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cherrylng · 4 months

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Bad Taste Fashion!? [STYLE Series #004 - Muse (August 2010)]

Be more outrageous, or be stylish! Learn the secrets of extreme fashion from the pioneers of the UK rock world

Text: Yoko Shintani

In 2009, Muse became a regular at music events. They have been lauded everywhere, from the Q Awards to BRIT, where they won the prestigious “Best Artist in the World Today” award, to being listed as one of the nominees for “Worst of the Best.” The problem was, of course, Matt Bellamy's fashion sense.

Although he narrowly missed out on the award, he was in the running for “NME Awards' Worst Dressed” along with Liam Gallagher, Ellie Jackson (La Roux), and Katy Perry (the winner was Lady Gaga). While his love of fashion is evident, both on stage and in his personal life, his taste is risqué . His taste for light, red, white, or high-contrast coordinates such as red and white or black and white, tailored jackets, uniform designs, sporty and cyber-inspired details, and thoroughly super-slim shapes……. None of these tastes are weird on their own, but when they all come together on a matte canvas, they present a strangely strong and cloying bad taste, which is a sad state of affairs. Incidentally, at the “NME” Awards ceremony, he wore a black-and-white polka-dot shirt, a silver-grey suit, and a hot black-and-white tweed coat over it. He must have really liked it since he wore the same coat to last year's “Q” Awards ceremony. However, wearing the same coat twice at an awards event is a total no-no.

However, the British rock scene, which has been led by art school graduates, has always had a taste for the kind of sleaze that makes it impossible to determine whether it is stylish or grotesque. Looking back over the past 40 years or so, it goes without saying that the 70s stand out in terms of sheer eccentricity and ferocity. With glam rock and the two stars of the scene, Marc Bolan and David Bowie, the boundaries between men and women quickly blurred, and all the rules of Western male dress were broken down, with hair and makeup becoming completely unisex. Bowie, in particular, actively collaborated with Kansai Yamamoto and other designers to create an even more out-of-this-world image by playing the fictional character “Ziggy Stardust.“ On the other hand, in Roxy Music, which was also a leading glam rock band at the time of its debut, it was not frontman Bryan Ferry but Brian Eno, who was in charge of synthesisers, who experimented with outlandish fashions.

“Dom and Matthew at the NME Awards ceremony on 24 February 2010. While Dom is neatly dressed, Matthew wears a tweed coat with a slightly different length and broader shoulders, a half-size grey suit, and a polka-dot shirt that is out! The magnetic necklace-like chain and the Aki at the collar are also out of step with current trends. The coat seems to be his favourite, and he wears it to the Q Awards ceremony as well as when travelling to and from the Big Day Out. His hair is a bit flat, and his shoes are a bit off-putting, giving off a sense of carelessness but also a strong sense of commitment. pic: Dave Hogan / Getty Images”

He wore a kimono-like dress that would put Bowie to shame, or was adorned with feathers and lamé, and stood on stage in a manner that is hard to imagine from his recent appearance as a master producer. Speaking of unimaginable nowadays, Peter Gabriel of the Genesis era, who belonged to the progressive rock music genre, was another example. He borrowed his wife's long dress and other outlandish costumes from the neck down, but his head was particularly striking, and his “flower” costume with flower petals surrounding his face is perhaps the most famous. Other than that, he was also good at wearing alien makeup that looked like it came out of a sci-fi movie, or wearing a stuffed fox's head on his head……

Another person who should not be forgotten is Elton John. Although Elton John has come out and is now enjoying dressing up openly, at the time he was venting his repressed sexuality in a fashion that was a comical interpretation of glam. And Queen, who had a huge influence on Muse musically, reigned as the leader (!) of rock fashion in the post-glam era. The late Freddie Mercury, in particular, tried his hand at many risqué styles, such as jumpsuits, ballet tights, bare-chested and sleeveless, etc……

Later, with the rise of punk, UK rock once again became stoic, but regained its splendour in the 80s. The New Romantic & Goth era had arrived. Although the two groups have contrasting tastes in colour, with the former using extreme colours and the latter monotone, they share the same androgynous fashion orientation, with glam rock as their main source of inspiration. From Culture Club and Adam & the Ants to Siouxsie and the Banshees and Alien Sex Fiend, each eccentric artist heralded the end of the century. The visual and sonic tastes of that era are, as we all know, undergoing a major revival, with young pop stars such as Adam Lambert, Lady Gaga, KE$HA, and others all looking to Bowie, Queen, and Boy George as role models. Without them, the world would be a very boring place!

Therefore, Matt's bad taste is also adorable when you look down the lineup of UK rock's most eccentric dressers. And in his case, it is his personality, the reset, the lighting, and the music that is the star on stage, not what he wears that matters so much to his fans. And yet, the discrepancy between Muse's musicality and his solid character, which lacks femininity or campness, and his glittery, watery clothing is truly bizarre, and what's more, the sparkly glitter is also extremely half-baked. The clothes show an extraordinary attention to detail, but the makeup is a complete waste of time, and the haircut is a bit careless. If you are going to do something like this, go for a Freddie-style fashion like Justin Hawkins of The Darkness, or go all out with the long hair and dreads, or paint your face like Peter Gabriel, or work with an interesting designer to provide futuristic costumes that synchronise with the stage direction, go Freaky and go for it. Then we won't be bothered by petty discussions about the worst-dressed. Or hire a competent stylist to help you find a simple suit that suits you. In the meantime, even though Freddie loved it, red-and-white coordination is too difficult and should be avoided. I'm probably not the only one who irresistibly thinks of the uniforms of the Japanese Olympic team……………….

This is the rumoured ‘Flower Man’, Peter Gabriel's stage costume from his time with Genesis. It's funny because he was very serious about it. After leaving the band in 1975 and going solo, he became very ordinary.

Brian Eno at the time he was in Roxy Music. His forehead was rising, but he wore a lot of make-up and wore his hair long. All of them wore flamboyant outfits with spacy decorations on their shoulders, etc.

Sir Elton John, who now wears an ordinary suit and flashy tie, used to take the world by storm with his huge ornate glasses and flamboyant outfits. He is a drag queen in every sense of the word!

Freddie Mercury, the king or queen of the bizarre = Queen. The familiar full-body tights costumes were originally designed by Zandra Rhodes. From kimono-style dresses with a daring take on Japanese kimonos to cross-dressing, you name it! pic : Koh Hasebe

Adam and the Ants' Adam Ant pioneered the New Romantic movement of the 1980s and stole the hearts of girls. His unique ‘pirate fashion’, with its elaborate hair and make-up, was imitated by his fans.

Translator's Notes: I do find Matt's taste in fashion to be... quite interesting at times. But in all honesty, I'm neutral to his fashion tastes, given that I use his clothes, accessories, and even his hairstyle to pin down on the correct eras whenever I reblog Muse posts lmao

And also, Freddie's fashion is always 150% fierce AF. As for Adam Ant, him looking like a slutty pirate trying to seduce the Royal Navy to chase after him is just his default appearance since the 80s.

#Matt Bellamy #Dom Howard #Muse #The Resistance era #my scan #translation #Peter Gabriel #Genesis #Brian Eno #Roxy Music #Elton John #Freddie Mercury #Adam Ant #Adam and the Ants #STYLE Series #STYLE Series 004

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thehonoredonesrpg · 5 months

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¡Os traemos una pequeña novedad!

Como ya no queda mucho para completar la información relativa a la ambientación del foro, queremos avisar a todos los que nos siguen que la apertura de las reservas está muy próxima. Antes de ir a la fecha, queremos hacer un adelanto de lo que se subirá entre hoy y mañana:

Pactos, vínculos y técnicas malditas

Pliegues y sellos

Glosario

Posteriormente, como nos han pedido, también subiremos ejemplos de técnicas malditas que se han empleado en el manga de Jujutsu Kaisen y buscaremos también algún ejemplo de los demonios que aparecen en Chainsaw Man, por si os sirve de guía e inspiración.

