changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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i need an excuse to get my shit together so here we go:
if this gets 50 notes i'll drink more water everyday
if this gets 100 notes i'll start cycling once a week and logging it
if this gets 200 notes i'll start eating more fruit
if this gets 500 notes i'll apply for a summer job
if this gets 1000 notes i'll actually make plans with my friends
if this gets 2000 notes i'll tidy my entire wardrobe
if this gets 5000 notes i'll get a better skincare routine
if this gets 10 000 notes i'll do something about my mental health
the numbers are intentionally high bc i really don't want to do any of this and yeah there is a deadline of the end of june
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can't wait to see percy's reaction upon learning that the twelve major gods have been staying on the 600th floor of the empire state building. like imagine the rage of this twelve-year-old kid when he learns his dad, who allegedly abandonded him and his mom shortly after he was born, was actually just down the fucking street this whole time.
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what level of candy crush y'all think he's on?
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Things that have eaten/bitten people in the Magnusverse (so far):
The sky
Earth
Worms
A door
Mr. Spider
A vase
Vampires
Mosquitoes
Monster pig
Father Edwin Burroughs (unwittingly)
John Haan's chicken and kebab shop customers and Mikaele Salesa's crew (unknowingly)
Mr. Bonzo
Rich people
A tape recorder
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