Tumgik
#sing along if you know the song
Text
Dead Mouse
Yesterday, someone let me know that they'd found a dead mouse in the grass on the premises.
So I composed a short poem in its honour, in the manner of Rabbie Burns' poem in honour of a live mouse.
I saw a mouse! Where? Dead on the floor! Stiff as a fucking board! A mouse with no life signs, Shunned and ignored: Such a pitiful thing, So abhorred! O Lord!
1 note · View note
ginnungagay · 2 months
Text
Tumblr media
65 notes · View notes
Akai Shuuichi isn't afraid of heights. Like any sane person, however, he dreads the fall.
Though he questions his sanity. Because try as he might to stay away from the edge, it calls to him. Staring into sweet oblivion sends shivers down his spine, the uncertainty of his fate a thrill like no other. Most days he trusts in himself, his ability to walk the razor's edge, but he's fallen before. And it hurt.
Of course, pain is just a part of life he's learned to live with. In his line of work, people get injured all the time. And if you can't handle that, you have to be very lucky to make it out alive. For the longest time, death wasn't an option.
(Now, it wouldn't be so bad.)
So he steadied himself, got smarter, hardier. Better at avoiding situations that result in pain. And better at shutting it out, too, when it did appear, in order to keep going.
Why, then, does his chest ache and burn?
It's quite simple.
Layers and layers of ice, degrees of separation in place precisely to protect him from pain like this, melted through by Rei's blazing heat.
What a stupid thing he's done, to get attached again.
He could've tried to resist, at the start. Before things had gone too far. Before he got to know Furuya Rei.
But maybe, by then, it was already too late. In truth, he probably doomed himself years ago, when he accepted Scotch's offer of companionship. It brought Bourbon into his orbit, and the man's never been any less than doggedly persistent. Once Shuuichi let him in, he was never going to escape unscathed.
Shuuichi let him get too close, and got burnt as a result. Could see it coming, too, for the longest time. But how was he supposed to escape Rei's brilliance? His touch, devastatingly kind? It would be like trying to block out the sun - an exercise in painful impossibility.
So he's stopped trying, and embraced the wildfire that is Rei. Of course he burns, it's his nature.
(There's some things Shuuichi will need to reevaluate about his own, now that he has time. Because he certainly never thought of himself as a masochist, and yet, despite the pain, he knows one thing for certain: he wouldn't want things any other way.)
(Not one that is available to him, at least.)
Thus, he resorts to clinging to the vestiges of patience and composure he has cultivated for years to keep working through the situation with a cool head.
To do what is right.
He's putting back together what he tore apart, unwittingly, some three years ago now. Their struggle is over. They deserve to rest and recover, nurse their wounds - together.
It doesn't matter that he feels like he's bleeding out. He's used to patching himself up, after all.
And he's glad that he can do this for his... friends. The term invokes a foreign, gentle joy. They're no longer team mates, no longer allies, no longer forced together by circumstance. That's in the past, now. They stick to each other by choice, these days. That makes them friends, right?
He's happy for his friends.
Shuuichi pours himself another glass of scotch.
.
He should've picked a different hotel than his family.
Rather, his family should've really looked into a permanent residence already, considering Masumi has decided she doesn't want to go back to Britain. It's not like mother could refuse, after all the things his little sister did for her - not least of which, coming clean to Shiho and convincing her to share the APTX antidote, when all was said and done.
They're certainly not lacking in money, and Shuuichi's sure the Hanedas have connections that would make finding a flat, or even a house, possible, even on short notice.
Then again, Masumi told him they've been living in a hotel for more than half a year - maybe they've simply grown used to the comforts. It's not for him, but he's rarely seen eye to eye with mother.
Regardless, none of this excuses banging at his door at seven in the morning, on the dot.
"Shuu, are you up yet?"
Well, if he wasn't, he surely would be, now. Years undercover have left him a light sleeper out of necessity - it's a habit he won't be able to break for quite a while, even if he wanted to.
Still, the splitting headache and nausea make him consider playing dead. He doesn't feel much better than it, in any case.
Another set of knocks shakes his door. He loves his sister, and her determination is one of her best traits. But some of these days, it's also highly inconvenient.
"One moment."
He drags himself off the barstool, checks the mirror. Can almost hear Rei telling him he looks like death warmed over. Roughly two hours of sleep half-draped over the hotel room bar certainly didn't do him any favours.
He buttons up his shirt in an attempt at modesty, combs back his hair roughly. Part of him wants to send Masumi away - she's idolised him for too long. His little sister doesn't deserve to have the illusion of composure shattered, shouldn't have to see him, like this.
But she told him, at her birthday party, trying alcohol for the first time in their family home, under his watchful eyes. Always direct, but, as it turned out, even more so when tipsy:
'When all of this is over, I want my brother back. Just...you, however you are.'
If Shuuichi waits for a time where he feels ready to talk to her, won't stain her merely by existing in proximity, they'll never get to meet at all.
(He can't have that. He's missed too much, already.)
So he drags himself to the door, dishevelled, morning breath and all. Opens it a crack.
"Morning." If his voice is a little rougher than usual, there's nothing he can do about it.
Masumi pushes the door wide open so she can step in, giving him a wide berth. Inspects him head to toe, worry clear in her scowl and the wrinkle of her nose.
"...is this a bad time?", she asks, a glint to her eyes as she notices the half-empty bottle of scotch on the bar's counter. She can't help it - a detective through and through, and not good enough at feigning nonchalance yet. The evidence at the crime scene is surely forming a rather damning picture - he really should have put the bottle back into the bar before letting her in.
She plops down on the small sofa, makes herself comfortable while he opens the window. That should at least give them some relief from the smells accumulated overnight in the room.
"No. You're just here early. Is something the matter?"
He doesn't bother with pleasantries on principle, but at this hour he finds himself even less inclined. Besides - she wouldn't be here this early if it wasn't important. At least Shuuichi dearly hopes she has more sense than that.