FECHA DE RESERVAS

Las reservas podrán hacerse mañana día 16 de abril hasta el día de la apertura, aún por anunciar. Dejaremos hasta las últimas dos horas, en caso de que alguien necesite realizar algún cambio o por si hay algún rezagado. El horario de apertura será el siguiente:

20:00 en España (hora peninsular)

13:00 en México, Perú y Colombia

15:00 en Chile, Argentina y Venezuela

NORMATIVA DE RESERVAS

Antes de reservar, pedimos que por favor tengáis en cuenta la siguiente normativa, porque si algo se sale de ella la reserva no tendrá validez.

Pondremos un anuncio previo a la apertura de reservas. Hasta que ese anuncio no esté colgado, no podrán mandarse ningún tipo de reserva.

Se atenderán por orden de llegada. No sabemos si vamos a estar saturados o si el flujo de gente será más llevadero, pero intentaremos dar notificación del listado lo más pronto posible.

Únicamente puede reservarse PB, porque no hay cupos de ningún tipo para oficios, técnicas y derivados.

Pueden reservarse hasta 2 PBs para uso propio. No se permiten reservas para búsquedas.

El PB deberá de ser real y el personaje no podrá contar con más o menos de 5 años de los que el PB tenga en la realidad.

Las reservas se mantendrán durante 7 días desde la apertura del foro, tiempo que creemos suficiente para haber creado los personajes. En caso de que alguien necesite algo de tiempo extra, se puede poner en contacto con nosotros.

Tendréis que poner el nombre del PB, un nick de registro y una contraseña para que, el día de la apertura, nadie intente colarse. Quedaría de la siguiente forma:

PB — Nick — Contraseña

NPCS & RESERVAS

Aaron Taylor-Johnson — Crow

Alina Olesheva — Dragon

Álvaro Morte [NPC]

Alycia Debnam-Carey — Day

Ana de Armas — Xandro

Àstrid Bergès-Frisbey — Bonny

Aubrey Plaza — whats

Bethany Joy Lenz [NPC]

Brian Tee [NPC]

Casey Deidrick — bukowski

Charleen Weiss — G.

Choi Soo Bin— Panic

Choi Yeon Jun — Badblood

Deborah Ann Woll [NPC]

D.J. Cotrona [NPC]

Ed Skrein [NPC]

Eiza González — Poppy

Ella Purnel — Mercy

Eva Mendes [NPC]

Havana Rose Liu — Snoopy

Hero Fiennes Tiffin — Serra

Hiroyuki Sanada [NPC]

Jeffrey Wright [NPC]

Jensen Ackles — Hombre Lavadora

Jeon Won Woo — Melinoe

John David Washington — bulldog

Kang Seul Gi — akugetsu

Ken Watanabe [NPC]

Kim Min Gyu — yoshida

Lily James — JED

Lizeth Selene — Boo

Maggie Q [NPC]

Mahershala Ali [NPC]

Manny Jacinto — Snoopy

Matthew Noszka — muricano

Michael B. Jordan — Air

Minatozaki Sana — shintani

Ming na Wen [NPC]

Nana Komatsu — Fool

Natasha Liu Bordizzo — Grimmjow

Oscar Isaac — Atom

Rebecca Ferguson — whats

Rosemund Pike [NPC]

Ryan Porter — bukowski

Sarah Rafferty — Dory

Shen Quan Rui (Ricky) — Ian

Steve Milatos — Crow

Suki Waterhouse — Mercy

Theo James — Drama

Tony Thornburg — Grimmjow

Vachirawit Chiva-aree (Bright) — Astro

Will Higginson — Leucocito

Yulef Bopp — Ploff

Zoey Deutch — Xandro

#anuncio #reservas

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futuristicallytoocollectorworld · 2 years

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Honda "Origin of Determination" from Primary on Vimeo.

Client: Honda Agency: RPA

Chief Creative Officer: Joe Baratelli Group Creative Director: Ken Pappanduros VP Creative Director: Sarah May Bates Associate Creative Director Matthew Pullen Senior Producer:Ryan Radley SVP Director Video Production: Selena Pizarro ____________________________________________________________________________

LIVE ACTION PRODUCTION El Mirage Unit Production Company: Spoon Films Director of Photography: Tobia Sempi Line Producer: Maureen Tunney Executive Producer: David Wolfson

Namibia Unit Production: Gatehouse Films Director of Photography: Rory O'Grady Line Producer: Karin Tanchel Unit Production Manager: Laila Shrand Executive Producer: Karin Tanchel

____________________________________________________________________________ DESIGN Design Studio: Elastic Creative Director: Paul Mitchell Designer(s): Kaya Thomas Min Shi haram jung Storyboard Artist: Vince Wei

2D Animator: Peter Murphy Producer: James Howell Production Coordinator: Shane Hoffman Deputy Head of Production: Zach Wakefield Head of CG Production: Michael Steinmann Executive Producer: Luke Colson Executive Producer / Head of Production: Kate Berry Managing Director: Jennifer Sofio Hall ____________________________________________________________________________

VFX VFX Studio: a52 VFX Supervisor: Andy McKenna CG Supervisor: Kirk Shintani Lead Flame Artist: Steve Wolff Compositors: Adam FlynnMichael Vaglienty, Rod Basham, Andres Barrios,Stefan Gaillot Flame Artist: Kevin Stokes Ujala SainiJohn ValleChris Riley 3D Artists: Andy Wilkoff, Aemilia Widodo, Alvaro Segura, Bryan CoxChris Clyne, Derek Friesenborg, Dustin MellumJade SmrzJerry Weil, Joao RosaJoe Chiechi, Joe Paniagua Joey Bettinardi Jose LimonJosh DyerJun Kim, Michael Bettinardi, Miguel A SalekMike OakleyRyan ChongSamir Lyons, Scott NishikiTim KadowakiWeiyo ShaZiyan Zhang, Phiphat Pinysophon

Digital Matte Painter: Whitman Lindstrom 3D Image Scanning: Scanable (United States), Black Ginger (Namibia) Producer: James Howell Production Coordinator: Shane Hoffman Head of Production: Stacy Kessler-Aungst Head of CG Production: Michael Steinmann Executive Producers: Patrick Nugent & Kim Christensen Managing Director: Jennifer Sofio Hall ____________________________________________________________________________

COLOR Color Studio: Primary Colorist: Gregory Reese Color Assistant: Corey Martinez Color Producer: Jenny Bright Executive Producer: Thatcher Peterson

_________________________________________________________________________

EDITORIAL

Editorial Company: Elastic Editor: Doron Dor, Pascal Leister Assistant Editor: Emily Morgan Producer: James Howell ____________________________________________________________________________

SOUND

Final Mix: LIME

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rielgant · 4 years

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Haikyuu!! Stage - Itadaki no Keshiki 2

Source: _ryu_ichinose, ibuki_furuta, koki_0603, david__shintani

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leenaevilin · 5 years

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[Update] アグレッシブダンスステージ『DEAR BOYS』(aggressive dance stage dear boys)

the show will be running from April 3rd, 2020 to April 26th, 2020 (Tokyo) @ Mixalive TOKYO Theater Mixa

Cast:

Nagatsuma Reo as Aikawa Kazuhiko (哀川和彦) Matsuda Hiro as Fujiwara Takumi (藤原拓弥) Adachi Kouta as Miura Ranmaru (三浦蘭丸) Matsukawa Daisuke as Ishii Tsutomu (石井努) Morishita Jin as Dobashi Kenji (土橋健二) Takagi Katsuya as Himuro Yoshio (氷室義男)

Shintani David as Moriyama Atsushi (森山敦司) Iida Torayoshi as Kojima Akio (児嶋章男) Matsushima Hiroki as Takeuchi Junichi (武内純一) Haitsuka Soushi as Kishimoto Shinobu (岸本忍) Iwasaki Ryousuke as Tamaki Naoya (玉置直也) Takaki Tomoyuki as Shimojou Kaoru (下条薫)

nelke

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oraclesofnorway · 2 years

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vimeo

Microsoft Mesh from jeff han on Vimeo.

