his mental restraints to his advantage)

(12) AND TALK ABOUT POETIC JUSTICE. RICK PRIME IS BEING PUPPETEERED TO SIT STILL IN HIS OWN CHAIR AND GET PUMMELED TO DEATH when he's the one who had been tricking and enslaving countless Ricks to be puppeteered by him forever.

He's literally forced to sit still there and live through it, unable to even lift a finger to protect himself. Poetic. Justice.

(13) Evil Morty had been very careful up to now to hide the fact that he has puppeteered others, but there is no way Rick C-137 didn't understand that Evil Morty is familiar with the puppeteering technology after this encounter (I mean... Rick C-137 knew not to remove the fingerguns, he knew to remove the cables, he knew what this whole thing was).

Which on one hand, doesn't mean he gets to reach any plot-relevant conclusions (at least, not yet) because he knows Evil Morty scans Ricks' brains and steals their technology. On the other hand... we don't know how much more he needs to put 2 and 2 together and reach the same conclusions that Rick Prime did.

(14) And now for my last point.

If all the above is true...

...and depending on the semantics of the mental restraints...

...I would not be surprised if it turns out that Evil Morty using the Omega Device against Ricks is nothing but a GIGANTIC BLUFF.

Like this is literally the worst he can do: improve its design, build it, threaten to use it. (Depending on whether he intends to do a demonstration on e.g. Churry he may not even ever bother to build it.)

Because he literally cannot fire such a weapon against Ricks as long as Puppetmaster Rick is alive. (edit: I'm gonna correct myself and change this to: he cannot use such a weapon against Ricks directly but he still can trick or force someone else to fire it in his stead)

Of course, he would still be able to fire it against Ricks' family, which is probably more effective as a deterrent considering Ricks' suicidal tendencies, but you get the idea.

(...On a different matter, Rick Prime wins plenty of extra cruelty points for vengefully trying to turn Rick C-137 against Evil Morty by warning him about a weapon he knows the kid literally cannot use (edit: cannot use in a moment's notice, in case a furious Rick C-137 pops up in his doorstep))

Again, this may not be true. We don't know if firing such a weapon by throwing another Rick in the Omega Device (and therefore killing eeeevery Rick) counts as Eyepatch Morty directly killing Puppetmaster Rick or not, but I fail to see how it's different from dropping a neutrino bomb on Puppetmaster Rick's head.

(15) Or maybe I'm wrong and I'm only trying to connect dots that don't exist. I honestly cannot think of another explanation for Rick Prime's lines to Evil Morty in Unmortiricken but this doesn't mean there isn't one.

And I do think Evil Morty being deathly scared of Puppetmaster Rick is adequate explanation for not wanting to even try to kill him, and plot-wise and character-wise I think it's a lot more interesting than semantics.

But then again, it's possible for both of these things to be true... Because even with Rick C-137 suddenly becoming his slave, Evil Morty very much did not jump at the opportunity to kill Puppetmaster Rick. He chose to remain hidden. He doesn't want to deal with him.

[stop-talking]

ughhh the derek fic is sooo cute and i love it i think you did an incredible job giving him a more complex personality than just a douchebag we see in the movies and it makes me so soft for him 🥹

Derek Danforth is a complicated character

Or at least, that's how I see him.

• He has a weird/strained relationship with his mom, and his dad is dead. (And it's implied his mom doesn't like him, "God I wish he was alive so I could kill him" or something.)

• But even so, he claims the reason he started his little scam operation in the first place was to help her win the election. (Which is probably partially true, he started it to help her, then kept it going because he liked the money/power/thrill of his little crime empire.)

• And even in the movie?? He's not a COMPLETE douche. I'm probably reading too much into things, but there's this short scene where he bumps into his mother's assistant and says sorry and moves out of her way

• Just before that he was flirting with this other lady (in a totally stupid way... offering her crypto?? seriously??) but even then he wasn't saying or doing anything rude. He was just being dorky.