Masumi looks down at the floor, a little guilty. He settles on the barstool and waits for her hesitation to blow over. Must really be looking like shit, if he's managed to curb her usual enthusiasm.
"I was going to ask for a favour, but I'm really not sure-"
He gives her an unimpressed look, from up upon his perch. It's a little too early to beat around the bush.
"Masumi." A single word, aimed to cut her off with calm precision. "How do I help?"
He might not be feeling well, but he's a professional - he's worked in worse conditions, for less important reasons. He'll drag himself out of his slump, if she needs him.
"You don't have to. It's silly." She gives him a sheepish smile, fangs and all.
"That's for me to decide, once you let me know what you need. So?"
She steadies herself, looks up at him, and sighs.
"For context, it's been months now, but Ran's still down about the whole Shinichi fiasco. So, we've decided to surprise her with an outing, tomorrow night."
So far so good, although he doesn't see where that concerns him.
"It was gonna be just us girls, and I'm confident that between Ran and myself, we can handle anyone stupid enough to try and cause trouble. But you know how it is in Beika. There's always a risk."
He does indeed know how Beika has somehow overtaken Osaka in every single criminal statistic there is. If she didn't have friends here, he would suggest moving elsewhere. He hears Nagano is very lovely, all year 'round.
"So we were discussing if there's anyone we could bring for company. And, well-"
"Go on."
"Sonoko somehow - I'd really like her resources - caught wind that Okiya Subaru is back on 'vacation'. She might have suggested asking him to accompany us?"
Not entirely unexpected - miss Suzuki had taken something of a liking to him, for whatever reason. It's a testament to the improvement of his acting skills. Engaging with kids and teenagers is a far cry more difficult and involved than his cover as Rye, somehow.
"...she may also be under the inaccurate impression, you, well, he could be a potential match for Ran."
At least his sister's on the right page there. That's not happening, never in a thousand years. Even if Ran wasn't barely more than half his age, she's too innocent, selfless, kind. If something like love exists in his heart, it couldn't ever be for someone like her - not again.
"You want me to decline the offer, then?" Simple enough.
Masumi shakes her head.
"No, Sonoko's right. It's always good to have an extra pair of eyes, and I'd love to have you with us. Been too long since we last spent time together. Besides, I don't think Ran is even interested in you - or anyone, really, after that disaster..." It takes him a moment to place the bitterness in her voice, uncharacteristic as it is.
"And that is unexpected?"
"No. I get it, she needs time. But she's miserable, and I want her to cheer up already..." Masumi mumbles the latter half to herself, subdued. Shuuichi's not sure he was supposed to hear that, but, well. He did.
"You'll get through to her eventually."
Good back-up gets one out of the toughest of scrapes, he can attest to that. If his sister is determined to get Ran to feel better, her persistence will make it come true, eventually.
"I sure hope so." She smiles up at him.
He finds his lips quirking up in response. "You focus on helping her. I'll cover your back."
He's sure he'll manage not to indulge miss Suzuki's delusions too badly. Rei often let him know how off-putting he can be, after all - finally a good use for his skills.
"Thanks, Shuu."
She gets up. Stops a couple of steps away from him, hovering uncertainly. When he raises an eyebrow, he can almost see the 'ah, fuck it', and then she's hugging him. Shuichi pats her back, a little awkwardly.
"Any time", he says and means it. "If there's anything else..."
She tenses next to him, but shakes her head.
"No, it's...I'm fine. Don't worry about it."
Well, now he is a little worried. He'll need to keep an eye out for whatever's troubling her.
"Alright." He won't push her; she'll tell him if she needs to.
Masumi lets go and scurries off, fleeing for the door.
"Text me the time and place, I'll be there."
"Will do. See you tomorrow." She nods and waves her goodbye. He follows to lock the door behind her, the bolt sliding shut with a satisfying clack.
There's just one small problem. He currently doesn't have Okiya's get-up. And Okiya doesn't live in this hotel.
After dropping him off yesterday, Shuuichi had planned not to bother him for a couple of days. Well. That plan has just been tossed out the window rather unceremoniously.
It can't be helped. With a bit of apprehension, he calls Scotch.
.
Under the cover of darkness, Shuuichi scales the garden wall, dropping into the Kudo's backyard without issue. The alarms have been disabled according to the schedule he provided.
He slips in through the unlocked backdoor, shutting it behind himself. The security systems of the place are too familiar; he reactivates them on autopilot. Better to avoid unpleasant surprises, wherever possible.
Clearly, Scotch had a similar idea - Shuuichi can barely see his outline in the darkened kitchen, but the revolver he gave to him gleams in the dim light. It's nice to see he's making good use of it.
Sharp blue eyes scan him.
"The passphrase?"
Nostalgia steals the air from his lungs. Between unsafe safe houses, a trigger-happy Bourbon, and working with people best described as shapeshifters, they needed a way to identify themselves, and quickly, when they returned home.
It's been years since he's last spoken it, but the passphrase comes to him as easily as breathing.
"Eat, drink, and be merry..."
Scotch had suggested the words, years ago. The motto he lived by, when not on the job, in order to not lose his sanity. The motto he'd imposed on Rye, as well, when they became partners.
A cheshire grin in the night.
"...for tomorrow we die." Scotch finishes their creed, lowers the revolver.
"Welcome home, Rye."
.
It's always been easy to find comfort by Scotch's side. Between the greeting, making gyoza together - which goes much better than their attempts years ago - and watching mindless action movies with a glass of bourbon, ripping apart impossible stunt work, it's difficult not to fall into a simulacrum of the fragile peace they'd carved out for themselves, away from organisation work.
Only this time, the peace is real.
Despite his apprehensions about meeting Scotch, Shuuichi's glad he's here - travelling with him is one thing, but he didn't realize just how much he's missed downtime with his ex-partner. Scotch's sharp intellect and easy-going attitude make for pleasant company.