Microsoft Mesh enables presence and shared experiences from anywhere – on any device – through mixed reality applications.

Mesh allows for connections with new depth and dimension. As digital intelligence comes to the real world, we’re now able to see, share, and collaborate on content that persists. This common understanding ignites ideas, sparks creativity, and forms powerful bonds.

Client: Microsoft

Creative Directors: David Wolf, John Nguyen Concept Artist: Dave Carleson ____________________________________________________________________________

LIVE ACTION Production Company: Sanctuary Founder/Executive Producer: Preston Lee Director: Mindcastle Director of Photography: Pat Scola Live Action Producer: Noah Thomason Production Designer: Melisa Myers Stylist: Ashley Chako

____________________________________________________________________________ VFX VFX Studio: a52 VFX Supervisor: Jesse Monsour, Urs Furrer Art Director / CG Supervisor: Kirk Shintani Flame Artists: Richard Hirst, Andrew McKenna, Matt Sousa, Steven Wolf, John Valle, Michael Vaglienty, Enid Dalkoff 3D Artists: Dustin Mellum, Ariana Ziae Mohseni, Aemilia Widodo, Weiyo Sha, Bryan Cox, Josh Dyer, Jose Limon, Jade Smrz, Joe Paniagua, Mike Di Nocco, Derek Friesenborg, Joseph Chiechi, Mike Bettinardi, Christoffer Bjerre, Haram Jung, Lusine Arakelyan Design Art Director: Jeff Han Designer: Carlo Sa, Christoffer Bjerre Online Editor: John Valle Sr Producer: Niki Love Goodwin Production Coordinator: Sara Dotson Head of Production: Stacy Kessler-Aungst Head of CG Production: Michael Steinmann Executive Producers: Patrick Nugent & Kim Christensen Managing Director: Jennifer Sofio Hall ____________________________________________________________________________ COLOR Color Studio: Primary Colorist: Daniel De Vue Color Assistant: Corey Martinez Color Producer: Jenny Bright Executive Producer: Thatcher Peterson _________________________________________________________________________ EDITORIAL Editorial Company: Rock Paper Scissors Editor: Ted Guard Assistant Editor: Michael Shugarman Producer: Sasha Grubor Executive Producer: Shada Shariatzadeh Head of Production: Dre Krichevsky Managing Director: Eve Kornblum ____________________________________________________________________________ SOUND Music Company: Future Perfect Partner: Maxwell Gosling Composer / Partner: John Connolly Producer: Nathalie Córdoba

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engekihaikyuu · 4 years

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Hyper Projection Engeki Haikyuu - The View from the Top 2

Kamomedai Cast Hoshiumi Kourai - Kiyama Ryuu Hirugami Sachirou - Emoto Kouki Hakuba Gao - Shintani David Suwa Aikichi - Sankoda Yoshiki Nozawa Izuru - Hayashi Yuuki Kanbayashi Keiichirou - Furuta Ibuki Bessho Kazuyoshi - Zaitsu Yuutarou

Fukurodani Cast Bokuto Koutarou - Sakuraba Haruto Akaashi Keiji - Takasaki Shungo Konoha Akinori - Higashi Takumi

Mujinazaka Cast Kiryuu Wakatsu - Kawasaki Yusaku

Inarizaki Cast Miya Atsumu - Matsushima Yuunosuke

Shiratorizawa Cast Coach Washijou - Kawashita Taiyou

Aoba Johsai Cast Oikawa Tooru - Asuma Kousuke

Names are listed in the following format: family name, given name

#Engeki Haikyuu #Hyper Projection Engeki Haikyuu #haisute #the view from the top 2 #finale #cast list #kamomedai #fukurodani #mujinazaka #inarizaki #shiratorizawa #aoba johsai

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xxnothingbutstrangerxx · 4 years

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youtube

𝗛𝗬𝗣𝗘𝗥 𝗣𝗥𝗢𝗝𝗘𝗖𝗧𝗜𝗢𝗡 𝗘𝗡𝗚𝗘𝗞𝗜 𝗛𝗔𝗜𝗞𝗬𝗨𝗨 𝗜𝗧𝗔𝗗𝗔𝗞𝗜 𝗡𝗢 𝗞𝗘𝗦𝗛𝗜𝗞𝗜 𝟮

KARASUNO

Daigo Kotarou as Hinata Shouyou

Akana Ryuunosuke as Kageyama Tobio

Yamamoto Ryousuke as Tsukishima Kei

Oribe Yoshinari as Yamaguchi Tadashi

Kanegae Kou as Tanaka Ryuunosuke

Kitazawa Yuuma as Nishinoya Yuu

Nakatani Yuushin as Ennoshita Chikara

Morimoto Shouta as Kinoshita Hisashi

Takikawa Koudai as Sawamura Daichi

Ichinose Ryuu as Sugawara Koushi

Fukuda Yuuya as Azumane Asahi

Somekawa Shou as Shimada Makoto

Yasukawa Rina as Tanaka Saeko

Sagawa Daiki as Udai Tenma (New)

Ookubo Satomi as Shimizu Kiyoko

Yamamoto Jurii/Julie as Yachi Hitoka

Ogasawara Ken as Ukai Keishin

Kamakari Kenta as Takeda Ittetsu

KAMOMEDAI

Kiyama Ryuu as Hoshiumi Kourai

Emoto Kouki as Hirugami Sachirou

Shintani David as Hakuba Gao

Sankoda Yoshiki as Suwa Aikichi

Hayashi Yuuki as Nozawa Izuru

Furuta Ibuki as Kanbayashi Keiichirou

Zaitsu Yuutarou as Bessho Kasuyoshi

FUKURODANI

Sakuraba Haruto as Bokuto Kotarou

Takasaki Shungo as Akaashi Keiji

Higashi Takumi as Konoha Akinori

MUJINAZAKA

Kawasaki Yuusaku as Kiryuu Wakatsu

INARIZAKI

Matsushima Yuunosuke as Miya Atsumu

SHIRATORIZAWA

Kawashita Taiyou as Coach Washijou

AOBA JOHSAI

Asuma Kousuke as Oikawa Tooru

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rainbow-filmnerd · 3 years

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Slight rant time.

A while ago, I've started watching Maid Sama!, which is overall quite good. The growing relationship between Usui and Misaki is cute (protective Usui giving me slight Kiyoto inspo for obvious reasons), a memorable cast of characters (most of which are likeable), and a generally cute story. I'm anticipating on finishing the series tomorrow since I have three episodes left. But... I kinda wanna rant about one character by the name of Hinata Shintani.

The general idea of him being a childhood friend of Misaki and having a crush on her is actually a really good concept and not something I've seen in any of the past anime I've watched. However.... I just found him to be annoying. Just his personality didn't seem to click with me, and what made it worse for me was his voice in the English dub. OH MY GOD IT'S THE WORST VOICE ACTING I'VE EVER HEARD IN ANY ANIME.

He just has this nasally voice that makes the actor sound like he's attempting a Southern accent, and it's just so bad. And I can hardly call that acting, because it was terrible. It made some scenes in the batch of episodes I watched tonight hard to get through, and I feel like it might get worse as I finish. Comparing it to Monica Rial (Misaki's English VA) and David Matranga (Usui's English VA), it's obvious to see how lackluster and awful it is to listen to Hinata speak and interact. While I can say that Asura in the Soul Eater dub sounded lackluster, Hinata in the Maid Sama dub just sounds... bad.

And knowing his anime character arc is having a rivalry with Usui doesn't make things feel better. Sure, Usui does come off as a bit possessive to Misaki, but I've gotten to see that relationship between them grow and that's kind of his character.

