SHE'S CRAZY WITH THE HEAT — 1946
ft. The International Sweethearts of Rhythm
In 1946, William D. Alexander began the production of a series of one-reel shorts, half-hour featurettes and feature films that would serve a dual purpose. These black cast subjects would be released to theaters that welcomed African American audiences; concurrently, the music segments would be excerpted from the films and released as Soundies. Ultimately, sixteen of Alexander’s musical shorts reached the Panoram screen, spotlighting the bands of Lucky Millinder, Billy Eckstine, Henri Woode and the International Sweethearts of Rhythm. (Alexander actually produced four films with the Sweethearts, three ten-minute short subjects and one feature, although some of the performances turns up in more than one film; only three performances saw release as a Soundie.)
The International Sweethearts of Rhythm grew out of a band formed in the 1930s at the Piney Woods Country Life School, an institution – in part an orphanage – for poor African American children. A member of the music department had apparently taken note of the success of Ina Ray Hutton’s Melodears and decided that an all-woman band composed of school members might lead to something special. While they performed locally, the ISR did not begin to hit its stride until it left Piney Woods and became a professional touring outfit in 1941. The band was certainly “international” in nature, and its ranks included African American, Latina, Chinese, Indian, White and Puerto Rican musicians. In 1941, Anna Mae Winburn joined the orchestra as front woman and featured vocalist. During the war years Maurice King joined the band as both arranger and band manager.
Born Clarence King in 1911, King played reeds and later became a fine swing arranger. While here we recognize his composition and arrangement for the Sweethearts – he called this tune “She’s Crazy with the Heat ” – King is best known for his longtime association with Barry Gordy and Motown Records for which he served as director of artist development. He worked closely with vocal groups, teaching the singers how to voice and phrase together. “Maurice brought sophistication and class to Motown,” said session musician Johnny Trudell.
By 1946, the Sweethearts was recognized as one of the finest African-American bands in jazz. They recorded for Guild and RCA Records, broadcast regularly for the Armed Forces Radio Service, and toured Europe entertaining the GIs. While much of the success was due to Maurice King’s arrangements, the band’s musicians were all strong, and a special nod must go to Viola Burnside, one of the most neglected tenor soloists of the 1940s. I chatted with my friend Roz Cron, a member of the Sweetheart’s reed section, shortly before her passing.
When I thanked her for her contribution, she paused and said, “Yeah, we were one of the best, one of the very, very best.” (via Jazz on Film)
675 notes
·
View notes
buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).
and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???
meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.
and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.
209 notes
·
View notes
Just had phone sex last night and it was fucking an hour and a half of this stupid goddamn bunny teasing me and refusing to call me a good boy until I broke for him and asked nicely for him.
The nerve of that stupid goddamn rabbit to say to me, “What’s the magic word” just to hear me pathetically stammer out “Please make it stop” then she LAUGHED AT ME??? And said it sounded so pathetic and told me I was a very good boy???
And to top it all off while I’m fucking panting and seeing stars this bastard asks me “See? Didn’t that feel good? Wasn’t that better? You wouldn’t have liked it if I just told you you were good. You wouldn’t be satiated.”
And the worst part is is that she would do this in person too and she only teases me because my reactions are funny?? I gotta fucking ruin this rabbit. Count her fucking days tumblr. It’s over for her.
7 notes
·
View notes
🔥?
okay i know this isn’t the answer u were looking for but i just clocked out of the worst shift of my life so this is just on my mind rn:
if ur rude to service workers i genuinely think something is fucking wrong w you and u need to take time out of ur day to self reflect and figure out how to fix that about yourself. like just cos the Bitch Factory is open that doesn’t mean u have to fucking clock in i don’t care how hungry u are or if ur goldfish died or if u got hit by a fucking bus. you’re an adult—learn how to control your fucking temper
5 notes
·
View notes
Lord of the Flies, Gluttonous Queen, Prince of Filth, Prince of Decay, Goddess of Ekron, Lord of Slander, Queen of Pestilence and Famine, The Rotting One
I Solomon said unto him: “Beelzeboul what is thy employment?” And (s)he answered me: “I destroy kings. I ally myself with foreign tyrants. And my own demons I set on to men, in order that the latter may believe in them and be lost. And the chosen servants of God, priests, and faithful men, I excite unto desires for wicked sins, and evil heresies, and lawless deeds; and they obey me, and I bear them on to destruction. And I inspire men with envy, and desire for murder, and for wars, and sodomy, and other evil things. And I will destroy the world.”
- The Testament of Solomon
6 notes
·
View notes
SHES JUST A GIRL WHOS REACTING PROPORTIONATLY TO THE WAY SHE WAS RAISED(GROOMED???? THE MOTHER KINDA SUS) AND INSTEAD OF GIVING HER EXAMPLES OF WHY HER BEHAVIOR CAN COME OFF AS COLD HEARTED AND WORKING TO HELP HER LIVE WITH HERSELF AND OTHERS YOU PUNISH HER????? YOU TELL HER SHE IS CRUEL AND EVIL AND THAT SHE DESERVES IT????? YOU TAKE AWAY THE ONE THING SHE HAS COMFORT IN???
DIE????
2 notes
·
View notes