A Sprawling Nest of Vintage Wooden Chairs Perches on Liaigre’s Facade in Paris
2K notes
·
View notes
Louise Bourgeois, Couvent d'O Bonnieux, 2002
617 notes
·
View notes
Larry Bell. Pacific Red II, 2017.
laminated glass, 12 panels
6 notes
·
View notes
Cyprien Gaillard (French, b.1980)
Frankfurter Schact - 2021
[Outdoor sculpture in the Taunusanlage - various photographers]
MMK - MUSEUM FUR MODERNE KUNST, Frankfurt
image 5 via mentaltimetraveller
71 notes
·
View notes
Stepped into an Enchanted Forest today. ✨ Site-specific textile art installations by Joana Vasconcelos at ArtisTree in Taikoo Place, Hong Kong. // (c) Jenny Lam 2024
3 notes
·
View notes
Ebony G. Patterson (Jamaican, b. 1981) Dead Tree in a Forest... • 2013 • Mixed media on paper
Installation view of Ebony G Patterson's exhibition ...While the Dew is still on the Roses... • Pérez Art Museum, Miami, Florida
(Image credit: Oriol Tarridas)
Close-up of one of Patterson's floor tapestries at the John Michael Kohler Arts Center. Image: Monique Meloche Gallery. Courtesy of the artist.
Colorful clumps of flowers, crochet leaves and layers of woven gems are what first catch the eye in artist Ebony G. Patterson’s new tapestries, which make their debut next month at Monique Meloche Gallery in Chicago. But take a closer look at the group of impressively large floor pieces, each measuring around eight feet wide and over six feet long, and you’ll find disturbing forces within the works.
Ebony Patterson • Photo: Frank Ishman.
Read more about Ebony Patterson's work here.
Sources:
Artnet News (linked above)
Collassol
Monique Miloche Gallery
8 notes
·
View notes
14 notes
·
View notes
Hm. I am like... actively getting severely distressed and worked up about this assignment and I think the reason why is Significantly deeper than just "there aren't enough instructions". Like so much deeper I almost don't even wanna post about it. We live in a society bottom text
2 notes
·
View notes
Bangs and Whimpers:
Site-specific installation at Poriginal Gallery in Pori 2023.
Paper, projection, UV-light, carpet, cyanotype and natural dye on cotton. 4k video, 32 min.
2 notes
·
View notes
Site-Specific Kinetic Installations by Pinaffo & Pluvinage Channel Modest Materials Into Ephemeral Experiences
215 notes
·
View notes
Rebecca Horn, Room of Fire, Radiance, installation, 1992
40 notes
·
View notes
Chris Drury. Cloud Pool Chamber. 2008.
felled diseased logs, granite
5 notes
·
View notes
Christian Wagstaff & Keith Courtney (Australian)
1000 Doors installation - 2019
Bendigo Art Gallery, Bendigo AUS
Photos by Jane Mancini [more on Instagram]
57 notes
·
View notes
How did you start doing installation art?
every possible thing in my life went wrong i suppose
15 notes
·
View notes
Sarah Sze (American, b. 1969) • Twice Twilight •
Twice Twilight • Installation Views
Sarah Sze is an American artist and professor of visual arts at Columbia University. She has exhibited internationally and her works are in the collections of several major museums. Sze's work explores the role of technology and information in contemporary life utilizing everyday materials. Drawing from Modernist traditions, Sze's work often represents objects caught in suspension. – Wikipedia
Twice Twilight is a spherical metallic structure over five metres in diameter suspended from the ceiling. This work is inspired by the idea of the planetarium, a circular theatre where you can observe the movements of celestial bodies. Inside, hundreds of tiny projections flicker on torn pieces of paper. Sarah has also included many familiar objects inside the structure: a trestle table, fans, lights, bowls of water, postcards, and miniature spherical models that resemble the larger work, some of them containing further flickering projections. For Sarah, these objects are like traces of human behavior. – Aesthetica Magazine
4 notes
·
View notes
7 notes
·
View notes