#had to get it off my chest because it was the worst voice acting ever #kimmy's rambles #kaichou wa maid sama #maid sama

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nyxravessnow · 4 years

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Shin Tenimyu - Musical The New Prince of Tennis The First Stage Report

I saw the stream of the first performance of the The New Prince of Tennis musical awhile back and I wanted to write some of my thoughts. But I didn’t really enjoy the show and as I love tenimyu with all my heart, as it is my favourite show, I find it much harder to be super negative about the show when talking specifically about the show scene by scene. But with the casting news for 4th I thought that I would finish this so anyone who hasn’t seen the show can know my thoughts.

I tried to finish it, I really did. But I have no motivation to really talk in length about this show in a deep dive sort of way. I will keep what I did for the 1st half of the show but after that it will only be kinda a summary of my thoughts.

I have only seen the first night and I do not intend to see anymore of this show. I was incredibly disappointed and didn’t not make me want to see the show again or really any of the shin tenimyu shows but I will still watch those as a bad first show doesn’t mean all of them will be bad but I don’t think shin tenimyu will ever really be my thing.

I will say that Tokki, Raima and Maeda-chan are actors I love so I am a little biased towards them

Bare in mind that this was the first performance and while I am not taking that into consideration for my criticisms things could definitely improve before the final show, the one that will be on dvd.

Overall the show was about a 4-6/10 for me. There was only really one scene that brought it to a 6 and without it it would be a 4.

Music: 2/10.

Direction: 1.5/10.

Acting: 6/10

Spoilers under the cut

Actors

Imamaki Hikaru - Echizen Ryouma: All round a solid 6/10. He was cute and delivered his lines very well but still has far to go with his singing and the design on his hair really sticking out from the sides of his hat made him seem much younger which I was not a fan of. This was a problem I had with early Nichika of them making Echizen seem too young and innocent. Like of course he is 13 and is a child but he isn’t this cute adorable boy. He can be cocky and he isn’t all innocent so I hope they don’t keep making the Echizen’s appear super young in this way.

Yamada Kento - Tezuka Kunimitsu: 8/10. I don’t think I really have any issues with his Tezuka at all. He had a very good voice, really good acting.

Houjuyama Shun - Momoshiro Takeshi: 6/10. He has a really good voice for Momo when speaking but his singing leaves a lot to be desired. He didn’t really do very much in the show so I can’t rate him higher than a 6 as I don’t remember very much that he did bar the Oni match.

Gaku - Tachibana Kippei: 7/10. Similarly to Shun I don’t really remember him but his singing was quite good so this is where he landed

Takahashi Ryouya - Atobe Keigo: I’m sorry 1/10. He is an excellent singer and performer but there was nothing about his performance that made me think of Atobe. His voice was quite high, he was not very confident (Blending into the background when it wasn’t his match), saying his lines softly, moving softly. If I couldn’t see the wig I would not have known he was Atobe. I really hope that he can gain some confidence to play Atobe or else I think he was the wrong actor for the role.

Maeda Ryuutarou - Kirihara Akaya/Hiramatsu Raima - Tooyama Kintarou: 10/10. I put these two here together because what I want to say is the same for both. You could absolutely tell they had been in the show before. The two brought confidence not many others had to their roles. They controlled their stage and as soon as they stepped onto it they were their characters. Every movement and every line was exactly like the character. I am so happy that they are continuing in tenimyu and hope that they will help the cast get to their level by the end of this run or maybe in future shows.

Takemoto Yusuke - Shiraishi Kuranosuke: 9/10. By far my favourite of the new cast members. I know a lot of people were apprehensive that he might play Shiraishi as sexy too much but he didn’t at all. He was excellent. The only reason that he isn’t a five is there are still some tiny things he could polish but once those are polished he will be perfect.

Matsushima Hiroki - Chitose Senri: 7/10. Ngl I keep forgetting that he was in this show. His doubles with Tachibana was quite forgetful and he didn’t have any major moments but was also quite good and not many problems in his performance.

Shintani David - Lilident Krauser: 10/10. Like Maeda-chan and Raima you could tell that he had been in the show before, albeit much less than they had. For anyone who doesn’t know, he was an understudy and doubled as the part of Lilident in vs Rikkai Nationals. Very solid performance

(Warning I know much less about the high schoolers so this will be more on their acting in general rather than whether they were good as that character)

Ono Kento - Tokugawa Kazuya: ?/10. He was barely in the show and I have no idea how I could rate his performance. Pretty solid.

Okamoto Yuuki - Oni Juujirou: 8/10. Solid performance. Good enough singing for the role.

Aiba Hiroki - Irie Kanata: He wasn’t in the show so I can’t write a judgement of his performance

Yasue Kazuaki - Irie Kanata: 9/10. He was so excellent. Singing, acting, everything was top notch. Similarly to Yusuke he’s only not 10 because he has some small things to polish.

Chanhe (dunno how to spell his name) - Nakagauchi Sotomichi: 6/10. No real comments, pretty solid.

Matsushima Yuunosuke - Yamato Yudai: 6/10. Pretty good, singing okay.

Suzuki Ryouhei - Miyako Shinobu: 6/10. Didn’t have many lines or do very much, pretty overshadowed by Tokki (Will cover him next). What he did do was good, singing could use some improvement.

Tauchi Tokihiro - Matsudaira Chikahiko: 10/10. Absolutely perfect. He brought so much energy and character to his performance that I don’t think any other new actor brought. He owned the stage, even competing with Maeda-chan for my attention when on stage. He had so much presence and would draw your eyes to him. He made everything seem so natural and not acted. Like the continuing actors he became his character on stage rather than acted them out.

Takahashi Shunichi - Suzuki Shun and Tsurimoto Minami - Washio Issa: 6/10. Didn’t do too much, pretty solid performance.

Murakami Kouhei - Kurobe Yukio/Izumi Shuhei - Saito Itaru: 6/10. Pretty standard for a coach. Singing was good.

Kishi Yuuji - Mifune Nyuudou: 10/10. Absolutely amazing. Everything about his performance was perfect. By FAR the best voice in the cast, incredible singing.

Direction and choreography

I am not a director so I cannot be too specific about details but I can say what I liked and didn’t. (Every comment is specifically about the direction not singing or acting). I have studied theatre though so I do have some insight from that angle Also, please don’t criticise what I classified as the same scene and what as different.

Scene 1: Echizen in America, 1st song

Good beginning, very solid for a first show opening.

Scene 2: High schoolers practicing while middle schoolers arrive, coach song

Felt very reminiscent of the vs Fudomine shows where Echizen first arrives at Seigaku, I really liked this.

Scene 3: Middle schoolers and high schoolers collecting dropped balls, middle schooler song

Was not a fan. I didn’t like how close everyone was but also randomly placed. I know it is inevitable with such a small cast of middle schoolers but I would have liked to see them more with their teammates in little clusters and slowly appear in front of Seigaku. Maybe even projecting images of other middle schoolers getting balls if none are to appear.

I did like how Echizen arrives out of the back at the end though

Scene 4: Oni vs Momoshiro, Oni solo, Momo solo

Done pretty well, will talk in other section about stage design. Both actors were solid in their tennis, no missed moves that I saw. Built up Oni’s power well, showing him as a strong player. Showed Momo’s desperation well in the blocking.

Was not a fan of only having unknown high schoolers watching on. Makes sense in an anime or manga that has time to build up and unlimited cast but this show only has three hours to build up characters that may never return or become more important later. They did not need lines but would have been interesting to see them watching the match

Scene 5: Saito and Kurobe

Pretty simple scene, just the two talking. Pretty gay.

Scene 6: Saito talking to the middle schoolers about elimination matches, Saito solo

I think the middle schoolers could do with being less clumped up around him as it makes the cast of characters seem small and does not give an indication of scale. Liked the stillness of the middle and high schoolers during his song.