• He's likely been under a lot of pressure his whole life to keep up a good image, considering he was born wealthy. And it probably got worse once his mom started pursuing a political career, since he couldn't jeopardize her reputation.

• And finally, Josh Hutcherson said one of the notes he got from his director (like, instructions, guidance, something to keep in mind while acting out a scene) was "Just remember that all of us just want to be loved and we can only ask for that with the tools that we're given."

• I'm not saying he's innocent and growing up as a troubled little rich boy was sooo hard that I don't blame him for turning to crime. These things aren't an excuse for his actions, but an explanation. He was definitely in the wrong, but he isn't some stereotypical comic book villain either. He isn't evil.

ANYWAYS sorry for writing you a whole ass essay when I should be writing fanfic, you just got me thinking. At the end of the day Derek Danforth is a bad guy, yes, but he's also just a dorky little mama's boy.

[tumblezwei]

I am a Ruan Mei defender, not because I think she's a blameless misunderstood character, but bc I am very afraid of people interpreting her terrible actions as bad writing bc "the game still expects us to like her" or overexaggerating her bad traits in order to make Dr. Ratio look better by comparison.

And that's not to say I think Ratio is a "bad" guy either, I think the whole point of introducing him alongside Ruan Mei was to highlight how different the Genius Society operates compared to "normal" academics. Ratio's over the top arrogance makes him off-putting at first, but his genuine desire to spread knowledge to everyone who wants to learn it is the perfect contrast to the obsession and selfishness of the Genius Society, who only ever care about fulfilling their own desires without concern for those below them. Even Screwllum, the member who seems the most sociable and friendly, let Ratio carry on with his antics on the space station just to see what would happen, even though it put the Trailblazer in danger and threatened the whole facility.

So that is to say, Ruan Mei is like that on purpose. We aren't supposed to see her drugging us and sending us after an incomplete Emanator of Propagation and be confused as to how she's a "goody guy." She isn't. None of the members of the Genius Society are "good" people just bc we're allied with them. Herta uses Traliblazer as a guinea pig for the Simulated Universe after all, and we now know that as long as it's something he's curious about, Screwllum won't interfere to protect us even when he's already figured out the solution to the problem we're facing.

But I also want to do a little apologism for Ruan Mei bc sometimes the accusations I see lobbed at her is a bit much. Like, yeah, she drugged us, but it was a temporary inhibitor that literally only stopped us from giving people information about Ruan Mei. And she didn't do it just to fuck with us? Ruan Mei is incredibly aware of how emotionally detached she is and knows it's almost impossible for her to understand the affection given to her by her creations. She doesn't drug us out of some evil desire to control information, she does it bc she knows her time on the space station is temporary and wants to avoid leaving behind any memories of her being there. That doesn't make it okay and it's still presented alongside everything else she does that's uncaring towards TB and her creations, but it makes it a little more complicated than just "she's an unfeeling sociopath that would happily watch us die." It's bad, but it's also one of Ruan Mei's weird and not good ways of showing consideration.

It's interesting, is what I'm saying. It's compelling. And I don't really dig how it she gets reduced to a two-bit manipulator.

I'm a bit of a stickler for this particular thing bc it's something I truly adore about HSR's writing, and also something I see as one of the game's core themes. There is no clear divide between "good" guys and "bad" guys. The Genius Society is full of emotionally constipated weirdos who wouldn't pay a single bit of attention to us if we weren't interesting to them, but they're also important allies to the Express. The Stelleron Hunters are our biggest opposition and wreak havoc on whatever planet they enter, but we know that their goals somewhat align with our own and unless you go out of your way to be mean to her with every dialogue option, it's pretty obvious that Kafka is someone Trailblazer loves.

And even Cocolia, someone who almost destroyed the last remnants of civilization on her own planet, gets treated with sympathy. Bronya is allowed to mourn her mother and still see her as an aspirational figure, all the while Serval is allowed to break off ties with her and definitively move on from her past.

