#she makes me FEEL which is hard for media to do.

[cindersnows]

i think as viewers we find it easy to sit back and judge each character until their motivations are explained to us in detail like with purple and king and chosen. even with victim its fairly easy to guess a portion of why she is doing this. and that's partially because avam is just made to be like that so all audiences can understand it and why the characters do what they do, and also partially because it's a little difficult to do more subtle storytelling when you can only express character feelings through their body language (and the body language has to be fairly exaggerated so that everyone can understand how the character is feeling).

so then as a result when we see green falling deep into the hole of social media it's easy to scoff and judge and say come on green, do better. we see it as him just getting too cocky again- look at green with his ego and his need to seem cool, he's sucking up to people again so he can get validation. and people understand that, they're even comparing his arc to purple, but they're forgetting to actually see things from his point of view.

like yeah. green was mean to yellow! and that was a kind of assholey thing to do, agreeing with people when they say yellow didn't do much. but like people do stupid shit all the time, especially to get approval. green hearting mean comments wasn't him on his villain arc, he probably barely thought about it. haven't you ever done anything without thinking or made a joke in bad taste. honestly it's a little ironic how quick people were to jump on him when he did something kind of mean, it reminded me of actual cancel culture! fascinating shit. we really are a part of the story.

anyways green started off as the weakest. he tries his best to be good at other things, first building, then music, but for some reason whenever he does well in something his friends get jealous or upset. (he pours himself into that thing and unintentionally ignore s or snaps at his friends--- its a repeating pattern at this point). it's mostly because their competitive spirit, something which is seen in a lighthearted manner but has gotten them killed or hurt on multiple occasions and i feel like they're going to have to address that at some point. whenever green sets boundaries, they're ignored, even if cg think they're just acting in the greater good.

hell, even purple, we've barely seen them interact after s3- who's to say purple wouldn't just scoff at him as well? she's already not very experienced with actual friendships (based on the way they just expected green to brush the betrayal off in parkour, they acted more like it was a small disagreement than a full on issue), so he may just assume this is how friends are.

basically the point of this is to say, no one ever celebrates his success. obviously he's competitive with his friends too, but having been at the bottom of the group from the start, he's visibly very insecure about this stuff, and having people attempt to kick him down during every success he gets (which he works very hard for) will lead to him needing validation from elsewhere. clearly, social media is supposed to give him this.

but like someone in the community pointed out, now he's appealing to hundreds of thousands of people instead of just 5 or 6. the praise is awesome, but seeing that people still have criticism of him just makes him throw himself into his work even more. it also probably functions as a form of escapism for him; he's so busy working, editing, writing, he barely even notices that his friends are avoiding him. it's possible he's purposely using youtube as a way to ignore his gut. anyways, blue's still willing to hang out and record with him, so what's the issue? (it's not as if blue is the least confrontational of the cg lol)

i have. been in this exact position. the moment you make anything, you're looking straight at the numbers. it becomes what you think of in the morning and during the creation process. you're skimming comments for keywords--- good, bad, more, less, etc. you listen even when you don't mean to. yeah maybe the guy was a little mean about one of my friends but ultimately it's just constructive criticism! it's not like she'll see this anyway. it's fine.

and yeah green needs to stop being so obsessive but i think he deserves to break down first. like what ash said--- he expresses his negative emotions the least out of everyone, he barely takes breaks, it's going to come crashing down. and i think when cg confront him about his behaviour he deserves to yell at them for the way he gets treated. it really hurts when all you are is the butt of the joke even when they mean it in a lighthearted way. if the arc just ends with green being knocked down a peg as usual, i will be very fucking upset because he's literally already at the bottom of the ladder, what more do you want?

[pastry0w0rlord]

This One Really Missed

They would usually cook so hard with these games but they burned down the kitchen this time I'm afraid.

Lenght/Playtime:

Too short. Too little options. The flow chart of this game is pathetic and can't compare to the other 2. It felt like watching a movie.

Price:

Too expensive, my localized price was 8 bucks but I learned the original is 15 from steam reviews. If you really wanna buy the game wait for a sale, the price is unacceptable for this little decision making and 5 endings total.

Humour:

I only laughed out loud at one joke.

One.

And that was the Hat Man joke. Most of the jokes did not land this time.

The original games had this thing where the dark jokes regarding really sensitive topics (racism, homophobia, slavery, xenophobia, abuse...) landed because they had added context. Like:

- "I thought our photography teacher was a pedophile but turns out he is a white nationalist. That's not... better"

- "Uncircumcised men are gross because the media told me so, I am a teenage girl in late 2000s."

- Every straight person in school accusing Nicole of homophobia and talking over Ari because she got rejected when Ari is only angry that Nicole was mean about it.

- Jeffrey pretending to be a white nationalist, entering a straight club etc. not because his beliefs but because he desperately wants to fit in.