Scene 7: Echizen and Kinchan meet Tokugawa and Oni, Echizen vs Tokugawa, Echizen and Tokugawa duet

I really love the way Oni and Tokugawa are tall and imposing and unmoving or slow moving on the outside of the stage where as Echizen and Kinchan are being active in the middle, shows contrast between the characters well.

I really like there not being a net here reinforcing that Kinchan and Echizen just run off and do their own thing with no regard for officiality.

Did not like the two random ensemble cast members appearing to watch and commentate, felt very weird and slightly meta.

Scene 8: Elimination matches

I have EXTREMELY mixed feelings here. On the one hand I think the direction is excellent with the spotlight, the figures who lose falling and the single lines echoing. On the other hand, I hate that they didn’t have many of the matches and skipped over them completely, especially the lack of cast members (which I will touch on later). If they do the elimination matches in another show and this was building up to it then I take back my negative comments and I’ll be very happy about that. But if not I think this was not enough to cover them, especially since so many were missed out

Scene 9: Kinchan vs Oni, Kinchan and Oni duet

I really love this scene. A lot of, again, slow movements from Oni contrasting the never still form of Kinchan. Probably my favourite choreography from the show with Kinchan darting back under Oni’s legs. Doubles to show Oni’s maturity vs Kinchan’s childishness as well as showing Oni not taking Kinchan too seriously and letting him just run around aimlessly before he beats him.

Scene 10: Irie and Chitose talking

No real comments, they just stood and talked.

Scene 11: Saito takes Kinchan and Echizen to the mountain

Liked them lying on the floor together, part of a series of things linking Kinchan and Echizen together. It was a bit weird seeing Tokugawa just watching them lie on the floor and catching their breath before giving them a message and leaving. Liked Saito picking them up by their collars, gives the impression that he doesn’t care that they are children. Which he doesn’t. Scene of climbing suffers from lack of actors as this could be a good place to add in comedy, which the show is lacking, but since they only have Momo, Echizen and Kinchan, none is created.

Scene 12: Mifune solo (ft. Echizen and Kinchan )

Loved how he is sat in the beginning, instantly shows his character. Along with his heavy slow movements and slightly hunched back. Liked it showing the middle schoolers climbing in the background, showing that he is not caring about their effort or wellbeing in getting to him. Liked the breaks to show Echizen and Kinchan and the complete shift in tone, will talk more about later in song, but also in lighting and speed of movement.

Scene 13: Middle schoolers arrive at the camp, hs vs ms outside match

Love the distance between the high schoolers, creating a sense of scale. Despite looking down usually being a sign of strength from the person standing you got a sense of Mifune’s power as they are all looking down on him sipping his sake.

Loved the lighting for the high schoolers vs middle schoolers match. Fluid movements of the hs vs the random movements of the middle schoolers.

Scene 14: Training back at the main camp, ms getting their place on court 5

Really liked the running on a off stage but would have liked to see characters return to stage and run off again like a consistant training menu and would have liked to see the words detailing their training be on the screen for a tad longer.

Liked the short matches between the ms and hs but would have liked to see the hs look a bit more helpless in their movements.

Scene 15: Coaches talking, court 5 and 3 meet, Irie and Tokugawa chat

Coaches talking is pretty standard

Liked the ms entering from different sides vs court 3 entering from the same side. Gives the impression that court 3 is a team whereas 5 is a lot of good individual players thrown together.

Chat again, pretty standard

Scene 16: Oni talking to his court, court 5 song

I like them being spread out. Like them walking around at the beginning of the song with only Oni spotlighted to show he is bringing them together.

Scene 17: Yamato and Tezuka talk

Like the distance between them, showing how far apart they had grown due to time and also in personality, contrasted later during their duet.

Scene 18: Lining up, Nakagauchi vs Liladent

Liked contrast between Oni being just behind court 5 whereas Tokugawa is behind the bench (?). Of course court 3 isn’t Tokugawa’s court but it reminded me of Oni actively helping his court vs Tokugawa sending Echizen away to improve.

Pretty standard tenimyu match with no songs. Liked the show of Nakagauchi’s power by showing him being thrown into a fence, like Taka-san one of the strongest middle schoolers was in Shiten, but being unaffected by this. Of course I know it was done in the original so they also had to do it but I like how the direction is similar in both cases.

Scene 19: Shiraishi and Akaya vs Miyako and Matsudaira

BEST SCENE OF THE SHOW. If every scene was like this one the show would be 10/10. Without this scene the show would be a 4/10 or perhaps lower.

Miyako and Matsudaira’s song was great.

Shiraishi’s solo was so good.

Shiraishi and Akaya’s duet is by far and away the best song in the show. The only song that really felt like ‘tenimyu’ and reminded me of what I loved about tenimyu.

Scene 20: Camp training, Mifune sends Echizen/Kinchan/Momo to get Sake, Mifune solo

Pretty solid, suffering from a lack of actors and it felt a bit flat. Mifune’s singing was amazing again, though I think he did slightly get too many songs bc Mifune isn’t as important to the plot as the musical seems to make out, as far as I’m aware.

-----------------------------------------------------------------------------------------------------------

So, that’s the first half.

IF YOU DO NOT WANT TO READ SOMETHING VERY NEGATIVE AND HARSH, PLEASE STOP HERE.

This show might be one of my least favourite 2.5d shows I have ever seen. The dancing was okay, the singing wasn’t great, the show did not feel well thoughtout and it was just so disappointing. So, many of the actors were rather underwhelming and despite so much going on the show felt boring.

I may have not read the shintenipuri manga but I have seen the anime and it is really funny. This show was barely funny, so many jokes were cut out seemingly for no reason other than the characters who made the jokes not being there. But I do not understand why there weren’t there. I get they couldn’t have every shintenipuri character there but there are quite a few I think they could have added that would have brought a lot, not just to fill the numbers as the stage did feel quite empty quite a few times. Sanada, for example, would have been a very good addition to the cast he speaks to a few of the people there, he rallies the middle schoolers going up the mountain and they already use him quite a bit through voice recording so I do not see why they couldn’t actually cast him.

The show was just lacking the heart that normal tenimyu has. Every tenimyu show before this, even the ones I haven’t enjoyed as much like Remarkable Match Fudomine or Seigaku vs Shitenhoji 2nd season, made me want to watch them again. They still drew me in and got me invested in the characters, partly because of excellent chemistry between the actors. Honestly, so few of these actors had good chemistry with one another. Raima and Maeda-chan quite honestly felt good with everyone. Tokki and Ryouhei were good as Miyako and Matsudaira, Kento and Yuunosuke weren’t bad as Yamato and Tezuka and Ryoya and Kazu were pretty okay. I didn’t feel a connection between almost anyone else. I don’t know if this was the actors not feeling comfortable with each other or the fast pace of the show that left no time for actors to develop in character chemistry but I am leaning towards the 2nd as the backstage photos would suggest they got on well.

This show felt like tenimyu’s attempt to make a Toho show. And it did not work. The show took itself way too seriously instead of in normal tenimyu where they seem to have a blast and it’s okay to understand that the show is ridiculous. I don’t know if this is at all what they were attempting but with the new attitude and the actors from Toho, especially Mifune’s actor who they gave a lot of solos to, it certainly felt like that to me.

I am not just being negative about shin tenimyu because I wanted tenimyu to stay the same forever. I was very prepared for new things in shin tenimyu but I don’t think the approach of let’s keep virtually nothing from past tenimyu really appealed to me. I honestly did like some of the new stuff they tried but I think they should have kept more things the same and phased stuff out later down the line when people were more onboard with shintenimyu. I.e. not in their first show.

I will talk more about the issues I had with casting in my next post as I will finally talk about the casting of 11th Seigaku and 4th Fudomine.

RANT OVER

Okay, now I’ve gotten a lot of my negative thoughts out of the way.

Thanks for reading this half review, and I’m sorry it took so long. I personally wouldn’t recommened to anyone who is a massive tenimyu fan to check out this show but please don’t just take my word but see what other people think to.