It's exactly what he needs to unwind.
Which is why he doesn't see how Scotch has him cornered until it's too late.
.
The neighbourhood of the Kudo manor is quiet, at night.
As they head out onto the balcony for a smoke in the moonlight, their conversation turns to hushed whispers. Mellowed by an evening of pleasant company and several drinks, the world sharpens into focus between them, illuminated by the glow of their cigarettes.
Standing would be too visible, so they sit on the stone floor, side by side, like so many times before.
"Hey, Akai?" His name, not his monicker. A chilling sense of dread creeps into his chest. Please, no.
"Hm?"
"Thank you."
Shuuichi closes his eyes. He can take a good guess where this is going. Thus, he takes a deep drag from his cigarette, and braces himself.
"You know. For letting me meet Zero."
He'd been hoping against hope they could avoid the topic altogether. After all, they've made it several hours without addressing it. But unfortunately, it seems his luck has run out.
(Still, having seen Scotch in good spirits all evening makes it worthwhile, just a bit.)
Maybe they can just move along quickly.
"Think nothing of it."
"No. Akai, listen. I know you had to pull some strings to make it happen, and I want you to know I appreciate that. We appreciate that - even if Zero is pissed. First thing he did was slap me; told me I was late."
Scotch laughs, low and sweet in the night air.
They both know he let himself get slapped - Rei tends to telegraph too much, when he's angry, and surely it's even more obvious for someone so intimately familiar with him. The thought stings. And yet, through it, Shuuichi can't help the help the small smile creeping on his face. That sounds like Rei, all right. He would've liked to see it - someone else the target of his anger, for once.
Scotch seems happy to just bask in the memory, but Shuuichi's curiosity has been piqued.
"Did you manage to resolve your issues?" After all, that was the goal. If they didn't, none of this was worth it - several hoops he jumped through, bureaucratic and personal, for nothing.
"It's tentative, so far, but I have faith we'll get there. We've been through too much, together, at this point. This won't break us... I hope."
Shuuichi is reminded painfully of the bits and pieces he's heard of their childhood adventures. Fishing and fighting and being friends. It must be nice, to have found love so early in life. To get to keep it, too.
"I don't think so, it's clear how much he missed you. I'd be surprised if he ever let you go again." It leaves him a little cold, to no longer be the focal point of Furuya's burning determination. Chasing him was always just a means to an end for getting to Scotch. And now his wish has been granted. Shuuichi hopes it's worth it.
When he smiles, Shuuichi is sure this is Hiro, the person closest to Rei. It burns, but at the same time he finds himself glad that Scotch shines with such utter fondness when he talks of Zero. That's what Rei deserves, after all.
"I hope so. I don't intend to leave again, anyways. Every single day when I was hiding, I missed him."
It's a quiet, gentle admission Akai isn't sure how to handle. All these emotions are a bit too much - he's not used to being thanked, unless it's with useless medals, and he's not used to being confided in. He supposes it's nice that Scotch trusts him enough to lay himself bare like this, nowadays. Still, he can't help but wish for the old times, when they were much better at keeping their feelings out of his face. He's already happy for them; isn't that enough?
Scotch turns to look at him, blue eyes burning bright in the moonlight.
"And I missed you, too."
Cold wind tousles his hair. Shuuichi stares at Scotch.
If he didn't know what to say before, he certainly doesn't do so now. How can Hiro say that so easily? It's too personal. It's one thing to have his little sister say it, who only ever saw an idealized version of him to look up to. For Scotch to say this, despite knowing what he did, who he is - it makes Shuuichi nauseous.
Because he can tell Scotch is being painfully genuine.
'I missed you too', burns in his throat. But too many conflicting emotions keep it tightly sealed. His breathing becomes difficult, requires a conscious effort to take air in, hold, breathe out. Repeat.
And Scotch isn't even done yet.
"Akai. I have to get used to that name now, huh? Feel free to call me by my name, too, if you want."
With how his mind is spinning, it's difficult to figure out what he wants at all, besides for Scotch, no, Hiromitsu to stop. He's ripping apart the bubble of warm nostalgia that was enveloping them so nicely, leaving them exposed to the present. The night is cold and uncertain, without its protection.
"...you haven't been meeting my eyes all evening. Please, Akai - let me know what's wrong. We couldn't, back then, but I'd like to be your friend, now."
It's the kindest smile he's seen on Sc- Hiromitsu yet, and it's too much. Shuuichi has to avert his eyes, can't keep looking at his former partner, all earnest focus placed on him. A shiver runs downs his spine.
There's few things he wants more, in life.
"...we are", he manages to tear from his aching throat, choked up with emotion. This is a bad idea. He's not supposed to get attached. He's just making the same mistake, over and over again. He should've kept quiet.
(If he'd told Akemi how he truly felt, would it have mattered?)
"Then why do you seem miserable, whenever you look at me? Why do you try to avoid me? Don't think I didn't notice."
Of course he did, always too sharp. So helpful, on a mission, and occasionally in private too; he'd know they were getting sick before they really felt it, start treatment with soup and tea early. Taking care of them, even then.
"It's got nothing to do with you, it's-" 'me', he wants to say. Fear and bitter envy, the brunt of which Hiromitsu really doesn't deserve to face. So Shuuichi's been trying to avoid them, and, by extension, his former partner.
He manages to catch himself in time, before he gives voice to feelings that can't be unsaid.
"Yes?" Hiromitsu's voice is calm and patient and Shuuichi hates him for the attention he's paying to him.
He manages to correct his course in time, if barely.
"You and Rei deserve some time alone, now that you're finally back together." It's close enough, only a partial lie. They're so important to each other, and he truly wants them to make up. He'd only be in their way.
"Rei, hm?" Hiro smiles at him. Of course he picked up on Shuuichi's blunder.