- That whole scene of Nicole's mom screaming at her under medicine influence about how she steals stuff from her medicine cabinet. Then Nicole, after a really morbid argument where she plays the victim to the audience, reveals that she does indeed steal her mom's meds.

- The whole route of Nicole bullying Jeffrey into being a school shooter got kicked off by Jeffrey being creepy in general.

and the list goes on.

The dark jokes had twists which made them funny. In Flip Side someone says something stereotypical or generally morbid out of nowhere and follow it with "I am not racist" or barely any acknowledgement. The biggest examples of this I can think of are the Turkish creep stereotype and the whole FYE ending.

They actually made an '09 game parodying the original. This game is what the series' haters think the first 2 games are.

The.. Feet Stuff..:

I swear it was funny at first, with social commentary and all. But then it kept dragging... and dragging...

Then I realized almost half of the game was dedicated to foot stuff. Cool...

Are the writers aware that all those minutes wasted could've gone to an ending with Jecka's mom whom she kept talking about in the first game?

Jecka:

They should rename Flip Side to "Pity Jeckainator 5000" because holy shit poor girl. The overall game was more bleak and sad than funny. Jecka breaks down sobbing multiple times and no one helps her.

Jecka's Father:

I don't know what they were trying to do with Jecka's father but none of his scenes were funny. In fact it was extremely triggering because I got treated like Jecka in the past by multiple people. Jecka is severely jittery, jumpy and horrified at the smallest yelling. She breaks down crying a lot yelling "don't hit me" and I do not see what purpose repeating her father's screaming at every scene with him serves if it isn't meant to be funny. There were literally times where I went "oh here we go again" and took of my headphones before he started screaming at her.

Nicole:

Guys Nicole is severely out of character in one of the foot fetish routes. I don't care if she is supposed to be a sociopath, that is not Nicole. Sociopaths can still separate right from wrong, they are still people so the "Nicole is a sociopath" argument I keep seeing holds no merit here.

Nicole has shown that she is capable of admitting to her mistakes in the prison ending of re-up.

Also lets put aside her mutual respect for Jecka and pretend Nicole doesn't know her at all. That still feels out of character for her. Think about it. Why does Nicole go after older men when she does?

- She is in danger and needs to act. (Coach Colby route)

- She has no other choice. (The route where her mom kicked her out)

- She is trying to get them arrested. (Her luring one of the faculty outside to get arrested)

Why would she, for no reason whatsoever, go after Jecka's dad?

You would argue that Nicole is a petty person from the Megan-Hunter route, but Megan made Nicole snap. She got provoked. Same with the Ari route. Ari was severely fucked up herself. What did Jecka do?

"I can't cut you in, I need this money Nicole"

That's it? Nicole already mentioned she was selling shoplifted goods as well so what is her objective here if not money?

Emily would do this(which she did), not Nicole, Nicole wouldn't bother. It's too much useless effort. They confused their own characters.

The Text from SBN3:

I am not gonna elaborate but that was so insane, wild and immature.

Some Stuff I Liked:

-Seeing Jecka's side of the first game suicide ending was cool.

-I actually liked the FYE route... until I didn't in the last 5 minutes of it.

-The Hat Man bit was seriously funny.

-The illustrations improved.

But yeah overall... Jecka deserved better than this game. I do not hate it for the small stuff I liked it for, but I will still try to pretend this never existed.

If you are here thank you for reading all of it. I usually don't do game reviews, I hope I didn't ramble too much

[ex-vespidae]

every so often I will watch videos about Sectonia and just start crying and dying again

[autisticlee]

i'm aroace, sex repulsed and don't get traditional romance or find the need for it, but I still often think how it would be neat to have a gf/partner for other purposes that arent romance and sexual. but it seems impossible to make someone want to date you if you take out those things????

sometimes I think it would be nice to have a gf to do cute gay cosplay photoshoots with. there would be mouth smooching and you usually can't do that with a friend and I don't really want to either, so a gf would be useful for that.

then there's hating showers because they exhaust me and it would be nice to have a gf to wash my hair and stuff for me??? can't call up a friend to do this every time I need to shower. that won't work and I doubt they'd want to/be comfortable doing that.

most friends will end up putting all their priority into their partner and/or family they create. I want someone that will make me their priority and not run off with someone else they start dating and abandon me??? something like that. their priority is cleaning our home together, hanging out together, going shopping and other domestic/partner stuff. they don't do that with someone else or use me temporarily until they can find a partner. so it's essentially dating/being partners. but it looks different from your typical expected romance and partnership.