Please continue to support my reviews and leave a like and maybe send me a message so we can chat about stuff.

#self #rant #shin tenimyu the first stage #the new prince of tennis musical #the first stage #review #negative

13 notes · View notes

rhinocerosproject · 5 years

Text

Sewing Circle Participants

Thank you to everyone who participated in sewing the rhinoceros! We could never have finished it without you. You are forever in our hearts.

Deanna Cruise back

Juliana Pennington shoulder

Yue Yang Caigla Zou back

Yuen (Jessica) Chen back

Kelly White shoulder

Athena Johns leg

Antoinette Barton head

Erica Lipshultz rump

Marc Fletcher back left foot

Siobhan Cassidy front right leg

Elisa Li head

Harry Yu head

Beth Thomas snout

Erica Barajas forehead

Vivian Romney shoulder

Zoe Walker head

Amy Khalmann rear flank

Alina Hayes feet

Janice Wood rear flank

Barb Bakun head

Andi Wong rear flank

Sarah Stein back, thigh

Chloe Marrinstein head, foot, outline, da booty

Sadie Marrinstein thigh

Amanda H. Johnson head, foot, outline

Kaila Wood head, foot, outline

Leah Johnson head, foot, outline

Ani Mukerji back leg

Inka Mukerji back leg

Winnie Ding rear flank

Jennifer White back feet

August White back feet

Neve Schmitt head

Michelle Schmitt head

Sigrid foot

Leah Anderson foot

Mary Kenny rump

Isle Oritt rump

Olga back leg

Dustin rhinobum!

Linnea Furlog head

Pam Deluco rear leg, haunch, elbow, letters

Jeff Thomas back

Bryan Barkley rear

Mary Wheeler back top flank

Teri Gardiner tail hair, rump, belly, ridge of back

Robin Hill rump

Darcy Padilla stomach

Emily Clark-Krasner rear

Yuen Chen leg

Jodi Connelly back

Noah Greene belly

Ryan Meyer belly and back

Arielle Rebek belly

Muzi LaRowe eyes

T. Blackmon bottom

Bettina Pauley tail

Allyson Feeney rump

Mark Baugh-Sasaki back foot

Dox Lorax haunch

Kelli Rae rump

Cesar Rubio unknown

Ho Yan Nip unknown

Frank Merritt all over, circles, edges, hindquarters, shoulder, rump, dark purple bottom edge of shoulder armor, behind the ear

Kim Miskowicz rump, right foot, rear/rump

Julia Langer buttocks

Jonathan Coignard buttocks

Suzanne Gore haunch

Kelly Wang from hip to buttock

Steve Rasmussen rear leg

Bob Rocco rump

Odysseus Wolken upper rump

Juliette Langley lower rump

Fehim Haelzic crown/forehead

Leyla Haelzic crown/forehead

Tanja Gels head

Lisa Ekstrom from right leg, forehead

Eva Walker front leg

Sara Wright eye

Karrie Hovey shoulder

M. Dym a wrinkle on the head

Amy M. Ho front foot, forehead

Dave Lyons just below eye

Mel Day forehead

Heather Peters ear

Helen Hiebert butt

Alyssa Casey neck, horn

Vanessa Gingold rump

Mary V. Marsh front right toe, ear

Antonio Guerra letra C

Jenny Phillips hands

Ingrid Rojas Contreras hoof

Maia Wachtel lines on the back

Roli Douglas the top line

Noga Wizansky rump

Suzanne Forester border line

Cindy Steiler face

Alexa Boromo behind

Amber Hoy back

Melody Dalton back

Cheyenne Dalton rear feet

Elizabeth Boyne ear

Teddy Midler front foot

Drew Cameron face

Cathy DeForest front left hoof

Leah Korican face

Mayumi Hamanaka r - text

Dana Zed shoulder

Erin Sheanin knee

Alisha Funkhouser front foot

Debbie Walker unknown

Nancy Marriner tail

Summer Om face

Eraden Wordal Chesh face

Isle Oritt knee

Mary Grace Tate toe

Sophia Auen face

April Marriner tail

Charlotte Semmes snout

Andre Chevonier foot

Jane Cassidy foot

Kellen Rhoda foot

Meiasha Gray border

Samantha Bankston back foot

Winship Varnes hindquarters

Miranda McFarland belly

Susan Paigen nose

Kevin Holmes ear

Jackie Wallowheng plants

Beta Heist Morello edge

Elaine Todd nose and edge near nose

Lori Chambers back foot

Mickie McCormic foot scales

Jeremy Logan ear hair

Brook Craddock mythical horn!

Morning Hullinger toe jam back foot, shoulder flank, final inner

C.C. Chaya scales

Lolli Jacobsen back

Sarah Crews rump

Connie Burket ears

Debbie Divine rear leg

Martha Rhea hindquarters

Donna Sandberg along the top of the back shoulder and letter H

Pam Morgan back

Ruth Cathcard Rake front leg and letter R

Gretchen Boyum front leg, front foot

Rachel Butler front leg

Lucy Butler front leg

Bill North butt, ground, back right foot

Caroline Stoll head

April Engstrom back right leg/hip

Connie Wilson close to face

Gloria Gonzalez hind foot

Judy Nease chin

Alleigh Weems horn

Lyndsi Weems back foot

Karla Prickett rump

Jennifer Baker back

Kent Manske spots

Susan Tuoley back foot and butt

Susan Paigen nose

Christina Steinbrecher pfrandt (lower leg)

Yeqi Song legs

Yuan Luo legs

Jenny Chin (Kuan-Jen) legs

Jingying Liang back leg

Jianguyin Reng back leg

Beth Abdallah back flank

Rebecca Redman back leg

Michael Seidel kidney lining

Rita Hsing head

Sandy Lee back

Chelsea Herman back

Marie Kidd right front foot

David Kidd right front foot

Amy Whitcomb rump

Bob Carpenter nose

Barbara Carpenter nose

Cynthia Beecher ear

Leteb Beecher ear

Susan Sweet ear

CK Itamura hamhock

Dionne Thornton front left foot, butt edge

Robert Wuilfe da booty

Gina Ching front foot

Jordan Juel front foot

Anne Ingraham front foot

Michelle Waters butt

Elizabeth Addison foot

Lydia Nakashima Dagarod shoulder

Linda Joy Kettwinkel snout

Peggy George butt

Maryly Snow scales

Zelisa back end

Scott Partch back end

Chin Cox head

Hada Marshall Booth head

Eduardo Arenas leg

Luna Gomez head

Sauita Patel gog (back)

Brian Lease back leg

Islonia Hasbrim frente

Guadalupe Portillo espalda

Queen Krubally back

Bridget McCraken back

Margaret Coston back

Kathleen Murphy belly

Julie Grigoryan ear

Joyce Subel border

Yatit Maidorh head

Omer head

Alon head

Rooek head

Eli head

Posja Mahushwai neckline

Talia nose

Ella ear

Jonathan nose

Nancy Brunn back

Sabina Brunn ears

Judith Fast back

Lindsey Stoll hoof

Emily Marks head

Victor Vargas chin

Britt-Marie Alon horn

Al Bloch horn

Alyssa Flores horn

John Hoffmeyer border

Madison Cockrum head

Anthony Murillo border

Sheri Simons front legs

Emily Matherson face

Hana Jones hoof (back foot)

Angela Kirchebel bottom left corner border,

small area of right foot, scales

Adele Etcheverry Sheets upper border rear and rear of Rhino

Leslie Jurado back leg, hoof scales

Jaime Muñoz shoulder

Aiden Ginn back leg

Sheecid Lopez border and back leg

Sophy Hock shoulder

Nancy Scott Patton rump

Hana Beaty shoulder, back leg

Eric D’Alessandro lower jaw

Betsy Copeland leg and hoof

Kylie McCloskey horn

Dellanira Carrillo butt

Jose Llamos hoof (back foot)