It's a theme that carries over to a lot of HSR's important side quests too, where often you're expected to choose between two options that both have some pretty heavy downsides no matter what. You have your own moral compass, and along the way the choices may seem crystal clear, but it's never so black and white as you predict. It's a game about decisions, about making your own way in life and learning about the different worldviews of those you meet. Good or bad, helpful or hurtful, it's not always so obvious as "this person did something bad to me, now I will forever dislike them."

"When there is the chance to make a choice, make one that you know you won't regret," "explore, understand, establish, and connect," "the Express welcomes everyone" etc etc

[wen-kexing-apologist]

HOLY SHIT EPISODE SIX!!!!!

I just need everyone to know that I spent the last ten minutes experiencing uncontrollable evil laughter after finishing Ep 6 of Love for Love's Sake. I am sincerely incredibly impressed with how expertly this show both rapidly and steadily became a horror show. We see the steady descent in the glitches that started popping up around episode 3-4, and know we are going nowhere good as those glitches start to get worse. We see the end of the steady spiral around the point where the system error first occurs and Myungha is transported to what I would consider to be a loading screen andwe get server errors.

But those couple minutes where Myungha just completely loses his grip on this false reality and phases through a number of locations in rapid succession? He was terrified.

And the last five minutes of Episode 6 really turned this in to a whole different ball game. I don't have access to these episodes on IQIYI yet, but I do on Gaga and I must say that seeing the line Forced execution of!@#^S@ pop up over his grandmother going in to asystole? Horrifying. Evil! The double entendre there from a coding standpoint and from a literal murder standpoint was fucking brilliant. I got chills.

Man I hope this show ends well, it is so so strong, it is incredibly assured in it's premise and of the way the video game components operate mechanically.

[morsmortish]

what’s your opinion on pandora being a lestrange

i’ll be so honest…i’ve barely ever considered it. i’m just a diehard rosier twins fan til the day i die. but!!! let me do some brainstorming right now…

imagine three of the worst people you know: the eldest brother, a stiff, unfeeling heir who is primarily governed by his sense of self-preservation and lack of empathy; the second son, a swaggering, abrasive mess of overcompensation and pathological lies; and then their younger sister, all sweet words and gentle touches that disguise her poisonous sentiments and clawed fingernails. they’re like the ultimate evil trifecta of blood oaths and petty sibling arguments.

without straying too much from your actual question, i want to talk about the differences i perceive between pandora rosier and pandora lestrange. it all stems from the different fraternal figures in each scenario, and how growing up with them shapes her as a person. to me, one of her key traits in either hc is her underlying desire to always get what she wants, and her willingness to do whatever it takes to achieve that. growing up as evan’s twin, i see her ‘getting what she wants’ from him as very easy. he would do whatever his sister asked him for, with no hesitation. she is potentially even more important to him than he himself is. her every whim is his command. she grows up to be quite direct and blunt about what she wants, more demanding than scheming, even if that conniving streak still exists in her for when she needs it.

growing up with rodolphous and rabastan, she does need it. yes, of course they love her unconditionally and extensively, as brothers do, but let’s just say that they would not be as willing to carve themselves open on an operating table if pandora asked as evan would be. they want her to be happy, but they’re both also incredibly selfish beings. they want to help themselves before they want to help her. and so, in order to get them to do what she wants them to, she becomes more sly, more manipulative. rather than outright tell them what she wants, she’ll find convoluted ways to use them to achieve her goal. of course she loves and cares for them, but that doesn’t stop her from seeing them as pawns when the time comes. and this aspect of her character applies to all the people in her life: she’s sweet-talking and delicate on the outside, but on the inside she’s simply assessing just how useful you can be to her.

[batsarebetterthanpeople]

I tried so hard not to be parasocial about it but this letter thing is fucking me up, man. I've written a few overly flattering letters to evil government officials before myself. but how did someone convince all these reasonable-seeming people (strangers that I do not know) to publicly sign this centrist-ass letter? I understand they probably got Taika Waititi and Jack Black with the everyone can share, peace and love on the planet earth wording, but Jordan Peele? what. how did that happen. it makes no sense to me.