doesn't matter how aroace I am, I have accepted that a relationship is beneficial in many ways and there's certain things that you can't expect friends to cover and they can't fill. but I have zero interest in looking for a partner in traditional ways that requires small talk/flirting/dates/etc. so that makes me realize i'll most likely not trick someone into partnering with me lmao

the internet seems to call this kind of thing "queer platonic relationship" (did I remember it right?) and you just need to find another sroace person to do it with. but either way, there's no textbook to study for how to get that and where to find these people. it seems harder than the puzzle that is regular dating tbh.

there's that saying "there's other fish in the sea" but i'm a worm in a puddle the other worms got out before they drowned. there's no fish here lmao. my options are so limited that I haven't met a single option yet in my life. there's barely any chance the first aroace person I meet irl will be compatible, or the first compatible person will accept a relationship with an aroace. you know what I mean? any other aroace that's interested in some kind of relationship/partnership and feel like you don't get that whole sea to choose from like everyone else and only have a dried up puddle? 😅

[seventh-district]

so uh. that 2.2 Special Program, huh

[gaycodependency]

every time i see a wowp tik tok, it sends me barreling back into it with a slew of thoughts that for some reason tends to be the opposite of the general reception of the show. like the takes for this disney channel show is some of the wildest i’ve ever seen

[vogelmeister]

thinking about the australian cultural cringe on this sunny sunday hbu

[xxlelaxx]

Anxiety makes enjoying good things so hard

[starkidlabs]

Haha I should not have read my mums texts

[leebrontide]

Every single time I see a take that amounts to "if you write about X happening, or like fiction where X happens, you like X" I'm reminded of this one time I was at a casual friends house as a young kid. We were in her room, pretending to "be orphans" escaping from an evil orphanage and having to take care of each other and fend for ourselves. It was all very Little Orphan Annie/All Dogs Go to Heaven and based on the 80s pop media.

And this girl's mom comes in, hears what we're playing and gets all MAD and UPSET. She says that if we play act something, it's because we want it to happen. So her daughter must WANT HER TO DIE.

First off lady, we were 6 year year olds, so take it down several notches. We barely had a concept of mortality for fucks sake. She made us feel so guilty and ashamed, because she was taking our game personally.

Now I have a 5 year old. And sometimes she looks at me and says "pretend you're dead, and I have to -" Whatever it is. Some adult task she's assigned herself.

And it's just so transparently obvious that she's practicing the idea of having to do things on her own. Which is exactly what 5 year olds are supposed to do. I actually find it very flattering that the only way she can envision me not being available to help her is to be literally deceased. Otherwise, obviously, she wouldn't have to do scary hard things alone.

It's a natural coping mechanism. She's self-soothing about what would happen if I wasn't there by play-acting independence in a perfectly safe environment. She's also practicing skills she needs, and making up excuses for practicing them on her own, without taking on the responsibility of being able to do them by herself all the time yet.

Humans mentally rehearse bad this in their brains all the time. We can do that by ruminating- going over worries over and over again, which tends to lead to anxiety and helplessness and depression. Or we can do it with a sense of play- by recognizing that the fiction is fiction and we can dip our toe into these experiences and expose ourselves to bad things without actually being injured.

My daughter does not want me dead. And I don't want bad things to happen in real life. But fiction and pretend help me face the horrors of the world and think about them without collapsing or messing myself up mentally.

[cy-cyborg]

So, there's a lot I want to say about the paralypics, but every time I try I just... can't articulate what I want to say without it turning into a monster of a post that puts my writing advice posts to shame lol. This includes in response to the anonymous asks I got on the topic btw. So I'm going to try and summarise my thoughts here.

As someone who was working towards the Rio paralympics - who was basically one of the people they were actively training to be the next paralympians and who got to go if their choice first athletes had to drop out, the Olympics and paralympics are a... touchy subject for me. I loved playing. I loved my sport. I loved the people I played with. I loved the people I played against. But the way the public and people in power treats disabled athletes sucks. It Really really sucks. and it hurts to talk about.

The vast, vast majority of us aren't paid. We are expected to train at the same intensity as the Olympians with none of the breaks and none of the support to do so, resulting in injuries that are disabling in and of themselves, while juggling normal jobs. many of the paralympians are also in school or at university as well. both schools and jobs see these elite athletes as dedicated hobbiests at best.

I had a friend who were fired from their job because they were denied time off to compete at the paralypics and well, if i had to choose between the paralympics or stay at a shit job paying minimum wage, I know which one I'd pick, and so she didnt have a job when she came back. I have friends who are still in the closet because their sponsors would drop them if they came out as gay, who ended years-long relationships to keep the funding that allowed them and their teams to compete - funding that just covered the costs of travel by the way. They never saw a cent of it themselves, but it was the difference between us having to pay $50 each for our plane tickets and accommodation and having to pay $2,000Aud + for every away game. I have friends who were supposed to go to Tokeyo but were kicked off the teams weeks before the games because of a rule change that decided they weren't disabled enough anymore, wasting years of work with absolutely no warning. They weren't even given the decency of an appology from the people who made the call. Several went through terrifying mental health spirals over it. It was their life's work, gone. I saw so many friends just give up because their disabilities were "too hard to classify" into the International Paralympic Commity's boxes and who were made to feel they weren't welcome by the system spouting off about its diversity and inclusion and empowerment of disabled people.