He's had just about enough of being cornered. Gets up and is about to head inside and maybe hide in the attic for a while. The door can be barricaded from the inside. Hiromitsu rises after him, puts a hand around his wrist in a vice grip.
"Let. Go." It takes all his patience to not just break Scotch's arm and leave.
"I'm sorry for pushing you, Akai. Please, give me half a minute more."
Unfortunately, his best glare stopped working on Scotch several years back. Shuuichi looks at his wristwatch, starts counting down. As soon as Hiromitsu starts talking, he knows his time is better spent focusing on what he has to say, instead.
"Look at me, Akai, and listen up. You can't get between the two of us. I've offered you a place at my side years ago, and Zero... well, he's come around. The offer still stands. It wasn't conditional, but if it was, you would've earned your place easily, by now. I owe you my life, and so does Zero, several times over."
"We did what we had to, and you did the same for me." For the longest time it was that simple, their relationship purely transactional, because Bourbon could only ever deal in exchanges. A favour for a favour.
It's long since stopped working that way, and Shuuichi knows it.
"Oh, please. None us had to do anything more than cooperate on missions, and yet we all chose to do so anyways. You're one of us, Akai. Stop fighting it."
And he wants to, desperately so. The thought of spilling his rotten insides for them to see has him sick to his stomach, and yet, how much worse could it be than what they've already witnessed?
Hiromitsu squeezes his arm, a burning brand of human connection. It staves off the cold, just a little.
When he speaks again, it's soft, but firm.
"You should've joined us for dinner, yesterday. Both of us missed you."
Shuuichi doesn't know what to say to that, too busy fighting his internal battles, but surely something shows on his face, because Hiro laughs at him.
"As amusing as it is to see you flush, no, that wasn't an invitation to a threesome."
...he isn't quite sure whether he's supposed to be relieved, or crestfallen, at this.
"I didn't think-"
"Yeah, I'm sure you didn't." Hiromitsu's smile is too sly and knowing. It's a testament to the fact Shuuichi's spent too much time with Furuya, because wiping it off his face in a fight sure sounds appealing, right about now.
He's always been better at expressing himself through deeds rather than words, anyways.
"Otherwise, I wouldn't need to set the record straight. Zero's furious, by the way. Count yourself lucky that I'm the one breaking the news to you. He doesn't appreciate being set up on a date with his best friend."
Hiromitsu pauses, presumably to let that sink in. Shuuichi stares him down. That is supposed to be new information, how?
"Let me be perfectly clear: I love Zero."
He says it easily, with a sweet smile. It stings fiercely in Shuuichi's chest. By now, he thinks he knows what Hiromitsu is playing at, but unfortunately that knowledge doesn't prevent it from being an effective tactic.
(If this is how Hiromitsu treats his friends, he doesn't want to be his enemy.)
"He's my best friend, I love him like a brother. But he's family. Nothing more, nothing less."
There's a small pang of guilt at the relief that floods his system, but he needs it said explicitly to really believe it.
"You aren't a couple, then?"
Hiromitsu raises an eyebrow, as if to ask 'and why would that matter to you?' But thankfully he's done teasing, or Shuuichi really would need to break something, or rather, someone.
"No. I can see how you got the idea, but there's never been anything between us. Zero says you have a brother? Imagine we presumed the same about you two, just because you're close."
The confirmation lets him breathe more freely, even if it will need time to settle. His mind is still spinning, too many thoughts fighting for control. From this mess, of all things, his long-forgotten manners emerge as the failsafe. "Sorry."
Hiromitsu waves it off with a grin.
"I don't mind too much, we got excellent dinner out of it. Thank you for that, by the way. But do make sure to apologize properly to Rei."
Hiro winks at him, then straightens, looks him in the eye.
Squeezes his arm a final time, before he lets go.
"I mean it, Akai - you're our friend. And I hope you rest a little easier, knowing the truth."
Shuuichi does.
.
He's five minutes late to the requested location downtown - through little fault of his own, this time.
Masumi's text arrived a mere twenty minutes ago, and the things PSB liaison Akai Shuuichi might get away with, such as speeding, don't apply to the civilian Okiya Subaru (though that would admittedly be a very nice perk of the job).
He can hazard a guess why Masumi didn't send the details earlier as he drives past the building in question to find a parking spot - she probably didn't want to give him time to reconsider and back out.
Because she's dragging him to a goddamn karaoke bar, and, standing in the huddle of girls waiting for him, is Miyano Shiho.
His instincts tell him to cancel, to take up position on the rooftop bar across the street - it would provide easier surveillance options.
(But he's tried to protect Akemi from afar, and failed her, miserably.)
Besides, he promised, and he really does try to be better, these days.
So he smiles, all awkward and apologetic Subaru, as he joins them. It's going to be a long night.
(He's soothed by the smell of Rei's hypoallergic fabric softener clinging to the sweater he picked. Can't help but feel that there would be a certain appeal to sharing them, if Rei were open to the idea.)
.
The evening goes better than he imagined, all things considered, even if there's crying involved - as is often the case when he meets Mouri Ran.
It's a pleasant distraction, if nothing else.
He keeps an eye on Masumi all night to see what could possibly be bothering her, but as far as he can tell she's genuinely happy to spend the night with her friends. In fact, considering she told him how it had been too long since they'd last seen each other, she pays surprisingly little attention to him.
He prefers it this way.
(Although he would've liked to ask for her advice on how to apologise properly. Alas, this is probably not the right time, or place.)
.
Mostly he stays at their table, watching the girls' drinks and the crowd, occasionally giving guys who seem to consider chatting the girls up cheerful glares. Masumi made her wishes very clear, after all.
It's a good thing he talked to Scotch Hiromitsu yesterday. Enthusiasm permeates the bar, but unfortunately confidence doesn't equate to talent. Several of the loud, out of tune performances would've been torture with a hangover.
He finds himself humming along to the classics regardless.