Ok I'm gonna front load my position on the Israel-Palestine conflict before I answer this ask so that no one can accuse me of shit I didn't say. If you want to see what I have to say on the letter itself, scroll to the big font. I'm as anti-zionist as they come I don't think that governments should even exist at all, I consider Israel to be an illegitimate state the same way I consider the country I live in (USA) to be an illegitimate state. I think that if we're going to have countries at all, which we shouldn't, that country should be Palestine and individual Jewish people certainly should be welcome to move there for whatever reason they want, including religious, but that the people who already lived there shouldn't be displaced because of it. And if they wanted me to support Israel on the basis of Jewish people needing somewhere to go after the Holocaust, they should have put Israel in Europe in 1945 instead of in the Arabian Peninsula in 1918. I tend to think the hard core zionists who aren't Jewish are trying to deport diaspora Jewish people somewhere based on the way I have heard other goyim speak about Israel. I am sympathetic to Jewish people who believe this has nuance but ultimately I cannot condone the displacement of Palestinians. That position might lose me followers but really I don't care.

Now that I have gotten that out of the way

(This first paragraph is for everyone who's out of the loop and has only seen the Tumblr posts about this issue, Anon does seem to know what I'm about to say) I do also think this whole thing with the letter is being blown out of proportion a little bit? That's not to say it's a good letter, it does contain language which blames Hamas for the conflict which is the western propaganda line so that countries like the United States and Britain don't have to admit that they caused and are funding this whole operation because they hate brown people. However celebrities are rubes who fall for government propaganda all the fucking time. What the letter itself actually calls for is Biden to facilitate the release of Israeli hostages. I consider this letter to be the vaguely Zionist equivalent of that time all those celebrities got on zoom and sang imagine because COVID was happening. I certainly doubt that the man who produced Get Out and Us supports the genocide and I also question whether the man who directed Reservation Dogs does either. Most likely they were asked "will you sign a letter calling for the release of Israeli hostages?" And they said "well releasing hostages sounds nice."

(this paragraph is for anon) Despite the fact that I think "these 70 celebrities condone Palestinian genocide" is incredibly reductive I would encourage you to see these people as human beings, and more specifically idiot millionaires who are out of touch. I believe that Taika Waititi understands the Maori struggle and generally tries to be a nice liberal but ultimately he is a man who grew up in the 80s with a lot of money who has an interest in keeping that money. His gaff transphobia tweets (which I didn't think were that bad considering he made it in 2013 and wasn't even talking about trans women, but they were still transphobic) and his pearl clutching during the BLM riots made this abundantly clear (both of these incidents are Taika Twitter originals that people have sent me trying to get me to hate him and I saw both of them and was like "that's what I thought you'd say old man"), and the fact that he married Rita "blackfish" Ora. I'm way less plugged in to what Jordan Peele is doing because I've never had an anon send me his call out post but I'm going to assume that the same thing is true of him: he understands the struggle of black people in the United States, despite this moment of basedness I probably politically disagree with him on many many counts. As for Jack Black he donates to autism speaks so he's coming for me and the Palestinians. Although that said so does Gaga and I'm still very much a fan of her.

I've basically had to come to terms with the fact that no celeb that I like the work of agrees with me about politics because all of them are rich and I am a communist. That's not going to stop me from liking their work, it's not going to stop me from bothering some of them at cons when I get the chance. Because again they're just guys. And most guys are idiots. I am an idiot about a lot of things. We don't expect Taika Waititi or Jordan Peele to know about every conflict in the world we expect them to make entertaining and perhaps insightful movies. I am not here because I think Taika agrees with me on all things. I am here because I want to watch a rom com about gay men who murder people, one of whom is just like me for real.

Anyway do your research