And then with all that, the best we can hope for is for the social media teams to turn us into a joke for ableds to laugh at or into inspiration porn to make them feel good about themselves - because at least theyre not us. Because obviously, there are no other options in how to show us/sarcasm.

My phone doesn't even have "paralympics" as a recognised word. I have a Samsung. The company that is currently at the paralympics using them as a marketing opertunity. We aren't even recognised as a word in the phones made by the company that is currently using the paralympics as a marketing opportunity. The phones they're giving the athletes won't even recognise the name of the event that they got it at. If I've spelt it wrong, it's because it autocorrects it every time I try to spell it right, and im dyslexic and can't see the difference until I stare at it for a minute or so.

I just... this isn't even scratching the surface of my thoughts. But I wanted to say at least some of it. It will be the last I'm going to talk about it, at least until the event is over.

[mariamlovesyou]

tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

[maplesyrupsainz]

˖⁺｡˚⋆˙private, not a secret | MV1˖⁺｡˚⋆˙

pairing: max verstappen x wife!reader y/n (she/her)

genre: social media au, established/secret relationship

warnings: very fluffy :))

summary: in which you and your husband like to keep things on the low so much so that none of his fans know about the family you have together

a/n: i luv this req tbh i lowkey luv writing kids in it's sooo cute im lowkey broody af atm too 😭 helllll

request!!!: Hi!! Could I request an smau with max where he has a secret family or something idk I just think it could be really cute !

fc: various blonde girls from pinterest

my masterlist

twitter ->

instagram ->

yourusername

liked by maxverstappen1, carlossainz55, and others

yourusername my beautiful life

view all comments

maxverstappen1 my girls

yourusername 💓

carlossainz55 god i look so cool

yourusername hahahhh yeaaa

carlossainz55 ???

yourusername nothing mate😄

yourbff aww i need to come see you guys

yourusername yes please omg 😧 alice said she misses her fav aunt !

only accounts that follow yourusername may see this post

messages ->

instagram ->

maxverstappen1

liked by yourusername, danielricciardo, and 88,928 others

maxverstappen1 beach day

view all 14,283 comments

user7 omg hi y/n

user8 YES A Y/N FEATURE

user9 omg he let her out of the basement

user10 💀

danielricciardo go off

maxverstappen1 yessss!!! whatever that means

user11 lol

charles_leclerc tell y/n we want her at the next race please

maxverstappen1 she will come if the babysitter is free 👍

*comment deleted by maxverstappen1*

maxverstappen1 she said she'll think about it 🧠

user12 WHAT

user13 Urmmmmmmm did you guys see the deleted comment

user14 do max & y/n have children?

twitter ->

instagram ->

yourusername

liked by oscarpiastri, maxverstappen1, and others

yourusername let's ignore max's deleted comment slip up shall we

view all comments

charles_leclerc i am sorry on his behalf y/n 🙏

yourusername hahah dont worry about it charlie

oscarpiastri get him on a time out asap

liked by yourusername

yourbff aww the world deserves to know about little alice

yourusername they will soon we're keeping her childhood safe for now

maxverstappen1 you already know she's gonna come watch her dad race soon 😎

yourbff im sure she'll find that very fun max

yourusername hahah that's what i said

maxverstappen1 😒

only accounts that follow yourusername may see this post

interview ->

transcript (sorry if it's hard to read😭) ->

there is always going to be rumours ahout my relationship considering we keep things to ourselves, neither of us find it necessary to comment on them very often. *laughs* i've never heard anyone say i'm hiding y/n, no. we have always been private but never ever a secret and that's how it will remain for the most part

twitter ->

instagram ->

maxverstappen1

liked by yourusername, charles_leclerc, and 1,124,293 others

maxverstappen1 a small insight into our (family) life

tagged: yourusername

view all 27,283 comments

user21 NOOOO WAYYYYY

user22 this is so so so so precious

user23 omg i feel so honoured that this is being shared with us even tho it's only a small piece of their lives 🫶

user24 max being a girl dad JUST MAKES SENSE

liked by yourusername

yourusername i love you!!

maxverstappen1 i love you more ❤️

user25 this is so special

charles_leclerc love you guys

liked by maxverstappen1, yourusername

danielricciardo congratulations again bro you have a such a beautiful family

maxverstappen1 thank you daniel 😄

twitter ->

instagram ->

yourusername

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yourusername this account will never go public gang dont worry!! especially because im pregnant again 🤫

