It was Maid Day today yesterday a week ago so I got struck by inspiration to draw the worsties, and it ran away from me into a whole AU where they’re coworkers at a maid cafe.
She’s a med student & this is just a part time job, and this is his depression job while he gets his life back together. He needs something he can be workaholic about to forget what it’s like having a personal life and personal issues. He’s actually the accountant, but the new hire janitor (Izutsumi) doesn’t show up for half her shifts and is a sloppy worker, so he gets the extra work of doing her job on top of his because he’s undervalued and overworked. Of course, janitors also have an uniform to keep the aesthetic cohesion as they go about cleaning the place, of course.
Senshi’s the part time cook you only see slivers off, he’s kind and warm when you do see him and have a chat but most shifts he’s in and out the kitchen without a trace. Laios and Falin are regulars because Falin and Marcille are besties & in the same med school, Laios accompanies Falin as she visits her friend at work and gets hooked on the food. Chilchuck has to remind Marcille to work instead of chatting with Falin for an hour, and next thing he knows she’s distracting him from work too.
That’s it that’s the AU. Inspired by this idol AU fanart a bit <3
This was not meant to be birthday gift but well…… Happy bday Chil!!!
Read from left to right
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DANCE WITH ME YOU LI-IA-IAR ♡
OVERBLOT ASHI??? ANYBODY??? the ANGST that this baby can store!!! SHEESH!!!!!!! <3 I only have one post dedicated to her and liar dance lyric analysis (the post is kinda outdated in gen) BUT…… I also have an overblot monologue as a treat 🫶 I wanted to better explain her angst and so!!! BABAM!!! enjoy
ASHI’S MONOLOGUE:
Sometimes I wonder why I ended up here.
A place named “Twisted Wonderland”, and at a school named “Night Raven College”.
At first, I figured that I was the odd one out— Y’know, the Ramshackle prefect and everything. The magicless girl at the magical all boys school? Nuts, ain’t it?
I’m known for a lot of things. Things that are different from the others. The fact that I stand out is part of the Ashi charm, something I’m known for.
But… Over time I found myself sorta feeling in place here.
Because as much as I try to believe it, I can’t safely say that I’m better than anyone else here.
I’m a fake. I make conversation and lots of friends, but for what? A backup in case something goes wrong? A sense of protection for my reputation? In what case are any of those friendships something I truly want? In what case are any of these strings more than just a tool instead of a thread made of my real feelings?
Behind this, I’m no different from any other student here. Even through my individuality, my cheerfulness, my endearing oddness… I’m still a horrible person. Using people to get what I want, toying with people and their feelings in order to gain power and gain a spot the top. All to become untouchable. It’s screwed. It’s not right.
My insides are ugly. The truth of me is something I want to keep tucked away deeply, because I don’t want people to see this part of me. A brash, annoying, selfish version of me, everything people hate to see. I don’t want this side of me to be seen because people will run away— people I don’t care much about, sures, but people I love, too. I don’t want to drive them away. So I keep quiet and give them a shallow show.
I give them a source of entertainment that’s controlled by the real me, every calculated movement translating into a marionette-like response. The only show I allow you to see is one that’s so carefully crafted by the chaotic clown backstage. The one that is shunned away from the light, the strings being the only hint of the puppet’s phony existence to the foolish audience.
But suddenly, I feel as if being here has started to let this side of me come crawling back into the spotlight.
It scares me.
It scares me to be vulnerable, let all of my faults lay out on the table like playing cards. To take the risk without the protection, to gamble everything I’ve built up away just like that. But you…
You.
You make me feel safe. You make me feel as if I don’t need to hide anything. I can give you the key to my heart and you would have no malicious intent. You wouldn’t cut out the parts people don’t like. You would enjoy the performance in full, every bit of it.
You make me believe that I’m nothing special, and yet something so valuable at the same time.
It’s silly. You’re silly. And yet that’s something that’s helped me.
It’s helped me realize that that truly is just how people are.
We aren’t villains. We aren’t antagonists. We aren’t monsters.
We are nothing but people, with faults and feelings that should be valued.
I am more than just a jester, a sake of entertainment.
I’m a person who is entirely worthy of love. All of me.
It reminds me that I must’ve came here for a reason.
Because this is where I belong.
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yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."
i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.
the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.
mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.
later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.
sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.
but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.
i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.
every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.
wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?
the first time i went viral, it was for a poem i wrote about you:
he wants to say i love you
but keeps it to goodnight
because love will take some falling
and she's afraid of heights.
every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.
mahler's fifth still makes me sick.
give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.
give me back what you took from me.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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