As it is, it's almost pleasant. Sure, Shiho keeps ignoring him when it's just the two of them left at the table, but that's better than open hostility. Probably.
(It feels a little worse.)
.
Two hours in Sonoko ushers Ran to stay with Subaru rather conspicuously.
Smalltalk is stilted between them, lacking in common ground, and it doesn't really help that their connection is through the Kudo family, the memories of which she's here to escape for the night. She's polite as ever, but without the other girls as buffer, the conversation quickly runs dry.
Thankfully, the girls' singing distracts them soon enough. A cutesy pop song about moving on, dedicated to Ran.
She seems about ready to cry halfway through, and by the time they're done she's sniffling and trying to discreetly wipe her tears. Shuuichi gives her a handkerchief and pats her back rather awkwardly in an effort to try and soothe her. He hopes the girls will be back soon to take care of this. He's woefully underqualified to handle this kind of situation.
When they finally do get back, he plans to excuse himself, but before he finds a good time he's swept up in a group hug instead.
Turns out he might have misread the situation - what with Ran being overjoyed at her friends' continued support, and needing to express that, somehow. How exactly that translates into him also being included in their huddle is beyond his comprehension, but he's not going to struggle and cause a scene.
(It's kind of nice to see her smile again - gloominess doesn't suit her.)
.
It might've been a bit too much excitement for Ran, because around midnight she's almost falling asleep at their table. At this point, the rest of the girls declare their mission a success, and the focus shifts to trying to figure out how to get back in the middle of the night.
Shuuichi volunteers to drive them home.
It's crammed in his little Subaru, but the girls manage, and once he's dropped off Sonoko, things quiet down considerably.
Masumi makes him swear not to tell their mother how long they were out.
He agrees, of course, knowing he got up to much worse as a teen - back when he was still susceptible to peer pressure and living abroad in a fraternity, alcohol made him do very stupid things indeed to prove his worth.
If this is how Masumi chooses to defy their mother, he'll take it - she could be up to so much worse.
She's arranged to stay with Ran; thus, he's released from his services for the night. He watches as they help each other up the stairs, leaning in close, whispering and laughing to each other.
He would make an assumption, now, but Hiromitsu's words are still clear in his mind.
So for now, he refrains, and is simply glad they're supporting each other.
.
In the end, predictably, Shiho is the only one left in the car.
"Didn't dare to join us wearing your own skin, cousin?"
He shrugs. "Masumi requested Subaru."
"Well. At least you didn't creep on us from several buildings away. Baby steps." 'But progress, nonetheless', her small smile says.
He doesn't know why he says it. Maybe because it's late. Because Scotch Hiromitsu has chipped away at his protective tissue. Because it's Shiho.
"Staying away didn't save her." He doesn't need to say who - the same wound is carved into Shiho's heart, after all. And judging by the songs she chose to sing today, it still bleeds just the same.
She sighs, long-winded and too world-weary for a girl her age.
"No. No, it didn't. All it did was rob us of the time we had with her. Utter idiocy, in retrospect."
Shuuichi hums in agreement. Lost opportunities they'll never get back, all thanks to lies and the wish to protect her.
"I tried to push her away, you know? I was too involved - maybe, if she didn't know what I was doing, she could retain her innocence. Maybe she could even leave, one day, I'd hoped. But she clung to me stubbornly."
Never backing down from what she wanted, from those she loved. That's the women he fell for.
Shuuichi finds himself smiling, somewhat pained.
"She loved you dearly, to the bitter end."
He hands her the flip phone that has been his constant companion for almost a year now. Past the lockscreen waits Akemi's last message to him. With its P.S., asking him to protect her dear little sister, if the worst should come to pass.
He never got to reply to her, to promise that he would, of course he would.
It's short, so Shiho doesn't take long to read it. She attempts to hand it back, eyes glistening, but not crying.
Always composed, in front of him.
"Keep it."
It hurts to let go of it, but Shiho deserves to have assurance of Akemi's love, even in death.
(Unlike himself, who only ever lied to her.)
She looks up at him, uncertain, but what she reads on his face seems enough to convince her. She snaps the phone shut, cradles it to her chest.
Smiles grimly at him. "Thank you."
The rest of the car ride passes in silence.
They split up in front of the Kudo mansion.
"...I was planning to visit her grave on the weekend. You should come."
.
Shuuichi knows where Akemi's ashes have been laid to rest - he was the one to pay for her funeral, after all.
(Once upon a time, he'd dreamt of a future with her, of being family. Cruel irony, how that turned out to be true.)
Since her parents were never officially buried, and he hadn't been able to reach Shiho, he'd made the selfish decision to have Akemi's ashes stored in the Sera family grave.
He hasn't had the time to visit, yet - first, things had been too dangerous, then too busy, and by now, he's really just been unable to face her, alone. He's glad he doesn't have to, now.
Shiho sets down an incense stick, and some cut flowers - white gladioli. Shuuichi squats down next to her, puts down his flowers - lilies, also white - into the vase and lights the incense.
"Hey, sis. Look who I managed to drag along."
"Hello, Akemi." Sorry it took so long.
They stand, side by side, in silent prayer.
He's had days to prepare himself, to think about what he wants to say to her. But as he stands before her grave, all that's left is sorrow, a hollow in his chest where she should be.
(Filled with regret, and someone else. Jodie's right. He's a terrible partner.)
I'm sorry.
I'm sorry I couldn't tell you the truth.
I'm sorry I left you behind.
I'm sorry I couldn't protect you.
I miss you.
The gentle smile when she talked about her little sister. The sweet blush when he'd kissed her hand. The way she'd awkwardly apologize for flipping the pancake she was making for breakfast into the sink. The ikebana arrangements she'd spend hours and hours on, decorating her flat. Her kind hands, mending his body and soothing his soul. The way the sunlight would turn her hair into gold.
A thousand small joys she gave to him, and all he had for her in turn were lies.