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oscarpiastri omg congratulations y/n

maxverstappen1 and me?

oscarpiastri oh right yea sorry max forgot, congratulations mate

danielricciardo congratulations guys 🫶

liked by yourusername, maxverstappen1

charles_leclerc so so happy for you guys

yourusername ❤️❤️❤️

yourbff 🤰 ur glowing

yourusername i heart you

maxverstappen1 you are so beautiful

yourusername stop it you im blushing

maxverstappen1 i love making you blush

yourusername i love you

maxverstappen1 i love you my girl 💗

only accounts that follow yourusername may see this post

THE END ❤️

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

[othercrossee]

if youre asking about my writing for palina and irida in the timeskip one, its probably that they will never ever be as close as they were before. or its better to say they were never that close to begin with

[leclerc-hs]

wait for your love - cl16

pairing: arranged marriage!charles x fem!reader summary: in which you're in a fake marriage OR you and your fake husband might be in love with one another warnings: none?? no smut in this part (SORRY), badly translated french (pls correct me), NOT PROOFREAD!, angst, pining???, jealousy, complicated feelings word count: 3.6k author's note: I'm still unsure how i feeeeel about this one but I tried my best!! I think writing about an arranged marriage is a little hard because i didnt want it to be mafia related so this was my take on it. there will be a second part!! i also want to mention that all these separate parts are just events that are little peaks into their marriage. it is not in the span of a week or anything, it takes place over time. they do not go from nothing to being in love in the span of one week. just wanted to make sure you guys were aware of that LOL. ok love u all. sorry if this sucks.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

THE MARRIAGE WAS merely a façade, designed solely to serve the interests of both of your media images. You weren’t in love—far from it…right?

“Charles! How are you and the beautiful Mrs. doing?” A reporter placed a microphone in his face, an eager grin pulled on his lips as he awaited an answer.

“Elle est tellement merveilleuse, n’est-ce pas?” She’s so wonderful, isn’t she? His gaze strayed from the reporter to where you stood a few feet down the carpet, posing for the dozens of cameras. “Tellement belle.”So beautiful.

His eyes remained transfixed on you, the rest of the world fading into insignificance as he watched you approach. The chatter of the reporter beside him became distant background noise, overshadowed by the sight of your radiant smile. With each step you took closer, a surge of warmth flooded through him, causing his heart to swell with an overwhelming sense of anticipation. Charles turned back to the reporter just as he said “Looks like she is making her way over here!”

“Salut beau gosse!” Hi handsome! You gently press your lips to his cheek, the warmth of your smile radiating as Charles’ face lights up upon feeling your kiss. His hand finds its place on the small of your back, a comforting and possessive touch that speaks volumes of his affection and protectiveness towards you. A united front.

“You guys are seriously too cute!” 

The both of you smile largely at the reporter, thanking him, before heading down the carpet to enter the movie premiere.

It wasn’t until you crossed through the main doors of the building that you drop the smile, and his hand drops from the small of your back.

“Tellement crédule.” So gullible. He utters the words briefly, prompting a nod from you before you take a small, deliberate step back, putting some distance between the two of you. 

-

You learned early into the arrangement that Charles wasn’t capable of love. His heart seemed barricaded behind the walls of his ambition, his sole focus on climbing up the ladder of success in his career. It seemed easy at first though, it’s not like the either of you had any feelings for each other.

“Assez!” Charles roared from behind his imposing oak desk, his voice echoing through the room. “That’s enough!” His words cut through the tense atmosphere like a thunderclap, commanding your attention and halting any further discourse with an authority that brooked no argument.

With a subtle roll of your eyes, the delicate sundress draped over your form swayed gracefully with each purposeful step towards his desk. His gaze, cold and piercing, met yours as you reached out, your fingertips lightly grazing the polished wood surface. Leaning in just slightly, you locked eyes with him.

“Je vais me répéter une fois de plus,” I will repeat myself once more. You declared, your tone carrying a hint of assertiveness. Tracing the edge of the desk with a meticulously manicured nail, you maintained your composure, refusing to yield under his scrutinizing stare. “You need to be more careful in public.”

Your cheeks flushed red with frustration, a stark contrast against the determined set of your jaw. Despite the tension, Charles couldn’t help but be captivated by just how stunning you appeared in that moment. He couldn’t tell if he hated you or just wanted to fuck you.

He scoffed before reclining back in his chair, the top buttons of his shirt carelessly undone. His tousled hair appeared as if he had run his hands through it a dozen times—or perhaps someone else had.

He watched as your eyes traced along his disheveled hair and the partially undone buttons of his shirt, a knowing smirk playing on his lips. “Jealous, mon ange?” He teased; voice laced with amusement. Now it was your turn to scoff.

Mon ange. Him and that stupid nickname.