Timothy Clancy forehead

Kobley Benjamin Mona shoulder

Alicia Ramirez foot

Kim Green upper thigh/butt

Francesca Figone left back

Josette Stokes shoulder

Mercedes Yatta foot

Luis Medina booty

Shane Geoge face (under eye)

Ellen Baird foot

Daria Booth shoulder

Adria Davis backside

Johnny Bruno back foot

Brianna Warren leg

Adrienne Glatz forehead

Mallory Frucha bum

Kelly Weber front and back legs

Carissa Duggan booty

Jasmin Gonzalez foot

Francis Newsom rear end

Shari Maxson Hopper shoulder

Veronica Brenck butt

Marie Fox rump, front foot, back foot

Chloe Taylor root

Marissa Winslow rump/tail

Shai Porath head

Linda Bea Miller tummy

Tom Seoul rump

Kathleen Ritchie unknown

Sue Bottom front leg

Lisa Chu forehead

Anne Ingraham hind foot

Chris Voisard rump

Jane McLaughlin front foot

Malinda Thompson rear leg

Mallory Nomura Saul tusk and back

Judy Shintani tummy and rump

Kevin Austin top of nose, bottom of horn

Claudia Molley top of head, behind ear

Kate Oltmann butt

Amanda Bosma wrinkle on face

Xittaly Vasquez back leg

Emily Murray torso wrinkle

Julia Albo border

Miriam Hassman neck/face

Ryan Patton back left leg

Alexa Weber chin and left front leg

Jiovanny Soto forehead

Jenny Harp lower back

Steven Garen nose/head

Tallulah Terryl leg

Johanna Arnold back

Sean Olson muzzle

Emma Spertus back

Chris Challans loin, belly

Susan Kanowith-Klein rump

Christina Aumann eyelashes and forehead

Ruth Souza misc dorsal area

Phuong Pham booty

Laurie Crogan shoulder-scales

Lorna Turner armpit

Eva Hausam chin wavy lines

David Reiman shoulder

Lanqin Wang forehead

Camryn Travis belly

Jennifer Munnings eye/cheek

Brooke Sommers belly

Katie Gallagher ribs

Sariah Gonzalez forehead

Anthony Isenhour shoulder

Berenika Boberska the bottom!

Taylor Hoogsteden hip

Carmina Ellison sideburns

Nicole McHale shoulder blade

Preeva Tramiel back leg

Jessica Bernhardt front leg

Milldrid Thompson ear

Sharon Robinson front leg

Timiza Wagner back leg

Bobbie Jeffery rear of body

Joanne Landers ear

Sylvia Stanger front leg

Paula Landers back leg

Charlotte Jacobs front leg

Mavis Brown front shoulder

Cheryl Batrato haunch

Kathy Goldmaker shoulder

Liz Matthews back leg above the foot

Sailee Pawar back leg

Andrea Fleiner belly

Marina Taniform leg

Andres Taniform leg

Rose Nguyen ribs

Marco Chavez ribs

Lily May Larson cheek

Rachel Williamson back leg

Cheryl Zuur above the eye

Kathy Willis hindquarters

Martha White hindquarter

Artemis Koren head

Anika Sykora tummy

Irene Floyd hindquarter

Ming Zhou head

Max Koren front leg

Dinah Irino ear

Maya leg

Morgan Carter head

Ava Kasim the hinney

Isabella Anderson back

Ian Kussi-Gillu shoulder

Viyada Satyapan upper front back

Mahvash Salehpour back hip

Christina Bayley back foot

Pam Schwartz left leg

Lynn Koolish back leg

Sandra Duncan front hoof

Emily Rosenberg right leg

Gina Dixon back leg

Tamara Sommerfield neck

Diana R. Reton rear leg

Candace Kling shoulder

Cindy Jacomette head

Nicki Hitz Edison front leg

Toru Sueto front left leg

Jeanne Sueto under eye, along lower jaw

Linda Goss rear hip

Kim Meuli Brown back ribs

Michael Chin chin

Kasla Melton right back leg (pierna derecha)

Vanessa Herrera right back thing

Wendy Brown back leg

Jack Fleig front leg

Amanda Fleig front leg

Shobitha belly

Sasha back

Marilyn rear haunch

Caden Jo Hartdegen head/neck

Yolanda Araujo unknown

Meredith Payn unknown

Tiffany Hartdeger unknown

Richard cheek

Hanna Peacock shoulder

Juan Manuel Gutierrez rear hip

Paola Valencia head

Jesus Castillo head

Diego Barregan shoulder

Hernandez Irvin belly

Cindy Simmons cheek

Ginna Sierra upper leg

Carole Walters-Cook face

Angela Etsey back leg and thigh

Victor Navarro IV V neck

Elizabeth Finkler ear

Jennifer Lu lower tummy

Kylee Dougherty neck

Jada Wong stomach

Kerwin Azores back knee

Hugo Jimenez head

Becca Wong neck

Breanna Estrada unknown

Candaces Perrault shoulder

Kevin Liu belly and front of leg plates

Michael Huang Mil back leg

Natalie Diazza chin hairs

Eliza Villa dorsal neck

Steve Dellicalpini in that neck tho!

Michelle van Eyken right flank

Leslie McLaughlin shoulder circles

Angela Acosta front leg

Allison Acosta front shoulder circle

Rebecca Bui upper back leg

Barbara Post back foot

Irene Caravajal back leg

Gabrielle Koizumi neck

Clayton Bavor front leg

Ava Eui front leg

Judy Diamond upper shoulder

Mhanna Kutras front leg

Liam neck

Leona neck

Leana Olliffe stomach

Patti Samuelson right leg

A. Manley neck plates

Donna King right shoulder

Becky Leech right hindquarters

Raymond Mueller front left leg

Timmy shoulder

Asher Fleig front leg

Julia back leg

Nicole B chest

L. Hum hind leg

Alice Schwegman shoulder

Gail Blackmarr unknown

Christina Truong neck

June Dao scale

Ellie Reese a rear leg

Susan L. Goranson left rear leg

Marci Ariagno breast shield

Maya unknown

Diane Mestu head

Claudia Havah back leg

Mickey Guffin right upper hind leg

Annalise Sailen unknown

Jennifer Schaeffer front right leg

Mia rear leg

Joe Ranish right shoulder

Ann Ranish rear leg

Anthony left leg

Leslie Nobler neck

Anne Trickey back leg

Maris Kaplan neck fold and front shoulder

Paula Bohan neck fold

James Brooks neck

Amanda Briggs back right foot

Andrew Briggs back right foot

Miriam Briggs back right foot

Willow Yamaden cheek

Sarah Bartman neck

Bridget McMahon flank

Amy Brown jowl

Vanessa Dion Fletcher jowl

Denera Gains unknown

Justin Gains unknown

Kurt Salinas stomach/inner thigh

Randall Harrison upper mid bicep

Ivy Moya back foot

Pam Lonero breast plate

Molly Olsen Roush shoulder/neck area

Brook Olsen Roush shoulder/neck area

Susie Miller Roush shoulder/neck area

Reyhon Ertekin unknown

Torres Leck shoulder

Anna Banancks shoulder

Emily van Engel front leg

Silvia Eckert cheek

Davis Watson breastplate

Debachree Ghosh breastplate

Jessica Jane Jennings cheek

Kimberly Ann Piper shoulder

Alisa Murray cheek

Jennifer Hill breastplate

Susan Ady cheek

Chris Washburn neck

Janet Ady flank

Louise Horkey border

Nupur Kamat front shoulder

Tamela Holmes ear

Tameyah Holmes cheek

Ruth Tabancay upper leg

Teddy Midler shoulder

Jerry Majors Patterson cheek area

Susan Afell eye area

Elaine Todd neck

Senator Jordan cheek

Meadow unknown

Lori Chambers neck

Josephine Tumova neck

Fynn Tuma chest

Diana Dominguez chest

Jason Godeke neck

Cristina Mathews belly and front right leg

Jody Alexander neck, chest

Elaine Todd belly circles

Raquel Marquez belly

Josslyn Robles chest

Rhea Rynearson shoulder

Valerie Frey shoulder

Aidan Parker shoulder, right shoulder

A. Parker right shoulder

Seraphine Ries belly

Lid. C. belly

Jamelie whiskers

Carolyn Schneider upper shoulder

Josh Morsell lower front shoulder

Lia V. Wilson middle breast

14 notes · View notes

iami0 · 2 years

Video

vimeo

Dell Seeing More from Onesal on Vimeo.