He doesn't remember the last time he cried - maybe as a child, when he fell and scraped his knee. It feels so far away.
His body doesn't remember how to, either - otherwise he surely would be, now.
How cruel. Even in death, he can't show her his honest feelings.
Shuuichi shows her cold comfort, instead.
Takes out a plastic evidence bag he requisitioned from the PSB, and places it on the altar as an offering. In it, the shattered scope of a rifle, splattered with its owner's blood. Gin's. It was found by his side, together with his Beretta, the instrument of his voluntary destruction. As the PSB forces had closed in on him, he'd chosen to kill himself, rather than surrender.
When Shuuichi lies awake at night, it irks him that Gin had a choice, at the end, where he took it away from so many others. He didn't deserve that kindness. A part of him is furious that he wasn't there to see his enemy's dying breaths, preferably through the scope of his rifle.
But it was probably for the best - if he'd been there, he's not sure he could've reigned himself in. Might've murdered Gin with his own two hands, and become the kind of monster he swore to hunt. (And if he's completely honest, there's another possibility: caught in a struggle with his enemy, he might have lost sight of his surroundings and slipped up. Facing Gin, that would've been a death sentence.)
Instead, and he's got the boy to thank for that, he was tasked with keeping their allies - Rei - alive and breathing. He can't help but feel like that matters.
I'm sorry I couldn't avenge you; you deserved better.
But he won't be making anyone miserable, anymore.
It's over, and they're still standing, in defiance of the bloodlust of their enemies. He's managed to keep one promise to Akemi, at least.
I'll continue to watch over her, if she lets me.
Shiho claps beside him, done with her prayer.
Thank you for everything.
The incense stick's stump turns to ash and scatters in the wind.
I hope your spirit can find peace, Akemi.
.
When he lights himself a cigarette to calm his mind, Shiho holds out a hand, wordlessly, expectantly.
He regards her with mild curiosity, but offers the pack regardless.
"What. You think I haven't done worse?"
She snatches his lighter, and with a hiss of flame, lights up her own cigarette.
"Akemi used to tell me to stay away from drugs, but I deserve this for bringing you here."
She takes a deep drag, managing not to cough. It's clear, from her posture and practiced ease, that it's far from her first foray into smoking.
"I hated you, you know? For the longest time. For playing with her, breaking her heart, leaving her behind, all alone. Leaving her to die."
It burns his lungs, to have his own thoughts voiced out loud, by Shiho of all people. But he deserves every cruel word dropped from her lips - she speaks nothing but the truth, after all. He needs to bear her judgement.
Shiho smiles, grimly. Doesn't look at him, focused on the grave instead.
"But not Akemi. She saw through you, and loved you still. Forgave you, even, because that's the kind of person she was."
A cold spring breeze plays with her hair. The sweater and cap protect him from the worst of it, but it still bites at his face, makes his eyes sting.
"I don't think I can ever be as forgiving as she was. You were, and still often are, an unrepentant jerk."
She turns to look at him, eyes as hard as steel. So familiar his eyes burn. He can't look away.
"But her death is not your fault."
It's cloaked in insults and pain. But it's an absolution he could never have asked for, one no one else could have given him. His breathing stops, then comes a little easier.
"Neither is it Kudo's. Did he ever tell you? He was there, watched her die. For the longest time, I blamed him for not saving her. He's brilliant when he puts his mind to it. Did he care so little, as to not even try?"
She shakes her head.
"It is a cruel thing to begrudge him for having witnessed her death. He was just a kid - small, powerless, afraid. Up against enemies that tried to kill him, too, only failed through sheer luck. I had to first be put into the same shoes to understand that."
As if she's not just a kid now, too. Neither of them should have gone through what they did, and yet it happened, has left them weathered and worn, tired beyond their years. They're still young - he hopes they can recover from the worst.
"I'm trying to tell myself it's not my fault either. She died for me, for us, trying to get us out of there. But I didn't know. She kept it from me, in case something went wrong. And I lie awake, going over conversations, wondering if I missed any signs. If I could've warned her or stopped her. If she could still be here, that way."
He's familiar with the spirals and hypotheticals, repeating the scenario over and over, to look for a way out. It never changes the facts.
"That kind of thinking gets you nowhere."
She gives him a sharp glare, a wordless threat to 'shut the fuck up'. He takes a step back, raising a hand in surrender.
"I know it's useless. Because she is dead, and no amount of analysing can bring her back. At least the one person who truly is at fault will not be a problem any longer. That's a small comfort."
She glares at the scope with barely concealed hatred in her eyes.
"And that's all there is. Akemi was proud and strong-willed - she chose her path. Not reaching out to any of us for help was a choice she made. I can't take away her agency in this matter."
Shiho smiles, pained and beautiful in the setting sun.
"The worst thing is that if she hadn't done what she did, I might still be a prisoner of the organisation. I'd like to think she didn't want to die to achieve it, but she'd be so happy to see me living in the sunlight, once more."
"She would be overjoyed." It's an obvious and simple truth he can't help but confirm.
Oh. Shiho's crying, now, quiet tears trailing down her cheeks, reflecting the sunlight in streaks of gold. It shaves years of her worn face, makes her look as young as she truly is.
He gives her a handkerchief, is glad to see her accept it. She wipes her face, smudging some of the make-up - he'll need to let her know before they return to the public. She doesn't usually like it when people can see past her composure. Shuuichi's pretty sure he, too, shouldn't be here to witness this.
But she doesn't hide from him, today, so he'll take all she gives to him, and treasure it.
"I brought you here because I'm trying to be better. I got a second chance at life, and I want to take it, all of it, for myself and for Akemi. But I won't be able to, if I hold on to useless grudges."
She looks at the handkerchief in her hands.
"You're a jerk, but you're not horrible. And you're trying to be better, too."
She holds out her hand.
"I want to get to know you, Akai Shuuichi. Maybe we could start with meeting for coffee?"
He waits for her to take it back, to reconsider.