“Jamais.” Never. You replied firmly, your tone leaving no room for doubt as you turned around. With a subtle sway of your dress, it raised slightly, offering him a glimpse of the lace set beneath it. Without another word, you walked out of the room, leaving him to ponder just how badly he wanted to remove that dress from your body.

He always resented how you seemed impervious to his charms. No matter his efforts, you remained aloof, seemingly untouched by his presence. It bothered him to no end. To him, you were an epitome of perfection, a constant reminder of his own shortcomings.

-

“Es-tu affamé?” Are you hungry?

You didn’t care if he was. You just needed to distract yourself from the fact he never came home last night. From the fact that he came home obviously smelling like another woman.

The marks on his neck had your throat feeling tight. Marks from another woman. Marks on your husband.

You tried your best to ignore the dark purple marks littered on his neck, and the tiredness in his eyes as he plopped down on the chair across from you. The umbrella in the center of the table, protecting you both from the bright sun as you sit beside the pool.

“Non, simplement fatigué.” Just tired.

You nodded slowly, your movements languid as you bit into a strawberry, its juices trickling carelessly past your lips and trailing down your neck in a sensuous cascade.

Charles couldn’t help but allow his gaze to follow the path of the juice, his eyes tracing its journey down your neck, almost reaching the enticing curve of your breasts.

You made no effort to wipe away the trail of juice, the glistening droplets lingering on your skin like a tantalizing invitation. With a knowing smile, you relish in the anticipation, fully aware of the effect it had on Charles. Men, they’re too easy.

“You should cover up those marks.” You bit into the rest of the strawberry, before standing from the table, preparing to dip into the pool. Charles hands reached out as you walked by him, his fingers dipping into the strings of the bikini bottoms at your hips. 

His touch seared through you like a branding iron, leaving a scorching trail of sensation in its wake. 

“Est-ce que ç ate derange?” Does it bother you? He looked up at you, his face serious.

The words felt like lead in your throat, heavy with unspoken truth. It didn’t bother you, did it? But deep down, it gnawed at you like a persistent ache, an undeniable discomfort you refused to acknowledge.

“No.” You attempted to push out of his grip, to no avail. “Lâche-moi.” Let go of me. He didn’t.

Never, is what he wanted to say.

“What’s wrong?” He questioned; his eyebrows scrunched as he looked up at you from his chair.

Your hands slipped around his wrists that rested on your hips. “Rien ne va pas.” Nothing is wrong. He cocked his head to the side, as if to say liar. You finally pull out of his grasp, walking towards the pool and jumping in.

End of discussion.

-

“Did you really need to eye fuck her the whole night?” You half-shouted in the passenger seat of his car, the cool leather seats contrasting with the warmth of your bare thighs clad in the mini skirt.

“Did you really take that guy’s number?” He half-shouted back, his hands gripped tightly on the steering wheel. 

“What’s wrong with taking his number?”

There was nothing wrong with taking his number. You both agreed you can date other people if it was kept under the wraps. But despite the coolness of the leather against your skin, it did little to quell the agitation simmering within Charles.

Perhaps it was the rarity of you into dating others. It wasn’t that you couldn’t attract men; in fact, men often vied for your attention. Rather, it was your own inclination against one-night stands that set you apart. Charles concluded in that moment that this must be the reason for his discomfort. And considering you had finally shown interest in someone, did it imply he was special?

“Tout le monde remarque!” Everyone noticed!  He spat out the words, unable to conjure a coherent response in his frustration. Deep down, he knew there was nothing inherently wrong with simply exchanging numbers.

You laughed, a carefree melody that seemed to dance through the car, causing you to lean forward over your lap. The casualness of your reaction grated against Charles, intensifying his frustration. How could you be so nonchalant about accepting another man’s number? The knot of unease in his stomach tightened, gnawing at him with a persistence he couldn’t comprehend.

“So?” You turned towards him; his eyes were focused solely on the road. “It’s not like I fucked him in front of everybody.”

Charles head snapped briefly towards you; his eyes narrowing with sharp intensity. The mere thought of you being intimate with another man felt like nails scraping against a chalkboard, setting his teeth on edge with raw, visceral discomfort.

Why was he so bothered? It’s not like he doesn’t fuck other girls.

-

“Où vas-tu?” Where are you going? You found yourself stood in the archway of the kitchen; Charles leaned against the kitchen island with a glass of water in his hand. 

His eyes trailed down your figure, a short black dress that hugged your curves. He felt his patience wearing thin as he watched you engrossed in your phone screen, fingers tapping away and a large smile on your face. 

Who were you texting?

“Hm?” You said, still smiling down at your screen. “Où vas-tu?” He egged on, his tone dripping with impatience at your lack of an answer.