Seeing More Dell XPS 13

Onesal collaborated with Elastic in the creation of a series of films for Dell based on exploratory CG simulations to promote the release of their new Dell XPS 13 high-end laptop. Working closely with Director Paul Mitchell, we developed a campaign that illustrates human reactions to content focusing on the human iris, making use of different elements and materials such as hair, sand, and vegetation. Onesal was in charge of doing the research and development and CG through production under the direction of Elastic.

Credits: Client: Dell Agency: Y&R Chief Creative Officer: Executive Creative Directors: Fern Cohen, Margot Owett Creative Directors: Elliott Graham Producer: Larissa Ananko Executive Producer: Bobby Jacques Sr. Business Affairs Manager: Maggie Diaz ____________________________________________________________________________ Onesal Team: Design: Damian Sendin, Nahuel Salcedo, Mariano Abel, Fede Kanno Animation: Nahuel Salcedo, Damian Sendin, Mariano Abel, Fernando Cimino Additional Animation: Juan Manuel Isola Simulation Artists: David Albrecht Kvien, Taishi Yagyu, Damian Sendin, Nahuel Salcedo Assitant Simulation Artits: Yu Fujishiro, Alexia Oylataguerre 2D VFX artist: Matias Mastrogiano Laptop Modeling: Juan Martin Miyagi Production: Ailin Brunner, Lucia Gutkin Production Assistant: Ceci Delu ____________________________________________________________________________ Elastic Team: Director: Paul Mitchell Art Director: James Levy Designer: Mert Kizilay Editors: Justine Gerenstein, Kenny Breit, Doron Dor, Fred Fouquet CG Supervisor: Kirk Shintani 2D VFX Artists: Jason Forster, Maciek Sokalski, Kevin Kim, Peter Sidoriak, Stefan Galliot Steven Wolff, Matt Sousa Online Editors: John Valle, Chris Riley, Sam Kolber Producer: Jacklyn Ramirez Pitch Producer: Meredith Cherniack Executive Producer: Luke Colson Head of Production: Kate Berry Managing Director: Jennifer Sofio Hall ____________________________________________________________________________ COLOR Colorist: Paul Yacono Color Assistant: Gabe Sanchez Color Producer: Jenny Bright Executive Producer: Thatcher Peterson ________________________________________________________________________ SOUND Music Company: MachineRoom SoundLounge Final Mix: Alicia Rodgers

0 notes

tama-sake · 2 years

Text

ADHD 様モデルげっ歯類

マウス

遺伝子変異由来

ドーパミントランスポーター（DAT）ノックアウトマウス

Giros B, Jaber M, Jones SR, Wightman RM, Caron MG 1996: Hyperlocomotion and indifference to cocaine and amphetamine in mice lacking the dopamine transporter. Nature 379: 606-612.

Coloboma mutant mouse

Hess EJ, Collins KA, Wilson MC 1996: Mouse model of hyperkinesis implicates SNAP-25 in behavioral regulation. J Neurosci 16: 3104-3111.

Nagase Analbuminemic Rat（NAR）: 無アルブミンラット

遺伝的に血漿アルブミンが欠損しているラット

袴田康佑, & 山本隆宣. (2014). 注意欠陥/多動性障害 (AD/HD) 動物モデルとしての無アルブミンラットに関する検討. 認知神経科学, 16(1), 67-76.

PACAP-KO マウス

K. Tanaka, N. Shintani, H. Hashimoto, N. Kawagishi, Y. Ago, T. Matsuda, R. Hashimoto, H. Kunugi, A. Yamamoto, C. Kawaguchi, T. Shimada, A. Baba Psychostimulant-induced attenuation of hyperactivity and prepulse inhibition deficits in Adcyap1-deficient mice J Neurosci, 26 (2006), pp. 5091-5097

acallosal マウス系統 (△)

However, whether or not alterations in the human corpus callosum contribute to the aetiology of ADHD remains an open question. In addition, information regarding impulsive behaviour and attentional deficits, possible alterations in the catecholaminergic system and the effects of psychostimulants are still lacking. Taken together, the validity of this model appears to be rather weak (Sontag et al., 2010).

The thyroid hormone receptor (TR)-beta(1) transgenic mouse

Siesser, W. B., Zhao, J., Miller, L. R., Cheng, S. Y., & McDonald, M. P. (2006). Transgenic mice expressing a human mutant β1 thyroid receptor are hyperactive, impulsive, and inattentive. Genes, Brain and Behavior, 5(3), 282-297.

Alpha-synuclein lacking mice (△)

The construct validity is given because of the increase in DA release. However, hyperactive behaviour in these mice is only present in a novel environment and the activity in the home cage does not differ to the wild type (Sontag et al., 2010).

薬剤由来

6-OHDA などの薬物で処理したラットやマウス（Davids et al., 2003）

Davids E, Zhang K, Tarazi FI, Baldessarini RJ 2003: Animal models of attention-deficit hyperactivity disorder. Brain Res Rev 42: 1-21.

その他

EL マウス

中本百合江, 麦島剛, 佐藤弥都子, 中山繁, 高松幸雄, 池田和隆, & 吉井光信. (2007). ADHD モデル動物としての EL (てんかん) マウス. 日本神経精神薬理学雑誌= Japanese journal of psychopharmacology, 27(5), 297.

Maternally stressed mice

Son, G. H., Chung, S., Geum, D., Kang, S. S., Choi, W. S., Kim, K., & Choi, S. (2007). Hyperactivity and alteration of the midbrain dopaminergic system in maternally stressed male mice offspring. Biochemical and biophysical research communications, 352(3), 823-829.

ラット

spontaneously hypertensive rat（SHR）

Okamoto K, Aoki K 1963: Development of a strain of spontaneously hypertensive rats. Jap Circulation J 27: 282-293.

Naples high-excitability rat

Viggiano D, Sadile AG 2000: Hypertrophic A10 dopamine neurons in a rat model of attention-deficit hyperactivity disorder (ADHD). Neuroreport 11: 3677-3680

Lister hooded rat

Jogamoto, T., Utsunomiya, R., Sato, A., Kihara, N., Choudhury, M. E., Miyanishi, K., ... & Tanaka, J. (2020). Lister hooded rats as a novel animal model of attention-deficit/hyperactivity disorder. Neurochemistry International, 141, 104857.

Neonatal hypoxia in rats

Hypoxia induced by nitrogen after birth has been shown to induce ADHD-like behavioural deficits (Dell’Anna et al. 1993; Speiser et al. 1983, 1988) including age-limited hyperactivity and deficits in learning and memory (Gramatte and Schmidt 1986).

Developmental cerebellar stunting in rats（△）

However, the data available at present are not sufficient to describe cerebellar stunting as a valid model of ADHD (Sontag et al., 2010) .

一部参考にした論文

https://www.jstage.jst.go.jp/article/psj/22/2/22_2_85/_pdf

Sontag, T. A., Tucha, O., Walitza, S., & Lange, K. W. (2010). Animal models of attention deficit/hyperactivity disorder (ADHD): a critical review. ADHD Attention Deficit and Hyperactivity Disorders, 2(1), 1-20.

【追記】

もっと新しいレビューあった…あとで読む…。

Regan, S. L., Williams, M. T., & Vorhees, C. V. (2022). Review of rodent models of attention deficit hyperactivity disorder. Neuroscience & Biobehavioral Reviews, 132, 621-637.

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