She just looks at him expectantly, raises an eyebrow too when he doesn't comply immediately.
Shuuichi is many things, but he tries not to be a coward.
So he fights the vertigo, takes a leap of faith.
"I'd like that."
And shakes her hand.
.
Sweater Weather AU masterpost
49 notes · View notes
Text
I'm so grateful For the love that we share I'll never take it for granted That you're always there And when I think about the world And what is going on It makes me even more thankful That you're still around And I've been waiting all my life For someone I could stand And you're the only one so far Who could understand And what I'm feelin' in my heart Feelin' in my soul I couldn't ever hope to tell you I'm sure you must know
- Sparks // Let's Make Love
33 notes · View notes
gwenlena · 6 months
Text
people who complain about people singing at concerts are so annoying if you only want to listen to the artists thats what listening at music at home is for. concerts are a social experience you go there to be with other people who like the music as much as you do, you dont get to stop them enjoying it because you dont know what a concert is
60 notes · View notes
swordheld · 11 months
Note
hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
#q&a.#birdsong.#wishing u gentle ease; the death of a loved one is near inexplicable to put into words and i hope you take care of yourself gently <3#i hope this will make u laugh: when i was a tiny child in middle school there were times i would go outside in my tiny suburban cul de sac-#in the rain and sing along to my lil ipod nano and i only remember doing this to drops of jupiter. can you imagine going out to get the mai#after a long day of work and you just hear this kid singing train in the streets. in the RAIN.... it makes me laugh like i really.#i really thought i was so cool and deep and emotional ghjkd but i find it v funny that i only remember it w/ that one train track.#and saturn just. it's my fav s.a.l. song for a reason. that slow violin opening? the piano coming in gentle and easy?#it feels like light. like hope. like something new - a dawn after the long dark. that beautiful things can begin again even where#it hurts. and there is nothing more human than a sentiment like that.#how rare and beautiful it is to truly exist. what it is to be alive and get to be here and live with other people. with those we love.#i think your grandfather was so lucky to be able to know you. to have you in his life for the time you had together.#i'm no spiritual person; but i like to believe when you're thinking about him? he's thinking about you too.#the second law of thermodynamics (physics nerd mode) is that no energy has ever been created/destroyed since the beginning of the universe.#so it has to go somewhere - it's that carl sagan quote of 'we're all made of stardust'. because we are. we used to be stars; planets; etc.#i think it's why i think of these space songs - because they're a part of everything; once more; when they go. us and everything else.
104 notes · View notes
kastillia · 3 months
Text
Tumblr media
Gott ist tot.
36 notes · View notes
mishy-mashy · 4 months
Text
Kudo makes funny facial expressions
Tumblr media Tumblr media Tumblr media Tumblr media
#i bet this guy was actually a hoot to be around#with his low voice short stature bricks on his forearms#he seems like a guy with a lot of sass#and being stubborn or deadpan#he smiles like a damn quagsire its amazing#i use him in fic stuff to help push stuff along cuz if its left to bruce things will never progress. hes too roundabout and careful#hes all serious and driven but i bet hes the kind to chew faster when hes in trouble#bruce: leader have you seen the peanuts i was gonna have for lunch?#kudo: *chews faster*#his quirk - Gearshift - literally has the user move their hand as if switching gears in a manual car to change the gears of the quirk#kudo has to have something with manual cars methinks. maybe he had one or something. or hes just a bit old in tastes#how else would kudo realize he was Meta if Gearshift required the user to make said movements? or does that part only come AFTER it evolved#i was put in a manual car for the first time and. like a nerd. realized this is the same as kudo#and i got it to work. THANKS KUDOOOO *sing song*#also that post i made about kudo being kind#kudo cant lie or hide stuff for shit. hes so obvious and knows what hes doing with en#NOT EVERYTHING IS GONNA KILL YOU IF YOU STEP WRONG KUDO. he was being so serious the whole time with#“youre gonna die” “the world will end in 5 minutes” “its only just starting now”#this list could be longer if KUDO HAD MORE SCREENTIME-#the gearshift hand thing with midoriya mightve just been midoriyas mental imagery tho#kudo#bnha#boku no hero academia#my hero academia#mha#spoilers#how could i forget these tags
38 notes · View notes
weebsinstash · 6 months
Text
I don't think I'd ever have the stones to actually do it but I feel like it'd be socially acceptable if I wrote a hazbin fic and just put my whole pussy in it and have Reader sing a song and yes I DO mean your ass would be reading lyrics
36 notes · View notes
yuseirra · 8 months
Text
***p3 spoilers***
no but,NO BUT, I just wrote on in my tags about it but isn't "Full Moon Full Life" basically a duet?? I'm sure the lotus juice part's written from the protagonist's point of view, but the parts where Azumi Takahashi(the lead singer) sings, it seems like the lyric's being sung from someone who's been watching the protagonist rather than the protag himself. This person seems to be cheering him on, aware of all of his journeys and acknowledges it all
They are the one who is aware of the eventual outcome.
No matter how far (No matter how far!) How you'll go (How you'll go, how you'll go) How long it may last
When there’s a beginning There's an ending too
and they are "with" the protagonist, they refer to them as "we".