“Oh, j’ai un rendez-vous.” I have a date. You tore your gaze away from the screen for the first time since you came downstairs. Lifting your eyes, you met Charles with an infectious smile spreading across your face. The sheer warmth and joy emanating from you caused Charles’s heart to momentarily falter in its rhythm.

A date? He felt sick.

Charles remained silent for a few moments, his grip tightening around the glass in his hand betraying the turmoil within him. The sudden crash of the glass hitting the kitchen floor startled you both, causing a shared flinch as shards slid across the tiled surface.

“What about my event tonight?” He disregarded the broken glass around him, his attention consumed by the word “date” echoing relentlessly in his mind.

“Pretend I’m sick or something,” You tilt your head in confusion. “You’ve gone to events without me before.”

It wasn’t until you went to make a step towards the broken glass that Charles snapped out of it. “Don’t come near, tu pourrais te faire mal.” You could get hurt.

The words made you stop in your tracks and your heart clench slightly.

“Je dois y aller.” I must go.

Your eyes meet Charles one last time, you offer him a small smile before pulling your phone to your ear and answering it with a smile.

Leaving Charles alone in the kitchen, the lingering question of when this feeling would dissipate hung heavily in the air.

“Je ne veux pas que tu partes.” I don’t want you to go. He muttered to nobody but himself in the empty house.

-

You went on a relentless series of dates since then, each time returning home with a grin that seemed to mock Charles. He longed to wipe that smug smile off your face, but deep down, all he truly desired was to see you genuinely happy. Yet, the idea of your happiness being derived from someone else filled him with a sense of dread he couldn’t shake.

One night, Charles felt his sanity slipping as he anxiously waited for your return, each passing minute amplifying his restlessness. Was this what you did when he was away?

His unease peaked when you finally walked through the door well past noon, wearing a smile that seemed out of place and with your hair tousled, a stark departure to your usual pristine appearance. A faint, barely perceptible mark gracing your collarbone served as Charles’ triggering a tumult of emotions within him.

“Did you fuck him?” His voice was gruff as he walked up to you by the front door, essentially cornering you between the front door and his body.

Your eyes widened at his tone and question.

“Cela ne te regarde pas!” That’s none of your business! You shouted, your finger pressing into his chest.

His eyes blazed with fury, the green in them almost appearing black. “C’est tout à fait de mon affaire!” It’s all of my business! 

He was aware of his irrationality, but despite that knowledge, he couldn’t shake the overwhelming emotions stirring within him. All he wanted was for the burning ache in his chest to subside.

“Ce n’est pas juste.” That’s not fair. You countered, your narrowed eyes reflecting your simmering anger, your chest flushing red with frustration as you breathed heavily.

“Tu es ma femme.” You are my wife. He folded his arms firmly across his chest, the sinewy muscles of his biceps straining against the fabric of his shirt, emphasizing his imposing presence.

You rolled your eyes, “C’est faux.” It’s fake. The words almost hurt to say aloud.

“Is it?” His words were short as he looked down at you, his gaze unfaltering, almost begging you to admit that there is something between you two.

“Oui.”

You pushed past him, rushing up the stairs and slamming your bedroom door shut.

-

You didn’t always fight though. There were good and bad days. Almost like a real marriage, right?

“Mon ange, wear the blue one.” His voice came from a distance as he sat on the edge of your bed, surrounded by the chaos of your closet. You felt a sense of panic wash over you, unable to find solace in any garment you tried on. You couldn’t even decide on a color.

“You always look good in that one, yeah?” He continued; his tone almost absentminded. Despite your turmoil, his words elicited a small smile, causing a faint blush to rise on your cheeks. Grateful that he couldn’t witness your reaction, you silently thanked whatever higher power existed. You vowed never to let him see you blush from his words.

You stepped out from your closet a few moments later, the blue silk dress that left little to the imagination of your breasts, with a small thankful smile on your face. Charles felt his hands itching to touch you as you leaned over the vanity, applying a last coat of lip gloss.

“Prête?” Ready? You turned back towards him, the small pebble of your nipples poking through the thin fabric, a sight that momentarily arrested Charles’s attention. With an effort, he tore his gaze away, clearing his throat discreetly before nodding in response and leading you out the house.

“Pourquoi cela?” What is this for? You quickly ask about the purpose of tonight over the low murmur of the radio as Charles pulls into the valet area of the event.

“It’s for charity,” He swung open his car door, the faint sound of camera clicks filling the air in the moment it remained ajar before he swiftly closed it again. With a sense of urgency, he hurried around the car to open your door, his movements a flurry of activity as he sought to ensure your comfort.

Tonight, he remained steadfastly by your side, his attention solely focused on you, his wife. He didn’t allow his gaze to wander, even as other females vied for his attention with near desperation. It was a departure from his usual behavior, as if he finally decided to listen to your complaints.