Only from the high will reach us to the sky Ups and downs, we put these hands up and enjoy the ride
Only time will tell the magnitude of this No longer we were made to be this way to keep
and they give protagonist life advice
As you go (As you go) Believe in (Believe in) The faith in yourself
Choices were made, reflect hope and fear Be brave, enduring the pain
They also talk about something that "goes away" but will remain
The pictures fade away But it will remain the same
in which the protagonist responds to as:
Heavy, low fates are riding like the trill Abide by the rules, but I'll shine and prove it to you
I think this should be ryoji. I think this song's sung from ryoji's perspective. Him and the protagonist are singing together because they work like metaphors of life and death, they're pretty much inseparable and were essentially in a single body for a long period of time. To live life to the fullest, you have to acknowledge death too. So I think they're singing together this time for the remake Carpe Diem and all
you know how in burn my dread the protag "grapples down the god of fear and throws him into hell's fire?" I love that so much btw, I think it's a powerful take on living life head-on
but Full Moon Full Life might be making this "god of fear" and the protagonist make peace and sing together in harmony.
and it's death now that tells life:
It's your life, burn your dread
If that's the case, I think that's so beautiful and displays another way to embrace life
28 notes · View notes
saisons-en-enfer · 11 months
Text
46 notes · View notes
titsthedamnseason · 7 months
Text
since i haven’t pissed off enough people today i’ll say something else. i’m actually not a fan of surprise song mashups and i’m glad this wasn’t a thing when it was my show
Tumblr media
21 notes · View notes
hurricanesfollowyou · 1 month
Text
There are scars that never ever show themselves
You get when you're left alone too long in Hell
They tried to keep in the secrets that you wouldn't tell
But they just stripped you for parts you had to sell
9 notes · View notes
good-beans · 9 months
Text
youtube
It's done aahhh 👏👏👏 Here's my edit of @astarryserenade 's English covers in the Jailbreak Mix! The covers are incredible, and she was so helpful putting it together :) I also got some necessary audio editing help from @kyanako5972, thank you so much!
I hope you enjoy ✨
22 notes · View notes
jazzy-a · 8 months
Text
Tumblr media
*sigh* It's been 84 years...
16 notes · View notes
good-beanswrites · 11 months
Note
Same Lights, Camera, Sing Your Sins anon here (you know if I'm gonna keep sending anon asks because of ideas, I need a shorter name...) Glad they're getting time to cool off on what happened during the trial. This project is hard on them all QvQ
Okay another thought! While working on the Trial 2 MVs, you think the prisoners get to watch everyone's first MVs? Like, maybe praise how each video looks ("Oh my gosh, Amane you look amazing!"), making comments with Jackalope's artistic choices (Shidou's flower mummy) and how stiff some of the prisoners look ("Fuuta you're walking like a tinman." "Shut up!"), some singing along to songs they've overheard earlier (Kotoko singing Weakness), and...er...shirtless Mikoto ("Amane don't look!"). Idk, this makes their filming for the next MVs sound more fun as they hang out.
Hello again!! omg Thank You for sharing once again, I’m obsessed with that 🥺🥺🥺 That's so wonderful picturing a little movie night... (And yes, feel free to pick a name :D else I will dub thee 🎬 next time given the theme lmao)
Okay so my original idea was that those first videos were actually watched on the down-low. There were a few days of nothing going on while the prisoners debriefed, made plans, and communicated their song ideas to the writers to start working with. (Minor detail but I think they’re cut off from the world still, no internet access though they can exchange a few messages/visits with family). They do, however, get access to the others’ T1 videos on their phones/ facility computers. Everyone gave permission to watch them, but there’s a bit of hesitancy. They haven’t started filming their new videos yet, so no one has gotten a look that deep into anyone else’s hearts. Just because they’re closer in this au doesn’t make them better communicators -- there’s still a lot that’s been left unsaid regarding near-murders and their true selves. So they only watch them in secret out of respect.
Haruka hides under the covers to watch After Pain on loop late into the night (going “she’s just like me fr”). Fuuta doesn’t care much for the others’ songs but tries to decipher the crimes as best as he can. He probably gets one stuck in his head the next few days that he finds really embarrassing. Mahiru gets very emotional over the other lovers, doing a poor job of hiding her sympathy toward Yuno, Shidou, and Kazui in the following days. Kazui is embarrassed to watch Throw Down so often, but Shidou is such a subtle man and it’s nice to see a more open side to him (who admits to lying as well). Amane takes a while to watch them -- they’re videos supporting murder and sin, after all -- but once she convinces herself it’s to help the experiment, she allows herself to enjoy  them. Kotoko does the same as Fuuta but jumps straight into Fandom Mode and starts taking notes and analyzing the others’ videos. She keeps a secret folder on her phone of theories and symbolism and screenshots for reference. 
HOWEVER
You have opened my eyes to Milgram Movie Night 👁️👁️
Everyone realizes they’re going to need to get comfortable with a lot of personal info really quickly, since T2 filming starts in a few days. Rather than Jackalope’s suggestion of undergoing a painful group circle talk, they go with Mikoto’s idea to all sit down to watch the videos together. This keeps the atmosphere up while they watch, allowing for many compliments and encouragement. It also lets the singer defend things in their video if they see fit, though most let it speak for itself. (Fuuta: “ah, back when I was a menace online.” “You’re still like that Fuuta.” “I’m a changed man!” “You got one guilty verdict and nothing’s even happened yet.”)
I love all of those reactions so much ahhhh! Amane getting showered in compliments like she deserves. Honestly, all of them getting showered in complements because it's what they deserve ;-; Playful teasing getting thrown around for everyone. Not even Jackalope is safe from their heckling (see: Throw Down flower person), and he's not even there to defend himself. There’s lots of blushing and eye covering during MeMe. And a singalong aspect!! I don’t know I didn’t think to incorporate that into the fic so far -- there’s nothing quite like heckling your friend onstage by echoing their lines really loud from the wings asdfsdfsd. Mikoto recognizes the video game from Fuuta’s and makes his whole day. Mahiru and Shidou realize they have both flowers and food in common, and get to talking. All at once, everything clicks into place for why Amane hated Shidou him so much.
I'm also realizing Kazui would have a Moment TM while seeing all the prisoners talking so comfortably about their deepest selves and struggles. I don't think he'd break down and open up just yet, but I bet it's be a pretty big change of heart for him to see such honesty/vulnerability...
Plus, most of my original ideas can still stand after the fact! There's no shame in seeing too much personal info about another prisoner, the only shame comes from just how many time the video was looped in private lmao
24 notes · View notes