“Tu es magnifique.” You look beautiful. He muttered into your ear, his words meant for you alone, shielded from prying cameras. It caught you off guard—a genuine compliment, untainted by presence of the reporters or observers.

-

“Mon ange, regarde tes cheveux!” Look at your hair! Charles laughter filled the kitchen, reverberating off the walls with a hearty resonance. It wasn’t long until you joined in, your laughter mixing with his in symphony. The sight of both of you covered in flour from your baking rendezvous added a touch of whimsy to the moment, the white powder dusting your hair like a playful snowfall.

You stepped closer towards him, a playful pout forming on your lips, while he looked down at you with a twinkle in his vibrant green eyes. The intensity of the green hue in his eyes was so striking that it caused your stomach to flutter with nervous anticipation.

You noticed his eyes briefly flicker to your lips before meeting with yours again. A silent ask.

His flour dusted fingertips rested against your jaw, holding your face in the palm of his hands, while his eyes flickered to your lips again. 

“Laisse-moi t’embrasser, s’il te plait.” Let me kiss you, please. His words were so quiet, as if you both were secluded in your own bubble. You didn’t answer as your eyes trailed all over his face. As if you weren’t sure if you heard him correctly.

“Ne me fais pas supplier.” Don’t make me beg.

He could feel the rapid pace of your heart, almost beating out of your chest as he uttered the words. You nodded in response, but before you could even finish the nod, his lips crashed into yours.

It was anything but gentle. As if, you both had waited years to be able to do this without a camera in your presence.

His tongue slipped into your mouth almost instantly, eliciting a soft moan that escaped your lips and melded with his own. He groaned in response, his arms encircling your waist to draw you closer, pressing you flush against his chest before guiding your back against the messy countertop. One hand found its place against the nape of your neck and jawline, holding your head in place with gentle insistence. Meanwhile, the other hand tenderly played with the ends of your hair before wrapping them around his fist, holding your hair firmly yet tenderly.

“Si doux.” So sweet. He murmured against your lips; his breath warm against your skin as he continued to savor the moment. 

Your hands instinctively wrapped around his biceps, holding him close, though he showed no inclination to pull his body away from yours.

His lips trailed along your jawline as he pulled the ends of your hair, lulling you head back to give him more access to your neck. Another soft moan left your lips, escaping into the kitchen, as he sucked on the spot where that mark once was.

“Drive me crazy, mon ange.” He muttered against your skin, peppering kisses along your neck, along your jawline, until he met your lips again with a soft peck.

Your eyes met his and you could’ve sworn you would’ve dropped to your knees right then and there for him. 

The distant ring of a cell phone was heard in the background, immediately causing you to push him away from you. Your cellphone.

You looked at Charles with a sense of panic. What were you doing?

As if Charles could sense that panic, he brushed off the pain with a small smile. “Tu devrais répondre à ça.” You should answer that.

-

You didn’t see Charles for a few days following the kiss. 

“Que fais-tu ici?” What are you doing here? Charles eyebrows were furrowed as he took in your figure standing before him, an unnamed bag in hand.

You shook the bag in your hand, “Déjeuner.” Lunch. You waved the bag around like it was no big deal. Like you didn’t come all the way to Maranello to bring your fake husband lunch.

You found yourself unsure of the exact reason behind your actions, yet you did it anyways. With Charles away for the past few days, leaving you alone at home, a peculiar sense of longing seemed to linger in the air. Though you refused to admit it outright, all indications hinted at a quiet, yearning for his presence that you got so accustomed to over time.

“Tu n’avais pas besoin de le faire.” You didn’t need to. A smile pulled on his lips as he slung his arm over your shoulder, grateful for the sight of you.

“Je m’ennuyais.” I was bored. You confessed with a shrug, a hint of sheepishness coloring your tone.

He pulled you into an empty room, wordlessly. Instructing you to take a seat as he grabbed two waters from the nearby fridge.

“Comment se passe le travail?” How’s work? You asked, although your inquiry was more out of habit than genuine interest. Since the kiss, you found yourself at a loss for how to engage with him, unsure of how to navigate the shifting dynamics between you two.

He chuckled softly, choosing to settle into a chair beside you rather than sitting across from you, as if he wanted to be close to you. “Tu m’as manqué.” I missed you. He confessed quietly, his tone revealing a vulnerability he rarely displayed with you.

The tips of your ears flushed with a rosy hue in response to his confession, a shy smile tugging at the corners of your lips. Your gaze softened as you reached into the bag, delicately arranging the food on the table before him, each movement infused with a tenderness that spoke volumes.

“C’est bon.” It’s okay. He muttered, a silent acknowledgment passing between you two. “I know you missed me too.”  A smirk pulled on his lips as you shoved his shoulder half-heartedly. 

You didn’t deny it.